Masters Of Horror Part 3

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"In the office."

"Where's that?"

"Behind the steel door, down the hall. Give me that f.u.c.king gun."

"No way." Jim turned his back on Raiders. Stepped over the corpse. The dead thing made a movement with its whole body like a worm on a hot sidewalk, and then lay still again.

Jim stopped in the middle of the room, his gun in his hand, wanting to scream but not having the energy, still sick to his stomach, thinking that all this should feel dreamlike, but it didn't now, not anymore.



That was because there was a smooth and ordinary continuity between being strung out, cras.h.i.+ng on crack, perceiving himself as human vermin...and being here, with the dying and the dead who moved around.

It all felt like one, seamless thing, to him. Like the fall of a pebble into a mine shaft was part of the pebble's splas.h.i.+ng into slime and mud. It had all led right here.

The hall door heaved inward, cracking down the middle. A black woman's face with milky eyes in the break. Big black woman wearing bloodstained designer jeans, but naked above the waist. She had one enormous pendulous breast, the other mostly chewed away. Somehow he knew she'd chewed it away herself. One of her eyes was missing. Her upper lip raggedly absent so that her teeth showed in permanent feral baring. She was pus.h.i.+ng through the blocked doorway, pressing the broken wood aside, moving slow as lava over the dead bodies and the mattress blocking her way.

Fumbling, but inexorable, like the motion of a big maggot feeling its way along, as she shoved through the broken door.

Climbing over the dead. The dead climbing over the dead.

"Base," she said, in a croak. "Crack. Rock. Silver top. Base."

"Some kind of poison in the base," Dwayne whispered to himself. He was standing with his back to the wall opposite the door, just looking at her. "Kills them and the dark wave brings them back."

"The dark what?" Jim asked.

"Garland...Uncle Garland said-" He shook his head. "It's just too much greed, he said one time. Spills over and changes things..."

Dwayne and Jim stared at the woman, and then at the two dead men coming in behind her. They weren't cooperating with her consciously, but shoving in beside her like impatient commuters forcing their way onto a BART train. Two walking dead men, one white, an aging punk rocker, and the other black. Their faces peeling away, one of them missing his eyes.

The light flickered. Jim thought the bulb was going to go out and they'd be in here, in the dark with these things sniffing after them. The light flickered again, but didn't quite go out. The shadows fluttered and s.h.i.+fted, distorting the way things looked. Like the faces on those two living dead men in the hall. Jim thought, in the flickering light, that their faces had changed. Their faces become Dwayne's face, Jim Diggins' face. Mouthing, "Base, Rock. Silver Top. Base."

Jim nodded. Looking at himself dead, face blue, skin peeling away, bone in his throat exposed like the broomstick in a scarecrow. Flies crawling in and out of his nostrils.

And the truly-dead, those that the two living-dead men were crawling over, were Patty and some black woman Jim had never seen, but knew somehow was Dwayne's aunt.

Dead Dwayne and dead Jim clambering over Patty and the black woman, crawling toward the living Dwayne and Jim; the dead, reaching out for a hit, a dose, a blast: of life.

The light flickered again, and then the men crawling through the doorway were no longer Dwayne and Jim, they were once more men with the faces of strangers, and they were coming on through, stumbling toward them, sniffing, snuffling. Toward Dwayne's head and Jim's head. Going for the cocaine they smelled in their living brains. Some particular combination of drug residue and brain chemistry. Some semblance of life. In some sense mutated by crack to hunger for crack-rancid brain...living brain.

Jim raised his gun- Raiders stepped up from behind, clouted Jim on the side of the head with the empty snubnose. Jim went to his knees, skull tolling like a cracked bell, and Raiders yanked the gun from Jim's hand, ran at the big dead black woman shrieking "f.u.c.kING FREAK b.i.t.c.h c.u.n.t!" Firing the gun into her face. She threw her arms around him like a loving mother, then fell backwards, pulling him onto her. The two hungry dead men behind her lunged onto him, biting down on his head. Sharing it, biting into Raiders' skull from both sides. Jim could hear the sound of it, of their teeth in the bone of Raiders' cranium. A squeaking grating sound that seemed somehow louder than Raiders' scream.

Then Raiders was quiet, and there were wet, crunching noises. Dwayne said, "f.u.c.k this," and was dragging a mattress up, holding it like a s.h.i.+eld. Jim got up, got behind the mattress with him, and helped him shove it onto the ma.s.s of feeding dead blocking the doorway, using the mattress to keep the dead down so Jim and Dwayne could scramble over it and out into the hall. Two more of the dead were swaying in the front door. Dwayne and Jim dodged to the right, down the hall. The office. Through the open steel door.

A kitchen. An AK-47, without a magazine in it, lay on an old, ornate wooden kitchen table. Next to it was a freezer bag full of base crystal, half spilled onto the table top. On a sink to the back was a big, five gallon steel pot crusted with crack cocaine residue. A gallon can of something called BUG DETH: All New! Industrial Strength for Big Jobs! stood on the counter next to the sink. The bonding agent. There was a dead Hispanic boy in the corner, eating something. He had been about twelve. He was eating raw crack from another freezer bag, a sack with blood and brains dripped into it; chewing b.l.o.o.d.y crack cocaine up like a mouth full of rock candy.

There was a dead man on the floor; missing his head, too. Near the dead man, also on the floor, was a phone off the hook with a mechanical voice coming out of it, small and foolish, saying, "If you are not going to make a call, please hang up the telephone."

Jim almost dove for the phone. Crouched in blood, by the stump of a neck, with an effort of will he made his hands work the touchtone b.u.t.tons. His heart going off like one of those obnoxious car alarms.

The dead were coming down the hall. Scuffling. Making sniffing sounds. Dwayne scooped up a handful of the base fallen on the table, a big handful of crystals, couple thousand dollars worth. Stared at it hungrily. Jim watched the boy in the corner eating b.l.o.o.d.y rock cocaine, while he told 911 that there were murders happening here. Not trying to explain more than that. (Thinking, in some twitchy corner of his mind, that it would be easy to get a handful or two of the rock for himself, hide it somewhere, come back after the cops and the things were gone, f.u.c.k it, it wasn't like anything mattered anymore and then he had a flash vision of himself chewing a hole in his own kid's head.) Jim told Dwayne, as he hung up the phone, "The s.h.i.+t's poisonous, Dwayne, even more than usual."

Dwayne looked at the double handful of rock cocaine. Then bent over, dipped the base in a puddle of blood and brains and tossed the whole double-handful through the door, into the hall. Scrabbling, clawing sounds as the dead went for it.

Jim Diggins carried the phone across the small room, and smashed the head of the dead boy eating the cocaine, twice, crushed his skull, very thoroughly, with a corner of the phone, each blow making the phone ring a little.

The boy slumped, twitching, b.l.o.o.d.y cocaine dribbling from his mouth...not dead, you couldn't kill them that easy.

11:30 P.M.

A lot of cops milling around.

The Detective in charge was named Johnson, a tall, mild-eyed black guy, a uniformed lieutenant with a college cadence to his talk. Jim had ditched the .45. Didn't tell the cops the background to the story. Johnson listened to the story, as Jim told it, then went to his cruiser, his face flas.h.i.+ng in and out of red with the cherry-top light. He spoke into a microphone, something about cocaine-overdose hallucinations and ma.s.s murder and hysteria, as the paramedics carted the truly-dead away. Paramedics that shook their heads in weary amazement.

Carrying the dead dead. The others, the ambulatory dead, had crawled out back, when the cops had come. Hid themselves. Still functioning, instinctively, to protect themselves. Still out there, in the city, somewhere, sniffing around. Settling for any kind of living flesh they could find, now, Jim supposed.

But then again, it wouldn't take them long to find more crackheads.

Dwayne and Jim stood to one side. They'd been told to wait, put on the back burner for the moment. Johnson was convinced they were bystanders, not the killers. Jim said, "s.h.i.+t like this doesn't happen by accident, Dwayne. Something's talking to us. All of us."

Dwayne said nothing. He stared at light on the cop car. The headless bodies being hoisted into the ambulance.

Jim said, "What your Uncle said about a sickness in the air, the dark wave thing...Well, s.h.i.+t. I don't know. I mean, I don't know if there's a G.o.d, man, but I think we ought to act as if there is one, you know?"

Dwayne still said nothing.

"Dwayne?"

Dwayne said, softly, "I gettin' the f.u.c.k out of here."

"Where you going to go?"

"Way different neighborhood."

"Is that right? Hey, Lieutenant Johnson!"

The cop said something more into the mike, then walked over to them. "Yeah?"

"This man here stole my car. A few days ago. I went to talk to him about it when all this happened. . ."

Dwayne said, "He's full of s.h.i.+t..."

Jim said, "They dusted the car for prints. I insisted on it. They got your prints, Dwayne. They got evidence of that. Not of anything else." Meaning: no evidence that Jim had been buying drugs.

Dwayne looked at Jim like he was going to bite through Jim's skull himself. "You pale motherf.u.c.ker."

"Just what I need," Johnson was saying, wearily putting cuffs on Dwayne. "As if I don't have enough to deal with. You have the right to remain silent..." He went through the whole thing.

"You don't know what I do for a living, Dwayne," Jim said, later, talking through the half-open window of the car; Johnson had put Dwayne in the back of a cruiser. "I'm a lawyer. I've gotta lot of connections. I can get you remanded to my custody, set you up in drug rehab. Both of us in drug rehab."

"f.u.c.k you, you pale bulls.h.i.+t motherf.u.c.ker."

"You better hold onto that att.i.tude, you're gonna need it sometime, Dwayne. I'm doing this to help, man. Because I had a choice and you didn't."

"You think you on a mission? f.u.c.k you, you kneejerk liberal c.o.c.ksucker!" Dwayne shouted out the car window as Johnson started the cruiser and drove off.

Jim was taken to the precinct in another cop car. After awhile all the rest of the police cars drove off into the night, vanis.h.i.+ng into the darkness where the hungry dead were shuffling, sniffing the air.

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Back to TOC.

Food, Glorious FOOD! How do we love thee? (Really, how can we NOT, since every little innocent Oreo cookie has 14 various 'appet.i.te inducers'.).

Let the legendary F. Paul Wilson's "Topsy" count the ways...

Topsy.

By F. Paul Wilson.

I'm inna middle a chewin on dis giant lasagne noodle when Nurse Delores appears.

"Morning, Topsy!" she says as she marches inta da room in her white uniform.

Dey call me Topsy.

Don't ax why dey call me dat. My name's Bruno. But evybody here calls me Topsy.

"Oh, no!" she says. "You've been eating your sheets again!"

I look down an see she's right. My sheets is all chewed up. I guess dat weren't no giant lasagne noodle after all.

G.o.d I'm hungry.

"Ready for breakfast?" she says all bright an cheery.

Course I'm ready for breakfast-I'm dyin for breakfast-but I don't say nuttin. Cause what dey call breakfast here ain't. Ain't lunch or dinner neither. Just liquid. Not even a shake. I amember when I useta eat diet shakes. Useta drink ten a dem fa breakfast. An anotha ten fa coffee break. Dey're junk. I neva lost weight on dem. Not once.

But no shakes round here. Just dis clear glop. An here she comes wit a whole gla.s.s of it.

"Here, Topsy. Open your mouth and drink this," she says, all Mary Suns.h.i.+ne poikiness.

If my hands wasn't strapped to da side of da bed I'd grab her an make her drink it herself an see how much she likes dat s.h.i.+t.

She tilts da gla.s.s toward my lips but I turn away.

"Come on, Topsy," she says. "I know you don't like it, but it's this or nothing."

"No!"

"Come on, Topsy. Do it for Lenore. Don't be mad at me. The protein hydrosylate isn't my idea. It's doctor's orders. And it's working. You're down to twelve hundred and thirty pounds now."

Still I don't open.

"Come on, baby. It's this or go hungry. Open up."

Sometimes she calls me baby, but dat don't make it taste better, believe me.

I open an pretend it's a milk shake. A big double chocolate praline shake laced wit wet walnuts.

Don't help. I gag an wanna barf it all ova da place but manage to choke it down. Gotta. It's all I'll get til lunch. An dat'll only be a salad.

G.o.d I'm so hungry.

Dey don't unnerstan aroun here. Don't seemta realize dat I gotta eat. Dey say dey're helpin me by stickin needles in my arms an feedin me teeny bits of veggies an barely a moutful of whole grain sumpin-or-otha an dis liquid protein s.h.i.+t, but dey ain't helpin. Ain't helpin me one bit.

Guy's gotta eat.

Useta be so good when my brotha Sal an his wife Marie was takin care a me. I was happy den. Dat's cause dey unnerstood. Dey knew I hadda eat. Boy could dey cook. No limit, man. Anyting I wanted, it was dere on da bed tray soon as I said.

Dey unnerstood me, know'm sayin?

Breakfast was da best. On regula days Marie'd whip me up a coupla dozen eggs over easy wit a coupla poundsa bacon an lotsa dose spicy Jimmy Dean sausage patties. Love dat Jimmy Dean sausage. Den she'd make me a gigantic stack a ten-inch pancakes swimmin in b.u.t.ta an Vermont maple syrup. An on special days, like Satadays an Sundays, she'd go all out an add in a whole platterful a eggs Benedict. Love eggs Benedict. All dat Hollandaise sauce over dose poached eggs on English m.u.f.fins an Canadian bacon. Heaven, man. Absolute heaven.

Mid-mornings dere'd be Entenmann's sugar crumb cake or cheeze babka or my favorite, All b.u.t.ter French Crumb cake. Or sometimes lox an bagels wit cream cheese an herring in cream sauce.

Neva could tell what lunch was gonna be. Sometimes a coupla family-size buckets of da Colonel's Extra Crispy fried chicken, but most times Sal'd bring me in tree or four sausage an pepperoni pizzas or half a dozen subs from Vinnie's. Da subs were da best, man. Pepper an egg, veal parmesian, Italian delight, an da Kitchen Sink sub wit evyting on it.

Loved lunch, man.

Mid afternoons I'd do it kinda light. Jus some coffee an a coupla packages a Oreos. Or maybe some Little Debbie Satellite bars. When it was hot, Sal'd get me a gallon a Welsh Farms peanut b.u.t.ter swirl ice cream. He'd mix it up wit a can of Hershey's chocolate syrup an I'd be in heaven, man.

Masters Of Horror Part 3

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Masters Of Horror Part 3 summary

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