Dark Lady of the Sonnets Part 5

ELIZABETH. You have an overweening conceit of yourself, sir, that displeases your Queen.

SHAKESPEAR. Oh, madam, can I go about with the modest cough of a minor poet, belittling my inspiration and making the mightiest wonder of your reign a thing of nought? I have said that "not marble nor the gilded monuments of princes shall outlive" the words with which I make the world glorious or foolish at my will. Besides, I would have you think me great enough to grant me a boon.

ELIZABETH. I hope it is a boon that may be asked of a virgin Queen without offence, sir. I mistrust your forwardness; and I bid you remember that I do not suffer persons of your degree (if I may say so without offence to your father the alderman) to presume too far.

SHAKESPEAR. Oh, madam, I shall not forget myself again; though by my life, could I make you a serving wench, neither a queen nor a virgin should you be for so much longer as a flash of lightning might take to cross the river to the Bankside. But since you are a queen and will none of me, nor of Philip of Spain, nor of any other mortal man, I must een contain myself as best I may, and ask you only for a boon of State.

ELIZABETH. A boon of State already! You are becoming a courtier like the rest of them. You lack advancement.

SHAKESPEAR. "Lack advancement." By your Majesty's leave: a queenly phrase. _[He is about to write it down]._

ELIZABETH. _[striking the tablets from his hand]_ Your tables begin to anger me, sir. I am not here to write your plays for you.

SHAKESPEAR. You are here to inspire them, madam. For this, among the rest, were you ordained. But the boon I crave is that you do endow a great playhouse, or, if I may make bold to coin a scholarly name for it, a National Theatre, for the better instruction and gracing of your Majesty's subjects.

ELIZABETH. Why, sir, are there not theatres enow on the Bankside and in Blackfriars?

SHAKESPEAR. Madam: these are the adventures of needy and desperate men that must, to save themselves from peris.h.i.+ng of want, give the sillier sort of people what they best like; and what they best like, G.o.d knows, is not their own betterment and instruction, as we well see by the example of the churches, which must needs compel men to frequent them, though they be open to all without charge. Only when there is a matter of a murder, or a plot, or a pretty youth in petticoats, or some naughty tale of wantonness, will your subjects pay the great cost of good players and their finery, with a little profit to boot. To prove this I will tell you that I have written two n.o.ble and excellent plays setting forth the advancement of women of high nature and fruitful industry even as your Majesty is: the one a skilful physician, the other a sister devoted to good works. I have also stole from a book of idle wanton tales two of the most d.a.m.nable foolishnesses in the world, in the one of which a woman goeth in man's attire and maketh impudent love to her swain, who pleaseth the groundlings by overthrowing a wrestler; whilst, in the other, one of the same kidney sheweth her wit by saying endless naughtinesses to a gentleman as lewd as herself. I have writ these to save my friends from penury, yet shewing my scorn for such follies and for them that praise them by calling the one As You Like It, meaning that it is not as _I_ like it, and the other Much Ado About Nothing, as it truly is.

And now these two filthy pieces drive their n.o.bler fellows from the stage, where indeed I cannot have my lady physician presented at all, she being too honest a woman for the taste of the town. Wherefore I humbly beg your Majesty to give order that a theatre be endowed out of the public revenue for the playing of those pieces of mine which no merchant will touch, seeing that his gain is so much greater with the worse than with the better. Thereby you shall also encourage other men to undertake the writing of plays who do now despise it and leave it wholly to those whose counsels will work little good to your realm.

For this writing of plays is a great matter, forming as it does the minds and affections of men in such sort that whatsoever they see done in show on the stage, they will presently be doing in earnest in the world, which is but a larger stage. Of late, as you know, the Church taught the people by means of plays; but the people flocked only to such as were full of superst.i.tious miracles and b.l.o.o.d.y martyrdoms; and so the Church, which also was just then brought into straits by the policy of your royal father, did abandon and discountenance the art of playing; and thus it fell into the hands of poor players and greedy merchants that had their pockets to look to and not the greatness of this your kingdom. Therefore now must your Majesty take up that good work that your Church hath abandoned, and restore the art of playing to its former use and dignity.

ELIZABETH. Master Shakespear: I will speak of this matter to the Lord Treasurer.

SHAKESPEAR. Then am I undone, madam; for there was never yet a Lord Treasurer that could find a penny for anything over and above the necessary expenses of your government, save for a war or a salary for his own nephew.

ELIZABETH. Master Shakespear: you speak sooth; yet cannot I in any wise mend it. I dare not offend my unruly Puritans by making so lewd a place as the playhouse a public charge; and there be a thousand things to be done in this London of mine before your poetry can have its penny from the general purse. I tell thee, Master Will, it will be three hundred years and more before my subjects learn that man cannot live by bread alone, but by every word that cometh from the mouth of those whom G.o.d inspires. By that time you and I will be dust beneath the feet of the horses, if indeed there be any horses then, and men be still riding instead of flying. Now it may be that by then your works will be dust also.

SHAKESPEAR. They will stand, madam: fear nor for that.

ELIZABETH. It may prove so. But of this I am certain (for I know my countrymen) that until every other country in the Christian world, even to barbarian Muscovy and the hamlets of the boorish Germans, have its playhouse at the public charge, England will never adventure. And she will adventure then only because it is her desire to be ever in the fas.h.i.+on, and to do humbly and dutifully whatso she seeth everybody else doing. In the meantime you must content yourself as best you can by the playing of those two pieces which you give out as the most d.a.m.nable ever writ, but which your countrymen, I warn you, will swear are the best you have ever done. But this I will say, that if I could speak across the ages to our descendants, I should heartily recommend them to fulfil your wish; for the Scottish minstrel hath well said that he that maketh the songs of a nation is mightier than he that maketh its laws; and the same may well be true of plays and interludes. _[The clock chimes the first quarter. The warder returns on his round]._ And now, sir, we are upon the hour when it better beseems a virgin queen to be abed than to converse alone with the naughtiest of her subjects. Ho there! Who keeps ward on the queen's lodgings tonight?

THE WARDER. I do, an't please your majesty.

ELIZABETH. See that you keep it better in future. You have let pa.s.s a most dangerous gallant even to the very door of our royal chamber.

Lead him forth; and bring me word when he is safely locked out; for I shall scarce dare disrobe until the palace gates are between us.

SHAKESPEAR. _[kissing her hand]_ My body goes through the gate into the darkness, madam; but my thoughts follow you.

ELIZABETH. How! to my bed!

SHAKESPEAR. No, madam, to your prayers, in which I beg you to remember my theatre.

ELIZABETH. That is my prayer to posterity. Forget not your own to G.o.d; and so goodnight, Master Will.

SHAKESPEAR. Goodnight, great Elizabeth. G.o.d save the Queen!

ELIZABETH. Amen.

_Exeunt severally: she to her chamber: he, in custody of the warder, to the gate nearest Blackfriars._

AYOT, ST. LAWRENCE, _20th June_ 1910.

Notes on the editing: Italicized text is delimited with underlines.

Punctuation and spelling retained as in the printed text.

Shaw intentionally spelled many words according to a non-standard system. For example, "don't" is given as "dont" (without apostrophe), "Dr." is given as "Dr" (without a period at the end), and "Shakespeare" is given as "Shakespear" (no "e" at the end). Where several characters in the play are speaking at once, I have indicated it with vertical bars ("|"). The pound (currency) symbol has been replaced by the word "pounds".