The House of Souls Part 1

The House of Souls.

by Arthur Machen.

Introduction

_It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature. The rich, figured English of the earlier part of the seventeenth century had always had a peculiar attraction for me. I accustomed myself to write in it, to think in it; I kept a diary in that manner, and half-unconsciously dressed up my every day thoughts and common experiences in the habit of the Cavalier or of the Caroline Divine. Thus, when in 1884 I got a commission to translate the Heptameron, I wrote quite naturally in the language of my favourite period, and, as some critics declare, made my English version somewhat more antique and stiff than the original. And so "The Anatomy of Tobacco" was an exercise in the antique of a different kind; and "The Chronicle of Clemendy" was a volume of tales that tried their hardest to be mediaeval; and the translation of the "Moyen de Parvenir" was still a thing in the ancient mode._

_It seemed, in fine, to be settled that in literature I was to be a hanger on of the past ages; and I don't quite know how I managed to get away from them. I had finished translating "Casanova"--more modern, but not thoroughly up to date--and I had nothing particular on hand, and, somehow or other, it struck me that I might try a little writing for the papers. I began with a "turnover" as it was called, for the old vanished Globe, a harmless little article on old English proverbs; and I shall never forget my pride and delight when one day, being at Dover, with a fresh autumn wind blowing from the sea, I bought a chance copy of the paper and saw my essay on the front page. Naturally, I was encouraged to persevere, and I wrote more turnovers for the Globe and then tried the St. James's Gazette and found that they paid two pounds instead of the guinea of the Globe, and again, naturally enough, devoted most of my attention to the St. James's Gazette. From the essay or literary paper, I somehow got into the habit of the short story, and did a good many of these, still for the St. James's, till in the autumn of 1890, I wrote a tale called "The Double Return." Well, Oscar Wilde asked: "Are you the author of that story that fluttered the dovecotes? I thought it was very good." But: it did flutter the dovecotes, and the St. James's Gazette and I parted._

_But I still wrote short stories, now chiefly for what were called "society" papers, which have become extinct. And one of these appeared in a paper, the name of which I have long forgotten. I had called the tale "Resurrectio Mortuorum," and the editor had very sensibly rendered the t.i.tle into "The Resurrection of the Dead."_

_I do not clearly remember how the story began. I am inclined to think something in this way:_

_"Old Mr. Llewellyn, the Welsh antiquary, threw his copy of the morning paper on the floor and banged the breakfast-table, exclaiming: 'Good G.o.d! Here's the last of the Caradocs of the Garth, has been married in a Baptist Chapel by a dissenting preacher; somewhere in Peckham.'" Or, did I take up the tale a few years after this happy event and shew the perfectly cheerful contented young commercial clerk running somewhat too fast to catch the bus one morning, and feeling dazed all day long over the office work, and going home in a sort of dimness, and then at his very doorstep, recovering as it were, his ancestral consciousness. I think it was the sight of his wife and the tones of her voice that suddenly announced to him with the sound of a trumpet that he had nothing to do with this woman with the c.o.c.kney accent, or the pastor who was coming to supper, or the red brick villa, or Peckham or the City of London. Though the old place on the banks of the Usk had been sold fifty years before, still, he was Caradoc of the Garth. I forget how I ended the story: but here was one of the sources of "A Fragment of Life."_

_And somehow, though the tale was written and printed and paid for; it stayed with me as a tale half told in the years from 1890 to 1899. I was in love with the notion: this contrast between the raw London suburb and its mean limited life and its daily journeys to the City; its utter ba.n.a.lity and lack of significance; between all this and the old, grey mullioned house under the forest near the river, the armorial bearings on the Jacobean porch, and n.o.ble old traditions: all this captivated me and I thought of my mistold tale at intervals, while I was writing "The Great G.o.d Pan," "The Red Hand," "The Three Impostors," "The Hill of Dreams," "The White People," and "Hieroglyphics." It was at the back of my head, I suppose, all the time, and at last in '99 I began to write it all over again from a somewhat different standpoint._

_The fact was that one grey Sunday afternoon in the March of that year, I went for a long walk with a friend. I was living in Gray's Inn in those days, and we stravaged up Gray's Inn Road on one of those queer, unscientific explorations of the odd corners of London in which I have always delighted. I don't think that there was any definite scheme laid down; but we resisted manifold temptations. For on the right of Gray's Inn Road is one of the oddest quarters of London--to those, that is, with the unsealed eyes. Here are streets of 1800-1820 that go down into a valley--Flora in "Little Dorrit" lived in one of them--and then crossing King's Cross Road climb very steeply up to heights which always suggest to me that I am in the hinder and poorer quarter of some big seaside place, and that there is a fine view of the sea from the attic windows. This place was once called Spa Fields, and has very properly an old meeting house of the Countess of Huntingdon's Connection as one of its attractions. It is one of the parts of London which would attract me if I wished to hide; not to escape arrest, perhaps, but rather to escape the possibility of ever meeting anybody who had ever seen me before._

_But: my friend and I resisted it all. We strolled along to the parting of many ways at King's Cross Station, and struck boldly up Pentonville.

Again: on our left was Barnsbury, which is like Africa. In Barnsbury semper aliquid novi, but our course was laid for us by some occult influence, and we came to Islington and chose the right hand side of the way. So far, we were tolerably in the region of the known, since every year there is the great Cattle Show at Islington, and many men go there.

But, trending to the right, we got into Canonbury, of which there are only Travellers' Tales. Now and then, perhaps, as one sits about the winter fire, while the storm howls without and the snow falls fast, the silent man in the corner has told how he had a great aunt who lived in Canonbury in 1860; so in the fourteenth century you might meet men who had talked with those who had been in Cathay and had seen the splendours of the Grand Cham. Such is Canonbury; I hardly dare speak of its dim squares, of the deep, leafy back-gardens behind the houses, running down into obscure alleyways with discreet, mysterious postern doors: as I say, "Travellers' Tales"; things not much credited._

_But, he who adventures in London has a foretaste of infinity. There is a region beyond Ultima Thule. I know not how it was, but on this famous Sunday afternoon, my friend and I, pa.s.sing through Canonbury came into something called the b.a.l.l.s Pond Road--Mr. Perch, the messenger of Dombey & Son, lived somewhere in this region--and so I think by Dalston down into Hackney where caravans, or trams, or, as I think you say in America, trolley cars set out at stated intervals to the limits of the western world._

_But in the course of that walk which had become an exploration of the unknown, I had seen two common things which had made a profound impression upon me. One of these things was a street, the other a small family party. The street was somewhere in that vague, uncharted, b.a.l.l.s Pond-Dalston region. It was a long street and a grey street. Each house was exactly like every other house. Each house had a bas.e.m.e.nt, the sort of story which house-agents have grown to call of late a "lower ground floor." The front windows of these bas.e.m.e.nts were half above the patch of black, soot-smeared soil and coa.r.s.e gra.s.s that named itself a garden, and so, pa.s.sing along at the hour of four o'clock or four-thirty, I could see that in everyone of these "breakfast rooms"--their technical name--the tea tray and the tea cups were set out in readiness. I received from this trivial and natural circ.u.mstance an impression of a dull life, laid out in dreadful lines of patterned uniformity, of a life without adventure of body or soul._

_Then, the family party. It got into the tram down Hackney way. There were father, mother and baby; and I should think that they came from a small shop, probably from a small draper's shop. The parents were young people of twenty-five to thirty-five. He wore a black s.h.i.+ny frock coat--an "Albert" in America?--a high hat, little side whiskers and dark moustache and a look of amiable vacuity. His wife was oddly bedizened in black satin, with a wide spreading hat, not ill-looking, simply unmeaning. I fancy that she had at times, not too often, "a temper of her own." And the very small baby sat upon her knee. The party was probably going forth to spend the Sunday evening with relations or friends._

_And yet, I said to myself, these two have partaken together of the great mystery, of the great sacrament of nature, of the source of all that is magical in the wide world. But have they discerned the mysteries? Do they know that they have been in that place which is called Syon and Jerusalem?--I am quoting from an old book and a strange book._

_It was thus that, remembering the old story of the "Resurrection of the Dead," I was furnished with the source of "A Fragment of Life." I was writing "Hieroglyphics" at the time, having just finished "The White People"; or rather, having just decided that what now appears in print under that heading was all that would ever be written, that the Great Romance that should have been written--in manifestation of the idea--would never be written at all. And so, when Hieroglyphics was finished, somewhere about May 1899, I set about "A Fragment of Life" and wrote the first chapter with the greatest relish and the utmost ease.

And then my own life was dashed into fragments. I ceased to write. I travelled. I saw Syon and Bagdad and other strange places--see "Things Near and Far" for an explanation of this obscure pa.s.sage--and found myself in the lighted world of floats and battens, entering L. U. E., crossing R and exiting R 3; and doing all sorts of queer things._

_But still, in spite of all these shocks and changes, the "notion" would not leave me. I went at it again, I suppose in 1904; consumed with a bitter determination to finish what I had begun. Everything now had become difficult. I tried this way and that way and the other way. They all failed and I broke down on every one of them; and I tried and tried again. At last I cobbled up some sort of an end, an utterly bad one, as I realized as I wrote every single line and word of it, and the story appeared, in 1904 or 1905, in Horlick's Magazine under the editors.h.i.+p of my old and dear friend, A. E. Waite._

_Still; I was not satisfied. That end was intolerable and I knew it.

Again, I sat down to the work, night after night I wrestled with it. And I remember an odd circ.u.mstance which may or may not be of some physiological interest. I was then living in a circ.u.mscribed "upper part" of a house in Cosway Street, Marylebone Road. That I might struggle by myself, I wrote in the little kitchen; and night after night as I fought grimly, savagely, all but hopelessly for some fit close for "A Fragment of Life," I was astonished and almost alarmed to find that my feet developed a sensation of most deadly cold. The room was not cold; I had lit the oven burners of the little gas cooking stove. I was not cold; but my feet were chilled in a quite extraordinary manner, as if they had been packed in ice. At last I took off my slippers with a view of poking my toes into the oven of the stove, and feeling my feet with my hand, I perceived that, in fact, they were not cold at all! But the sensation remained; there, I suppose, you have an odd case of a transference of something that was happening in the brain to the extremities. My feet were quite warm to the palm of my hand, but to my sense they were frozen. But what a testimony to the fitness of the American idiom, "cold feet," as signifying a depressed and desponding mood! But, somehow or other, the tale was finished and the "notion" was at last out of my head. I have gone into all this detail about "A Fragment of Life" because I have been a.s.sured in many quarters that it is the best thing that I have ever done, and students of the crooked ways of literature may be interested to hear of the abominable labours of doing it._

_"The White People" belongs to the same year as the first chapter of "A Fragment of Life," 1899, which was also the year of "Hieroglyphics." The fact was I was in high literary spirits, just then. I had been hara.s.sed and worried for a whole year in the office of Literature, a weekly paper published by The Times, and getting free again, I felt like a prisoner released from chains; ready to dance in letters to any extent. Forthwith I thought of "A Great Romance," a highly elaborate and elaborated piece of work, full of the strangest and rarest things. I have forgotten how it was that this design broke down; but I found by experiment that the great romance was to go on that brave shelf of the unwritten books, the shelf where all the splendid books are to be found in their golden bindings. "The White People" is a small piece of salvage from the wreck.

Oddly enough, as is insinuated in the Prologue, the mainspring of the story is to be sought in a medical textbook. In the Prologue reference is made to a review article by Dr. Coryn. But I have since found out that Dr. Coryn was merely quoting from a scientific treatise that case of the lady whose fingers became violently inflamed because she saw a heavy window sash descend on the fingers of her child. With this instance, of course, are to be considered all cases of stigmata, both ancient and modern: and then the question is obvious enough: what limits can we place to the powers of the imagination? Has not the imagination the potentiality at least of performing any miracle, however marvelous, however incredible, according to our ordinary standards? As to the decoration of the story, that is a mingling which I venture to think somewhat ingenious of odds and ends of folk lore and witch lore with pure inventions of my own. Some years later I was amused to receive a letter from a gentleman who was, if I remember, a schoolmaster somewhere in Malaya. This gentleman, an earnest student of folklore, was writing an article on some singular things he had observed amongst the Malayans, and chiefly a kind of were-wolf state into which some of them were able to conjure themselves. He had found, as he said, startling resemblances between the magic ritual of Malaya and some of the ceremonies and practices hinted at in "The White People." He presumed that all this was not fancy but fact; that is that I was describing practices actually in use among superst.i.tious people on the Welsh border; he was going to quote from me in the article for the Journal of the Folk Lore Society, or whatever it was called, and he just wanted to let me know. I wrote in a hurry to the folklore journal to bid them beware: for the instances selected by the student were all fictions of my own brain!_

_"The Great G.o.d Pan" and "The Inmost Light" are tales of an earlier date, going back to 1890, '91, '92. I have written a good deal about them in "Far Off Things," and in a preface to an edition of "The Great G.o.d Pan," published by Messrs. Simpkin, Marshall in 1916, I have described at length the origins of the book. But I must quote anew some extracts from the reviews which welcomed "The Great G.o.d Pan" to my extraordinary entertainment, hilarity and refreshment. Here are a few of the best:_

_"It is not Mr. Machen's fault but his misfortune, that one shakes with laughter rather than with dread over the contemplation of his psychological bogey."--Observer._

_"His horror, we regret to say, leaves us quite cold ... and our flesh obstinately refuses to creep."--Chronicle._

_"His bogies don't scare."--Sketch._

_"We are afraid he only succeeds in being ridiculous."--Manchester Guardian._

_"Gruesome, ghastly and dull."--Lady's Pictorial._

_"Incoherent nightmare of s.e.x ... which would soon lead to insanity if unrestrained ... innocuous from its absurdity."--Westminster Gazette._

_And so on, and so on. Several papers, I remember, declared that "The Great G.o.d Pan" was simply a stupid and incompetent rehash of Huysmans'

"La-Bas" and "a Rebours." I had not read these books so I got them both.

Thereon, I perceived that my critics had not read them either._

A Fragment of Life

I

Edward Darnell awoke from a dream of an ancient wood, and of a clear well rising into grey film and vapour beneath a misty, glimmering heat; and as his eyes opened he saw the sunlight bright in the room, sparkling on the varnish of the new furniture. He turned and found his wife's place vacant, and with some confusion and wonder of the dream still lingering in his mind, he rose also, and began hurriedly to set about his dressing, for he had overslept a little, and the 'bus pa.s.sed the corner at 9.15. He was a tall, thin man, dark-haired and dark-eyed, and in spite of the routine of the City, the counting of coupons, and all the mechanical drudgery that had lasted for ten years, there still remained about him the curious hint of a wild grace, as if he had been born a creature of the antique wood, and had seen the fountain rising from the green moss and the grey rocks.

The breakfast was laid in the room on the ground floor, the back room with the French windows looking on the garden, and before he sat down to his fried bacon he kissed his wife seriously and dutifully. She had brown hair and brown eyes, and though her lovely face was grave and quiet, one would have said that she might have awaited her husband under the old trees, and bathed in the pool hollowed out of the rocks.

They had a good deal to talk over while the coffee was poured out and the bacon eaten, and Darnell's egg brought in by the stupid, staring servant-girl of the dusty face. They had been married for a year, and they had got on excellently, rarely sitting silent for more than an hour, but for the past few weeks Aunt Marian's present had afforded a subject for conversation which seemed inexhaustible. Mrs. Darnell had been Miss Mary Reynolds, the daughter of an auctioneer and estate agent in Notting Hill, and Aunt Marian was her mother's sister, who was supposed rather to have lowered herself by marrying a coal merchant, in a small way, at Turnham Green. Marian had felt the family att.i.tude a good deal, and the Reynoldses were sorry for many things that had been said, when the coal merchant saved money and took up land on building leases in the neighbourhood of Crouch End, greatly to his advantage, as it appeared. n.o.body had thought that Nixon could ever do very much; but he and his wife had been living for years in a beautiful house at Barnet, with bow-windows, shrubs, and a paddock, and the two families saw but little of each other, for Mr. Reynolds was not very prosperous.

Of course, Aunt Marian and her husband had been asked to Mary's wedding, but they had sent excuses with a nice little set of silver apostle spoons, and it was feared that nothing more was to be looked for.

However, on Mary's birthday her aunt had written a most affectionate letter, enclosing a cheque for a hundred pounds from 'Robert' and herself, and ever since the receipt of the money the Darnells had discussed the question of its judicious disposal. Mrs. Darnell had wished to invest the whole sum in Government securities, but Mr. Darnell had pointed out that the rate of interest was absurdly low, and after a good deal of talk he had persuaded his wife to put ninety pounds of the money in a safe mine, which was paying five per cent. This was very well, but the remaining ten pounds, which Mrs. Darnell had insisted on reserving, gave rise to legends and discourses as interminable as the disputes of the schools.

At first Mr. Darnell had proposed that they should furnish the 'spare'

room. There were four bedrooms in the house: their own room, the small one for the servant, and two others overlooking the garden, one of which had been used for storing boxes, ends of rope, and odd numbers of 'Quiet Days' and 'Sunday Evenings,' besides some worn suits belonging to Mr.

Darnell which had been carefully wrapped up and laid by, as he scarcely knew what to do with them. The other room was frankly waste and vacant, and one Sat.u.r.day afternoon, as he was coming home in the 'bus, and while he revolved that difficult question of the ten pounds, the unseemly emptiness of the spare room suddenly came into his mind, and he glowed with the idea that now, thanks to Aunt Marian, it could be furnished. He was busied with this delightful thought all the way home, but when he let himself in, he said nothing to his wife, since he felt that his idea must be matured. He told Mrs. Darnell that, having important business, he was obliged to go out again directly, but that he should be back without fail for tea at half-past six; and Mary, on her side, was not sorry to be alone, as she was a little behindhand with the household books. The fact was, that Darnell, full of the design of furnis.h.i.+ng the spare bedroom, wished to consult his friend Wilson, who lived at Fulham, and had often given him judicious advice as to the laying out of money to the very best advantage. Wilson was connected with the Bordeaux wine trade, and Darnell's only anxiety was lest he should not be at home.

However, it was all right; Darnell took a tram along the Goldhawk Road, and walked the rest of the way, and was delighted to see Wilson in the front garden of his house, busy amongst his flower-beds.

'Haven't seen you for an age,' he said cheerily, when he heard Darnell's hand on the gate; 'come in. Oh, I forgot,' he added, as Darnell still fumbled with the handle, and vainly attempted to enter. 'Of course you can't get in; I haven't shown it you.'

It was a hot day in June, and Wilson appeared in a costume which he had put on in haste as soon as he arrived from the City. He wore a straw hat with a neat pugaree protecting the back of his neck, and his dress was a Norfolk jacket and knickers in heather mixture.

'See,' he said, as he let Darnell in; 'see the dodge. You don't _turn_ the handle at all. First of all push hard, and then pull. It's a trick of my own, and I shall have it patented. You see, it keeps undesirable characters at a distance--such a great thing in the suburbs. I feel I can leave Mrs. Wilson alone now; and, formerly, you have no idea how she used to be pestered.'

'But how about visitors?' said Darnell. 'How do they get in?'

'Oh, we put them up to it. Besides,' he said vaguely, 'there is sure to be somebody looking out. Mrs. Wilson is nearly always at the window.

She's out now; gone to call on some friends. The Bennetts' At Home day, I think it is. This is the first Sat.u.r.day, isn't it? You know J. W.

Bennett, don't you? Ah, he's in the House; doing very well, I believe.

He put me on to a very good thing the other day.'

'But, I say,' said Wilson, as they turned and strolled towards the front door, 'what do you wear those black things for? You look hot. Look at me. Well, I've been gardening, you know, but I feel as cool as a cuc.u.mber. I dare say you don't know where to get these things? Very few men do. Where do you suppose I got 'em?'