Love and Other Stories Part 28

"The serpent-tempter himself could not have invented anything worse . . . . Why, to put such a phantasmagoria on the table would be defiling the whole flat."

"What a strange way of looking at art, doctor!" said Sasha, offended.

"Why, it is an artistic thing, look at it! There is so much beauty and elegance that it fills one's soul with a feeling of reverence and brings a lump into one's throat! When one sees anything so beautiful one forgets everything earthly. . . . Only look, how much movement, what an atmosphere, what expression!"

"I understand all that very well, my dear boy," the doctor interposed, "but you know I am a family man, my children run in here, ladies come in."

"Of course if you look at it from the point of view of the crowd,"

said Sasha, "then this exquisitely artistic work may appear in a certain light. . . . But, doctor, rise superior to the crowd, especially as you will wound mamma and me by refusing it. I am the only son of my mother, you have saved my life. . . . We are giving you the thing most precious to us and . . . and I only regret that I have not the pair to present to you. . . ."

"Thank you, my dear fellow, I am very grateful . . . Give my respects to your mother but really consider, my children run in here, ladies come. . . . However, let it remain! I see there's no arguing with you."

"And there is nothing to argue about," said Sasha, relieved. "Put the candlestick here, by this vase. What a pity we have not the pair to it! It is a pity! Well, good-bye, doctor."

After Sasha's departure the doctor looked for a long time at the candelabra, scratched behind his ear and meditated.

"It's a superb thing, there's no denying it," he thought, "and it would be a pity to throw it away. . . . But it's impossible for me to keep it. . . . H'm! . . . Here's a problem! To whom can I make a present of it, or to what charity can I give it?"

After long meditation he thought of his good friend, the lawyer Uhov, to whom he was indebted for the management of legal business.

"Excellent," the doctor decided, "it would be awkward for him as a friend to take money from me, and it will be very suitable for me to present him with this. I will take him the devilish thing! Luckily he is a bachelor and easy-going."

Without further procrastination the doctor put on his hat and coat, took the candelabra and went off to Uhov's.

"How are you, friend!" he said, finding the lawyer at home. "I've come to see you . . . to thank you for your efforts. . . . You won't take money so you must at least accept this thing here. . . . See, my dear fellow. . . . The thing is magnificent!"

On seeing the bronze the lawyer was moved to indescribable delight.

"What a specimen!" he chuckled. "Ah, deuce take it, to think of them imagining such a thing, the devils! Exquisite! Ravis.h.i.+ng! Where did you get hold of such a delightful thing?"

After pouring out his ecstasies the lawyer looked timidly towards the door and said: "Only you must carry off your present, my boy . . . . I can't take it. . . ."

"Why?" cried the doctor, disconcerted.

"Why . . . because my mother is here at times, my clients . . .

besides I should be ashamed for my servants to see it."

"Nonsense! Nonsense! Don't you dare to refuse!" said the doctor, gesticulating. "It's piggish of you! It's a work of art! . . . What movement . . . what expression! I won't even talk of it! You will offend me!"

"If one could plaster it over or stick on fig-leaves . . ."

But the doctor gesticulated more violently than before, and das.h.i.+ng out of the flat went home, glad that he had succeeded in getting the present off his hands.

When he had gone away the lawyer examined the candelabra, fingered it all over, and then, like the doctor, racked his brains over the question what to do with the present.

"It's a fine thing," he mused, "and it would be a pity to throw it away and improper to keep it. The very best thing would be to make a present of it to someone. . . . I know what! I'll take it this evening to Shashkin, the comedian. The rascal is fond of such things, and by the way it is his benefit tonight."

No sooner said than done. In the evening the candelabra, carefully wrapped up, was duly carried to Shashkin's. The whole evening the comic actor's dressing-room was besieged by men coming to admire the present; the dressing-room was filled with the hum of enthusiasm and laughter like the neighing of horses. If one of the actresses approached the door and asked: "May I come in?" the comedian's husky voice was heard at once: "No, no, my dear, I am not dressed!"

After the performance the comedian shrugged his shoulders, flung up his hands and said: "Well what am I to do with the horrid thing?

Why, I live in a private flat! Actresses come and see me! It's not a photograph that you can put in a drawer!"

"You had better sell it, sir," the hairdresser who was disrobing the actor advised him. "There's an old woman living about here who buys antique bronzes. Go and enquire for Madame Smirnov . . .

everyone knows her."

The actor followed his advice. . . . Two days later the doctor was sitting in his consulting-room, and with his finger to his brow was meditating on the acids of the bile. All at once the door opened and Sasha Smirnov flew into the room. He was smiling, beaming, and his whole figure was radiant with happiness. In his hands he held something wrapped up in newspaper.

"Doctor!" he began breathlessly, "imagine my delight! Happily for you we have succeeded in picking up the pair to your candelabra!

Mamma is so happy. . . . I am the only son of my mother, you saved my life. . . ."

And Sasha, all of a tremor with grat.i.tude, set the candelabra before the doctor. The doctor opened his mouth, tried to say something, but said nothing: he could not speak.

A JOKE

IT was a bright winter midday. . . . There was a sharp snapping frost and the curls on Nadenka's temples and the down on her upper lip were covered with silvery frost. She was holding my arm and we were standing on a high hill. From where we stood to the ground below there stretched a smooth sloping descent in which the sun was reflected as in a looking-gla.s.s. Beside us was a little sledge lined with bright red cloth.

"Let us go down, Nadyezhda Petrovna!" I besought her. "Only once!

I a.s.sure you we shall be all right and not hurt."

But Nadenka was afraid. The slope from her little goloshes to the bottom of the ice hill seemed to her a terrible, immensely deep abyss. Her spirit failed her, and she held her breath as she looked down, when I merely suggested her getting into the sledge, but what would it be if she were to risk flying into the abyss! She would die, she would go out of her mind.

"I entreat you!" I said. "You mustn't be afraid! You know it's poor-spirited, it's cowardly!"

Nadenka gave way at last, and from her face I saw that she gave way in mortal dread. I sat her in the sledge, pale and trembling, put my arm round her and with her cast myself down the precipice.

The sledge flew like a bullet. The air cleft by our flight beat in our faces, roared, whistled in our ears, tore at us, nipped us cruelly in its anger, tried to tear our heads off our shoulders.

We had hardly strength to breathe from the pressure of the wind.

It seemed as though the devil himself had caught us in his claws and was dragging us with a roar to h.e.l.l. Surrounding objects melted into one long furiously racing streak . . . another moment and it seemed we should perish.

"I love you, Nadya!" I said in a low voice.

The sledge began moving more and more slowly, the roar of the wind and the whirr of the runners was no longer so terrible, it was easier to breathe, and at last we were at the bottom. Nadenka was more dead than alive. She was pale and scarcely breathing. . . . I helped her to get up.

"Nothing would induce me to go again," she said, looking at me with wide eyes full of horror. "Nothing in the world! I almost died!"

A little later she recovered herself and looked enquiringly into my eyes, wondering had I really uttered those four words or had she fancied them in the roar of the hurricane. And I stood beside her smoking and looking attentively at my glove.

She took my arm and we spent a long while walking near the ice-hill.

The riddle evidently would not let her rest. . . . Had those words been uttered or not? . . . Yes or no? Yes or no? It was the question of pride, or honour, of life--a very important question, the most important question in the world. Nadenka kept impatiently, sorrowfully looking into my face with a penetrating glance; she answered at random, waiting to see whether I would not speak. Oh, the play of feeling on that sweet face! I saw that she was struggling with herself, that she wanted to say something, to ask some question, but she could not find the words; she felt awkward and frightened and troubled by her joy. . . .

"Do you know what," she said without looking at me.

"Well?" I asked.

"Let us . . . slide down again."

We clambered up the ice-hill by the steps again. I sat Nadenka, pale and trembling, in the sledge; again we flew into the terrible abyss, again the wind roared and the runners whirred, and again when the flight of our sledge was at its swiftest and noisiest, I said in a low voice:

"I love you, Nadenka!"