The Veiled Lady, and Other Men and Women Part 5

They took Loretta to the prison next the Bridge of Sighs and locked her up in one of the mouldy cells below the water line--dark, dismal pockets where, in the old days, men died of terror.

Vittorio, Luigi, and I met there the next morning. I knew the chief officer, and he had promised me an interview. Vittorio was crying,--rubbing his knuckles in his eyes,--utterly broken up and exhausted. He and Luigi had spent the night together. An hour before, the two had stood at Francesco's bedside in the hospital of San Paulo.

Francesco was still alive, and with Father Garola bending over him had repeated his confession to them both. He was madly in love with her, he moaned, and had spread the report hoping that Vittorio would cast her off, and, having no other place to go, Loretta would come back to him.

At this Vittorio broke into a rage and would have strangled the dying man had not the attendant interfered. All this I learned from Luigi as we waited for the official.

"This is a frightful ending to a happy life--" I began when the officer appeared. "Let them talk to each other for just a few moments. It can do no harm."

The official shook his head. "It is against orders, Signore, I cannot.

He can see her when she is brought up for examination."

"They will both have lost their senses by that time," I pleaded. "Can't you think of some way? I have known her from a child. Perhaps an order from headquarters might be of some use." We were standing, at the time, in a long corridor ending in a door protected by an iron grating. This led to the underground cells.

The chief fastened his eyes on me for an instant, turned abruptly, called to an attendant, gave an order in a low voice and, with the words to Vittorio--"You are not to speak to her, remember," motioned the sobbing man toward the grating. Luigi and I followed.

She came slowly out of the shadows, first the drawn face peering ahead, as if wondering why she had been sent for, then the white crumpled dress, and then the dark eyes searching the gloom of the corridor.

Vittorio had caught sight of her and was clinging to the grating, his body shaking, his tears blinding him.

The girl gave a half-smothered cry, darted forward and covered Vittorio's hands with her own. Some whispered word must have followed, for the old light broke over her face and she would have cried out for joy had not Luigi cautioned her. For a moment the two stood with fingers intertwined, their bowed foreheads kept apart by the cold grating. Then the boy, straining his face between the bars, as if to reach her lips, loosened one hand, took something from his pocket and slipped it over her finger.

It was her wedding ring.

IV

Summer has faded, the gold of autumn has turned to brown, and the raw, cold winds of winter have whirled the dead leaves over rookeries, quay, and garden. The boats rock at their tethers and now and then a sea gull darts through the ca.n.a.l and sweeps on to the lagoon. In the narrow opening fronting the broad waters lawless waves quarrel and clash, forcing their way among the frightened ripples of San Giuseppe, ashy gray under the lowering sky.

All these months a girl has clung to an iron grating or has lain on a pallet in one corner of her cell. Once in a while she presses her lips to a ring on her left hand, her face lighting up. Sometimes she breaks out into a song, continuing until the keeper checks her.

Then spring comes.

And with it the painter from over the sea.

All the way from Milan as far as Verona, and beyond, there have been nothing but blossoms,--ma.s.ses of blossoms,--oleander, peach, and almond.

When the train reaches Mestre and the cool salt air fans his cheek, he can no longer keep his seat, so eager is he to catch the first glimpse of his beloved city,--now a string of pearls on the bosom of the lagoon.

Luigi has the painter's hand before his feet can touch the platform.

"Good news, Signore!" he laughs, patting my shoulder. "She is free!"

"Loretta!"

"Yes,--she and Vittorio are back in their garden. Borodini told the whole story to the good Queen Mother when she came at Easter, and the king pardoned her."

"Pardoned her! And Francesco dead!"

"Dead! No such good luck, Signore,--that brute of a crab-fisher got well!"

A COAT OF RED LEAD

I

My offices are on the top floor of a high building overlooking the East River and the harbor beyond--not one of those skysc.r.a.pers punctured with windows all of the same size, looking from a distance like huge waffles set up on end--note the water-line of New York the next time you cross the ferry and see if you don't find the waffles--but an old-fas.h.i.+oned sort of a high building of twenty years ago--old as the Pyramids now, with a friendly janitor who comes to me when I send for him instead of my going to his "Office" when he sends for me; friendly elevator boys who poke their heads from out their iron cages and wait five seconds until I reach them, and an obliging landlord who lets me use his telephone.

Mawk.u.m, my chief draftsman--when you have only one it is best to label him "Chief" to your clients; they think the others are off building bridges for foreign governments, or lunching at Delmonico's with railroad presidents--my chief draftsman, I say, occupies the room opening into mine. His outlook is a brick wall decorated with windows, behind which can be seen various clerks poring over huge ledgers, a section of the roof topped with a chimney, and in the blue perspective the square, squat tower of the Produce Exchange in which hangs a clock.

Both of these connecting rooms open on the same corridor, a convenient arrangement when clients wish to escape without being seen, or for the concealing of bidders who are getting plans and specifications for the same tenders, especially when two of them happen to turn up at the same moment.

Mawk.u.m manages this, and with such adroitness that I have often seen clients, under the impression that the drafting-room was full, sit patiently in my office and take their turn while he quietly munches his sandwich behind closed panels--an illusion sustained by a loud "Good-morning" from my chief addressed to the circ.u.mambient air, followed by the slamming of the corridor door. When I remonstrate with Mawk.u.m, insisting that such subterfuges are beneath the dignity of the office, he contends that they help business, and in proof quotes the old story of the unknown dentist who compelled a suffering prince to call the next day at noon, claiming that his list was full, when neither man, woman nor child had been in his chair for over a week--fame and fortune being his ever after.

When Mawk.u.m gets tired of inspecting the brick wall and the industrious clerks and the face of the clock, he strolls leisurely into my room, plants himself at my window--this occurs during one of those calms that so often come to an office between contracts--and spends hours in contemplating the view.

To me the stretch of sky and water, with its dividing band of roof, tower and wharf, stretching from the loop of steel--that spider-web of the mighty--to the straight line of the sea, is a never-ending delight.

In the early morning its broken outline is softened by a veil of silver mist embroidered with puffs of steam; at midday the glare of light flas.h.i.+ng from the river's surface makes silhouettes of the ferry-shuttles threading back and forth weaving the city's life; at twilight the background of purple is bathed in the glory of the sunset, while at night myriads of fireflies swarm and settle, tracing in pencillings of fire the plan of the distant town.

Mawk.u.m, being commercially disposed, sees none of these things; his gaze is fixed on the panting tugs towing chains of ca.n.a.l boats; on the great floats loaded with cars and the stately steamers slowing down opposite their docks. Today he develops an especial interest.

"That's the Tampico in from Caracas and the Coast," he says, leaning across my desk, his fat hand resting on my letter file. "She's loaded pretty deep. Hides and tallow, I guess. 'Bout time we heard from that Moccador Lighthouse, isn't it? Lawton's last letter said we could look for his friend in a month--about due now. Wish he'd come." And he yawned wearily.

Mawk.u.m's yawn indicated the state of his mind. He had spent the previous three weeks in elaborating the plans and specifications for a caisson to be used under a bridge pier--our client a.s.suring him that he had, to use his own words, "a dead sure thing on the award." When the bids were opened, Mawk.u.m congratulated him on his foresight and offered to attend the funeral in a body, the client's bid being some thirty per cent too high. Little episodes like this add a touch of gayety to the hours spent in the top of the high building.

Mawk.u.m's yawn over--it is generally in three sections, but can sometimes be curtailed--I interrupted hurriedly with:

"What sort of a structure is it?" I knew, but I wanted some other employment for his mouth.

"First order, screw pile, about a hundred and twenty feet high, stuck on a coral reef at the mouth of the harbor. 'Bout like our Fowey Rocks, off the Florida coast. She's backing in." His eyes were still on the Tampico, the floes of North River ice hemming her in on all sides.

"Pa.s.sengers'll be off in an hour. Wonder how they like our climate--little chilly for pajamas."

Here Mawk.u.m strolled into his room and began overhauling the contents of a rack of drawings piled one on top of the other like cordwood, labelled: "Screw Pile Structures."

The next morning there came a timid knock at Mawk.u.m's door--the knock of a child with matches to sell, or of one of those dear sisters who collect for the poor. At a second summons, a little louder than the first, the chief, with an impatient air, slid from the high stool facing his drawing board, and threw wide the door.

I craned my head and discovered a small, ivory-tinted individual in a Panama hat, duck trousers and patent-leather shoes. Wrapped about his shrivelled frame, one red-lined end tossed gallantly over his shoulder, was an enormous Spanish capa. This hid every part of his body from his chin to the knees of his cotton ducks. From where I sat he looked like a conspirator in the play, or the a.s.sa.s.sin who lies in wait up the dark alley. Once inside he wrinkled his shoulders with the s.h.i.+vering movement of a horse dislocating a fly, dropped the red-lined end of the capa, removed his Panama and began a series of genuflections which showed me at once that he had been born among a people who imbibed courtesy with their mother's, or their cocoanut's, milk.

"I am look' for the Grandioso Engineer," said the visitor. "I am Senor Garlicho--" Then a shade of uncertainty crossed his face: Mawk.u.m was still staring at him. "It is a mistake then, perhaps? I have a letter from Senor Law-TON. Is it not to the great designer of lighthouse which I speak?" This came with more bows--one almost to the floor.

The mention of Lawton's name brought Mawk.u.m to his senses. He placed his fat hand on his vest, crooked his back, and without the slightest allusion to the fact that the original and only Grandioso occupied the adjoining room, motioned the visitor to a seat and opened the letter.

I thought now it was about time I should a.s.sert my rights. Pus.h.i.+ng back my chair, I walked rapidly through my own and Mawk.u.m's room and held out my hand.

"Ah, Senor, I am delighted to meet you," I broke out in Spanish. (Here I had Mawk.u.m--he did not understand a word.) "We have been expecting you; our mutual friend, Mr. Lawton, has given me notice of your coming--and how is the Senor and his family?" And in a few minutes we three were seated at my desk with Mawk.u.m unrolling plans, making sketches on a pad, figuring the cost of this and that and the other thing; I translating for Mawk.u.m such statements as I thought he ought to know, thus restoring the discipline and dignity of the office--it never being wise to have more than one head to a concern.

This partial victory was made complete when his ivory-tinted Excellency loosened his waistcoat, dived into his inside pocket and, producing a package of letters tied with a string, the envelopes emblazoned with the arms and seal of the Republic of Moccador, asked if we might be alone. I immediately answered, both in Spanish and English, that I had no secrets from Senor Mawk.u.m, but this did not prove satisfactory and so Mawk.u.m, with a wink to me, withdrew.

Mawk.u.m gone, the little man--it is inconceivable how small and withered he was; how yellow, how spidery in many of his motions, especially with his fingers stained with cigarettes, how punctilious, how polite, how soft and insinuating his voice, and how treacherous his smile--a smile that smiled all alone by itself, while the cunning, glittering eyes recorded an entirely different brain suggestion--Mawk.u.m gone, I say, the little man examined the door to see that it was tight shut, glanced furtively about the room, resumed his seat, slowly opened the largest and most flaringly decorated envelope and produced a doc.u.ment signed with a name and t.i.tles that covered half the page. Then he began to talk at the rate of fifty words to the second; like the rattle of a ticker in a panic: of Alvarez, the saviour of his country--his friend!--his partner; of the future of Moccador under his wise and beneficent influence, the Lighthouse being one of the first improvements; of its being given to him to erect because of his loyalty to the cause, and to the part he had taken in overturning that despot, the Tyrant Paramba, who had ruled the republic with a rod of iron. Now it was all over--Paramba was living in the swamps, hunted like a dog.