Bimbi: Stories for Children Part 11

"Perhaps Signer Giovanni will be angry with me if ever he knows,"

thought poor Luca; but it was too late to alter anything now. The child Sanzio had become his master.

So Raffaelle, unknown to any one else, worked on and on there in the attic while the tulips bloomed and withered, and the honeysuckle was in flower in the hedges, and the wheat and barley were being cut in the quiet fields lying far down below in the suns.h.i.+ne. For midsummer was come; the three months all but a week had pa.s.sed by. It was known that every one was ready to compete for the duke's choice.

One afternoon Raffaelle took Luca by the hand and said to him, "Come."

He led the young man up to the table, beneath the unglazed window, where he had pa.s.sed so many of these ninety days of the spring and summer.

Luca gave a great cry, and stood gazing, gazing, gazing. Then he fell on his knees and embraced the little feet of the child: it was the first homage that he, whose life became one beautiful song of praise, received from man.

"Dear Luca," he said softly, "do not do that. If it be indeed good, let us thank G.o.d."

What his friend saw were the great oval dish and the great jar or vase standing with the sunbeams full upon them, and the brushes and the tools and the colors all strewn around. And they shone with l.u.s.trous opaline hues and wondrous flame-like glories and gleaming iridescence, like melted jewels, and there were all manner of graceful symbols and cla.s.sic designs wrought upon them; and their borders were garlanded with cherubs and flowers, bearing the arms of Montefeltro, and the landscapes were the tender, homely landscapes round about Urbino; and the mountains had the solemn radiance that the Apennines wore at eveningtime; and amidst the figures there was one supreme, white-robed, golden-crowned Esther, to whom the child painter had given the face of Pacifica.

And this wondrous creation, wrought by a baby's hand, had safely and secretly pa.s.sed the ordeal of the furnace, and had come forth without spot or flaw.

Luca ceased not from kneeling at the feet of Raffaelle, as ever since has kneeled the world.

"Oh, wondrous boy! Oh, angel sent unto men!" sighed the poor 'prentice, as he gazed; and his heart was so full that he burst into tears.

"Let us thank G.o.d," said little Raffaelle again; and he joined his small hands that had wrought this miracle, and said his Laus Domini.

When the precious jar and the great platter were removed to the wardrobe and shut up in safety behind the steel wards of the locker, Luca said timidly, feeling twenty years in age behind the wisdom of this divine child: "But, dearest boy, I do not see how your marvelous and most exquisite accomplishment can advantage me.

Even if you would allow it to pa.s.s as mine, I could not accept such a thing; it would be a fraud, a shame: not even to win Pacifica could I consent."

"Be not so hasty, good friend," said Raffaelle. "Wait just a little longer yet and see. I have my own idea. Do trust in me."

"Heaven speaks in you, that I believe," said Luca, humbly.

Raffaelle answered not, but ran downstairs, and, pa.s.sing Pacifica, threw his arms about her in more than his usual affectionate caresses.

"Pacifica, be of good heart," he murmured, and would not be questioned, but ran homeward to his mother.

"Can it be that Luca has done well," thought Pacifica; but she feared the child's wishes had outrun his wisdom. He could not be any judge, a child of seven years, even though he were the son of that good and honest painter and poet, Giovanni Sanzio.

The next morning was midsummer day. Now, the pottery was all to be placed on this forenoon in the bottega of Signor Benedetto; and the Duke Guidobaldo was then to come and make his choice from amidst them; and the master-potter, a little because he was a courtier, and more because he liked to affect a mighty indifference and to show he had no favoritism, had declared that he would not himself see the competing works of art until the eyes of the Lord of Montefeltro also fell upon them.

As for Pacifica, she had locked herself in her chamber, alone with her intense agitation. The young men were swaggering about, and taunting each other, and boasting. Luca alone sat apart, thrumming an old lute. Giovanni Sanzio, who had ridden home at evening from Citta di Castello, came in from his own house and put his hand on the youth's shoulder.

"I hear the Pesaro men have brought fine things. Take courage, my lad. Maybe we can entreat the duke to dissuade Pacifica's father from this tyrannous disposal of her hand."

Luca shook his head wearily.

There would be one beautiful thing there, indeed, he knew; but what use would that be to him?

"The child--the child--" he stammered, and then remembered that he must not disclose Raffaelle's secret.

"My child?" said Signor Giovanni. "Oh, he will be here; he will be sure to be here: wherever there is a painted thing to be seen, there always, be sure, is Raffaelle."

Then the good man sauntered within from the loggia, to exchange salutations with Ser Benedetto, who, in a suit of fine crimson with doublet of sad-colored velvet, was standing ready to advance bareheaded into the street as soon as the hoofs of the duke's charger should strike on the stones.

"You must be anxious in your thoughts," said Signor Giovanni to him. "They say a youth from Pesaro brings something fine: if you should find yourself bound to take a stranger into your workroom and your home--"

"If he be a man of genius, he will be welcome," answered Messer Ronconi, pompously. "Be he of Pesaro, or of Fano, or of Castel Durante, I go not back from my word: I keep my word, to my own hindrance even, ever."

"Let us hope it will bring you only joy and triumph here," said his neighbor, who knew him to be an honest man and a true, if over-obstinate and too vain of his own place in Urbino.

"Our lord the duke!" shouted the people standing in the street; and Ser Benedetto walked out with stately tread to receive the honor of his master's visit to his bottega.

Raffaelle slipped noiselessly up to his father's side, and slid his little hand into Sanzio's.

"You are not surely afraid of our good Guidobaldo!" said his father, with a laugh and some little surprise, for Raffaelle was very pale, and his lower lip trembled a little.

"No," said the child, simply.

The young duke and his court came riding down the street, and paused before the old stone house of the master-potter,--splendid gentlemen, though only in their morning apparel, with n.o.ble Barbary steeds fretting under them, and little pages and liveried varlets about their steps. Usually, unless he went hunting or on a visit to some n.o.ble, Guidobaldo, like his father, walked about Urbino like any one of his citizens; but he knew the pompous and somewhat vainglorious temper of Messer Benedetto, and good- naturedly was willing to humor its harmless vanities. Bowing to the ground, the master-potter led the way, walking backward into his bottega; the courtiers followed their prince; Giovanni Sanzio with his little son and a few other privileged persons went in also at due distance. At the farther end of the workshop stood the pupils and the artists from Pesaro and other places in the duchy whose works were there in compet.i.tion. In all there were some ten compet.i.tors: poor Luca, who had set his own work on the table with the rest as he was obliged to do, stood hindmost of all, shrinking back, to hide his misery, into the deepest shadow of the deep- bayed latticed window.

On the narrow deal benches that served as tables on working days to the pottery painters were ranged the dishes and the jars, with a number attached to each--no name to any, because Signor Benedetto was resolute to prove his own absolute disinterestedness in the matter of choice: he wished for the best artist. Prince Guidobaldo, doffing his plumed cap courteously, walked down the long room and examined each production in its turn. On the whole, the collection made a brave display of majolica, though he was perhaps a little disappointed at the result in each individual case, for he had wanted something out of the common run and absolutely perfect. Still, with fair words he complimented Signor Benedetto on the brave show, and only before the work of poor Luca was he entirely silent, since indeed silence was the greatest kindness he could show to it: the drawing was bold and regular, but the coloring was hopelessly crude, glaring, and ill-disposed.

At last, before a vase and a dish that stood modestly at the very farthest end of the deal bench, the duke gave a sudden exclamation of delight, and Signor Benedetto grew crimson with pleasure and surprise, and Giovanni Sanzio pressed a little nearer and tried to see over the shoulders of the gentlemen of the court, feeling sure that something rare and beautiful must have called forth that cry of wonder from the Lord of Montefeltro, and having seen at a glance that for his poor friend Luca there was no sort of hope.

"This is beyond all comparison," said Guidobaldo, taking the great oval dish up reverently in his hands. "Maestro Benedetto, I do felicitate you indeed that you should possess such a pupil. He will be a glory to our beloved Urbino."

"It is indeed most excellent work, my lord duke," said the master- potter, who was trembling with surprise and dared not show all the astonishment and emotion that he felt at the discovery of so exquisite a creation in his bottega. "It must be," he added, for he was a very honest man, "the work of one of the lads of Pesaro or Castel Durante. I have no such craftsman in my workshop. It is beautiful exceedingly!"

"It is worth its weight in gold!" said the prince, sharing his emotion. "Look, gentlemen--look! Will not the fame of Urbino be borne beyond the Apennines and Alps?"

Thus summoned, the court and the citizens came to look, and averred that truly never in Urbino had they seen such painting on majolica. "But whose is it?" said Guidobaldo, impatiently, casting his eyes over the gathered group in the background of apprentices and artists. "Maestro Benedetto, I pray you, the name of the artist; I pray you, quick!"

"It is marked number eleven, my lord," answered the master-potter.

"Ho, you who reply to that number, stand out and give your name.

My lord duke has chosen your work. Ho, there! do you hear me?"

But not one of the group moved. The young men looked from one to another. Who was this nameless rival? There were but ten of themselves.

"Ho, there!" repeated Signor Benedetto, getting angry. "Cannot you find a tongue, I say? Who has wrought this work? Silence is but insolence to his highness and to me!"

Then the child Sanzio loosened his little hand from his father's hold, and went forward, and stood before the master-potter.

"I painted it," he said, with a pleased smile; "I, Raffaelle."

Can you not fancy, without telling, the confusion, the wonder, the rapture, the incredulity, the questions, the wild ecstasy of praise, that followed on the discovery of the child artist? Only the presence of Guidobaldo kept it in anything like decent quietude, and even he, all duke though he was, felt his eyes wet and felt his heart swell; for he himself was childless, and for the joy that Giovanni Sanzio felt that day he would have given his patrimony and duchy.

He took a jewel hung on a gold chain from his own breast and threw it over Raffaelle's shoulders.

"There is your first guerdon," he said; "you will have many, O wondrous child, who shall live when we are dust!"

Raffaelle, who himself was all the while quite tranquil and unmoved, kissed the duke's hand with sweetest grace, then turned to his own father.