Wings of Fire Part 45

"We have a story," she muttered. "My people do, I mean."

"About the dragons? Yes, I suppose you do."

"Since I was old enough to listen, I heard how the world holds thousands of dragons in its chest, and from time to time, for reasons known only to the G.o.ds, one of them is released. Which makes sense, I suppose. If what everyone tells me is true, and their eggs can sleep for an eternity in the ground."

Even from a single fertile female, only one egg at a time would be exposed by erosion. Yes, it was a reasonable explanation.

"The freed dragons die of loneliness, always." She spoke those words with sadness, as if she knew something about that particular pain. "They kill and burn because of their longing for others like themselves, and then they fly too high in order to end their own miserable lives, and that is why the dragons cannot come back into this world."

"This is a very common story," Zephyr a.s.sured her. "Maybe every place in the world tells fables much like that."

"But there is more to my story," she said, her tone defensive.

"Is there?"

"Much more," she promised.

Neither of them spoke for a long moment. The young woman didn't want to say anything else, and Zephyr wasn't in the mood to let another people's legends distract him. He looked out another window, toward the empty south, and then from somewhere up ahead came a dull whump as a heavy block of dynamite detonated. Instantly, the brakes were applied, and the little train started to shake and s.h.i.+ver, fighting its momentum to remain on the suddenly unstable tracks.

The young woman was thrown from her seat, as was Zephyr.

He stood first and heard the early shots coming from inside the armored car. Again he looked to the south, seeing nothing, and then he hunkered down and looked in the other direction. A solitary figure was approaching on foot, armed with a rifle that he hadn't bothered to fire. He was marching steadily across the stunted gra.s.ses, allowing the mercenaries to fire at him. And while most of their bullets struck, each impact made only sparks and a high-pitched snap that seemed to accomplish nothing. Because the attacker was wearing a suit made from overlapping dragon scales, Zephyr realized. And with an impressive eye for detail, the man had gone to the trouble of stretching cloth between his arms and chest, as if he had wings, while on his masked face were painted the large, malevolent eyes of an exceptionally angry dragon.

7.

This was what Barrow did during the war. With a platoon of picked soldiers, he would squeeze into his costume and pick up a gun that was always too heavy to carry more than a few steps, and after swallowing his fears as well as his common sense, he and his brethren would walk straight at the enemy, letting them shoot at will, waiting to reach a point where he could murder every idiot who hadn't yet found reason enough to run away.

This was the war all over again, and he hated it.

His suit wasn't as good as the one he wore in the war. Manmark's students were experts at arranging the scales and fixing them to his clothes--a consequence of spending weeks and years a.s.sembling old bones--but there hadn't been enough time to do a proper, permanent job. The scales were tilted in order to guide the bullets to one side or the other, but they weren't always tilted enough. Every impact caused a bruise. One and then another blow to the chest seemed to break a rib or two, and Barrow found himself staggering now, the weight of his clothes and his own fatigue making him wish for an end to his suffering.

That old platoon had been a mostly invincible bunch, but by the war's end, those who hadn't died from lucky shots and cannon fire were pretty much crazy with fear. Barrow was one of the few exceptions--a consequence of getting hit less often and doing a better job of killing those who wanted him dead.

Through the narrow slits of his mask, he stared at the firing ports built into the armored car. Then he paused, knelt, and with a care enforced by hours of practice, he leveled his weapon and put a fat slug of lead into one man's face.

Two more rounds. .h.i.t Barrow, square in the chest and on the scalp.

He staggered, breathed hard enough to make himself lightheaded, and then aimed and fired again, killing no one but leaving someone behind the steel screaming in misery.

The surviving men finally got smart. One would cry out, and all would fire together, in a single volley.

Barrow was shoved back off his feet.

Again, there was a shout followed by the blow of a great hammer.

They would break every bone inside his bruised body if this continued. Barrow saw his doom and still could not make his body rise off the dusty earth. How had he come to this awful place? He couldn't remember. He sat upright, waiting for the next misery to find him... but a new voice was shouting, followed by the odd, high-pitched report of a very different gun.

The dirt before him rose up in a fountain and drifted away, and left lying between his legs was a single purple Claw of G.o.d.

d.a.m.n, somebody had a dragon-buster gun.

If he remained here, he would die. Reflexes and simple panic pushed Barrow up onto his feet, and on exhausted legs he ran, trying to count the seconds while he imagined somebody working with the breech of that huge, awful gun, inserting another expensive charge before sealing it up and aiming at him again.

When Barrow thought it was time, he abruptly changed direction.

The next claw screamed through the air, peeling off to the right.

Three engineers were cowering on the dragon-eyed locomotive. Plainly, they hadn't come here expecting to fight. Barrow pointed his rifle at each of their faces, just for a moment, and then they leaped down together and started running back toward town.

The men inside the armored car fired again. But Barrow kept close to the tender, giving them no easy shots. A few steps short of them, he reached behind his back, removing a satchel that he had carried from the beginning, out of sight, and he unwrapped the fuse and laid it on the ground, shooting it at pointblank range to set it on fire. Then he bent low and threw the satchel with his free arm, skipping it under the car before he stepped back a little ways, letting the guards see him standing in front of them with barely a care.

"There's enough dynamite under you now to throw that car up high and break it into twenty pieces," he promised. Then he added, "It's a long fuse. But I wouldn't spend too much time thinking before you decide to do what's smart."

An instant later, the main door was unlocked and unlatched. Five men came tumbling out into the open, one of them bleeding from the shoulder and none of them armed.

"Run," Barrow advised.

The mercenaries started chasing the train crew down the iron rails.

The fuse continued to burn, reaching the canvas satchel and sputtering for a few moments before it died away.

Barrow stared into the windowless car. The seven eggs were set inside seven oak crates, and he didn't look at any of them. He was staring at the man whom he had shot through the face, his mind thinking one way about it, then another.

A breech closed somewhere nearby, and a big hammer was c.o.c.ked.

Barrow turned too late, eyes focusing first on the cavernous barrel of the gun and then on the old foreign man who was fighting to hold it up. At this range, with any kind of dragon-round, death was certain. But Barrow's sense of things told him that if he didn't lift his own weapon, the man would hesitate. And another moment or two of life seemed like reason enough to do nothing.

"I am a creature of foresight," Zephyr remarked.

"You're smarter than me," agreed Barrow.

"Details," the old man muttered, two fingers wrapped around the long bra.s.s trigger. "The world is built upon tiny but critical details."

Behind him stood one detail--a rather pretty detail, just as Barrow had recalled--and using a purse full of heavy gold, she struck Zephyr on the top of his skull, and the long barrel dropped as the gun discharged, and a Claw of G.o.d came spinning out, burying itself once again inside the ancient Earth.

8.

Manmark had the freight wagon brought out of the draw, and he used a whip on the surviving camels, forcing them into a quick trot toward the motionless train. But there was a generous distance to be covered; open country afforded few safe places to hide. There was time to watch Barrow and the aboriginal girl with his binoculars, a little dose of worry nipping at him, and then Zephyr was awake again, sitting up and speaking at some length to the dragon hunter. All the while, Manmark's students were happily discussing their golden futures and what each planned to do with his little share of the fame. They spoke about the dragons soon to be born, and they discussed what kinds of cages would be required to hold the great beasts, and what would be a fair price for the public to see them, and what kinds of science could be done with these travelers from another age.

What was Zephyr saying to the dragon hunter?

Of course, the crafty old trader was trying to top Manmark's offers of wealth. And if he was successful? If Barrow abruptly changed sides...?

"Look at that cloud," one student mentioned.

Somewhere to the south, hooves were slapping at the ground, lifting the dust into a wind that was blowing north, obscuring what was most probably a small herd of hard-running hyraxes.

Manmark found the little pistol in his pocket, considering his options for a long moment.

If it came to it, would he have the courage?

Probably not, no. If these last days had taught Manmark anything, it was that he had no stomach for mayhem and murder.

He put the pistol back out of sight and again used the binoculars, the jumpy images showing that Zephyr had fallen silent for now and Barrow was gazing off to the south and all of the talking was being done by the prost.i.tute who stood between the two men, arms swirling in the air as she spoke on and on.

The worry that he felt now was nebulous and terrible.

Again, Manmark struck the big camels with his whip, and he screamed at everyone, telling them, "We need to hurry. Hurry!"

But the wagon was ma.s.sive and one camel short, and there was still a long, empty distance to cover. The curtain of dust was nearly upon the motionless train, and inside it were dozens, or perhaps hundreds of aboriginal men riding on the backs of the half-wild ponies that they preferred to ride--an entire tribe galloping toward the treasures that Manmark would never see again.

9.

She spoke quietly, with force.

"My favorite fable of all promises that the dragons will come again to this world. They will rise up out of the Earth to claim what has always been theirs, and only those men and women who help them will be spared. All the other people of the world will be fought and killed and eaten. Only the chosen few will be allowed to live as they wish, protected beneath the great wings of the reawakened G.o.ds."

Zephyr rubbed his sore head, trying to focus his mind. But really, no amount of cleverness or any promise of money would help now. Even with a splitting headache, he understood that inescapable lesson.

Speaking to the man wearing dragon scales, she said, "Your ugly people came into my country and stole everything of worth. You gave us disease and drink, and you are murdering our herds. But now I intend to destroy everything you have built here, and my children will take back all the lands between the seas."

She was a clever, brutal girl, Zephyr decided. And she had done a masterful job of fooling everyone, including him.

Barrow turned and stared at the oncoming riders. He had pulled off his armored mask, but he was still breathing hard, winded by his fight and terrified. He might defeat half a dozen mercenaries, if he was lucky. But not a nation of wild men and women armed with rifles and a communal rage.

"You need me," he muttered.

The young woman didn't respond. It was Zephyr who said, "What do you mean? Who needs you?"

"She does," Barrow announced. Then he pointed at the riders, adding, "If they want to help themselves, they should accept my help."

The woman laughed and asked, "Why?"

"When I was a boy," said Barrow, "I kept baby birds. And I learned that my little friends would take my food and my love best if I wore a sock on my hand, painting it to resemble their lost mothers and fathers."

The rumbling of hooves grew louder, nearer.

"I'm a big man in this big costume," he remarked. "This costume is bigger than anything any of your people can wear, I would think. And I'm brave enough to do stupid things. And you will have seven dragons to care for now... to feed and protect, and to train, if you can... and wouldn't you like to take along somebody who's willing to risk everything on a daily basis...?"

Zephyr laughed quietly now.

Clearly, this Barrow fellow was at least as surprising as the young woman, and maybe twice as bold.

The woman stared at the man dressed as a dragon, a look of interest slowly breaking across her face.

Zephyr had to laugh louder now.

Dust drifted across the scene, thick and soft, muting the sound of their voices. And then the woman turned to her people, shouting to be heard.

"I have dragons to give you!" she called out.

"Eight, as it happens! Eight dragons to build a new world...!"

Berlin.

Charles de Lint.

Charles de Lint was born in The Netherlands but has lived most of his life around the city of Ottawa, Ontario. He sold his first stories in the late 1970s, and became a full-time writer in 1983. His many books include Moonheart, winner of the first Crawford Fantasy Award, and first in the popular series revolving around the imaginary city of Newford, which includes collections Moonlight and Vines, Tapping the Dream Tree, and Muse and Reverie, and novels Memory & Dream, Trader, Someplace to be Flying, Forests of the Heart, The Onion Girl, Spirit in the Wires and Widders.h.i.+ns.

De Lint's writing is often labelled "urban" or "contemporary" fantasy, and is credited with helping to make the subgenre popular, though he has written high fantasy in The Riddle of the Wren and others, and has published horror beginning with Mulengro. A fifteen-time World Fantasy Award finalist, he won in 2000 for Moonlight and Vines. De Lint's most recent novel is The Mystery of Grace, and coming up is a new collection, The Best of Charles de Lint.

Fifty years from now, Elfland came back.

It stuck a finger into a large city, creating a borderland between our world and that glittering realm with its elves and magic. As the years went by the two worlds remained separate, co-existing only in that place where magic and reality overlap. A place called Bordertown.

Offering dragons quarter is no good, they regrow all their parts & come on again, they have to be killed.

- John Berryman.

ONE.