Zoo City Part 23

After trying on all nine dresses, twice, with an intermission period spent trying to recapture the wood lice that escaped when Sloth grumpily up-ended the tub, I settle on skinny jeans and a surprisingly tasteful black strappy top I borrow from one of the prost.i.tutes on the third floor, after giving up in disgust on my wardrobe. When I say borrow, I mean rent. She a.s.sures me it's clean. For thirty bucks, I'm dubious, but it pa.s.ses the sniff test, so f.u.c.k it.

I catch a taxi into Auckland Park with the late-night cleaners, the nurses and the restaurant dish-washers: the invisible tribe of behind-the-scenes. I get off after Media Park and walk up to 7th Street with its scramble of restaurants, bars and Internet cafes. Outside the Mozambican deli-c.u.m-Internet cafe, a hawker tries to sell me a star lantern made of wire and paper and, when I decline, offers me marijuana instead.

I used to stomp here. Got bust smoking dope in my readily identifiable school uniform on the koppie koppie and was suspended for two weeks. Did my first line of c.o.ke in the bathrooms of Buzz 9. Had s.n.a.t.c.hed s.e.x in a driveway on 8th before the homeowner called armed response. This should not be so intimidating. But when I see Gio fiddling intently with his phone on the kerb outside the Biko Bar, it's a relief. and was suspended for two weeks. Did my first line of c.o.ke in the bathrooms of Buzz 9. Had s.n.a.t.c.hed s.e.x in a driveway on 8th before the homeowner called armed response. This should not be so intimidating. But when I see Gio fiddling intently with his phone on the kerb outside the Biko Bar, it's a relief.

"Hey, you."

He looks up guiltily and stashes his phone in his jacket pocket. "Hey, baby, you made it! C'mon, the guys are already inside." He ushers me towards the velvet ropes that have seen better days, and a short, wiry bouncer who is wearing a t-s.h.i.+rt that reads TRY IT MOTHERf.u.c.kER.

"She's with me," Gio says and, although the bouncer is not happy to see Sloth, he gives us the tiniest of head tilts to indicate, yeah, sure, whatever.

The Biko Bar is to Steve Biko as c.r.a.ppy t-s.h.i.+rt design is to Che Guevara. His portrait stares down from various cheeky interpretations. A hand-painted barber-shop sign with a line-up of Bikos in profile modelling different hairstyles and headgear; a chiskop chiskop, a mullet, a makarapa makarapa mining helmet. Steve stares out with that trademark mix of determination and wistful heroism from the centre of a PAC-style Africa made of bold rays of sunlight. Steve, with a lion's mane, is the focal point of a crest of struggle symbols, power fists, soccer b.a.l.l.s and a cursive "The most potent weapon of the oppressor is the mind of the oppressed". My academic dad would have hated it. Reduced by irony and iconography to a brand. mining helmet. Steve stares out with that trademark mix of determination and wistful heroism from the centre of a PAC-style Africa made of bold rays of sunlight. Steve, with a lion's mane, is the focal point of a crest of struggle symbols, power fists, soccer b.a.l.l.s and a cursive "The most potent weapon of the oppressor is the mind of the oppressed". My academic dad would have hated it. Reduced by irony and iconography to a brand.

"I see they sell t-s.h.i.+rts," I say. "Do the kids' sizes come pre-soaked with acid?"

"Very funny, Zinzi," Gio says, steering me through to the back. "Don't worry, they're nervous about meeting you too."

Apprehension clenches in my gut like the moment before you go over the lip of the rollercoaster. I never liked rollercoasters. Gio swings me towards a table occupied by a small cl.u.s.ter of painfully hip people with expensive haircuts. There is a very pierced and inked woman with violently red hair and Bettie Page eyes, and two men, one in a hideous paisley print s.h.i.+rt and gelled spikes, the other in his early forties, a war photographer's waistcoat and a crafted coating of cynicism. They're all cl.u.s.tered around a big camera with a serious lens, examining the display on the back.

"Oh, ick," says the woman, pus.h.i.+ng the camera away just as we reach the table. "Why would you show me that?" She hits the photographer on the shoulder, but it's a playful punch, the kind that says, I really like you, even though you show me gruesome photographs, maybe even because because you show me gruesome photographs. "What's Dave got you looking at this time?" Gio says. you show me gruesome photographs. "What's Dave got you looking at this time?" Gio says.

"Photos of the homeless guy who was killed," says Laconic Photographer Guy, the Dave in question.

"Ooooh, cool," Gio says. "I'd dig to check those out. You know, we have this new gross-out feature in Mach. Mach. Gangrenous feet. Puffadder bites. Ideally tied in to some kind of extreme adventure that's gone horribly wrong." Gangrenous feet. Puffadder bites. Ideally tied in to some kind of extreme adventure that's gone horribly wrong."

"Not much adventure in getting beaten up and set on fire. Cut him up pretty bad. Especially his face. Cut off his fingers too."

"Are you really going to publish these in Mach? Mach?" asks Ugly Paisley s.h.i.+rt, clearly thrilled at the prospect.

"We're a men's magazine," Gio shrugs. "Men are brutal." And then adds hastily, "I'm not saying women aren't."

"They just hide it better," I say. Everyone looks at me, and then they all simultaneously switch their focus to Sloth. Paisley s.h.i.+rt smirks. I put up my hand, like a kid at school volunteering the answer everyone's waiting for. "Hi, I'm Zinzi."

"Sorry, yeah, guys, this is my friend I told you about?" Gio's tone is loaded with things left unsaid. "Zinzi December. We used to work together." Sleep together. Take drugs together. Sleep together while taking drugs together at work together. It was a simple relations.h.i.+p, really.

Piercing Girl scootches round to make s.p.a.ce for us to sit on the plush velvet bank while Gio does the introductions the creme de la creme creme de la creme of musos in his immediate social circle, plus Paisley s.h.i.+rt, better known as Henry. Dave is, as surmised, a news photographer for of musos in his immediate social circle, plus Paisley s.h.i.+rt, better known as Henry. Dave is, as surmised, a news photographer for The Daily The Daily Truth Truth, although he photographs gigs as well mainly jazz, but he's done Oppikoppi four years in a row, plus the occasional feature for lifestyle magazines on the side. Henry does social media at a below-the-line agency, and a big part of his mandate is the music scene. Gio invited him specially. "He's the f.a.g to Songweza's hag," he told me on the phone beforehand. "If anyone's going to have the dirt on your girl, it's Henry."

Piercing Girl is a hardcore music journalist when she's not being mom to a two year-old she calls Toddlersaurus. "Juliette writes for every everyone," Gio says. "All the local mags, as well as Billboard Billboard, Spin Spin, Juke Juke and and Clash Clash."

Piercing Girl/Juliette rolls her eyes in pleased fake modesty, which I take to mean it's all true. "And what do you do now, Zinzi?" she asks sympathetically, leaning forward, giving me the benefit of her full attention. It's only three-quarters patronising.

"I find lost things."

"Like stolen goods?" Henry pipes up. "Because my parents' place was broken into last week and they got my grandfather's watch. It was a fob watch, you know, the one with the chain, like 102 years old"

"No, like lost things. As I said. Car keys. Missing wills."

"For money?" He raises his eyebrows, as if this is more ludicrous than toasters with built-in MP3 players.

"I charge a reasonable rate for my time."

He warms to the idea. "Hey, you know, you could totally work at an old-age home where they have, like, senile dementia or what's that forgetty disease?"

"Alzheimer's," Piercing Girl provides.

"Yeah, I bet they lose stuff all the time, and you could take it back to them and charge them, and they'd forget they paid you already and you could charge them again."

"I don't think it works like that," Piercing Girl says, clearly having decided to adopt me as her pet cause. "Does it, Zinzi?"

"Who knows how it works?" I know I'm being antagonistic.

"But aren't there tests? I thought they did a full a.n.a.lysis?"

"Human lab-rats!" says Henry enthusiastically. "Only I guess sometimes there are actual rats, right? That must be confusing."

"In the US, Australia, Iran, places like that, they do a full head-to-toe, CAT scans, brain scans, endochrine system a.n.a.lysis, the works. In South Africa, we're protected by the Const.i.tution." And the prohibitive costs of all that invasive testing. There are better things to spend government funds on, like nuclear submarines or official pocket-lining. They do a few basic measurements to try and quantify your shavi shavi, but mainly they rely on reports from the social workers and cops, along with basic demonstrations of what you can do.

"How are your parents? Do you still, uh" Gio falters, sensing he's blundered close to the edge.

"It's all right, Gio. I Google them occasionally. They seem to be doing fine. Still divorced. My mom's living in Zurich now. Dad's in Cape Town teaching theory of film to rich kids who are more interested in special effects than subtext."

"I didn't know they were... oh. Right."

"Couple of months before the trial."

An uncomfortable silence stretches out. Drops into freefall, hits terminal velocity and keeps on going.

"But Giovanni said you're writing again?" Piercing Girl prompts. As a professional interviewer, she's probably used to picking up conversations that have crashed to the floor and setting them spinning again. "A music piece? That's why you're here tonight?"

"I'm doing a book. A trend bible slash pop history of Jozi youth culture. Music, fas.h.i.+on, technology." The more I say it, the more credible it sounds. Do-able even. Possibly profitable.

"You got a publisher yet?"

"I'm starting with a feature article for Credo Credo. We'll see what happens from there."

"Credo? Oh, I've done some work for them. They're fantastic. Isn't Lindiwe awesome?"

"She's great," I say. I haven't got as far into my cover as actually contacting the commissioning editor. I chalk it up on my to-do list. But things go more smoothly after that. Apart from the moment when I catch Henry trying to sniff Sloth's fur.

Dave doesn't say much, other than to offer to show me the photographs when an argument starts about whether it's morally bankrupt to print such horrific images. I skim them, scrolling as quickly as possible. They're as bad as you'd expect, taken with a forensic distance, even in the pics he's framed with shocked bystanders, for mood.

"Do they know who he was?" I say, handing the camera back.

"Drifter. Been sleeping rough. They're still trying to get a name. Might have been a zoo, they're not sure. Do you mind?" he says, raising the camera. "Atmosphere stuff."

"Uh."

"Group photo!" Piercing Girl yelps, and Dave snaps a couple of awkwardly posed shots, before disappearing towards the stage as the band makes its appearance, only an hour and a half late: an all-girl Afrikaans/seSotho glam punk electro-rock number called "Nesting Mares".