When Patty Went to College Part 21

"But I thought you said you were in it?"

"Oh," said Patty, "it's a minor part, and my name doesn't appear."

"What sort of a part is it?"

"I'm a crash."

"A crash?"

"Yes, 'a crash without.' Lord Bromley says, 'Cynthia, I will brave all for your sake. I will follow you to the ends of the earth.' At this point a crash is heard without. I," said Patty, proudly, "am the crash.

I sit behind a moonlit balcony in a s.p.a.ce about two feet square, and drop a lamp-chimney into a box. It may not sound like a very important part, but it is the pivot upon which the whole plot turns."

"I hope you won't be taken with stage-fright," laughed Cathy.

"I'll try not," said Patty. "There comes the butler and Lord Bromley and Cynthia. I've got to go and make them up."

"Why are you making people up, if you are not on the committee?"

"Oh, once, during a period of mental weakness, I took china-painting lessons, and I'm supposed to know how. Good-by."

"Good-by. If you get any flowers I'll send them in by an usher."

"Do," said Patty. "I'm sure to get a lot."

Behind the scenes all was joyful confusion. Georgie, in a short skirt, with her s.h.i.+rt-waist sleeves rolled up and a note-book in her hand, was standing in the middle of the stage directing the scene-s.h.i.+fters and distracted committee. Patty, in the "green-room," was presiding over the cast, with a hare's foot in one hand and the other daubed with red and blue grease-paints.

"Oh, Patty," remonstrated Cynthia, with a horrified glance in the mirror, "I look more like a soubrette than a heroine."

"That's the way you ought to look," returned Patty. "Here, hold still till I put another dab on your chin."

Cynthia appealed to the faithful Lord Bromley, who was sitting in the background, politely letting the ladies go first. "Look, Bonnie, don't you think I'm too red? I know it'll all come off when you kiss me."

"If it comes off as easily as that, you'll be more fortunate than most of the people I make up"; and Patty smiled knowingly as she remembered how Priscilla had soaked half the night on the occasion of a previous play, and then had appeared at breakfast the next morning with lowering eyebrows and a hectic flush on each cheek. "You must remember that foot-lights take a lot of color," she explained condescendingly. "You'd look ghastly if I let you go the way you wanted to at first. Next!

"No," said Patty, as the butler presented himself; "you don't come till the second act. I'll take the Irate Parent first." The Irate Parent was dragged from a corner where he had been anxiously mumbling over his lines. "What's the matter?" asked Patty, as she began daubing in wrinkles with a liberal hand; "are you afraid?"

"N-no," said the Parent; "I'm not afraid, only I'm afraid that I will be afraid."

"You'd just better change your mind, then," said Patty, sternly. "We aren't going to allow any stage-fright to-night."

"Patty, you can manage Georgie Merriles; make her let me go on without any wig," cried Cynthia, returning and holding up to view a ma.s.s of yellow curls of a shade that was never produced in the course of nature.

Patty looked at the wig critically. "It is, perhaps, a trifle golden for the part."

"Golden!" said Cynthia. "It's positively _orange_. Wait till you see how it lights up. He calls me his dark-eyed beauty: and I'm sure no one with dark eyes, or any other kind of eyes, would have hair like that. My own looks a great deal better."

"Why don't you wear your own, then? Wrinkle up your forehead, Parent, and let me see which way they run."

"Georgie paid two dollars for renting it, and she's bound to get the money's worth of wear out of it, even if she makes me look like a fright and spoils the play."

"Nonsense," said Patty, pus.h.i.+ng away the Parent and giving her undivided attention to the question. "Your own hair does look better. Just mislay the wig and keep out of Georgie's way till the curtain goes up. The audience are beginning to come," she announced to the room in general, "and you've got to keep still back there. You're making an awful racket, and they can hear you all over the house. Here, what are you making such a noise for?" she demanded of Lord Bromley, who came clumping up with footfalls which reverberated through the flies.

"I can't help it," he said crossly. "Look at these boots. They're so big that I can step out of them without unlacing them."

"It's not my fault. I haven't anything to do with the costumes."

"I know it; but what can I do?"

"Never mind," said Patty, soothingly; "they don't look so awfully bad.

You'll have to try and walk without raising your feet."

She went out on the stage, where Georgie was giving her last directions to the scene-s.h.i.+fters. "The minute the curtain goes down on the first act change this forest to the drawing-room scene, and don't make any noise hammering. If you have to hammer, do it while the orchestra's playing. How does it look?" she asked anxiously, turning to Patty.

"Beautiful," said Patty. "I'd scarcely recognize it."

The "forest scene" had served in every outdoor capacity for the last four years, and it was usually hailed with a groan on the part of the audience.

"I was just coming in to see if the cast were ready," said Georgie.

"They're all made up, and are sitting in the green-room getting stage-fright. What shall I do now?"

"Let me see," said Georgie, consulting her book. "One of the committee is to prompt, one is to stay with the men and see that they manage the curtain and the lights in the right places, one is to give the cues, and two are to help change costumes. Cynthia has to change from a riding-habit to a ball-gown in four minutes. I think you'd better help her, too."

"Anything you please," said Patty, obligingly. "I'll stand on a stool with the ball-gown in the air ready to drop it over her head the moment she appears, like a harness on a fire-horse. Is everything out here done? What time is it?"

"Yes; everything's done, and it's five minutes of eight. We can begin as soon as the audience is ready."

They peered through the folds of the heavy velvet curtain at the sea of faces in front. Eight hundred girls in light evening-gowns were talking and laughing and singing. s.n.a.t.c.hes of song would start up in one corner and sweep gaily over the house, and sometimes two would meet and clash in the center, to the horror of those who preferred harmony to volume.

"Here come the old girls!" said Patty, as a procession of some fifty filed into reserved seats near the front. "There are loads of last year's cla.s.s back. What are the juniors doing? Look; I believe they are going to serenade them."

The juniors rose in a body, and, turning to their departed sister cla.s.s, sang a song notable for its sentiment rather than its meter.

"I do hope it will be a success," sighed Georgie. "If it doesn't come up to last year's senior play I shall _die_."

"Oh, it will," said Patty, rea.s.suringly. "Anything would be better than that."

"Now the glee club's going to sing two songs," said Georgie. "Thank heaven, they're new!" she added fervently. "And the orchestra plays an overture, and then the curtain goes up. Run and tell them to come out here, ready for the first act."

Lord Bromley was standing in the wings disgustedly viewing the banquet-table. "See here, Patty," he called as she hurried past. "Look at this stuff Georgie Merriles has palmed off on us for wine. You can't expect me to drink any such dope as _that_."

Patty paused for an instant. "What's the matter with it?" she inquired, pouring out some in a gla.s.s and holding it up to the light.

"Matter? It's made of currant jelly and water, with cold tea mixed in."

"I made it myself," said Patty, with some dignity. "It's a beautiful color."

"But I have to drain my gla.s.s at a draught," expostulated the outraged lord.