The Works of Guy de Maupassant Volume III Part 40
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They saw a great deal of company, and he called himself Du Pontel now, and he even had thoughts of buying a t.i.tle from the Pope; he only read certain newspapers, kept up a regular correspondence with the Orleans Princes, was thinking of starting a racing stable, and finished up by believing that he really was a fas.h.i.+onable man, and strutted about, and was puffed out with conceit, as he had probably never read La Fontaine's fable, in which he tells the story of the a.s.s that is laden with relics which people salute, and so takes their bows to himself.
Suddenly, however, anonymous letters disturbed his quietude, and tore the bandage from his eyes.
At first he tore them up without reading them, and shrugged his shoulders disdainfully; but he received so many of them, and the writer seemed so determined to dot his _i's_ and cross his _t's_ and to clear his brain for him, that the unhappy man began to grow disturbed, and to watch and to ferret about. He inst.i.tuted minute inquiries, and arrived at the conclusion that he no longer had the right to make fun of other husbands, and that he was the perfect counterpart of _Sganarelle_.[20]
[Footnote 20: The _Cocu Imaginaire_ (The Imaginary Cuckold), in Moliere's play of that name.]
Furious at having been duped, he set a whole private inquiry agency to work, continually acted a part, and one evening appeared unexpectedly with a commissary of police in the snug little bachelor's quarters which concealed his wife's escapades.
Therese, who was terribly frightened, and at her wits' end at being thus surprised in all the disorder of her lover's apartments, and pale with shame and terror, hid herself behind the bed curtains, while he, who was an officer of dragoons, very much vexed at being mixed up in such a pinchbeck scandal, and at being caught in a silk s.h.i.+rt by these men who were so correctly dressed in frock coats, frowned angrily, and had to restrain himself so as not to fling his victim out of a window.
The police commissary, who was calmly looking at this little scene with the coolness of an amateur, prepared to verify the fact that they were caught _flagrante delicto_, and in an ironical voice said to her husband, who had claimed his services:
"I must ask for your name in full, Monsieur?"
"Charles Joseph Edward Dupontel," was the answer. And as the commissary was writing it down from his dictation, he added suddenly: "Du Pontel in two words, if you please, Monsieur le Commissionaire!"
THE CARTER'S WENCH
The driver, who had jumped from his box, and was now walking slowly by the side of his thin horses, waking them up every moment by a cut of the whip, or a coa.r.s.e oath, pointed to the top of the hill, where the windows of a solitary house, in which the inhabitants were still up, although it was very late and quite dark, were s.h.i.+ning like yellow lamps, and said to me:
"One gets a good drop there, Monsieur, and well served, by George."
And his eyes flashed in his thin, sunburnt face, which was of a deep brickdust color, while he smacked his lips like a drunkard, who remembers a bottle of good liquor that he has lately drunk, and drawing himself up in a blouse like a vulgar swell, he s.h.i.+vered like the back of an ox, when it is sharply p.r.i.c.ked with the goad.
"Yes, and well served by a wench who will turn your head for you before you have tilted your elbow and drank a gla.s.s!"
The moon was rising behind the snow-covered mountain peaks, which looked almost like blood under its rays, and which were crowned by dark, broken clouds, which whirled about and floated, and reminded the pa.s.senger of some terrible Medusa's head. The gloomy plains of Capsir, which were traversed by torrents, extensive meadows in which undefined forms were moving about, fields of rye, like huge golden table-covers, and here and there wretched villagers, and broad sheets of water, into which the stars seemed to look in a melancholy manner, opened out to the view.
Damp gusts of winds swept along the road, bringing a strong smell of hay, of resin of unknown flowers, with them, and erratic pieces of rock, which were scattered on the surface like huge boundary stones, had spectral outlines.
The driver pulled his broad-brimmed felt hat over his eyes, twirled his large moustache, and said in an obsequious voice:
"Does Monsieur wish to stop here? This is the place!"
It was a wretched wayside public-house, with a reddish slate roof, that looked as if it were suffering from leprosy, and before the door there stood three wagons drawn by mules, and loaded with huge stems of trees, and which took up nearly the whole of the road; the animals, which were used to halting there, were dozing, and their heavy loads exhaled a smell of a pillaged forest.
Inside, three wagoners, one of whom was an old man, while the other two were young, were sitting in front of the fire, which cackled loudly, with bottles and gla.s.ses on a large round-table by their side, and were singing and laughing boisterously. A woman with large round hips, and with a lace cap pinned onto her hair, in the Catalan fas.h.i.+on, who looked strong and bold, and who had a certain amount of gracefulness about her, and with a pretty, but untidy head, was urging them to undo the strings of their great leather purses, and replied to their somewhat indelicate jokes in a shrill voice, as she sat on the knee of the youngest, and allowed him to kiss her and to fumble in her bodice, without any signs of shame.
The coachman pushed open the door, like a man who knows that he is at home.
"Good evening, Glaizette, and everybody; there is room for two more, I suppose?"
The wagoners did not speak, but looked at us cunningly and angrily, like dogs whose food had been taken from them, and who showed their teeth, ready to bite, while the girl shrugged her shoulders and looked into their eyes like some female wild beast tamer; and then she asked us with a strange smile:
"What am I to get you?"
"Two gla.s.ses of cognac, and the best you have in the cupboard,"
Glaizette, the coachman replied, rolling a cigarette.
While she was uncorking the bottle I noticed how green her eyeb.a.l.l.s were; it was a fascinating, tempting green, like that of the great green gra.s.shopper; and also how small her hands were, which showed that she did not use them much; how white her teeth were, and how her voice, which was rather rough, though cooing, had a cruel, and at the same time, a coaxing sound. I fancied I saw her, as in a mirage, reclining triumphantly on a couch, indifferent to the fights which were going on about her, always waiting--longing for him who would prove himself the stronger, and who would prove victorious. She was, in short, the hospitable dispenser of love, by the side of that difficult, stony road, who opened her arms to poor men, and who made them forget everything in the profusion of her kisses. She knew dark matters, which n.o.body in the world besides herself should know, which her sealed lips would carry away inviolate to the other world. She had never yet loved, and would never really love, because she was vowed to pa.s.sing kisses which were so soon forgotten.
I was anxious to escape from her as soon as possible; no longer to see her pale, green eyes, and her mouth that bestowed caresses from pure charity; no longer to feel the woman with her beautiful, white hands, so near one; so I threw her a piece of gold and made my escape without saying a word to her, without waiting for any change, and without even wis.h.i.+ng her good-night, for I felt the caress of her smile, and the disdainful restlessness of her looks.
The carriage started off at a gallop to Formigueres, amidst a furious jingling of bells. I could not sleep any more; I wanted to know where that woman came from, but I was ashamed to ask the driver and to show any interest in such a creature, and when he began to talk, as we were going up another hill, as if he had guessed my sweet thoughts, he told me all he knew about Glaizette. I listened to him with the attention of a child, to whom somebody is telling some wonderful fairy tale.
She came from Fontpedrouze, a muleteers' village, where the men spend their time in drinking and gambling at the inn when they are not traveling on the high roads with their mules, while the women do all the field work, carry the heaviest loads on their back, and lead a life of pain and misery.
Her father kept an inn; the girl grew up very happy; she was courted before she was fifteen, and was so coquettish that she was certain to be almost always found in front of her looking-gla.s.s, smiling at her own beauty, arranging her hair, trying to make herself like a young lady on the _prado_. And now, as none of the family knew how to keep a halfpenny, but spent more than they earned, and were like cracked jugs, from which the water escapes drop by drop, they found themselves ruined one fine day, just as if they had been at the bottom of a blind alley.
So on the "Feast of Our Lady of Succor," when people go on a pilgrimage to Font Romea, and the villages are consequently deserted, the inn-keeper set fire to the house. The crime was discovered through _la Glaizette_, who could not make up her mind to leave the looking-gla.s.s, with which her room was adorned, behind her, and so had carried it off under her petticoat.
The parents were sentenced to many years' imprisonment, and being let loose to live as best she could, the girl became a servant, pa.s.sed from hand to hand, inherited some property from an old farmer, whom she had caught, as if she had been a thrush on a twig covered with bird-lime, and with the money she had built this public-house on the new road which was being built across the Capsir.
"A regular bad one, Monsieur," the coachman said in conclusion, "a vixen such as one does not see now in the worst garrison towns, and who would open the door to the whole fraternity, and not at all avaricious, but thoroughly honest...."
I interrupted him in spite of myself, as if his words had pained me, and I thought of those pale green eyes, those magic eyes, eyes to be dreamt about, which were the color of gra.s.shoppers, and I looked for them, and saw them in the darkness; they danced before me like phosph.o.r.escent lights, and I would have given then the whole contents of my purse to that man if he would only have been silent and urged his horses on to full speed, so that their mad gallop might carry me off quickly, quickly and far, and continually further from that girl.
THE MARQUIS
It was quite useless to expostulate when that obstinate little Sonia, with a Russian name and Russian caprices, had said: "I choose to do it."
She was so delicate and pretty also, with her slightly turned-up nose, and her rosy and childish cheeks, while every female perversity was reflected in the depths of her strange eyes, which were the color of the sea on a stormy evening. Yes, she was very charming, very fantastic, and above all, so Russian, so deliciously and imperiously Russian, and all the more Russian, as she came from Montmarte, and in spite of this, not one of her seven lovers who composed her usual menagerie had laughed when their enslaver said one day:
"You know my feudal castle at Pludun-Herlouet, near Saint Jacut-de-la-Mer, which I bought two years ago, and in which I have not yet set foot? Very well, then! The day after to-morrow, which is the first of May, we will have a house-warming there."
The seven had not asked for any further explanation, but had accompanied little Sonia, and were now ready to sit down to dinner under her presidency in the dining-room of the old castle, which was situated ten hours from Paris. They had arrived there that morning; they were going to have dinner and supper together, and start off again at daybreak next morning; such were Sonia's orders, and n.o.body had made the slightest objection.
Two of her admirers, however, who were not yet used to her sudden whims, had felt some surprise, which was quickly checked by expressions of enthusiastic pleasure on the part of the others.
"What a delightful, original idea! n.o.body else would have thought of such things! Positively, n.o.body else. Oh! these Russians!" But those who had known her for some time, and who had been consequently educated not to be surprised at anything, found it all quite natural.
It was half-past six in the evening, and the gentlemen were going to dress. Sonia had made up her mind to keep on her morning-gown, or if she dressed, she would do so later. Just then she was not inclined to move out of her great rocking-chair, from which she could see the sun setting over the sea. The sight always delighted her very much. It might have been taken for a large red billiard ball, rebounding from the green cloth. How funny it was! And how lucky that she was all alone to look at it, for those seven would not have understood it at all! Those men never have any soul, have they?
Certainly, the sunset was strange at first, but at length it made her sad, and just now Sonia's heart felt almost heavy, though the very sadness was sweet. She was congratulating herself more than ever on being alone, so as to enjoy that languor, which was almost like a gentle dream, when, in perfect harmony with that melancholy and sweet sensation, a voice rose from the road, which was overhung by the terrace; a tremulous, but fresh and pure voice sang the following words to a slow melody:
"Walking in Paris, Having my drink, A friend of mine whispered: _What do you think?
If love makes you thirsty, Then wine makes you l.u.s.ty_."
The sound died away, as the singer continued on his way, and Sonia was afraid that she should not hear the rest; it was really terrible; so she jumped out of the rocking-chair, ran to the bal.u.s.trade of terrace, and leaning over it, she called out: "Sing it again! I insist on it. The song, the whole song!"
On hearing this, the singer looked round and then came back, without hurrying, however, and as if he were prompted by curiosity, rather than by any desire to comply with her order, and holding his hand over his eyes, he looked at Sonia attentively, who, on her part, had plenty of time to look closely at him.
The Works of Guy de Maupassant Volume III Part 40
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The Works of Guy de Maupassant Volume III Part 40 summary
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