The Slave of Silence Part 19

"Very well, I dare say we can manage it by that time. As I told you in my letter, I am a very old friend of your father. We were in one or two ventures together, and some of them turned out to be very successful indeed. Did he ever mention my name?"

"I cannot call it to mind," the girl said. "And yet it is not a common name."

"It is not in the least common," Sartoris smiled. "Perhaps your father did not speak of me because we were not quite friends towards the last.

At one time I was to be your guardian if anything happened to your father. But we need not go into that, because it is not material to the case at all." The girl nodded brightly, and her eyes expressed admiration of the beauty of the surroundings.

"I believe my guardian was Sir Charles Darryll," she said.

"So I understand," Sartoris proceeded in the same grave way. "It was a most extraordinary selection for a man with a keen business head like your father."

"But you are greatly mistaken," the girl exclaimed. "My father was a perfect child in business matters. Even I was capable of advising him for his good. I should say that there never lived a man who was so easily befooled as my father."

"Is that so?" Sartoris blurted out. "I'm--I mean, of course, yes, as to mere money, but he was clever enough in some ways. Still, the fact remains that he made Sir Charles Darryll your guardian. Did you ever trouble him at all?"

"I never so much as saw him, at least in a business sense."

"Ah," Sartoris cried. There was a deep ring in his voice. "Is that really a fact? You don't know then that certain papers and doc.u.ments belonging to your father pa.s.sed to Sir Charles? Your father told you nothing of this?"

"Not a word, except in a joking way. He spoke of securities and mortgages and the like that were to be my fortune when he died. He told me to ask Sir Charles about them."

"Did you take the trouble to do so?"

The girl thought a moment before she replied.

"Once," she said. "Once I did say something to Sir Charles. He told me that every paper in his possession had been deposited with his lawyers."

Once more Sartoris shaded his eyes with his hand. Field could see his fingers shaking. In a hard voice Sartoris asked if the girl meant the family solicitor.

"No, I don't," she said without the slightest hesitation. "As a matter of fact the family solicitor would have nothing to do with Sir Charles--he found him too expensive. It was some little man in one of the Inns, Gray's Inn or Clement's Inn, who kept his creditors at bay.

But more than that I am afraid I cannot tell you."

Sartoris muttered something that might have been the strangling of an oath. Field began to understand. Papers, and probably valuable papers, belonging to Sir Charles were necessary; and the gang of thieves was at a loss what to do without them.

"I dare say I can find out," Sartoris said. "If I do, I fancy you will benefit considerably. More than that I dare not venture for the present, my dear young lady, because so frequently these things turn out very differently. If you could think of the name of that solicitor----"

"Perhaps I might," the girl said. "I have a good memory, especially for trifles. If I do recollect the name I will write you here. Do you know you remind me of a man I knew in India. He was much younger than you, of course, and different in many ways. And yet every time I look at you and hear your voice I think of him."

"As a matter of fact I never was in India at all," Sartoris said hastily. There was a nasty ring in his voice that caused the girl to look up, whereon Sartoris laughed, seeing that he had made a mistake.

"Excuse me, but this neuralgia of mine is very troublesome to-night. And I am afraid that I am detaining you."

The girl muttered something soothing and sympathetic; at the same time she rose and crossed to the bell. But Sartoris merely reached out a hand and asked her to help him into his chair. He sank back into the wheeled contrivance at length with a sigh that might have been pain.

"I'll go as far as the door with you," he said. "No, I can move myself along. And I hope that you will come here again; I'll let you know when it is quite convenient. Don't forget that I may be the indirect means of bringing you a fortune. I am a very old gentleman, my dear; won't you give me a kiss? Are you very much offended?"

The girl laughed and blushed as she bent down and touched Sartoris's cheek with her lips. A moment later they were gone, and Field had emerged from his hiding-place. He had discovered all that he required, for the present, and he decided not to take any further risks. The confused pieces of the puzzle were beginning to fit together in his mind, but they were by no means complete yet. Without further adventure the inspector crept back to the pantry and found himself at length in the road. He looked at the upstairs window whence the flickering signals had come, but it was all dark and still now, though it was not as yet late.

"So far, so good," Field muttered to himself. "It strikes me that that young lady is likely to be of service to me. I'll find out who she is and whence she comes. And now to go off to the Comedy and see if I can get in touch with the little actress who must play her part in more dramas than one. I wonder if I had better see her at the theatre or follow her to her rooms. I'll be guided by circ.u.mstances."

It was not more than half-past ten when Field reached the theatre. It was a popular house for the moment, where the management was running a kind of triple bill, consisting of one-act musical comedies, each of which contained the particular star artist. Two of the shows were already over, and the curtain was about to rise on the third, when Field reached the stage door. The inquiry for Miss Adela Vane was met by a surly request to know what was wanted. If the inquirer thought that he was going into the theatre he was jolly well mistaken.

"So you just be off, or I'll call the police," the crusty doorkeeper said. "One way or another, I'm pestered out of my life by you chaps. Oh, you can leave a message or a bouquet or something of that kind, but it's long odds it's shoved into the dusthole."

Field smiled as he produced his card and handed it over. The effect of the little square of s.h.i.+ning pasteboard was marked and instantaneous.

The man behind the bar was at once cringing and ready to do anything.

"I'm sure I beg your pardon, sir," he said, "but we are pestered out of our lives from morning till night. I dare say I can get you a few words with Miss Vane, who does not come on the stage till the third piece. And from the bottom of my heart, I hope that there is nothing wrong, for a nicer young lady than Miss Vane----"

"There is nothing wrong at all," Field hastened to say. "On the whole I've changed my mind. Don't say a word to Miss Vane about me, it may alarm her. Give me a programme; I'll just slip into the house and see Miss Vane from the stalls. Thank you."

Field made his way round to the front of the house, and presenting his card at the box office, desired to have a seat for half an hour or so.

CHAPTER XX

The immaculately dressed young man in the office turned Field's card over doubtfully. He had every desire to oblige, he said, but really the house was packed to its utmost capacity. Also the well-dressed young man hoped that there would be nothing to disturb the harmony of the proceedings.

"You may make your mind quite easy on that score," said Field with a rea.s.suring smile. "There will be no disturbance as far as I am concerned. I want to identify somebody whom I believe is in the house, and when that is done my work is finished. Never mind about a seat--let me stand by the side of the stalls so that I can pa.s.s for an official."

There was no difficulty whatever about this, and therefore Field stepped into the house as the curtain was going up on the last of the brilliant trifles of the evening. The house was packed to its utmost capacity with an audience that seemed decidedly to appreciate the bill of fare that had been prepared for their delectation.

Field glanced round the house with his usual blank way that nevertheless took in everything. Most of the people in the stalls were known by sight to him. In an upper box on the prompt side he saw the dark face and eager eyes of the Rajah of Ahbad. He seemed to be looking for somebody, for his gla.s.ses were constantly in use. There was a restless air, too, about the Rajah, that showed that he was not altogether at his ease.

"We live and learn," Field told himself. "I wonder what yonder wily oriental would think if he knew all that I have discovered lately. I suppose one of his favourite ballet girls is in the piece. Pretty piece, too, and pretty music."

Field laid himself out for enjoyment for the next quarter of an hour.

The heroine of the piece in the form of Miss Adela Vane was late in appearing. The thing was dragging, too, or so it seemed to Field. All at once there were voices at the back of the stage as if somebody was quarrelling. Suddenly the bright tuneful chorus broke off altogether and a female voice screamed. A little puff of smoke came from the stage.

In the twinkling of an eye the whole house rose and shuddered. There was a sharp crack-crackle, followed by smoke, and forked tongues of flame licked the imitation forest, and with a swish all the chorus fled from the stage. Far away up in the gallery somebody was roaring "Fire!" A rush to the doors was already taking place.

From the stalls rose a tall man with a military air, who commanded everybody to wait. There was no danger, he cried, if the audience only kept their heads. On the stage a manager, with a white face and a perspiring forehead, announced the fact that the appliances for dealing with the fire were of the finest possible description, and that there was no danger at all.

But it was all too late. The panic had already gripped the audience, and a yelling, frightened crowd pressed to the exits. The smoke was getting thicker and blacker; the flames were making the place unpleasantly warm. Field could feel the heat on his face. He had been close to the stalls exit, and might have slipped away at once, but he had held his ground. It was he who stood with his back to the door now.

"I'll knock down the first man who tries to pa.s.s me," he cried. "There is plenty of time. For G.o.d's sake, control yourselves. Come quietly.

Don't you know that the whole theatre can be emptied in three minutes if people will only go quietly? Now come along and don't press." The stern, hard tones were not without their effect. Field looked so calm and collected and confident himself, that the feeling spread quickly all over the stalls. The fireproof curtain had not been dropped for the simple reason that it would not work, as is often the case with appliances of the kind. The stage was burning furiously.

But in the pit and dress circles and in the higher parts of the house other cool and collected men had risen to the occasion. Women were crying and sobbing, and more than one had fainted, but the mad panic was over, and something like order had been restored. The stalls were moving quietly along now, and it was marvellous to see how quickly the place was being deserted. In the vestibule a long queue of police had gathered and stood to prevent people huddling together. In less time than it takes to tell, everybody was outside. Like magic an engine had appeared, and men in helmets were jumping nimbly over the stalls laying their hose down. As Field turned to go a little cry from the stage attracted his attention.

A girl stood there, dressed as a Watteau shepherdess. She seemed absolutely dazed and frightened, a pretty and pathetic little figure in her great golden wig.

"Go back," Field yelled. "You'll have that blazing scenery on top of you. Why don't you go back to the stage door?"

The actress turned at last and shook her head. Tears were rolling down her face.

"I can't," she said. "The fire is too great. I was in my dressing-room, and I did not know. Oh, why doesn't somebody save me?"