Cinderella Part 4

Stuart turned in his chair and surveyed the Picture in some surprise.

"But, my dear girl," he remonstrated kindly, "why didn't you ask, if you didn't know what I was talking about. What did you suppose it was?"

"I didn't know," said the Picture, "I thought it was something to do with his luggage. Abyssinia sounds so far away," she explained, smiling sweetly. "You can't expect one to be interested in such queer places, can you?"

"No," Stuart answered, reluctantly, and looking steadily at the fire, "I suppose not. But you see, my dear," he said, "I'd have gone with him, if I hadn't married you, and so I am naturally interested in his outfit.

They wanted me to make a comparative study of the little semi-independent states down there, and of how far the Italian government allows them to rule themselves. That's what I was to have done."

But the Picture hastened to rea.s.sure him. "Oh, you mustn't think," she exclaimed, quickly, "that I mean to keep you at home. I love to travel, too. I want you to go on exploring places just as you've always done, only now I will go with you. We might do the Cathedral towns, for instance."

"The what!" gasped Stuart, raising his head. "Oh, yes, of course," he added, hurriedly, sinking back into his chair with a slightly bewildered expression. "That would be very nice. Perhaps your mother would like to go too; it's not a dangerous expedition, is it? I _was_ thinking of taking you on a trip through the South Seas--but I suppose the Cathedral towns are just as exciting. Or we might even penetrate as far into the interior as the English lakes and read Wordsworth and Coleridge as we go."

Miss Delamar's understudy observed him closely for a moment, but he made no sign, and so she turned her eyes again to the fire with a slightly troubled look. She had not a strong sense of humor, but she was very beautiful.

Stuart's conscience troubled him for the next few moments, and he endeavored to make up for his impatience of the moment before, by telling the Picture how particularly well she was looking.

"It seems almost selfish to keep it all to myself," he mused.

"You don't mean," inquired the Picture, with tender anxiety, "that you want any one else here, do you? I'm sure I could be content to spend every evening like this. I've had enough of going out and talking to people I don't care about. Two seasons," she added, with the superior air of one who has put away childish things, "was quite enough of it for me."

"Well, I never took it as seriously as that," said Stuart, "but, of course, I don't want any one else here to spoil our evening. It is perfect."

He a.s.sured himself that it _was_ perfect, but he wondered what was the loyal thing for a married couple to do when the conversation came to a dead stop. And did the conversation come to a stop because they preferred to sit in silent sympathy and communion, or because they had nothing interesting to talk about? Stuart doubted if silence was the truest expression of the most perfect confidence and sympathy. He generally found when he was interested, that either he or his companion talked all the time. It was when he was bored that he sat silent. But it was probably different with married people. Possibly they thought of each other during these pauses, and of their own affairs and interests, and then he asked himself how many interests could one fairly retain with which the other had nothing to do?

"I suppose," thought Stuart, "that I had better compromise and read aloud. Should you like me to read aloud?" he asked, doubtfully.

The Picture brightened perceptibly at this, and said that she thought that would be charming. "We might make it quite instructive," she suggested, entering eagerly into the idea. "We ought to agree to read so many pages every night. Suppose we begin with Guizot's 'History of France.' I have always meant to read that, the ill.u.s.trations look so interesting."

"Yes, we might do that," a.s.sented Stuart, doubtfully. "It is in six volumes, isn't it? Suppose now, instead," he suggested, with an impartial air, "we begin that to-morrow night, and go this evening to see Seldon's new play, 'The Fool and His Money.' It's not too late, and he has saved a box for us, and Weimer and Rives and Sloane will be there, and--"

The Picture's beautiful face settled for just an instant in an expression of disappointment. "Of course," she replied slowly, "if you wish it. But I thought you said," she went on with a sweet smile, "that this was perfect. Now you want to go out again. Isn't this better than a hot theatre? You might put up with it for one evening, don't you think?"

"Put up with it!" exclaimed Stuart, enthusiastically; "I could spend every evening so. It was only a suggestion. It wasn't that I wanted to go so much as that I thought Seldon might be a little hurt if I didn't.

But I can tell him you were not feeling very well, and that we will come some other evening. He generally likes to have us there on the first night, that's all. But he'll understand."

"Oh," said the Picture, "if you put it in the light of a duty to your friend, of course we will go."

"Not at all," replied Stuart, heartily; "I will read something. I should really prefer it. How would you like something of Browning's?"

"Oh, I read all of Browning once," said the Picture, "I think I should like something new."

Stuart gasped at this, but said nothing, and began turning over the books on the centre table. He selected one of the monthly magazines, and choosing a story which neither of them had read, sat down comfortably in front of the fire, and finished it without interruption and to the satisfaction of the Picture and himself. The story had made the half hour pa.s.s very pleasantly, and they both commented on it with interest.

"I had an experience once myself something like that," said Stuart, with a pleased smile of recollection; "it happened in Paris"--he began with the deliberation of a man who is sure of his story--"and it turned out in much the same way. It didn't begin in Paris; it really began while we were crossing the English Channel to--"

"Oh, you mean about the Russian who took you for some one else and had you followed," said the Picture. "Yes, that was like it, except that in your case nothing happened."

Stuart took his cigar from between his lips and frowned severely at the lighted end for some little time before he spoke.

"My dear," he remonstrated, gently, "you mustn't tell me I've told you all my old stories before. It isn't fair. Now that I'm married, you see, I can't go about and have new experiences, and I've got to make use of the old ones."

"Oh, I'm so sorry," exclaimed the Picture, remorsefully. "I didn't mean to be rude. Please tell me about it. I should like to hear it again, ever so much. I _should_ like to hear it again, really."

"Nonsense," said Stuart, laughing and shaking his head. "I was only joking; personally I hate people who tell long stories. That doesn't matter. I was thinking of something else."

He continued thinking of something else, which was, that though he had been in jest when he spoke of having given up the chance of meeting fresh experiences, he had nevertheless described a condition, and a painfully true one. His real life seemed to have stopped, and he saw himself in the future looking back and referring to it, as though it were the career of an entirely different person, of a young man, with quick sympathies which required satisfying, as any appet.i.te requires food. And he had an uncomfortable doubt that these many ever-ready sympathies would rebel if fed on only one diet.

The Picture did not interrupt him in his thoughts, and he let his mind follow his eyes as they wandered over the objects above him on the mantle-shelf. They all meant something from the past,--a busy, wholesome past which had formed habits of thought and action, habits he could no longer enjoy alone, and which, on the other hand, it was quite impossible for him to share with any one else. He was no longer to be alone.

Stuart stirred uneasily in his chair and poked at the fire before him.

"Do you remember the day you came to see me," said the Picture, sentimentally, "and built the fire yourself and lighted some girl's letters to make it burn?"

"Yes," said Stuart, "that is, I _said_ that they were some girl's letters. It made it more picturesque. I am afraid they were bills. I should say I did remember it," he continued, enthusiastically. "You wore a black dress and little red slippers with big black rosettes, and you looked as beautiful as--as night--as a moonlight night."

The Picture frowned slightly.

"You are always telling me about how I looked," she complained; "can't you remember any time when we were together without remembering what I had on and how I appeared?"

"I cannot," said Stuart, promptly. "I can recall lots of other things besides, but I can't forget how you looked. You have a fas.h.i.+on of emphasizing episodes in that way which is entirely your own. But, as I say, I can remember something else. Do you remember, for instance, when we went up to West Point on that yacht? Wasn't it a grand day, with the autumn leaves on both sides of the Hudson, and the dress parade, and the dance afterward at the hotel?"

"Yes, I should think I did," said the Picture, smiling. "You spent all your time examining cannon, and talking to the men about 'firing in open order,' and left me all alone."

"Left you all alone! I like that," laughed Stuart; "all alone with about eighteen officers."

"Well, but that was natural," returned the Picture. "They were men. It's natural for a girl to talk to men, but why should a man want to talk to men?"

"Well, I know better than that now," said Stuart.

He proceeded to show that he knew better by remaining silent for the next half hour, during which time he continued to wonder whether this effort to keep up a conversation was not radically wrong. He thought of several things he might say, but he argued that it was an impossible situation where a man had to make conversation with his own wife.

The clock struck ten as he sat waiting, and he moved uneasily in his chair.

"What is it?" asked the Picture; "what makes you so restless?"

Stuart regarded the Picture timidly for a moment before he spoke. "I was just thinking," he said, doubtfully, "that we might run down after all, and take a look in at the last act; it's not too late even now. They're sure to run behind on the first night. And then," he urged, "we can go around and see Seldon. You have never been behind the scenes, have you?

It's very interesting."

"No, I have not, but if we do," remonstrated the Picture, pathetically, "you _know_ all those men will come trooping home with us. You know they will."

"But that's very complimentary," said Stuart. "Why, I like my friends to like my wife."

"Yes, but you know how they stay when they get here," she answered; "I don't believe they ever sleep. Don't you remember the last supper you gave me before we were married, when Mrs. Starr and you all were discussing Mr. Seldon's play? She didn't make a move to go until half past two, and I was _that_ sleepy, I couldn't keep my eyes open."

"Yes," said Stuart, "I remember. I'm sorry. I thought it was very interesting. Seldon changed the whole second act on account of what she said. Well, after this," he laughed with cheerful desperation, "I think I shall make up for the part of a married man in a pair of slippers and a dressing-gown, and then perhaps I won't be tempted to roam abroad at night."

"You must wear the gown they are going to give you at Oxford," said the Picture, smiling placidly. "The one Aunt Lucy was telling me about. Why do they give you a gown?" she asked. "It seems such an odd thing to do."

"The gown comes with the degree, I believe," said Stuart.