Midnight Breed: A Touch Of Midnight Part 3
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If she could get through the remaining forty minutes of her s.h.i.+ft without losing it again, it would be a miracle.
"All set then, dear?" Mrs. Kennefick patted her neat gray bun, then smoothed her similarly colored cardigan as she ambled around from her desk in the processing room.
"All set," Savannah said, adding the worn-out copy of Carrie to the wheeled book cart with the rest of the returns she'd handled that evening.
"Very well." The old woman took the cart and began rolling it away before Savannah could stop her. "No sense in you waiting around any longer tonight, dear. I'll go shelve these returns. Will you lock up behind you on your way out?"
"But, Mrs. Kennefick, I really don't mind--"
The woman dismissed her with a little wave and kept going, hunched over the cart, her drab-skirted behind and soft-soled shoes retreating into the quiet labyrinth of the library corridor.
Savannah glanced at the clock on the wall, watching the second hand tick slowly. She looked for something more to do there, knowing it was just an excuse to keep from returning to the reality that awaited her outside the library. She took advantage of the opportunity to organize Mrs. Kennefick's pencil cup and paperclip dispenser, even going so far as to use the edge of her long sleeved turtleneck sweater to sweep away the nonexistent dust from the pristine surface of her supervisor's desk.
Savannah was busy straightening the patron files when she felt the fine hairs at the back of her neck rise with a odd sense of awareness. A warmth p.r.i.c.kled over her skin, strange and unsettling.
Someone was in the library's delivery room outside.
Although the adjacent room was silent, she closed the file drawer and walked out to investigate.
Someone was there, all right.
The man stood in the center of the room, facing away from her, dressed in a long black trench coat, black pants and black, heavy-soled boots. A punk, from the look of him. A very large punk.
Geez, the guy had to be six-and-a-half-feet tall and built of solid muscle. Which made it all the more incongruous to find him standing there in silent meditation, his head full of thick, spiky cropped blond hair tipped back on his broad shoulders while he perused the mural of paintings that circled a full 360 degrees around the ornately paneled, medieval-styled room.
Savannah strode toward him, cautious yet intrigued. "The library is about to close soon. Can I help you find something?"
He slowly pivoted around to face her, and, oh, wow....
The punk description might have fit his clothing style, but that's where it ended. He was handsome--devastatingly so. Under the crown of his golden hair, a broad brow and angular cheekbones combined with a square-cut jaw that would have seemed more in place on a movie screen than standing in the middle of the Abbey Room in the Boston Public Library.
"Just looking," he said after a long moment, a tinge of Britain in his deep voice.
And so he was looking, though no longer at the art. His piercing blue eyes met her gaze and held fast, so sharp and cool they seemed to read and process everything about her in an instant.
Savannah's skin felt tighter under his attention, making the soft knit of her ivory-colored turtleneck feel like sandpaper against her throat and b.r.e.a.s.t.s. She felt too warm, too noticed, and too aware of the sheer size and masculinity of this stranger before her.
She tried to project an air of calm and professionalism, despite the weird chaos going on with her central nervous system in reaction to this man. Striding up beside him, if only to escape his scrutiny, she glanced up at the series of fifteen original works depicting King Arthur and his Round Table Knights, painted for the library at the turn of the century by the artist Edwin Austin Abbey. "So, which are you more interested in: Abbey's work, or Arthurian legends?"
He followed her gaze up now. "I'm interested in everything. The mind is not a vessel to be filled, but a fire to be kindled."
Savannah registered the statement, knew she'd heard it in cla.s.s somewhere before. "Plutarch?" she guessed.
She was rewarded with a sidelong grin from the gorgeous non-punk standing next to her. "A student of philosophy, I take it."
"It's not my strongest subject, but I get by all right in most of my cla.s.ses."
His smile quirked a bit at that, as if he mentally scored a point in her favor. He had a nice smile. Straight white teeth framed by full, lush lips that made her pulse kick a little. And that English accent was doing funny things to her heart rate too. "Let me guess," he said, studying her in that unnerving way again. "Wellesley? Or maybe Radcliffe?"
She shook her head at the mention of the two prestigious, private women's colleges. "BU. I'm a freshman in the Art History program."
"Art History. An unusual choice. Most of the colleges are turning out high-priced doctors and lawyers these days. Or mathematics whiz kids hoping to be the Einsteins of the future."
Savannah shrugged. "I suppose you could say I'm more comfortable with the past."
Normally, that would be one hundred percent true. But not lately. Not after what she'd seen reflected in the sword's history yesterday. Now, she wished she could go back in time and undo the touch that showed her the horrors inflicted on the pair of young boys from the past. She wished should could deny the other horror she witnessed in the blade's history too--the monsters that simply could not exist, except in the darkest kind of fiction.
She wished she could turn back the clock to the moment Rachel told her about her date with Professor Keaton, so she could warn her not to go.
Right now, after everything that had happened recently, Savannah could find no comfort in the past.
"I'm Gideon, by the way." The deep, rich voice pulled her back to the present, a welcome life line, even offered by a stranger. He held out his hand, but she couldn't muster the courage to take it.
"Savannah," she replied quietly, clasping her bare hands behind her back to resist the temptation to reach out to him, even though her gift didn't work on living things. The idea of touching him was both compelling and unsettling. She felt as if she should know him somehow, perhaps saw him at the library or around the city somewhere, yet she was certain she'd never seen him there before. "People don't generally spend a lot of time in this area of the library. The Bates Reading Room and Sargent Hall are more popular with patrons."
She was rambling, but he didn't seem to notice or care. Those arresting blue eyes watched her, studied her. She could almost sense the machinery of his mind a.n.a.lyzing everything she said and did. Searching for something.
"And what about you, Savannah?"
"Me?"
"Which room is your favorite?"
"Oh." She exhaled a nervous laugh, feeling stupid around him, a feeling she wasn't accustomed to. As if none of her studies or schooling could have ever prepared her for encountering someone like him. It was crazy to think it. Made no logical sense. And yet she felt it. This man--Gideon, she thought, testing the name with her mind--seemed ageless and somehow ancient at the same time. He held himself with a confidence that seemed to say little to nothing could surprise him. "This room is my favorite," she murmured dully. "I've always liked hero stories."
His mouth quirked. "Men who slay dragons? Rescue the princess in the tower?"
Savannah slanted him an arch look. "No, the quest for truth by someone who isn't afraid to pursue it, no matter the cost."
He acknowledged her parry with a slight lift of his chin. "Even if it means risking the Seat Perilous?"
Together, they glanced up at the panel depicting that part of Arthurian legend, the chair at the Round Table that would spell death to anyone taking his place there who proved unworthy of seeking the Holy Grail.
Savannah could feel Gideon studying her, despite that his gaze was fixed on the painting overhead. The heat from his big body, nearer to her than she'd noticed, seemed to burn through her clothing, imprinting itself on her skin. Her pulse ticked a bit faster as the seconds stretched out between them.
"Freshman," he said after a while, an odd pensiveness in his tone. "I didn't realize you were so young."
"I'll be nineteen in a few months," she replied, inexplicably defensive. "Why? How old did you think I was? How old are you?"
He gave a slow shake of his head. Then he brought his gaze around to look at her beside him. "I should go. As you said, the library's closing. I don't want to keep you from your work."
"It's all right if you want to stay awhile. I won't need to kick you out for another fifteen minutes, so until then, feel free to enjoy the art." She took one last look at Sir Galahad being led to the chair that would either confirm his honor or spell his doom, and couldn't help reciting another of Plutarch's quotes: "Painting is silent poetry, and poetry is painting that speaks."
Gideon's answering smile threatened to steal her knees out from under her. "Indeed, Savannah. Indeed it is."
She couldn't hold back her smile either. And for the first time all day, she felt relaxed. She felt happy. She felt hopeful, as odd as that seemed. Not weighted down with grief and numb with shock and confusion.
All it took was a chance meeting with a stranger, some unexpected conversation. A few moments of kindness from someone who had no inkling of what she'd been through. Someone who wandered into her workplace on a whim and ended up making the worst day of her life seem less awful simply by being in it.
"Nice to meet you, Gideon."
"Likewise, Savannah."
This time, she was the one who held out her hand. He didn't hesitate to take it. As she expected, his grip was warm and strong, his long fingers engulfing hers easily. As they broke contact, she wondered if he felt the same jolt of awareness that she did. G.o.d, their brief connection went through her like a mild electrical current, heat and energy zinging into her veins.
And she couldn't escape the fact that something about him seemed so vaguely familiar...
"I should go," he said for the second time tonight. She didn't want him to leave so soon, but she couldn't very well ask him to stay either. Could she?
"Maybe I'll see you around again sometime," she blurted, before she had the bad sense to let impulse take over her brain.
He stared at her for a long moment, but didn't respond one way or the other.
Then, like the mystery he'd been the moment she first saw him, he simply turned and strode away, out the door and into the waiting night.
Gideon waited, crouched low like a gargoyle on the rooftop corner of the library, until Savannah exited the building a few minutes later.
He meant to leave, as he'd said he would. He'd decided after talking with her for just a few minutes--after learning that she was an eighteen-year-old college freshman, for crissake--that his quest to find out more about whoever had that d.a.m.ned sword would need to unfold without involving a bright, innocent young woman.
He couldn't use Savannah for information.
He wouldn't use her for anything.
And he sure as h.e.l.l didn't need to be lingering around her place of work, following her in stealthy silence from one rooftop to another, as she made her way from the library to the T station. But that's just what he did, telling himself it was a need to see a vulnerable female home safely in a city rife with hidden dangers.
Never mind that she might rightly count him among those dangers, if she had any idea what he truly was.
Gideon leapt down to street level to slip into the station a healthy distance behind her. He boarded a different car, watching through the crowds to make sure she was unmolested for the duration of the commute. When she got off at Lower Allston, he followed, tracking her to a modest five-story brick apartment building on a side street called Walbridge. A light went on behind a curtained window on the second floor.
He waited some more, keeping an unplanned vigil from the shadows across the way, until the dim glow of Savannah's apartment light was extinguished an hour and a half later.
Then he melted back into the darkness that was his home and battlefield.
Chapter 7.
Art History cla.s.s was cancelled that next day, of course.
The department building was quiet, no students inside today. Just professors working privately in their offices. Rumor around campus had it that Professor Keaton was expected to make a full recovery. He was still in the hospital, but someone had heard another of the professors mention that Keaton could be discharged and back to work in a couple weeks or less. It was the only good news to come out of the whole, awful situation.
Savannah only wished Rachel had been as fortunate too.
It was her friend's death that brought Savannah back to the Art History department that morning, even though there was no cla.s.s to attend. She slipped inside the building, inexplicably drawn to the scene of the terrible crime.
Why had Rachel and Professor Keaton been attacked? And by whom?
The antique sword was valuable, certainly, but was it enough to warrant such a heinous, lethal a.s.sault?
As Savannah climbed the stairs to the second floor of the building, she felt a bit like she was heading for her own Seat Perilous, on a quest for a truth she wasn't certain she was prepared for, or equipped to face.
The police detectives were long gone, the barricades and tape removed from the scene. Still, simply being there put a chill in Savannah's veins as she neared Professor Keaton's office door down the hallway. But she needed to see the room again. She hoped to find something inside that she'd overlooked, something that would provide some sense of understanding of what happened, and why.
Keaton's office door was closed and locked. So was the archive and study room next door.
s.h.i.+t.
Savannah jiggled the doork.n.o.b, for all the good it did. There would be no getting past the locks. Not unless she wanted to head downstairs and try to persuade one of the department professors to let her in.
Even though she made it a practice to avoid lying and manipulation, her mind started working on a host of excuses that might win her access to the rooms. She accidentally left one of her books for another cla.s.s inside and needed it for an upcoming exam. She lost her student ID and thought it might be with her notebook in the study room. She needed to finish cataloguing one last item in the archive collection to make sure she got her extra credit for the project once Professor Keaton returned to school.
Right. One idea more lame than another.
Not that the honest answer would be any more convincing: She wanted to go through Professor Keaton's office and touch everything in sight with her bare hands, to see if she could pick up any clues that the police might have missed.
Deflated, Savannah started to pivot away to leave. As she turned, something caught her eye farther down the hallway on the floor. A thin circle of metal.
Could it be what she was thinking?
She hurried over to look, feeling both excited and sickened to see the delicate bangle at her feet. She recognized it immediately. One of Rachel's bracelets. It must have fallen off her wrist when they were wheeling her body away.
Savannah's whole being recoiled at the sight of the bloodstained evidence of Rachel's suffering. But she had to touch the bracelet. Whatever the tragic memento had to tell her, Savannah had to know.
She picked it up off the floor, closed her fingers around the cold metal ring.
Her extrasensory gift woke up immediately. The jolt from the bracelet overwhelmed her, the memory housed in the metal so horrifically fresh.
She saw Rachel in Keaton's office. Her face was twisted in stark, mortal terror.
And it didn't take long for Savannah to understand why....
Without warning, she was suddenly looking into the face of Rachel's attacker as the beast closed in.
And it was a beast. The same kind of fiery-eyed, fanged monster that Savannah had been trying to forget since she touched the old sword. Except this monster wasn't dressed in a hooded cloak like the group that killed the little boys. This beast wore an expensive-looking dark suit and crisp white s.h.i.+rt. A gentleman's refined clothes and richly styled, brown hair, but the face of a nightmarish monster.
The creature lunged for Rachel, its razor-toothed jaws open as it went for the girl's throat.
Oh, my G.o.d.
Impossible. She couldn't be seeing this, not again. It could not be real.
Was she losing her mind?
Midnight Breed: A Touch Of Midnight Part 3
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Midnight Breed: A Touch Of Midnight Part 3 summary
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