At The Post Part 1
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At the Post.
by Horace Leonard Gold.
[Sidenote: How does a person come to be scratched from the human race?
Psychiatry did not have the answer--perhaps Clocker's turf science did!]
When Clocker Locke came into the Blue Ribbon, on 49th Street west of Broadway, he saw that n.o.body had told Doc Hawkins about his misfortune.
Doc, a pub-crawling, non-practicing general pract.i.tioner who wrote a daily medical column for a local tabloid, was celebrating his release from the alcoholic ward, but his guests at the rear table of the restaurant weren't in any mood for celebration.
"What's the matter with you--have you suddenly become immune to liquor?"
Clocker heard Doc ask irritably, while Clocker was pa.s.sing the gem merchants, who, because they needed natural daylight to do business, were traditionally accorded the tables nearest the windows. "I said the drinks were on me, didn't I?" Doc insisted. "Now let us have some bright laughter and sparkling wit, or must we wait until Clocker shows up before there is levity in the house?"
Seeing the others glance toward the door, Doc turned and looked at Clocker. His mouth fell open silently, for the first time in Clocker's memory.
"Good Lord!" he said after a moment. "Clocker's become a _character_!"
Clocker felt embarra.s.sed. He still wasn't used to wearing a business suit of subdued gray, and black oxfords, instead of his usual brilliant sports jacket, slacks and two-tone suede shoes; a tie with timid little figures, whereas he had formerly been an authority on hand-painted cravats; and a plain wrist.w.a.tch in place of his spectacular chronograph.
By all Broadway standards, he knew, Doc was correct--he'd become strange and eccentric, a character.
"It was Zelda's idea," Clocker explained somberly, sitting down and shaking his head at the waiter who ambled over. "She wanted to make a gentleman out of me."
"_Wanted to?_" Doc repeated, bewildered. "You two kids got married just before they took my snakes away. Don't tell me you phhtt already!"
Clocker looked appealingly at the others. They became busy with drinks and paper napkins.
Naturally, Doc Hawkins knew the background: That Clocker was a race handicapper--publisher, if you could call it that, of a tiny tip sheet--for Doc, in need of drinking money, had often consulted him professionally. Also that Clocker had married Zelda, the noted 52nd Street stripteuse, who had social aspirations. What remained to be told had occurred during Doc's inevitably temporary cure.
"Isn't anybody going to tell me?" Doc demanded.
"It was right after you tried to take the warts off a fire hydrant and they came and got you," said Clocker, "that Zelda started hearing voices. It got real bad."
"How bad?"
"She's at Glendale Center in an upholstered room. I just came back from visiting her."
Doc gulped his entire drink, a positive sign that he was upset, or happy, or not feeling anything in particular. Now, however, he was noticeably upset.
"Did the psychiatrists give you a diagnosis?" he asked.
"I got it memorized. Catatonia. Dementia praec.o.x, what they used to call, one of the brain vets told me, and he said it's hopeless."
"Rough," said Doc. "Very rough. The outlook is never good in such cases."
"Maybe they can't help her," Clocker said harshly, "but I will."
"People are not horses," Doc reminded him.
"I've noticed that," said Handy Sam, the armless wonder at the flea circus, drinking beer because he had an ingrown toenail and couldn't hold a shot gla.s.s. Now that Clocker had told the grim story, he felt free to talk, which he did enthusiastically. "Clocker's got a giant brain, Doc. Who was it said Warlock'd turn into a dog in his third year?
Clocker, the only dopester in the racket. And that's just one--"
"Zelda was my best flesh act," interrupted Arnold Wilson Wyle, a ten-percenter whom video had saved from alimony jail. "A solid boffola in the bop bas.e.m.e.nts. n.o.body regrets her sad condition more than me, Clocker, but it's a sure flop, what you got in mind. Think of your public. For instance, what's good at Hialeah? My bar bill is about to be foreclosed and I can use a long shot."
Clocker bounced his fist on the moist table. "Those couch artists don't know what's wrong with Zelda. I do."
"You do?" Doc asked, startled.
"Well, almost. I'm so close, I can hear the finish-line camera clicking."
b.u.t.tonhole grasped Doc's lapel and hung on with characteristic avidity; he was perhaps Clocker's most pious subscriber. "Doping races is a science. Clocker maybe never doped the human race, but I got nine to five he can do it. Go on, tell him, Clocker."
Doc Hawkins ran together the rings he had been making with the wet bottom of his tumbler. "I shall be most interested," he said with tabloid irony, clearly feeling that immediate disillusionment was the most humane thing for Clocker. "Perhaps we can collaborate on an article for the psychiatric journals."
"All right, look." Clocker pulled out charts resembling those he worked with when making turf selections. "Zelda's got catatonia, which is the last heat in the schizophrenia parlay. She used to be a hoofer before she started undressing for dough, and now she does time-steps all day."
Doc nodded into a fresh gla.s.s that the waiter had put before him.
"Stereotyped movements are typical of catatonia. They derive from thwarted or repressed instinctual drive; in most instances, the residue of childhood frustrations."
"She dance all day, huh, Clocker?" asked Oil Pocket, the Oklahoma Cherokee who, with the income of several wells, was famed for angeling bareback shows. He had a gla.s.s of tequila in one hand, the salted half of a lemon in the other. "She dance good?"
"That's just it," Clocker said. "She does these time-steps, the first thing you learn in hoofing, over and over, ten-fifteen hours a day. And she keeps talking like she's giving lessons to some jerk kid who can't get it straight. And she was the kid with the hot routines, remember."
"The hottest," agreed Arnold Wilson Wyle. "Zelda doing time-steps is like Heifetz fiddling at weddings."
"I still like to put her in show," Oil Pocket grunted. "She stacked like brick tepee. Don't have to dance good."
"You'll have a long wait," observed Doc sympathetically, "in spite of what our young friend here says. Continue, young friend."
Clocker spread his charts. He needed the whole table. The others removed their drinks, Handy Sam putting his on the floor so he could reach it more easily.
"This is what I got out of checking all the screwball factories I could reach personal and by mail," Clocker said. "I went around and talked to the doctors and watched the patients in the places near here, and wrote to the places I couldn't get to. Then I broke everything down like it was a stud and track record."
b.u.t.tonhole tugged Doc's lapel. "That ain't scientific, I suppose," he challenged.
"Duplication of effort," Doc replied, patiently allowing b.u.t.tonhole to retain his grip. "It was all done in an organized fas.h.i.+on over a period of more than half a century. But let us hear the rest."
"First," said Clocker, "there are more male bats than fillies."
"Females are inherently more stable, perhaps because they have a more balanced chromosome arrangement."
At The Post Part 1
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At The Post Part 1 summary
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