The Early Short Fiction of Edith Wharton Volume 1 Part 18

She shrugged her shoulders, and drew back to let him pa.s.s.

II

As Wyant emerged from the house he paused once more to glance up at its scarred brick facade. The marble hand drooped tragically above the entrance: in the waning light it seemed to have relaxed into the pa.s.siveness of despair, and Wyant stood musing on its hidden meaning.

But the Dead Hand was not the only mysterious thing about Doctor Lombard's house. What were the relations between Miss Lombard and her father? Above all, between Miss Lombard and her picture? She did not look like a person capable of a disinterested pa.s.sion for the arts; and there had been moments when it struck Wyant that she hated the picture.

The sky at the end of the street was flooded with turbulent yellow light, and the young man turned his steps toward the church of San Domenico, in the hope of catching the lingering brightness on Sodoma's St. Catherine.

The great bare aisles were almost dark when he entered, and he had to grope his way to the chapel steps. Under the momentary evocation of the sunset, the saint's figure emerged pale and swooning from the dusk, and the warm light gave a sensual tinge to her ecstasy. The flesh seemed to glow and heave, the eyelids to tremble; Wyant stood fascinated by the accidental collaboration of light and color.

Suddenly he noticed that something white had fluttered to the ground at his feet. He stooped and picked up a small thin sheet of note-paper, folded and sealed like an old-fas.h.i.+oned letter, and bearing the superscription:--

To the Count Ottaviano Celsi.

Wyant stared at this mysterious doc.u.ment. Where had it come from? He was distinctly conscious of having seen it fall through the air, close to his feet. He glanced up at the dark ceiling of the chapel; then he turned and looked about the church. There was only one figure in it, that of a man who knelt near the high altar.

Suddenly Wyant recalled the question of Doctor Lombard's maid-servant.

Was this the letter she had asked for? Had he been unconsciously carrying it about with him all the afternoon? Who was Count Ottaviano Celsi, and how came Wyant to have been chosen to act as that n.o.bleman's ambulant letter-box?

Wyant laid his hat and stick on the chapel steps and began to explore his pockets, in the irrational hope of finding there some clue to the mystery; but they held nothing which he had not himself put there, and he was reduced to wondering how the letter, supposing some unknown hand to have bestowed it on him, had happened to fall out while he stood motionless before the picture.

At this point he was disturbed by a step on the floor of the aisle, and turning, he saw his l.u.s.trous-eyed neighbor of the table d'hote.

The young man bowed and waved an apologetic hand.

"I do not intrude?" he inquired suavely.

Without waiting for a reply, he mounted the steps of the chapel, glancing about him with the affable air of an afternoon caller.

"I see," he remarked with a smile, "that you know the hour at which our saint should be visited."

Wyant agreed that the hour was indeed felicitous.

The stranger stood beamingly before the picture.

"What grace! What poetry!" he murmured, apostrophizing the St.

Catherine, but letting his glance slip rapidly about the chapel as he spoke.

Wyant, detecting the manoeuvre, murmured a brief a.s.sent.

"But it is cold here--mortally cold; you do not find it so?" The intruder put on his hat. "It is permitted at this hour--when the church is empty. And you, my dear sir--do you not feel the dampness? You are an artist, are you not? And to artists it is permitted to cover the head when they are engaged in the study of the paintings."

He darted suddenly toward the steps and bent over Wyant's hat.

"Permit me--cover yourself!" he said a moment later, holding out the hat with an ingratiating gesture.

A light flashed on Wyant.

"Perhaps," he said, looking straight at the young man, "you will tell me your name. My own is Wyant."

The stranger, surprised, but not disconcerted, drew forth a coroneted card, which he offered with a low bow. On the card was engraved:--

Il Conte Ottaviano Celsi.

"I am much obliged to you," said Wyant; "and I may as well tell you that the letter which you apparently expected to find in the lining of my hat is not there, but in my pocket."

He drew it out and handed it to its owner, who had grown very pale.

"And now," Wyant continued, "you will perhaps be good enough to tell me what all this means."

There was no mistaking the effect produced on Count Ottaviano by this request. His lips moved, but he achieved only an ineffectual smile.

"I suppose you know," Wyant went on, his anger rising at the sight of the other's discomfiture, "that you have taken an unwarrantable liberty.

I don't yet understand what part I have been made to play, but it's evident that you have made use of me to serve some purpose of your own, and I propose to know the reason why."

Count Ottaviano advanced with an imploring gesture.

"Sir," he pleaded, "you permit me to speak?"

"I expect you to," cried Wyant. "But not here," he added, hearing the clank of the verger's keys. "It is growing dark, and we shall be turned out in a few minutes."

He walked across the church, and Count Ottaviano followed him out into the deserted square.

"Now," said Wyant, pausing on the steps.

The Count, who had regained some measure of self-possession, began to speak in a high key, with an accompaniment of conciliatory gesture.

"My dear sir--my dear Mr. Wyant--you find me in an abominable position--that, as a man of honor, I immediately confess. I have taken advantage of you--yes! I have counted on your amiability, your chivalry--too far, perhaps? I confess it! But what could I do? It was to oblige a lady"--he laid a hand on his heart--"a lady whom I would die to serve!" He went on with increasing volubility, his deliberate English swept away by a torrent of Italian, through which Wyant, with some difficulty, struggled to a comprehension of the case.

Count Ottaviano, according to his own statement, had come to Siena some months previously, on business connected with his mother's property; the paternal estate being near Orvieto, of which ancient city his father was syndic. Soon after his arrival in Siena the young Count had met the incomparable daughter of Doctor Lombard, and falling deeply in love with her, had prevailed on his parents to ask her hand in marriage. Doctor Lombard had not opposed his suit, but when the question of settlements arose it became known that Miss Lombard, who was possessed of a small property in her own right, had a short time before invested the whole amount in the purchase of the Bergamo Leonardo. Thereupon Count Ottaviano's parents had politely suggested that she should sell the picture and thus recover her independence; and this proposal being met by a curt refusal from Doctor Lombard, they had withdrawn their consent to their son's marriage. The young lady's att.i.tude had hitherto been one of pa.s.sive submission; she was horribly afraid of her father, and would never venture openly to oppose him; but she had made known to Ottaviano her intention of not giving him up, of waiting patiently till events should take a more favorable turn. She seemed hardly aware, the Count said with a sigh, that the means of escape lay in her own hands; that she was of age, and had a right to sell the picture, and to marry without asking her father's consent. Meanwhile her suitor spared no pains to keep himself before her, to remind her that he, too, was waiting and would never give her up.

Doctor Lombard, who suspected the young man of trying to persuade Sybilla to sell the picture, had forbidden the lovers to meet or to correspond; they were thus driven to clandestine communication, and had several times, the Count ingenuously avowed, made use of the doctor's visitors as a means of exchanging letters.

"And you told the visitors to ring twice?" Wyant interposed.

The young man extended his hands in a deprecating gesture. Could Mr.

Wyant blame him? He was young, he was ardent, he was enamored! The young lady had done him the supreme honor of avowing her attachment, of pledging her unalterable fidelity; should he suffer his devotion to be outdone? But his purpose in writing to her, he admitted, was not merely to reiterate his fidelity; he was trying by every means in his power to induce her to sell the picture. He had organized a plan of action; every detail was complete; if she would but have the courage to carry out his instructions he would answer for the result. His idea was that she should secretly retire to a convent of which his aunt was the Mother Superior, and from that stronghold should transact the sale of the Leonardo. He had a purchaser ready, who was willing to pay a large sum; a sum, Count Ottaviano whispered, considerably in excess of the young lady's original inheritance; once the picture sold, it could, if necessary, be removed by force from Doctor Lombard's house, and his daughter, being safely in the convent, would be spared the painful scenes incidental to the removal. Finally, if Doctor Lombard were vindictive enough to refuse his consent to her marriage, she had only to make a sommation respectueuse, and at the end of the prescribed delay no power on earth could prevent her becoming the wife of Count Ottaviano.

Wyant's anger had fallen at the recital of this simple romance. It was absurd to be angry with a young man who confided his secrets to the first stranger he met in the streets, and placed his hand on his heart whenever he mentioned the name of his betrothed. The easiest way out of the business was to take it as a joke. Wyant had played the wall to this new Pyramus and Thisbe, and was philosophic enough to laugh at the part he had unwittingly performed.

He held out his hand with a smile to Count Ottaviano.