Zombies - Encounters with the Hungry Dead Part 26

"No..." Betty's mouth moved as if in slow-motion. Her lipstick looked too bright, her mascara too dark. "No," she said again, and something dark dripped out of her eyes as her head began to shake.

Elaine's light picked up a glint in Betty's right hand. "Betty?" Betty stumbled forward and fell, keeping that right hand out in front of her. Elaine stepped closer thinking to help Betty up, but then saw that Betty's right arm was swinging slowly side to side, a scalpel clutched tightly in her hand. "Betty! Let me help you!"

"No!" Betty screamed. Her head began to thrash back and forth on the litter-covered floor. Her cheeks rolled again and again over broken gla.s.s. Blood welled; smeared, and stained her face as her head moved no, no, no. She struggled to control the hand holding the scalpel. Then she suddenly plunged it into her throat. Her left hand came up jerkily and helped her pull the scalpel through muscle and skin.

Elaine fell to her knees, grabbed paper and cloth, anything at hand to dam the dark flow from Betty's throat. After a minute or two she stopped and turned away.

There were more noises off in the darkness. At the back of the room where she'd first seen Betty, Elaine found a doorless pa.s.sage to another room. Her light now had a vague reddish tinge. She wondered hazily if there was blood on the flashlight lens, or blood in her eyes. But the light still showed the way. She followed it, hearing a harsh, wet sound. For just a moment she thought that maybe Betty might still be alive. She started to go back when she heard it again; it was definitely in the room ahead of her.

She tried not to think of Betty as she made her way through the darkness. That wasn't Betty. That was just her body. Elaine's mother used to babble things like that to her all the time. Spiritual things. Elaine didn't know what she herself felt. Someone dies, you don't know them anymore. You can't imagine what they might be thinking.

The room had the sharp smell of fresh paint. Drop cloths had been piled in the center of the floor. The windows were crisscrossed by long stretches of masking tape, and outside lights left odd patterns like angular spiderwebs on all the objects in the room.

A heavy cord dropped out of the ceiling to a small switch box on the floor, which was in turn connected to a large mercury lamp the construction crew must have been using. Elaine bent over and flipped the switch.

The light was like an explosion. It created strange, skeletal shadows in the drop cloths, as if she were suddenly seeing through them. She walked steadily toward the pile, keeping an eye on those shadows.

Elaine reached out her hand and several of the cloths flew away.

My G.o.d, Betty killed him! Betty killed him and cut off that awful, shaking head! The head was a small, sad mound by the boy's filthy, naked body. A soft whispering seemed to enter Elaine's ear, which brought her attention back to that head.

She stopped to feel the draft, but there was no draft, even though she could hear it rising in her head, whistling through her hair and making it grow longer, making it grow white, making her older.

Because of a trick of the light the boy's-Tom's-eyes looked open in his severed head. Because of a trick of the light the eyes blinked several times as if trying to adjust to that light.

He had a soft, confused stare, like a stuffed toy's. His mouth moved like a baby's. Then his naked, headless body sat up on the floor. Then the headless body struggled to its feet, weaving unsteadily. No inner ear for balance, Elaine thought, and almost laughed. She felt crazed, capable of anything.

The body stood motionless, staring at Elaine. Staring at her. The nipples looked darker than normal and seemed to track her as she moved sideways across the room. The hairless b.r.e.a.s.t.s gave the body's new eyes a slight bulge. The navel was flat and neutral, but Elaine wondered if the body could smell her with it. The p.e.n.i.s-the tongue-curled in and out of the bearded mouth of the body's new face. The body moved stiffly, puppet-like, toward its former head.

The body picked up its head with one hand and threw it out into a darkened corner of the room. It made a sound like a wet mop slapping the linoleum floor. Elaine heard a soft whimpering that soon ceased. She could hear ugly, moist noises coming from the body's new bearded mouth. She could hear skin splitting, she could see blood dripping to the dusty floor as the body's new mouth widened and brought new lips up out of the meaty darkness inside.

The sound of a wheelchair rolling in behind her. She turned and watched as the old woman grabbed each side of her ancient-looking, spasming head. The head continued its insistent no, no, no even as the hands and arms increased their pressure, the old lady's body quaking from the strain. Then suddenly the no, no, no stopped, the arms lifted up on the now-motionless head, and pulled it away from the body, cracking open the spine and stretching the skin and muscle of the neck until they tore or snapped apart like rotted bands of elastic. The old woman's fluids gushed, then suddenly stopped, both head and body sealing the breaks with pale tissues stretched almost to transparency.

The new face on the old woman's body was withered, pale, almost hairless, and resembled the old face to a remarkable degree. The new eyes sagged lazily, and Elaine wondered if this body might be blind.

The old woman's head gasped, and was still. The young male body picked up the woman's dead head and stuffed it into its hairy mouth. Its new, pale pink lips stretched and rolled. Elaine could see the stomach acid bubbling on those lips, the steadily diminis.h.i.+ng face of the old lady appearing now and then in the gaps between the male body's lips as the body continued its digestion. The old woman's denuded skull fell out on the linoleum and rattled its way across the floor.

Elaine closed her eyes and tried to remember everything her mother had ever told her. Someone dies and you don't know them anymore. It's just a dead body-it's not my friend. My friend lives in the head forever. Death is a mystery. Stay away from crowds. Crowds want to eat you.

She wanted Mark here with her. She wanted Mark to touch her body and make her feel beautiful. No. People can't be trusted. No. She wanted to love her own body. No. She wanted her body to love her. No. She tried to imagine Mark touching her, making love to her. No. With dead eyes, mouth splitting at the corners. No. Removing his head and shoving it deep inside her, his eyes and tongue finding and eating all her secrets.

No, no, no, her head said. Elaine's head moved no, no, no. And each time her vision swept across the room with the rhythmic swing of her shaking head, the bodies were closer.

17/ Joe R. Lansdale Onthe Far.

Side Of The Cadillac Desert With.

Dead Folks.

1.

After a month's chase, Wayne caught up with Calhoun one night at a little honky-tonk called Rosalita's. It wasn't that Calhoun had finally gotten careless, it was just that he wasn't worried. He'd killed four bounty hunters so far, and Wayne knew a fifth didn't concern him.

The last bounty hunter had been the famous Pink Lady McGuire-one mean, mama-three hundred pounds of rolling, ugly meat that carried a twelve-gauge Remington pump and a bad att.i.tude. Story was, Calhoun jumped her from behind, cut her throat, and as a joke, f.u.c.ked her before she bled to death. This not only proved to Wayne that Calhoun was a dangerous sonofa-b.i.t.c.h, it also proved he had bad taste.

Wayne stepped out of his '57 Chevy reproduction, pushed his hat back on his forehead, opened the trunk, and got the sawed-off double barrel and some sh.e.l.ls out of there. He already had a.38 revolver in the holster at his side and a bowie knife in each boot, but when you went into a place like Rosalita's it was best to have plenty of backup.

Wayne put a handful of shotgun sh.e.l.ls in his s.h.i.+rt pocket, snapped the flap over them, looked up at the red-and-blue neon sign that flashed rosalita's: coid beer and dead dancing, found his center, as they say in Zen, and went on in.

He held the shotgun against his leg, and as it was dark in there and folks were busy with talk or drinks or dancing, no one noticed him or his artillery right off.

He spotted Calhoun's stocky, black-hatted self immediately. He was inside the dance cage with a dead buck-naked Mexican girl of about twelve. He was holding her tight around the waist with one hand and ma.s.saging her rubbery a.s.s with the other like it was a pillow he was trying to shape. The dead girl's handless arms flailed on either side of Calhoun, and her little t.i.ts pressed to his thick chest. Her wire-muzzled face knocked repeatedly at his shoulder and drool whipped out of her mouth in thick spermy ropes, stuck to his s.h.i.+rt, faded and left a patch of wetness.

For all Wayne knew, the girl was Calhoun's sister or daughter. It was that kind of place. The kind that had sprung up immediately after that stuff had gotten out of a lab upstate and filled the air with bacterium that brought dead humans back to life, made their basic motor functions work and made them hungry for human flesh; made it so if a man's wife, daughter, sister, or mother went belly up and he wanted to turn a few bucks, he might think: "d.a.m.n, that's tough about ole Betty Sue, but she's dead as hoot-owl s.h.i.+t and ain't gonna be needing nothing from here on out, and with them germs working around in her, she's just gonna pull herself out of the ground and cause me a problem. And the ground out back of the house is harder to dig than a calculus problem is to work, so I'll just toss her cold a.s.s in the back of the pickup next to the chain saw and the barbed-wire roll, haul her across the border and sell her to the Meat Boys to sell to the tonks for dancing.

"It's a sad thing to sell one of your own, but s.h.i.+t, them's the breaks. I'll just stay out of the tonks until all the meat rots off her bones and they have to throw her away. That way I won't go in some place for a drink and see her up there shaking her dead t.i.ts and end up going sentimental and dewey-eyed in front of one of my buddies or some ole two-dollar gal."

This kind of thinking supplied the dancers. In other parts of the country, the dancers might be men or children, but here it was mostly women. Men were used for hunting and target practice.

The Meat Boys took the bodies, cut off the hands so they couldn't grab, ran screws threw their jaws to fasten on wire muzzles so they couldn't bite, sold them to the honky-tonks about the time the germ started stirring.

Tonk owners put them inside wire enclosures up front of their joints, started music, and men paid five dollars to get in there and grab them and make like they were dancing when all the women wanted to do was grab and bite, which muzzled and handless, they could not do.

If a man liked his partner enough, he could pay more money and have her tied to a cot in the back and he could get on her and do some business. Didn't have to hear no arguments or buy presents or make promises or make them come. Just f.u.c.k and hike.

As long as the establishment sprayed the dead for maggots and kept them perfumed and didn't keep them so long hunks of meat came off on a fella's d.i.c.k, the customers were happy as flies on s.h.i.+t.

Wayne looked to see who might give him trouble, and figured everyone was a potential customer. The six foot two, two-hundred fifty pound bouncer being the most immediate concern.

But, there wasn't anything to do but to get on with things and handle problems when they came up. He went into the cage where Calhoun was dancing, shouldered through the other dancers and went for him.

Calhoun had his back to Wayne, and as the music was loud, Wayne didn't worry about going quietly. But Calhoun sensed him and turned with his hand full of a little.38.

Wayne clubbed Calhoun's arm with the barrel of the shotgun. The little gun flew out of Calhoun's hand and went skidding across the floor and clanked against the metal cage.

Calhoun wasn't outdone. He spun the dead girl in front of him and pulled a big pigsticker out of his boot and held it under the girl's armpit in a threatening manner, which with a knife that big was no feat.

Wayne shot the dead girl's left kneecap out from under her and she went down. Her armpit trapped Calhoun's knife. The other men deserted their partners and went over the wire netting like squirrels.

Before Calhoun could shake the girl loose, Wayne stepped in and hit him over the head with the barrel of the shotgun. Calhoun crumpled and the girl began to crawl about on the floor as if looking for lost contacts.

The bouncer came in behind Wayne, grabbed him under the arms and tried to slip a full nelson on him.

Wayne kicked back on the bouncer's s.h.i.+n and raked his boot down the man's instep and stomped his foot. The bouncer let go. Wayne turned and kicked him in the b.a.l.l.s and hit him across the face with the shotgun.

The bouncer went down and didn't even look like he wanted up.

Wayne couldn't help but note he liked the music that was playing. When he turned he had someone to dance with.

Calhoun.

Calhoun charged him, hit Wayne in the belly with his head, knocked him over the bouncer. They tumbled to the floor and the shotgun went out of Wayne's hands and sc.r.a.ped across the floor and hit the crawling girl in the head. She didn't even notice, just kept snaking in circles, dragging her blasted leg behind her like a skin she was trying to shed.

The other women, partnerless, wandered about the cage. The music changed. Wayne didn't like this tune as well. Too slow. He bit Calhoun's ear-lobe off.

Calhoun screamed and they grappled around on the floor. Calhoun got his arm around Wayn's throat and tried to choke him to death.

Wayne coughed out the earlobe, lifted his leg and took the knife out of his boot. He brought it around and back and hit Calhoun in the temple with the hilt.

Calhoun let go of Wayne and rocked on his knees, then collapsed on top of him.

Wayne got out from under him and got up and kicked him in the head a few times. When he was finished, he put the bowie in its place, got Calhoun's.38 and the shotgun. To h.e.l.l with pig sticker.

A dead woman tried to grab him, and he shoved her away with a thrust of his palm. He got Calhoun by the collar, started pulling him toward the gate.

Faces were pressed against the wire, watching. It had been quite a show. A friendly cowboy type opened the gate for Wayne and the crowd parted as he pulled Calhoun by. One man felt helpful and chased after them and said, "Here's his hat, Mister," and dropped it on Calhoun's face and it stayed there.

Outside, a professional drunk was standing between two cars taking a leak on the ground. As Wayne pulled Calhoun past, the drunk said, "Your buddy don't look so good."

"Look worse than that when I get him to Law Town," Wayne said.

Wayne stopped by the '57, emptied Calhoun's pistol and tossed it as far as he could, then took a few minutes to kick Calhoun in the ribs and a.s.s. Calhoun grunted and farted, but didn't come to.

When Wayne's leg got tired, he put Calhoun in the pa.s.senger seat and handcuffed him to the door.

He went over to Calhoun's '62 Impala replica with the plastic bull horns mounted on the hood-which was how he had located him in the first place, by his well-known car-and kicked the gla.s.s out of the window on the driver's side and used the shotgun to shoot the bull horns off. He took out his pistol and shot all the tires flat, p.i.s.sed on the driver's door, and kicked a dent in it.

By then he was too tired to s.h.i.+t in the backseat, so he took some deep breaths and went back to the '57 and climbed in behind the wheel.

Reaching across Calhoun, he opened the glove box and got out one of his thin, black cigars and put it in his mouth. He pushed the lighter in, and while he waited for it to heat up, he took the shotgun out of his lap and reloaded it.

A couple of men poked their heads outside of the tonk's door, and Wayne stuck the shotgun out the window and fired above their heads. They disappeared inside so fast they might have been an optical illusion.

Wayne put the lighter to his cigar, picked up the wanted poster he had on the seat, and set fire to it. He thought about putting it in Calhoun's lap as a joke, but didn't. He tossed the flaming poster out the window.

He drove over close to the tonk and used the remaining shotgun load to shoot at the neon Rosalita's sign. Gla.s.s tinkled onto the tonk's roof and onto the gravel drive.

Now if he only had a dog to kick.

He drove away from there, bound for the Cadillac Desert, and finally Law Town on the other side.

2.

The Cadillacs stretched for miles, providing the only shade in the desert. They were buried nose down at a slant, almost to the winds.h.i.+elds, and Wayne could see skeletons of some of the drivers in the car, either lodged behind the steering wheels or lying on the dashboards against the gla.s.s. The roof and hood guns had long since been removed and all the windows on the cars were rolled up, except for those that had been knocked out and vandalized by travelers, or dead folks looking for goodies.

The thought of being in one of those cars with the windows rolled up in all this heat made Wayne feel even more uncomfortable than he already was. Hot as it was, he was certain even the skeletons were sweating.

He finished p.i.s.sing on the tire of the Chevy, saw the p.i.s.s had almost dried. He shook the drops off, watched them fall and evaporate against the burning sand. Zipping up, he thought about Calhoun, and how when he'd pulled over earlier to let the sonofab.i.t.c.h take a leak, he'd seen there was a little metal ring through the head of his d.i.c.k and a Texas emblem, being from there himself, but he couldn't for the life of him imagine why a fella would do that to his general. Any idiot who would put a ring through the head of his p.e.c.k.e.r deserved to die, innocent or not.

Wayne took off his cowboy hat and rubbed the back of his neck and ran his hand over the top of his head and back again. The sweat on his fingers was thick as lube oil, and the thinning part of his hairline was tender; the heat was cooking the h.e.l.l out of his scalp, even through the brown felt of his hat.

Before he put his hat on, the sweat on his fingers was dry. He broke open the shotgun, put the sh.e.l.ls in his pocket, opened the Chevy's back door and tossed the shotgun on the floorboard.

He got in the front behind the wheel and the seat was hot as a griddle on his back and a.s.s. The sun shone through the slightly tinted windows like a polished chrome hubcap; it forced him to squint.

Glancing over at Calhoun, he studied him. The f.u.c.ker was asleep with his head thrown back and his black wilted hat hung precarious on his head-it looked jaunty almost. Sweat oozed down Calhoun's red face, flowed over his eyelids and around his neck, running in riverlets down the white seat covers, drying quickly. He had his left hand between his legs, clutching his b.a.l.l.s, and his right was on the arm rest, which was the only place it could be since he was handcuffed to the door.

Wayne thought he ought to blow the b.a.s.t.a.r.d's brains out and tell G.o.d he died. The s.h.i.+thead certainly needed shooting, but Wayne didn't want to lose a thousand dollars off his reward. He needed every penny if he was going to get that wrecking yard he wanted. The yard was the dream that went before him like a carrot before a donkey, and he didn't want anymore delays. If he never made another trip across this G.o.dd.a.m.n desert, that would suit him fine.

Pop would let him buy the place with the money he had now, and he could pay the rest out later. But that wasn't what he wanted to do. The bounty business had finally gone sour, and he wanted to do different. It wasn't any G.o.dd.a.m.n fun anymore. Just met the d.i.c.k cheese of the earth. And when you ran the sonofa-b.i.t.c.hes to ground and put the cuffs on them, you had to watch your a.s.s till you got them turned in. Had to sleep with one eye open and a hand on your gun. It wasn't anyway to live.

And he wanted a chance to do right by Pop. Pop had been like a father to him. When he was a kid and his mama was s.c.r.e.w.i.n.g the Mexicans across the border for the rent money, Pop would let him hang out in the yard and climb on the rusted cars and watch him fix the better ones, tune those babies so fine they purred like d.i.c.k-whipped women.

When he was older, Pop would haul him to Galveston for the wh.o.r.es and out to the beach to take potshots at all the ugly, f.u.c.ked-up critters swimming around in the Gulf. Sometimes he'd take him to Oklahoma for the Dead Roundup. It sure seemed to do the old fart good to whack those dead f.u.c.kers with a tire iron, smash their diseased brains so they'd lay down for good. And it was a challenge. Cause if one of those dead buddies bit you, you could put your head between your legs and kiss your rosy a.s.s goodbye.

Wayne pulled out of his thoughts of Pop and the wrecking yard and turned on the stereo system. One of his favorite country-and-western tunes whispered at him. It was Billy Conteegas singing, and Wayne hummed along with the music as he drove into the welcome, if mostly ineffectual, shadows provided by the Cadillacs.

My baby left me, She left me for a cow, But I don't give a flying f.u.c.k, She's gone radioactive now, Yeah, my baby left me, Left me for a six-t.i.ttied cow.

Just when Conteegas was getting to the good part, doing the trilling sound in his throat he was famous for, Calhoun opened his eyes and spoke up.

"Ain't it bad enough I got to put up with the f.u.c.king heat and your f.u.c.king humming without having to listen to that s.h.i.+t? Ain't you got no Hank Williams stuff, or maybe some of that n.i.g.g.e.r music they used to make? You know where the c.o.o.ns harmonize and one of them sings like his nuts are cut off."

"You just don't know good music when you hear it, Calhoun."

Calhoun moved his free hand to his hatband, found one of his few remaining cigarettes and a match there. H struck the match on his knee, lit the smoke and coughed a few rounds. Wayne couldn't imagine how Calhoun could smoke in all this heat.

"Well, I may not know good music when I hear it, capon, but I d.a.m.n sure know bad music when I hear it. And that's some bad music."

"You ain't got any kind of culture, Calhoun. You been too busy raping kids."

"Reckon a man has to have a hobby," Calhoun said, blowing smoke at Wayne. "Young p.u.s.s.y is mine. Besides she wasn't in diapers. Couldn't find one that young. She was thirteen. You know what they say. If they're old enough to bleed, they're old enough to breed."