Zoo City Part 2

The Maltese smirks. You know how most people's mashavi mashavi and their animals don't line up?" he says. "Well, in Amira's case, they do. She's attracted to carrion. Mainly murder scenes, although she does like a good traffic pile up. Isn't that right, sweetie?" and their animals don't line up?" he says. "Well, in Amira's case, they do. She's attracted to carrion. Mainly murder scenes, although she does like a good traffic pile up. Isn't that right, sweetie?"

The Marabou smiles in acknowledgement, if you can call the faint twitch of her mouth a smile.

The paramedics emerge from the building with a stretcher carrying a sealed grey plastic body bag. They hoist it into the ambulance. "Excuse me," I say and push through the crowd. The paramedic shuts the double doors behind the stretcher, signalling the driver to kill the lights with a wave of his hand. The dead don't need to beat the traffic. But I have to ask anyway.

"That Mrs Luditsky in there?"

"You a relative?" The paramedic looks disgruntled. "'Cos unless you are, it's none of your business, zoo girl."

"I'm an employee."

"Tough breaks, then. You should probably stick around. The cops are gonna want to ask you some questions."

"Can you tell me what happened?"

"Let's just say she didn't pa.s.s in her sleep, sweetheart."

The ambulance gives one strangled whoop and pulls out onto the road, taking Mrs Luditsky with it. I grip the ring in my pocket, hard enough to embed the imprint of the sapphires into my palm. Sloth nuzzles into my neck, hiding his face. I wish I could rea.s.sure him.

"Ugly business," the Maltese tuts, sympathetically. "Like it's any of yours."

I'm suddenly furious. "You with the cops?"

"G.o.d, no!" He laughs. "Unfortunately for this one," he says, nodding at the Marabou, "there's no real money in ambulance chasing."

"We're sorry for your loss," the Marabou says.

"Don't be," I say. "I only met her the one time."

"What was it that you were doing for the old lady anyway? If I may ask? Secretarial? Grocery runs? Nursing?"

"I was finding something for her."

"Did you get it?"

"Always do."

"But sweetie, what a marvellous marvellous coincidence! Oh, I don't mean marvellous, like oh, how marvellous your employer just died. That's ghastly, don't get me wrong. But the thing is, you see" coincidence! Oh, I don't mean marvellous, like oh, how marvellous your employer just died. That's ghastly, don't get me wrong. But the thing is, you see"

"We're also looking for something," the Marabou cuts in.

"Precisely. Thank you," the Maltese says. "And, if that's, you know, your talent talent? I'm guessing that's your talent? Then maybe you could help."

"What sort of something?"

"Well, I say something, but really, I mean some but really, I mean someone."

"Sorry. Not interested."

"But you haven't even heard the details."

"I don't need to. I don't do missing persons."

"It's worth a lot to us." The bird on Marabou's back flexes its wings, showing off the white flechettes marking the dark feathers. I note that they're clipped, and that its legs are mangled, twisted stubs. No wonder she has to carry it. "More than any of your other jobs would have paid."

"Come on, sweetie. Your client just turfed it. Forgive me being so frank. What else are you going to do?"

"I don't know who you are"

"An oversight. I'm sorry. Here." The Marabou removes a starched business card from her breast pocket and proffers it between scissored fingers. Her fingernails are immaculately manicured. The card is blind embossed, white on white in a stark sans-serif font:

Marabou & Maltese Procurements

"And procurements means what exactly?"

"Whatever you want it to, Ms December," the Marabou says.

Sloth grumbles in the back of his throat, as if I need to be told how dodgy this just turned. I reach out for their lost things, hoping to get anything on them, because they obviously have something on me.

The Maltese is blank. Some rare people are. They're either pathologically meticulous or they don't care about anything. But it still creeps me out. The last person I encountered with no lost things at all was the cleaning lady at Elysium. She threw herself down an open elevator shaft.

My impressions of the Marabou's lost things are weirdly vivid. It must be the adrenaline sharpening my focus all that hormone soup in your brain messes with mashavi mashavi big time. I've never been able to see things this clearly. It's strange, like someone switched my vaselineslathered soft-focus perspective for a high-definition paparazzi zoom-lens. big time. I've never been able to see things this clearly. It's strange, like someone switched my vaselineslathered soft-focus perspective for a high-definition paparazzi zoom-lens.

I can make out the things tethered to her in crisp detail: a pair of tan leather driving gloves, soft and weathered by time. One of them is missing a b.u.t.ton that would fasten it at the wrist. A tatty book, pages missing, the remainder swollen with damp, the cover half ripped off. I can make out sepia branches, a sc.r.a.p of t.i.tle, The Tree That The Tree That. And a gun. Dark and stubby, with retro curves, like a bad prop from a '70s sci-fi show. The image is so precise I can make out the lettering on the side: Vektor.

Oblivious to me discreetly riffling through their lost things, the Maltese presses me, grinning. His painted Dog grins too, pink tongue lolling happily between its sharp little teeth. "We really need your help on this one. I'd even say we can't do it without you. And it pays very, very well."

"How can I say this? I don't like people knowing my business."

"You advertise," the Marabou says, amused.

"And I don't like your att.i.tude."

"Oh don't mind Amira, she comes off mean, but she's just shy, really," the Maltese says.

"And I don't like small dogs. So thanks, but you know, as far as I'm concerned, you should go f.u.c.k the carca.s.s of a goat."

The Maltese squinches up his face. "Oh, that's disgusting. I'll have to remember that one," he says.

"Hang onto that," the Marabou indicates the card. "You might change your mind."

"I won't."

But I do.

From: Livingstone Mission House [mailto: ]

Sent: 21 March 2011 08:11 AM To: Undisclosed Recipients Subject: A message in a bottle.

To whom it may concern,