Cinderella Part 6

The reporter looked these over with a critical eye. "The City Editor told me if we caught him," he said, "that I could let it run for all it was worth. I can use these names, I suppose, and I guess they have pictures of the poets at the office. If he turns out to be anybody in particular, it ought to be worth a full three columns. Sunday paper, too."

The amateur detectives stood in the lower hall in the tall building, between swinging doors, and jostled by hurrying hundreds, while they read the names on a marble directory.

"There he is!" said the editor, excitedly. "'American Literary Bureau.'

One room on the fourteenth floor. That's just the sort of a place in which we would be likely to find him." But the reporter was gazing open-eyed at a name in large letters on an office door. "Edward K.

Aram," it read, "Commissioner of ----, and City ----."

"What do you think of _that_?" he gasped, triumphantly.

"Nonsense," said the editor. "He wouldn't dare; besides, the initials are different. You're expecting too good a story."

"That's the way to get them," answered the reporter, as he hurried towards the office of the City ----. "If a man falls dead, believe it's a suicide until you prove it's not; if you find a suicide, believe it's a murder until you are convinced to the contrary. Otherwise you'll get beaten. We don't want the proprietor of a little literary bureau, we want a big city official and I'll believe we have one until he proves we haven't."

"Which are you going to ask for?" whispered the editor, "Edward K. or Edwin?"

"Edwin, I should say," answered the reporter. "He has probably given notice that mail addressed that way should go to him."

"Is Mr. Edwin Aram in?" he asked.

A clerk raised his head and looked behind him. "No," he said; "his desk is closed. I guess he's gone home for the day."

The reporter nudged the editor savagely with his elbow, but his face gave no sign. "That's a pity," he said; "we have an appointment with him. He still lives at Sixty-first Street and Madison Avenue, I believe, does he not?"

"No," said the clerk; "that's his father, the Commissioner, Edward K.

The son lives at ----. Take the Sixth Avenue elevated and get off at 116th Street."

"Thank you," said the reporter. He turned a triumphant smile upon the editor. "We've got him!" he said, excitedly. "And the son of old Edward K., too! Think of it! Trying to steal a few dollars by cribbing other men's poems; that's the best story there has been in the papers for the past three months,--'Edward K. Aram's son a thief!' Look at the names--politicians, poets, editors, all mixed up in it. It's good for three columns, sure."

"We've got to think of his people, too," urged the editor, as they mounted the steps of the elevated road.

"He didn't think of them," said the reporter.

The house in which Mr. Aram lived was an apartment-house, and the bra.s.s latchets in the hallway showed that it contained three suites. There were visiting-cards under the latchets of the first and third stories, and under that of the second a piece of note-paper on which was written the autograph of Edwin Aram. The editor looked at it curiously. He had never believed it to be a real name.

"I am sorry Edwin Aram did not turn out to be a woman," he said, regretfully; "it would have been so much more interesting."

"Now," instructed Bronson, impressively, "whether he is in or not we have him. If he's not in, we wait until he comes, even if he doesn't come until morning; we don't leave this place until we have seen him."

"Very well," said the editor.

The maid left them standing at the top of the stairs while she went to ask if Mr. Aram was in, and whether he would see two gentlemen who did not give their names because they were strangers to him. The two stood silent while they waited, eying each other anxiously, and when the girl reopened the door, nodded pleasantly, and said, "Yes, Mr. Aram is in,"

they hurried past her as though they feared that he would disappear in midair, or float away through the windows before they could reach him.

And yet, when they stood at last face-to-face him, he bore a most disappointing air of every-day respectability. He was a tall, thin young man, with light hair and mustache and large blue eyes. His back was towards the window, so that his face was in the shadow, and he did not rise as they entered. The room in which he sat was a prettily furnished one, opening into another tiny room, which, from the number of books in it, might have been called a library. The rooms had a well-to-do, even prosperous, air, but they did not show any evidences of a p.r.o.nounced taste on the part of their owner, either in the way in which they were furnished or in the decorations of the walls. A little girl of about seven or eight years of age, who was standing between her father's knees, with a hand on each, and with her head thrown back on his shoulder, looked up at the two visitors with evident interest, and smiled brightly.

"Mr. Aram?" asked the editor, tentatively.

The young man nodded, and the two visitors seated themselves.

"I wish to talk to you on a matter of private business," the editor began. "Wouldn't it be better to send the little girl away?"

The child shook her head violently at this, and crowded up closely to her father; but he held her away from him gently, and told her to "run and play with Annie."

She pa.s.sed the two visitors, with her head held scornfully in air, and left the men together. Mr. Aram seemed to have a most pa.s.sive and incurious disposition. He could have no idea as to who his anonymous visitors might be, nor did he show any desire to know.

"I am the editor of ----," the editor began. "My friend also writes for that periodical. I have received several poems from you lately, Mr.

Aram, and one in particular which we all liked very much. It was called 'Bohemia.' But it is so like one that has appeared under the same t.i.tle in the '---- Magazine' that I thought I would see you about it, and ask you if you could explain the similarity. You see," he went on, "it would be less embarra.s.sing if you would do so now than later, when the poem has been published and when people might possibly accuse you of plagiarism." The editor smiled encouragingly and waited.

Mr. Aram crossed one leg over the other and folded his hands in his lap.

He exhibited no interest, and looked drowsily at the editor. When he spoke it was in a tone of unstudied indifference. "I never wrote a poem called 'Bohemia,'" he said, slowly; "at least, if I did I don't remember it."

The editor had not expected a flat denial, and it irritated him, for he recognized it to be the safest course the man could pursue, if he kept to it. "But you don't mean to say," he protested, smiling, "that you can write so excellent a poem as 'Bohemia' and then forget having done so?"

"I might," said Mr. Aram, unresentfully, and with little interest. "I scribble a good deal."

"Perhaps," suggested the reporter, politely, with the air of one who is trying to cover up a difficulty to the satisfaction of all, "Mr. Aram would remember it if he saw it."

The editor nodded his head in a.s.sent, and took the first page of the two on which the poem was written, and held it out to Mr. Aram, who accepted the piece of foolscap and eyed it listlessly.

"Yes, I wrote that," he said. "I copied it out of a book called _Gems from American Poets_." There was a lazy pause. "But I never sent it to any paper." The editor and the reporter eyed each other with outward calm but with some inward astonishment. They could not see why he had not adhered to his original denial of the thing _in toto_. It seemed to them so foolish, to admit having copied the poem and then to deny having forwarded it.

"You see," explained Mr. Aram, still with no apparent interest in the matter, "I am very fond of poetry; I like to recite it, and I often write it out in order to make me remember it. I find it impresses the words on my mind. Well, that's what has happened. I have copied this poem out at the office probably, and one of the clerks there has found it, and has supposed that I wrote it, and he has sent it to your paper as a sort of a joke on me. You see, father being so well-known, it would rather amuse the boys if I came out as a poet. That's how it was, I guess. Somebody must have found it and sent it to you, because _I_ never sent it."

There was a moment of thoughtful consideration. "I see," said the editor. "I used to do that same thing myself when I had to recite pieces at school. I found that writing the verses down helped me to remember them. I remember that I once copied out many of Shakespeare's sonnets.

But, Mr. Aram, it never occurred to me, after having copied out one of Shakespeare's sonnets, to sign my own name at the bottom of it."

Mr. Aram's eyes dropped to the page of ma.n.u.script in his hand and rested there for some little time. Then he said, without raising his head, "I haven't signed this."

"No," replied the editor; "but you signed the second page, which I still have in my hand."

The editor and his companion expected some expression of indignation from Mr. Aram at this, some question of their right to come into his house and cross-examine him and to accuse him, tentatively at least, of literary fraud, but they were disappointed. Mr. Aram's manner was still one of absolute impa.s.sibility. Whether this manner was habitual to him they could not know, but it made them doubt their own judgment in having so quickly accused him, as it bore the look of undismayed innocence.

It was the reporter who was the first to break the silence. "Perhaps some one has signed Mr. Aram's name--the clerk who sent it, for instance."

Young Mr. Aram looked up at him curiously, and held out his hand for the second page. "Yes," he drawled, "that's how it happened. That's not my signature. I never signed that."

The editor was growing restless. "I have several other poems here from you," he said; "one written from the rooms of the Shakespeare Debating Club, of which I see you are president. Your clerk could not have access there, could he? He did not write that, too?"

"No," said Mr. Aram, doubtfully, "he could not have written that."

The editor handed him the poem. "It's yours, then?"

"Yes, that's mine," Mr. Aram replied.

"And the signature?"

"Yes, and the signature. I wrote that myself," Mr. Aram explained, "and sent it myself. That other one ('Bohemia') I just copied out to remember, but this is original with me."