Faith And Unfaith Part 37

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"Pah!" he says, almost aloud, as he strides onwards beneath the budding elms. "To think, after all these years, they should so readily condemn! Even that old man, who has known me from my infancy, believes me guilty."

Then a change sweeps over him. Insults to himself are forgotten, and his thoughts travel onward to a fear that for many days has been growing and gaining strength.

_Can_ Horace have committed this base deed? This fear usurps all other considerations. Going back upon what he has just heard, he examines in his mind each little detail of the wretched history imparted to him by his uncle. All the suspicions--lulled to rest through lack of matter wherewith to feed them--now come to life again, and grow in size and importance in spite of his intense desire to suppress them.

On Tuesday night the girl had left her home. On Tuesday morning he had been to Horace's rooms, had found him there, had sat and conversed with him for upwards of an hour on different subjects,--chiefly, he now remembers, of Clarissa Peyton.

The day had been warm, and he had taken off his coat (the light overcoat he had affected for the past month), and had thrown it on a chair, and--_left it there when going_!



The next morning he had called again and found the coat in the very self-same place where he had thrown it. But in the mean time, during all the hours that intervened between the afternoon of one day and the forenoon of another, where had it been?

"The very coat you wore was minutely described."--The words come back upon him with a sudden rush, causing him a keener pang than any he has ever yet known. Must he indeed bring himself to believe that his own brother had made use of the coat with the deliberate intention (should chance fling any intruder in the way) of casting suspicion upon him--Dorian?

In the dusk of the evening any one might easily mistake one brother for the other. They are the same height; the likeness between them is remarkable. He almost hates himself for the readiness with which he pieces his story together, making doubt merge with such entirety into conviction.

The evening is pa.s.sing fair, yet it brings no comfort to his soul; the trees towering upwards lie heavily against the sky; the breath of many flowers makes rich the air. Already the faint moon arising, throws her "silver light o'er half the world," and makes more blue the azure depths above:

"Star follows star, though yet day's golden light Upon the hills and headlands faintly streams."

The far-off grating sound of the corncrake can be heard; the cuckoo's tuneless note, incessant and unmusical, tires the early night. The faint sweet chirrups of many insects come from far and near, and break upon the sense with a soft and lulling harmony:

"There is no stir, nor breath of air; the plains Lie slumbering in the close embrace of night."

All nature seems sinking into one grand repose, wherein strife and misery and death appear to have no part.

To Dorian the tender solemnity of the scene brings no balm. To go again to town by the night mail--to confront Horace and learn from him the worst--is his one settled thought, among the mult.i.tude of disordered ones; and upon it he determines to act.

But what if he shall prove innocent, or deny all knowledge of the affair? What then can clear Dorian in his uncle's eyes? And even should he acknowledge the fact that he had enticed the girl from her home, how can it benefit Dorian? He is scarcely the one to defend himself at another's expense; and to betray Horace to clear himself would be impossible to him.

He grows bewildered and heart-sick. Reaching home, he orders his dog-cart to be brought round, and, by taking it a good deal out of his good gray mare, he manages to catch the evening train to town.

Lord Sartoris, sitting brooding over miserable thoughts in the library at Hythe, has tidings brought him of his nephew's speedy return to London, and endures one stab the more, as he feels now more than ever convinced of his duplicity.

Arrived in town, Brans...o...b.. drives to Horace's rooms, hoping against hope that he may find him at home. To his surprise he does so find him,--in the midst of papers, and apparently up to his eyes in business.

"Working so late?" says Dorian, involuntarily, being accustomed to think of Horace, at this hour, as one of a chosen band brought together to discuss the lighter topics of the day over soup and fish and flesh. In truth, now he is on the spot and face to face with his brother, the enormity of his errand makes itself felt, and he hardly knows what to say to him.

"You, Dorian?" Horace, raising his eyes, smiles upon him his usual slow impenetrable smile. "Working? Yes; we others, the moneyless ones, must work or die; and death is unpopular nowadays. Still, law is dry work when all is confessed." He presses his hand to his forehead with affected languor, and for an instant conceals his face. "By the by, it is rather good of you to break in so unexpectedly upon my monotony.

Anything I can do for you?"

"Let me speak to you," says Dorian, impulsively, laying his hand upon his arm. "If I am wronging you in my thoughts I shall never forgive myself, and you, in all probability, will never forgive me either; yet I must get it off my mind."

"My dear fellow, how you have flung away undoubted talent! Your tone out-Irvings Irving: it is ultra-tragic. Positively, you make my blood run cold. Don't stand staring at me in that awful att.i.tude, but tell me, as briefly as you can, what I have done."

He laughs lightly.

Dorian regards him fixedly. Has he wronged him? Has instinct played him false?

"Where is Ruth Annersley?" he asks, awkwardly, as though getting rid of the question at any price and without preamble. He has still his hand upon his brother's arm, and his eyes upon his face.

"Ruth Annersley?" reiterates Horace, the most perfect amazement in his tone. If purposely done, the surprise is very excellent indeed. "Why?

What has happened to her?"

"Have you heard nothing?"

"My dear fellow, how could I? I have not been near Pullingham for a full month; and its small gossips fail to interest our big city. What has happened?"

"The girl has left her home; has not been heard of since last Tuesday.

They fear she has wilfully flung up happiness and honor to gain--misery."

"What a charitable place is a small village!" says Horace, with a shrug. "Why should the estimable Pullinghamites imagine so much evil?

Perhaps, finding life in that stagnate hole unendurable, Ruth threw up the whole concern, and is now seeking a subsistence honorably.

Perhaps, too, she has married. Perhaps----"

"Why do you not suppose her dead?" says Dorian, tapping the table with his forefinger, his eyes fixed moodily on the pattern of the maroon-colored cloth. "All such speculations are equally absurd. I hardly came to London to listen to such vain imaginings."

"Then--I think I barely understand you," says Horace, amicably; "you came because----?"

"Because I fancied I had here the best chance of hearing about her,"

interrupts Dorian, bluntly, losing patience a little.

"How fearfully you blunder!" returns Horace, still quite calmly,--nay, in even a tone that might be called amused. "If you mean that I have had anything to do with her vamoose, I beg to say your imagination has run wild. You can search the place if you like. The old lady who attends to my wants will probably express some faint disapprobation when you invade the sanct.i.ty of her chamber, but beyond that no unpleasantness need be antic.i.p.ated. This is her favorite hour for imbibing brandy--_my_ brandy, you will understand (she takes it merely as a tonic, being afflicted--as she tells me--with what she is pleased to term 'nightly trimbles'): so if, in the course of your wanderings, you chance to meet her, and she openly molests you, don't blame me."

"Is that all you can tell me?"

"All about my old lady, certainly."

"And of Ruth?"

"I know nothing, as _you_ should understand." He laughs significantly.

"What do you mean?" demands Dorian, a little fiercely. His eyes are dark and flas.h.i.+ng, his lips compressed.

"What can I mean, except that you are ridiculously absurd?" says Horace, rising. "What is it you expect me to say? I can't get you out of it. I always knew you had a _penchant_ for her, but never thought it would carry you so far. If you will take my advice, however, you will be milder about it, and take that look off your face. If you go in for society with that cut-up expression in your eyes, people will talk."

"Then you know nothing?" repeats Brans...o...b.., taking no notice of--perhaps not even hearing--the foregoing speech.

"Absolutely nothing. How should I?" says Horace, with his soft smooth smile. "Have a brandy-and-soda, Dorian, or a little curacoa? Perhaps, indeed, the brandy will be best (always allowing Mrs. McGinty has left me any), you look so thoroughly done up."

"Thank you,--nothing." He gazes at his brother long and earnestly.

"The Brans...o...b.. word _ought_ to be sure," he says, moodily.

"Still unconvinced!" says Horace, with an airy laugh. "I know I ought to take you by the shoulders, Dorian, and pitch you down the stairs; but, somehow, I haven't the pluck to-night. I am overdone through this abominable law, and--you are such a tremendous fellow when compared with me. Must you really be off so soon? Stay and have a cup of coffee? No? Well, if it must be, good-night."

Dorian goes down the stairs,--puzzled, bewildered, almost convinced.

At the foot of the staircase he looks up again, to see Horace standing above him still, candle in hand, radiant, smiling, _debonnaire_, apparently without a care in the world.

He nods to him, and Dorian, returning the salute in grave and silent fas.h.i.+on, goes out into the lighted streets, and walks along in momentary expectation of a hansom, when a well known voice smites upon his ear:

Faith And Unfaith Part 37

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Faith And Unfaith Part 37 summary

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