The House of Cobwebs and Other Stories Part 15
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She took her courage in both hands.
'Will you allow me to see the letters?'
'Certainly. There can be no objection to that.'
He drew from his pocket the three envelopes, held them to his daughter.
With shaking hand Rose unfolded the first letter; it was written in clear commercial character, and was signed 'Charles James Burroughs.' When she had read all, the girl said quietly--
'Are you quite sure, father, that these letters are impertinent?'
Mr. Whiston stopped in the act of finger-combing his beard.
'What doubt can there be of it?'
'They seem to me,' proceeded Rose nervously, 'to be very respectful and very honest.'
'My dear, you astound me! Is it respectful to force one's acquaintance upon an unwilling stranger? I really don't understand you. Where is your sense of propriety, Rose? A vulgar, noisy fellow, who talks of beer and tobacco--a petty clerk! And he has the audacity to write to me that he wants to--to make friends with my daughter! Respectful? Honest? Really!'
When Mr. Whiston became sufficiently agitated to lose his decorous gravity, he began to splutter, and at such moments he was not impressive. Rose kept her eyes cast down. She felt her strength once more, the strength of a wholly reasonable and half-pa.s.sionate revolt against that tyrannous propriety which Mr. Whiston wors.h.i.+pped.
'Father--'
'Well, my dear?'
'There is only one thing I dislike in these letters--and that is a falsehood.'
'I don't understand.'
Rose was flus.h.i.+ng. Her nerves grew tense; she had wrought herself to a simple audacity which overcame small embarra.s.sments.
'Mr. Burroughs says that he followed us home from Paddington to discover our address. That is not true. He asked me for my name and address in the train, and gave me his.'
The father gasped.
'He _asked_--? You _gave_--?'
'It was whilst you were away in the refreshment-room,' proceeded the girl, with singular self-control, in a voice almost matter-of-fact. 'I ought to tell you, at the same time, that it was Mr. Burroughs who brought me the flowers from the inn, when I forgot them. You didn't see him give them to me in the station.'
The father stared.
'But, Rose, what does all this mean? You--you overwhelm me! Go on, please.
What next?'
'Nothing, father.'
And of a sudden the girl was so beset with confusing emotions that she hurriedly quitted her chair and vanished from the room.
Before Mr. Whiston returned to his geographical drawing on Monday morning, he had held long conversations with Rose, and still longer with himself.
Not easily could he perceive the justice of his daughter's quarrel with propriety; many days were to pa.s.s, indeed, before he would consent to do more than make inquiries about Charles James Burroughs, and to permit that aggressive young man to give a fuller account of himself in writing. It was by silence that Rose prevailed. Having defended herself against the charge of immodesty, she declined to urge her own inclination or the rights of Mr.
Burroughs; her mute patience did not lack its effect with the scrupulous but tender parent.
'I am willing to admit, my dear,' said Mr. Whiston one evening, _a propos_ of nothing at all, 'that the falsehood in that young man's letter gave proof of a certain delicacy.'
'Thank you, father,' replied Rose, very quietly and simply.
It was next morning that the father posted a formal, proper, self-respecting note of invitation, which bore results.
A POOR GENTLEMAN
It was in the drawing-room, after dinner. Mrs. Charman, the large and kindly hostess, sank into a chair beside her little friend Mrs. Loring, and sighed a question.
'How do you like Mr. Tymperley?'
'Very nice. Just a little peculiar.'
'Oh, he _is_ peculiar! Quite original. I wanted to tell you about him before we went down, but there wasn't time. Such a very old friend of ours.
My dear husband and he were at school together--Harrovians. The sweetest, the most affectionate character! Too good for this world, I'm afraid; he takes everything so seriously. I shall never forget his grief at my poor husband's death.--I'm telling Mrs. Loring about Mr. Tymperley, Ada.'
She addressed her married daughter, a quiet young woman who reproduced Mrs.
Charman's good-natured countenance, with something more of intelligence, the reflective serenity of a higher type.
'I'm sorry to see him looking so far from well,' remarked Mrs. Weare, in reply.
'He never had any colour, you know, and his life... But I must tell you,'
she resumed to Mrs. Loring. 'He's a bachelor, in comfortable circ.u.mstances, and--would you believe it?--he lives quite alone in one of the distressing parts of London. Where is it, Ada?'
'A poor street in Islington.'
'Yes. There he lives, I'm afraid in shocking lodgings--it must be, _so_ unhealthy--just to become acquainted with the life of poor people, and be helpful to them. Isn't it heroic? He seems to have given up his whole life to it. One never meets him anywhere; I think ours is the only house where he's seen. A n.o.ble life! He never talks about it. I'm sure you would never have suspected such a thing from his conversation at dinner?'
'Not for a moment,' answered Mrs. Loring, astonished. 'He wasn't very gossipy--I gathered that his chief interests were fretwork and foreign politics.'
Mrs. Weare laughed. 'The very man! When I was a little girl he used to make all sorts of pretty things for me with his fret-saw; and when I grew old enough, he instructed me in the balance of Power. It's possible, mamma, that he writes leading articles. We should never hear of it.'
'My dear, anything is possible with Mr. Tymperley. And such a change, this, after his country life. He had a beautiful little house near ours, in Berks.h.i.+re. I really can't help thinking that my husband's death caused him to leave it. He was so attached to Mr. Charman! When my husband died, and we left Berks.h.i.+re, we altogether lost sight of him--oh, for a couple of years. Then I met him by chance in London. Ada thinks there must have been some sentimental trouble.'
'Dear mamma,' interposed the daughter, 'it was you, not I, who suggested that.'
'Was it? Well, perhaps it was. One can't help seeing that he has gone through something. Of course it may be only pity for the poor souls he gives his life to. A wonderful man!'
When masculine voices sounded at the drawing-room door, Mrs. Loring looked curiously for the eccentric gentleman. He entered last of all. A man of more than middle height, but much bowed in the shoulders; thin, ungraceful, with an irresolute step and a shy demeanour; his pale-grey eyes, very soft in expression, looked timidly this way and that from beneath brows nervously bent, and a self-obliterating smile wavered upon his lips. His hair had begun to thin and to turn grey, but he had a heavy moustache, which would better have sorted with sterner lineaments. As he walked--or sidled--into the room, his hands kept shutting and opening, with rather ludicrous effect. Something which was not exactly shabbiness, but a lack of l.u.s.tre, of finish, singled him among the group of men; looking closer, one saw that his black suit belonged to a fas.h.i.+on some years old. His linen was irreproachable, but he wore no sort of jewellery, one little black stud showing on his front, and, at the cuffs, solitaires of the same simple description.
He drifted into a corner, and there would have sat alone, seemingly at peace, had not Mrs. Weare presently moved to a seat beside him.
The House of Cobwebs and Other Stories Part 15
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The House of Cobwebs and Other Stories Part 15 summary
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