Home Lights and Shadows Part 12

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"And what has that taught you? I should like very much to know."

"It has taught me, Cara," replied Jane, seriously, "to estimate him very lightly indeed. From what I have seen, I am convinced that he possesses neither fixed principles nor any decision of character. In the world, without these a man is like a s.h.i.+p upon the ocean, having neither helm nor compa.s.s."

"You make broad and bold charges, Jane. But I am sure you are mistaken."

"I may be. But so certain am I that I am right, that I would rather die this hour than be compelled to link my lot in life with his.

Certain I am that I should make s.h.i.+pwreck of hope and affection."

"You deal in riddles, Jane. Speak out more plainly."

"Surely, Cara, long before this you have or ought to have discovered, that Charles Wilton exhibits far too much love of appearance for a sensible man. He dresses in the very best style and may be able to afford it; but that is not all;--he evidently esteems these external embellishments of superior importance to mental or moral endowments. He rarely fails to remark upon men not so well dressed as himself, and to refer to the defect as one sufficient to make the individual contemptible, no matter what may be the circ.u.mstances or merit of the person referred to. I have more than once noticed that Charles Wilton pa.s.ses over every thing in his disgust for defect in dress."

"I do not see a matter of serious importance in that," said Cara.

"His love of dress is a mere foible, that may be excused. It certainly has nothing to do with his real character."

"It is an indication of the man's true character," her friend replied. "I am sure that I want no plainer exhibition. If he was simply fond of dress, and indulged in that fondness even to the extent he now does it might indicate a mere weakness of character, in the form of an undue love of admiration. But when, to this, we see a disposition to value others, and to judge of them by their garments, then we may be sure that there is a serious defect of character. The man, Cara, believe me, who has no higher standard of estimation for other men, than the form, manner, and texture of their garments, has not the capacity rightly to value a woman or to know wherein her true merit lies. This is _one_ of the reasons why I said that I would rather die than link my lot in life with that young man."

"Well, as for me, Jane, I am sure that I would rather have a man with some spirit in him, than to be tied to such a drone as Walter Gray. Why, I should die in a week. I can't for my life, see how you can enjoy his society for a moment!"

"I should think any woman ought to be able to enjoy the company of a man of sense," Jane remarked, quietly.

"Surely, Jane, you don't pretend by that to set up Walter Gray as the superior of Charles Wilton in regard to intelligence?"

"Certainly I do, Cara."

"Why, Jane! There is no comparison, in this respect, between them.

Every one knows that while Walter is dull, even to stupidity, Charles has a brilliant, well-informed mind. It is only necessary to hear each converse for an hour, to decide upon their respective merits."

"In that last sentence you have uttered the truth, Cara, but the result would depend much upon the character of the listeners. For a time, no doubt, if Charles made an effort to show off, he would eclipse the less brilliant and un.o.btrusive Walter. But a close and discriminating observer would soon learn to judge between sound and sense, between borrowed thoughts and truthful sentiments originating in a philosophical and ever active mind. The shallow stream runs sparkling and flas.h.i.+ng in the sunlight, while the deeper waters lie dark and unattractive."

Cara shook her head as her friend ceased speaking, and replied, laughingly--

"You can beat me at talking, Jane--but all your philosophy and poetry can't make me think Charles Wilton less brilliant and sensible, or Walter Gray less dull and spiritless."

The two young men whose merits Jane Emory and Cara Linton had thus been discussing, had been law students for some years in the same office, and were now just admitted to practice at the bar in one of our Atlantic cities. They were friends, though altogether unlike each other. Walter Gray was modest and retiring, while Charles Wilton was a das.h.i.+ng, off-hand kind of a fellow, with more pretensions than merit. The mind of Walter was rather sluggish, while that of his friend was quick, and what some were disposed to esteem brilliant. The one was fond of dress and show, and effect; while the other paid less regard to these things than was really necessary to make him, with many, an agreeable companion. But the quick perceptions of the one were not equal to the patient, untiring application of the other. When admitted to practice, Wilton could make an effective, brilliant speech, and in ordinary cases, where an appeal to the feelings could influence a jury, was uniformly successful. But, where profound investigation, concise reasoning, and a laborious array of authorities were requisite, he was no compet.i.tor for his friend Gray. He was vain of his personal appearance, as has before been indicated, and was also fond of pleasure and company. In short, he was one of those das.h.i.+ng young men to be met with in all professions, who look upon business as an necessary evil, to be escaped whenever a opportunity offers--whose expectations of future prosperity are always large, and who look for success, not in the roads of patient, laborious application, but by a quicker and more brilliant way. They hope to produce a sensation by their tact or talents, and thus take fortune by storm. Few, indeed we might say none, of this cla.s.s succeed. Those who startle a community by rapid advances, are, in all cases, such as have, to quick perceptions and brilliant powers, added much labor. Talent is nothing without prolonged and patient application; and they who suppose the road to success lies in any other way, may discover their error too late.

The estimation in which the characters of these two young men was held, at least by two individuals, the preceding conversation has apprised the reader. Each made his impression upon a certain order of mind, and each was regarded, or lightly esteemed accordingly.

Although in talents and in a right estimation of life and its true ends, the two young men were altogether dissimilar; yet were they friends, and in many respects intimate. Why they were so, we shall not stop to enquire, but proceed to introduce them more particularly to the reader.

"I suppose you are going to Mrs. Melton's this evening?" said Wilton to his friend, a few weeks after the period indicated in the opening of this story.

"I feel as if I would like to go. A social evening, now and then, I find pleasant, and I have no doubt it is useful to me."

"That is right, Walter. I am glad to see you coming out of your recluse habits. You want the polish and ease that social life will give you."

"I feel that, Wilton. But I fear I am too old now to have all the rough corners knocked off, and worn smooth."

"O, don't despair. You'll make a ladies' man after awhile, if you persevere, and become more particular in your dress. But, to change the subject, a little, tell me what you think of Cara Linton? Her father is worth a plum, and she is just the showy, brilliant woman, of which a man like me ought to be proud of."

"As you ask me, Charles, I must reply candidly. I would think her a dear bargain with all her father's money thrown in with her; and as to your other reasons for thinking of her as a wife, I consider them, to speak plainly, as I always do to you, despicable!"

"And why so, Mr. Philosopher?"

"A wife should be chosen from much higher considerations than these.

What do you want with a brilliant, showy wife? You marry, or ought to marry, a companion for yourself--not a woman for the world to admire."

"You are too matter-of-fact, by half, Walter. Your common sense ideas, as you call them, will keep you grubbing in a mole hill all your life.

"I should like to see the woman _you_ would choose for a wife!"

"I wish you had a few of these common sense ideas you despise so much. I am afraid, Charles, that the time is not very distant when you will stand sadly in need of them."

"Don't trouble yourself, Walter. I'll take care of number one. Let me alone for that. But, I should like to know your serious objections to Cara? You sweep her aside with one wave of your hand, as if she were too insignificant to be thought of for a moment."

"I said that _I_ should consider her a dear bargain, and so I would--for she would not suit me at all."

"Ah, there I believe you. But come, let me hear why she would not suit you."

"Because she has no correct and common sense estimation of life and its relations. She is full of poetry and romance, and fas.h.i.+on, and show, and 'all that kind of thing;' none of which, without a great deal of the salt of common sense, would suit me."

"Common sense! Common sense! Common sense! That is your hobby.

Verily, Walter, you are a monomaniac on the subject of common sense; but, as for me, I will leave common sense to common people. I go in for uncommon sense."

"The poorest and most unprofitable sense of all, let me tell you.

And one of these days you will discover it to be so."

"It is no use for us to compare our philosophical notes, I see plainly enough," Wilton responded. "We shall never view things in the same light. You are not the man of the world you should be, Walter. Men of half your merit will eclipse you, winning opulence and distinction--while you, with your common sense notions, will be plodding on at a snail's pace. You are behind the age, and a stranger to its powerful, onward impulses."

"And ever do I desire to remain behind the age, Wilton, if mere pretension and show be its ruling and impulsive spirit."

"The old fas.h.i.+oned way of attaining eminence," Charles Wilton replied, a.s.suming an att.i.tude and speaking out truly the thoughts that were in his mind; "by plodding on with the emmet's patience, and storing up knowledge, grain by grain, brings not the hoped for reward, now. You must startle and surprise. The brilliant meteor attracts a thousand times more attention, than the brightest star that s.h.i.+nes in the firmament."

"You are trifling, Charles."

"Never was more in earnest in my life. I have made up my mind to succeed; to be known and envied. And to gain the position of eminence I desire, I mean to take the surest way. The world _will_ be deceived, and, therefore, they who would succeed must throw dust in people's eyes."

"Or, in other words, deceive them by pretension. Charles, let me warn you against any such unmanly, and, I must say, dishonest course. Be true to yourself and true to principle."

"I shall certainly be true to myself, Walter. For what pray do we toil over dry and musty law books in a confined office, months and years, if not to gain the power of rising in the world? I have served my dreary apprentices.h.i.+p--I have learnt the art and mystery, and now for the best and most certain mode of applying it."

"But, remember your responsibility to society. Your----"

"Nonsense! What do I, or what does any one else care about society?

My motto is, Every one for himself, and the deuce take the hindmost.

And that's the motto of the whole world."

"Not of the whole world, Charles."

"Yes, of the whole world, with, perhaps, the single, strange exception of Walter Gray. And he will be flung to the wall, and soon forgotten, I fear."

Home Lights and Shadows Part 12

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Home Lights and Shadows Part 12 summary

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