Seeing Things At Night Part 17

When a child grows cross and tired he will trample every card house you build for him and toss his toys about and knock over his blocks, but at such times H. 3rd has never seemed divine to us. We have rather laid such tantrums to the original Adam who is in us all. As a matter of fact, we don't believe that Dr. Straton himself would have as good a time at any of his predicted catastrophes as he imagines. To be sure, it is pleasant to imagine oneself sitting on top of a tidal wave and thumbing a nose at the struggling sinners who are being engulfed. But has Dr. Straton ever stopped to consider what a dreary and dull life he would lead if there were nothing for him to thunder against? He must know by now what a delightful inspiration there is in the daily shock.

Though he may not believe it, he will do well to mark our words that he will miss the dancing and the immoral gowns and the furtive highb.a.l.l.s when all these things are gone. He will find that there is a great deal more fun in preaching about h.e.l.l than about heaven.

We are not even sure that, in a thoroughgoing civic catastrophe, Dr.

Straton would escape. When Sodom and Gomorrah fell Lot was allowed to escape. And so it may be with Dr. Straton. That is not the danger. We have a very definite foreboding that when he is well out of the doomed city and the destruction has begun, Dr. Straton will not be able to resist the temptation to look back even though he turn to salt. If we understand the man, he will not be able to depart without ascertaining whether his name has been mentioned in the special five-star annihilation extras as having foretold the disaster.

Spanking Manners

We have received _The Literary Digest Parents' League Series_, in which the training of children is discussed in seven volumes by William Byron Forbush. Much of it seems sound and shrewd, but it also seeks, by implication at any rate to encourage parents to maintain with their children the old nonsense of parental infallibility. Thus, in one volume, which suggests the manner in which a father may impart certain information to his son, he is quoted as saying, "I tell you this, Frank, because I know all about it." And in another volume mothers are urged to hold before their children the ideals of the Light Brigade, "Theirs not to reason why, theirs but to do and die."

Now there is no denying that this is a comfortable doctrine for parents, if they can put it over, but they must make up their minds that sooner or later they will be found out.

Also, we are in entire disagreement with the author when he says that spankings should be administered in a cool and deliberate manner, that "punishment must partake of the nature of a ceremony." The only excuse for a parent who spanks his child is that he has lost his temper and his patience and his ability to think up any better remedy. If he is asked why he does it he would do well to explain all that very frankly to the child and to add that it is the rather harsh rule of the world that stronger people usually adopt force against weaker people to get what they want. The child may regard him as a bully, but he will not be in danger of being thought a hypocrite as well.

This system seems far preferable to the one suggested by the author in a quotation from Charles Werner: "My boy, listen: I love you and I do not like to hurt you. But every boy must be made to obey his father and mother, and this seems to be the only way to make you do it. So remember! Every time you disobey me you shall be punished. When I tell you to do a thing, you must do it instantly without a moment's delay. If you hesitate, if you wait to be told the second time, you will be punished. When I speak you must act. Just as sure as you are standing here before me this punishment will follow every time you do not do as you are told."

This would be, at least, a commendably frank statement of the tyranny under which most children are held if it were not for the unjustified intrusion of the love motive. This occurs, however, in a still more objectionable form in a reply to a mother, in which the author writes, "Should it ever be necessary to spank him I should not refuse to kiss him, even while you are doing so. He can learn that no punishment is inflicted in anger and that punishment does not turn aside your affection."

Such conduct is adding insult to indignity. It goes beyond the tyranny which few parents can resist in a state in which interests are necessarily so conflicting as one which is inhabited by growing persons and grown-ups. It is probably not to be expected, or even desirable, that parents should always allow the interests of the child to displace their own, but when they cannot resist the temptation to sweep over the borders of childhood with all their armed forces it is a little too much to ask that the conquered people should be not only docile but grateful.

In other words, the father or mother who says as a prelude to punishment, "I am doing this for your own good," is a liar at least nine times out of ten. What he means is, "I am doing this for my own convenience," and he ought to be frank enough to say so.

The trouble is, as Mr. Floyd Dell has pointed out, that the parent wants complete submission and complete affection too. He can't have both without making a hypocrite of his child. It is perfectly healthy that the child should have fierce outbursts of resentment against his parents when they get in his way, and he should be allowed, and even encouraged, to express his protest. It is the most arrant nonsense to suppose that a relations.h.i.+p of continual love is a desirable thing to keep up. It is much too wearing.

The other day I tried to take a small fragment of newspaper out of H.

3rd's mouth, and he tried to swing his right to the jaw. I still have the reach, and I was able to protect myself by a frequent use of a lightning left jab. Finally I rescued the paper. It was only a small section of an editorial in an evening newspaper about the trial of the five Socialist a.s.semblymen. Probably I might just as well have permitted H. 3rd to swallow it. Without doubt, the paper would have taken it back the next day, anyway.

In speaking of his endeavor "to make the small duties of life pleasant to the child" one parent writes: "These items should never enter the arena of argument; they may, if taken up early, by a gentle, loving firmness, be treated always as though they were as certain as sunrise, for there is a curious conventionality, a liking for having things done in a dependable fas.h.i.+on, with little folks, and there is nothing to which human nature in young or old more cheerfully submits than the inevitable."

Yes, and there is a curious conventionality in the man who has been hopping about the office all day in obeying the orders of the junior partner or the city editor, which inspires him when he comes home to his children to pretend that he is Kaiser, Fate, or G.o.d Himself.

"No time of day is more heavenly in a home than the hour when little children, like white angels, go up the stairs to bed."

We wonder if our continued failure to get any such impression rests only on the fact that we have no stairs.

"One wise mother tells her children to divide all people into two cla.s.ses--friends and strangers. Friends we love too well to gossip about; strangers we know too little.

"Another suggests to her children to meet a proposal toward gossip with the quiet remark, 'I like all my friends.' Nothing more can be said."

But it can; the child rebuked by the quiet remark has only to say, "Well, then, let's talk about Gaby Deslys or King Edward VII."

Park Row and Fleet Street

It is difficult for us to tell how accurately Philip Gibbs has pictured Fleet Street in his novel _The Street of Adventure_; for, externally at least, there is little resemblance to Park Row. We cite, for instance, a description of the city room of _The Star_ as Francis Luttrell found it on his first day:

"It was a large room, with a number of desks divided by gla.s.s part.i.tions and with a large table in the center. At the far end of the room was a fire burning brightly in the grate, and in front of it were two men and a girl, the men in swing chairs with their legs stretched out, the girl on the floor in the billows of a black silk skirt, arranging chestnuts on the first bar of the grate."

There isn't any grate in our city room and we have no roasting parties.

There have been days in mid-July when it might have been possible to fry eggs on the skylight of our city room, but we don't remember that anybody ever tried it. Nor is our memory stirred to any local reminiscences by the description of _The Star_ office just before press time, when "silence reigned in the room except for the scratching of pens." Probably there are not more than half a dozen pens in all Park Row and four of them are on _The Evening Post_.

We find the difference in spirit not so great. There is a great deal about the terrific strain of newspaper work and how a brutal city editor will drive a finely tempered reporter until he has had the best of his brains and then toss him aside like a withered violet.

"Fleet Street," says Gibbs, who tells the story partly in the first person, "would kill you in a year--it is very cruel, very callous to the sufferings of men's souls and bodies."

Again, the heroine, who is a press woman, complains: "We women wear out sooner. Five years in Fleet Street withers any girl. Then she gets crow's feet round her eyes and becomes snappy and fretful, or a fierce creature struggling in an unequal combat with men. I am just reaching that stage."

An even more terrifying picture is painted of the book reviewer. He was, according to Gibbs, "A young, anemic-looking man with fair, wavy hair, going a little gray, and a pale, haggard, clean-shaven face, seated, with his elbows on the desk, a novel opened before him and six other novels in a pile at his elbow. He was smoking a cigarette, and the third finger of his left hand was deeply stained with nicotine. As Luttrell entered he groaned slightly and pushed back a lock of his fair hair from his forehead."

We would like to find something personal in that portrait or at least to hope that we might be like that after a few years more of this terrific strain. But we doubt it. Despite eleven years of unremitting toil we have been unable to wear ourselves gray or conspicuously haggard or clean shaven. It is not easy. To be sure, we have heard many newspaper men picturing themselves as b.u.t.terflies broken on the wheel, but always with a melancholy gusto. Moreover, that was in the days when Jack's and Joel's were open all night.

We can't speak with authority about Fleet Street, nor even pretend to be infallible about Park Row, but it is our impression that newspaper work is easier than any of the other professions except the ministry. And the easiest sort of newspaper work is dramatic criticism or book reviewing.

If you are not sure of your facts you can just leave them out, and even if they get in wrong it doesn't matter much. There is a certain amount of work to be done in the first two or three years, but by that time the critic should have a particular pigeonhole in his brain for practically every book or play which comes along. Upon seeing "I'll Say It Is" in 1922 all he has to do is to remember what he said about "Have Another"

in 1920. Once or twice a year a book or play comes along which doesn't fit into any pigeonhole, but that can be dismissed in one paragraph as "queer" and allowed to go at that.

Merrick's Women

The novels of Leonard Merrick go a long way in reconciling us to the const.i.tutional establishment of the single standard of morals proposed by William Jennings Bryan. Merrick's world is a hard one for women. His men starve romantically in a pretty poverty. Their dingy haunts are of the gayest. Bad luck only adds to their merriment. So it is, too, with the Kikis and Mignons, but Merrick's good women are of much more fragile stuff. Although invariably English, they grow pale and woebegone just as easily in London as in Paris. The author never gives them any fun at all. A harsh word makes them tremble, but they fear kindness even more.

When they are not starving they are fluttering confoundedly because somebody has spoken to them.

With half of _When Love Flies Out o' the Window_ behind us, we are entirely out of patience with Meenie Weston. There is no denying, of course, that Meenie had a hard time. Well-paid singing teachers told her that she possessed a great voice, but when her father died she found that the best she could do was an engagement in the chorus, and not always that.

After months without work she signed a contract to sing in what she supposed was a Parisian concert hall, but it turned out to be a dingy cabaret. Worse than that, Miss Weston found that between songs she was supposed to sit at a table and let chance patrons buy her food and drink. It was not much of a job and Miss Weston refused to mingle with the audience. Then one night the villainous proprietor locked her out of her dressing room and she was forced to venture down among the customers.

Up to this point our sympathies were generally with the heroine, except at the point, back in London, where the author recorded, "Miss Joyce proposed that they should 'drink luck' to the undertaking and have 'a gla.s.s of port wine.' The girl (our heroine) had been in the chorus too long to be startled by the suggestion--"

It seemed to us that there was nothing particularly horrifying in the suggestion, even if it had been made to a young lady who had never been on the stage. Despite this clue to Miss Weston's character, we were disappointed and surprised at her conduct in the Paris cabaret. She sat first with her one friend in the establishment, who was a kindly but hardened cabaret singer. She did her best for Meenie, but she did not understand her. "That any girl could tremble at the idea of talking to strangers across a table and imbibing beer at their expense was beyond her comprehension."

Our sympathy lay with the cabaret veteran rather than with Meenie. Of course, we did not expect Miss Weston to enjoy her predicament, but when a man asked her, "Are you going to sing 'As Once in May' to-night?"

we could not quite see why Mr. Merrick found it necessary to report the fact that:

"She started, and the man told himself that he had really stumbled on a singular study.

"'Yes,' she faltered."

To us it seemed a simple question simply put. After all, it was fortunate that the young man did not begin with "Will you have a drink?"

Brutal and insulting language of that sort would certainly have sent Meenie straight into hysterics. Even when the young man dropped in the next night there seemed to be nothing in his conversation to alarm our heroine excessively, but Merrick is wedded to the notion that virtue in a woman is a sort of panic. A good name, he seems to believe, is something which a woman carries tightly clasped in both arms like a bowl of goldfish. To stumble would be almost as fatal as to fall.