Press Cuttings Part 9
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MITCHENER (winningly). Mrs. Farrell: you have been charwoman here now ever since I took up my duties. Have you really never, in your more romantic moments, cast a favorable eye on my person?
MRS. FARRELL. Ive been too busy casting an unfavorable eye on your cloze and on the litther you make with your papers.
MITCHENER (wounded). Am I to understand that you refuse me?
MRS. FARRELL. Just wait a bit. (She takes Mitchener's chair and rings up the telephone.) Double three oh seven Elephant.
MITCHENER. I trust youre not ringing for the police, Mrs. Farrell. I a.s.sure you Im perfectly sane.
MRS. FARRELL (into the telephone). Is that you, Eliza? (She listens for the answer.) Not out of bed yet! Go and pull her out by the heels, the lazy sthreel; and tell her her mother wants to speak to her very particularly about General Mitchener. (To Mitchener.) Dont you be afeard: I know youre sane enough when youre not talkin about the Germans. (Into the telephone.) Is that you, Eliza? (She listens for the answer.) Dye remember me givin you a clout on the side of the head for tellin me that if I only knew how to play me cards I could marry any general on the staff instead o disgracin you be bein a charwoman? (She listens for the answer.) Well, I can have General Mitchener without playing any cards at all. What dye think I ought to say? (She listens.) Well, Im no chicken myself. (To Mitchener.) How old are you?
MITCHENER (with an effort). Fifty-two.
MRS. FARRELL (into the telephone). He says hes fifty-two. (She listens; then, to Mitchener.) She says youre down in Who's Who as sixty-one.
MITCHENER. d.a.m.n Who's Who.
MRS. FARRELL (into the telephone). Anyhow I wouldnt let that stand in the way. (She listens.) If I really WHAT? (She listens.)I cant hear you.
If I really WHAT? (She listens.) WHO druv him? I never said a word to-- Eh? (She listens.) Oh, LOVE him. Arra dont be a fool, child. (To Mitchener.) She wants to know do I really love you.(Into the telephone.) Its likely indeed Id frighten the man off with any such nonsense, at my age. What? (She listens.) Well, thats just what I was thinkin.
MITCHENER. May I ask what you were thinking, Mrs. Farrell? This suspense is awful.
MRS. FARRELL. I was thinkin that perhaps the d.u.c.h.ess might like her daughter-in-law's mother to be a General's lady betther than to be a charwoman. (Into the telephone.) Waitle youre married yourself, me fine lady: you'll find out that every woman is a charwoman from the day shes married. (She listens.) Then you think I might take him? (She listens.) Glang, you young scald: if I had you here Id teach you manners. (She listens.) Thats enough now. Back wid you to bed; and be thankful Im not there to put me slipper across you. (She rings off.) The impudence!
(To Mitchener.) Bless you, me childher, may you be happy, she says. (To Balsquith, going to his side of the room.) Give dear, old Mich me love, she says.
The Orderly opens the door, ushering in Lady Corinthia.
THE ORDERLY. Lady Corinthia Fanshawe to speak to you, sir.
LADY CORINTHIA. General Mitchener: your designs on Mrs. Banger are defeated. She is engaged to General Sandstone. Do you still prefer her to me?
MRS. FARRELL. Hes out o the hunt. Hes engaged to me.
The Orderly overcome by this news reels from the door to the standing desk, and clutches the stool to save himself from collapsing.
MITCHENER. And extremely proud of it, Lady Corinthia.
LADY CORINTHIA (contemptuously). She suits you exactly. (Coming to Balsquith.) Mr. Balsquith: you at least, are not a Philistine.
BALSQUITH. No, Lady Corinthia; but Im a confirmed bachelor. I don't want a wife; but I want an Egeria.
MRS. FARRELL. More shame for you.
LADY CORINTHIA. Silence, woman. The position and functions of a wife may suit your gross nature. An Egeria is exactly what I desire to be. (To Balsquith.) Can you play accompaniments?
BALSQUITH. Melodies only, I regret to say. With one finger. But my brother, who is a very obliging fellow, and not unlike me personally, is acquainted with three chords, with which he manages to accompany most of the comic songs of the day.
LADY CORINTHIA. I do not sing comic songs. Neither will you when I am your Egeria. Come. I give a musical at-home this afternoon. I will allow you to sit at my feet.
BALSQUITH. That is my ideal of romantic happiness. It commits me exactly as far as I desire to venture. Thank you.
THE ORDERLY. Wot price me, General? Wont you celebrate your engagement by doing something for me? Maynt I be promoted to be a sergeant.
MITCHENER. Youre too utterly incompetent to discharge the duties of a sergeant. You are only fit to be a lieutenant. I shall recommend you for a commission.
THE ORDERLY. Hooray! The Parkinsons of Stepney will be proud to have me call on them now. Ill go and tell the sergeant what I think of him.
Hooray! (He rushes out.)
MRS. FARRELL (going to the door and calling after him.) You might have the manners to shut the door idther you. (She shuts it and comes between Mitchener and Lady Corinthia.)
MITCHENER. Poor wretch; the day after civil rights are conceded to the army he and Chubbs-Jenkinson will be found incapable of maintaining discipline. They will be sacked and replaced by really capable men. Mrs.
Farrell: as we are engaged, and I am anxious to do the correct thing in every way, I am quite willing to kiss you if you wish it.
MRS. FARRELL. Youd only feel like a fool; and so would I.
MITCHENER. You are really the most sensible woman. Ive made an extremely wise choice.
LADY CORINTHIA (To Balsquith). You may kiss my hand, if you wish.
BALSQUITH (cautiously). I think we had better not commit ourselves too far. If I might carry your parasol, that would quite satisfy me. Let us change a subject which threatens to become embarra.s.sing. (To Mitchener.) The moral of the occasion for you, Mitchener, appears to be that youve got to give up treating soldiers as if they were schoolboys.
MITCHENER. The moral for you, Balsquith, is that youve got to give up treating women as if they were angels. Ha ha!
MRS. FARRELL. Its a mercy youve found one another out at last. That's enough now.
CURTAIN
Press Cuttings Part 9
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Press Cuttings Part 9 summary
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