The Works of Guy de Maupassant Volume IV Part 23

The flowers just mentioned, these flowers which adorn the vestibule of my mysterious pa.s.sions, are my servants and not my favorites.

They salute me by the change of their color and by their first inhalations. They are darlings, coquettes, arranged in eight rows to the right, eight rows, the left, and so laid out that they look like two gardens springing up from under my feet.

My heart palpitates, my eyes flash at the sight of them; my blood rushes through my veins, my soul is elated, and my hands tremble from desire as soon as I touch them. I pa.s.s on. There are three closed doors at the bottom of that gallery. I can make my choice of them. I have three harems.

But I enter most often the habitation of the orchids, my little wheedlers, by preference. Their chamber is low, suffocating. The humid and hot air make the skin moist, takes away the breath and causes the fingers to quiver. They come, these strange girls, from a country marshy, burning and unhealthy. They draw you towards them as do the sirens, are as deadly as poison, admirably fantastic, enervating, dreadful. The b.u.t.terflies here would also seem to have enormous wings, tiny feet, and eyes! Yes! they have also eyes! They look at me, they see me, prodigious, incomparable beings, fairies, daughters of the sacred earth, of the impalpable air, and of hot sun rays, that mother bountiful of the universe. Yes, they have wings, they have eyes, and nuances that no painter could imitate, every charm, every grace, every form that one could dream of. These wombs are transverse, odoriferous and transparent, ever open for love and more tempting than all the flesh of women. The unimaginable designs of their little bodies inebriates the soul, and transports it to a paradise of images and of voluptuous ideals. They tremble upon their stems as though they would fly. When they do fly do they come to me? No, it is my heart that hovers o'er them, like a mystic male, tortured by love.

No wing of any animal can keep pace with them. We are alone, they and I, in the lighted prison which I have constructed for them. I regard them, I contemplate them, I admire them, I adore them, the one after the other.

How healthy, strong and rosy, a rosiness that moistens the lips of desire! How I love them! The border is frizzled, paler than their throat, where the carolla hides itself away; a mysterious mouth, seductive sugar under the tongue, exhibiting and unveiling the delicate, admirable and sacred organs of these divine little creatures which smell so exquisitely and do not speak.

I sometimes have a pa.s.sion for some of them that lasts as long as their existence, which only embraces a few days and nights. I then have them taken away from the common gallery and enclosed in a pretty gla.s.s cabin, in which there murmurs a jet of water over against a tropical gazon, which has been brought from one of the Pacific Islands. And I remain close to it, ardent, feverish and tormented, knowing that its death is near, and watch it fading away, while that in thought, I possess it, aspire to its love, drink it in, and then pluck its short life with an inexpressible caress.

When he had finished the reading of these fragments, the advocate continued:

"Decency, gentlemen of the jury, hinders me from communicating to you the extraordinary avowals of this shameless, idealistic fool. The fragments that I have just submitted to you will be sufficient, in my opinion, to enable you to appreciate this instance of mental malady, less rare in our epoch of hysterical insanity and of corrupt decadence than most of us believe.

"I think, then, that my client is more ent.i.tled than any women whatever to claim a divorce, in the exceptional circ.u.mstances in which the disordered senses of her husband has placed her."

WHO KNOWS?

I

My G.o.d! My G.o.d! I am going to write down at last what has happened to me.

But how can I? How dare I? The thing is so bizarre, so inexplicable, so incomprehensible, so silly!

If I were not perfectly sure of what I have seen, sure that there was not in my reasoning any defect, no error in my declarations, no lacune in the inflexible sequence of my observations, I should believe myself to be the dupe of a simple hallucination, the sport of a singular vision. After all, who knows?

Yesterday I was in a private asylum, but I went there voluntarily, out of prudence and fear. Only one single human being knows my history, and that is the doctor of the said asylum. I am going to write to him. I really do not know why? To disembarra.s.s myself? For I feel as though I were being weighed down by an intolerable nightmare.

Let me explain.

I have always been a recluse, a dreamer, a kind of isolated philosopher, easy-going, content with but little, harboring ill-feeling against no man, and without even having a grudge against heaven. I have constantly lived alone, consequently, a kind of torture takes hold of me when I find myself in the presence of others. How is this to be explained? I for one cannot. I am not averse from going out into the world, from conversation, from dining with friends, but when they are near me for any length of time, even the most intimate friends, they bore me, fatigue me, enervate me, and I experience an overwhelming torturing desire, to see them get up to depart, or to take themselves away, and to leave me by myself.

That desire is more than a craving; it is an irresistible necessity. And if the presence of people, with whom I find myself, were to be continued; if I were compelled, not only to listen, but also to follow, for any length of time, their conversation, a serious accident would a.s.suredly take place. What kind of accident? Ah! who knows? Perhaps a slight paralytic stroke? Yes, probably!

I like so much to be alone that I cannot even endure the vicinage of other beings sleeping under the same roof. I cannot live in Paris, because when there I suffer the most acute agony. I lead a moral life, and am therefore tortured in my body and in my nerves by that immense crowd which swarms, which lives around even when it sleeps. Ah! the sleeping of others is more painful still than their conversation. And I can never find repose when I know, when I feel, that on the other side of a wall, several existences are interrupted by these regular eclipses of reason.

Why am I thus? Who knows? The cause of it is perhaps very simple. I get tired very soon with everything that does not emanate from me. And there are many people in similar case.

We are, on earth, two distinct races. Those who have need of others, whom others distract, engage, soothe, whom solitude hara.s.ses, pains, stupefies, like the forward movement of a terrible glacier, or the traversing of the desert; and those, on the contrary, whom others weary, tire, bore, silently torture, while isolation calms them, bathes them in the repose of independency, and plunges them into the humors of their own thoughts. In fine, there is here a normal, physical phenomenon. Some are const.i.tuted to live a life without themselves, others, to live a life within themselves. As for me, my exterior a.s.sociations are abruptly and painfully short-lived, and, as they reach their limits, I experience in my whole body and in my whole intelligence, an intolerable uneasiness.

As a result of this, I became attached, or rather, I had become much attached to inanimate objects, which have for me the importance of beings, and my house has become, had become, a world in which I lived an active and solitary life, surrounded by all manner of things, furniture, familiar knick-knacks, as sympathetic in my eyes as the visages of human beings. I had filled my mansion with them, little by little, I had adorned it with them, and I felt an inward content and satisfaction, was more happy than if I had been in the arms of a desirable female, whose wonted caresses had become a soothing and delightful necessity.

I had had this house constructed in the center of a beautiful garden, which hid it from the public highways, and which was near the entrance to a city where I could find, on occasion, the resources of society, for which, at moments, I had a longing. All my domestics slept in a separate building which was situated at some considerable distance from my house, at the far end of the kitchen garden, which was surrounded by a high wall. The obscure envelopment of the nights, in the silence of my invisible and concealed habitation, buried under the leaves of the great trees, were so reposeful and so delicious, that I hesitated every evening, for several hours, before I could retire to my couch, in order to enjoy the solitude a little longer.

One day _Signad_ had been played at one of the city theaters. It was the first time that I had listened to that beautiful, musical, and fairy-like drama, and I had derived from it the liveliest pleasures.

I returned home on foot, with a light step, my head full of sonorous phrases, and my mind haunted by delightful visions. It was night, the dead of night, and so dark that I could hardly distinguish the broad highway, and whence I stumbled into the ditch more than once. From the custom's-house, at the barriers to my house, was about a mile, perhaps a little more, or a leisurely walk of about twenty minutes. It was one o'clock in the morning, one o'clock or maybe half-past one; the sky had by this time cleared somewhat and the crescent appeared, the gloomy crescent of the last quarter of the moon. The crescent of the first quarter is, that which rises about five or six o'clock in the evening; is clear, gay and fretted with silver; but the one which rises after midnight is reddish, sad and desolating; it is the true Sabbath crescent.

Every prowler by night has made the same observation. The first, though as slender as a thread, throws a faint joyous light which rejoices the heart and lines the ground with distinct shadows; the last, sheds hardly a dying glimmer, and is so wan that it occasions hardly any shadows.

In the distance, I perceived the somber ma.s.s of my garden, and I know not why I was seized with a feeling of uneasiness at the idea of going inside. I slowed my pace, and walked very softly, the thick cl.u.s.ter of trees having the appearance of a tomb in which my house was buried.

I opened my outer gate, and I entered the long avenue of sycamores, which ran in the direction of the house, arranged vault-wise like a high tunnel, traversing opaque ma.s.ses, and winding round the turf lawns, on which baskets of flowers, in the pale darkness, could be indistinctly discerned.

In approaching the house, I was seized by a strange feeling, I could hear nothing, I stood still. In the trees there was not even a breath of air.

"What is the matter with me then?" I said to myself. For ten years I had entered and re-entered in the same way, without ever experiencing the least inquietude. I never had any fear at nights. The sight of a man, a marauder, or a thief, would have thrown me into a fit of anger, and I would have rushed at him without any hesitation. Moreover, I was armed, I had my revolver. But I did not touch it, for I was anxious to resist that feeling of dread with which I was permeated.

What was it? Was it a presentiment? That mysterious presentiment which takes hold of the senses of men who have witnessed something which, to them, is inexplicable? Perhaps? Who knows?

In proportion as I advanced, I felt my skin quiver more and more, and when I was close to the wall, near the outhouses of my vast residence, I felt that it would be necessary for me to wait a few minutes before opening the door and going inside. I sat down, then, on a bench, under the windows of my drawing room. I rested there, a little fearful, with my head leaning against the wall, my eyes wide open under the shade of the foliage. For the first few minutes, I did not observe anything unusual around me; I had a humming noise in my ears, but that happened often to me. Sometimes it seemed to me that I heard trains pa.s.sing, that I heard clocks striking, that I heard a mult.i.tude on the march.

Very soon, those humming noises became more distinct, more concentrated, more determinable, I was deceiving myself. It was not the ordinary tingling of my arteries which transmitted to my ears these rumbling sounds, but it was a very distinct, though very confused, noise which came, without any doubt whatever, from the interior of my house. I distinguished through the walls this continued noise, I should rather say agitation than noise, an indistinct moving about of a pile of things, as if people were tossing about, displacing, and carrying away surrept.i.tiously all my furniture.

I doubted, however, for some considerable time yet, the evidence of my ears. But having placed my ear against one of the outhouses, the better to discover what this strange disturbance was that was inside my house, I became convinced, certain, that something was taking place in my residence, which was altogether abnormal and incomprehensible. I had no fear, but I was--how shall I express it--paralyzed by astonishment. I did not draw my revolver, knowing very well that there was no need of my doing so. I listened.

I listened a long time, but could come to no resolution, my mind being quite clear, though in myself I was naturally anxious. I got up and waited, listening always to the noise, which gradually increased, and at intervals grew very loud, and which seemed to become an impatient, angry disturbance, a mysterious commotion.

Then, suddenly, ashamed of my timidity, I seized my bunch of keys, I selected the one I wanted, I guided it into the lock, turned it twice, and, pus.h.i.+ng the door with all my might, sent it banging against the part.i.tion.

The collision sounded like the report of a gun, and there responded to that explosive noise, from roof to bas.e.m.e.nt of my residence, a formidable tumult. It was so sudden, so terrible, so deafening, that I recoiled a few steps, and though I knew it to be wholly useless, I pulled my revolver out of its case.

I continued to listen for some time longer. I could distinguish now an extraordinary pattering upon the steps of my grand staircase, on the waxed floors, on the carpets, not of boots, nor of naked feet, but of iron, and wooden crutches, which resounded like cymbals. Then I suddenly discerned, on the threshold of my door, an arm chair, my large reading easy chair, which set off waddling. It went away through my garden.

Others followed it, those of my drawing-room, then my sofas, dragging themselves along like crocodiles on their short paws; then all my chairs, bounding like goats, and the little footstools, hopping like rabbits.

Oh! what a sensation! I slunk back into a clump of bushes where I remained crouched up, watching, meanwhile, my furniture defile past, for everything walked away, the one behind the other, briskly or slowly, according to its weight or size. My piano, my grand piano, bounded past with the gallop of a horse and a murmur of music in its sides; the smaller articles slid along the gravel like snails, my brushes, crystal, cups and saucers, which glistened in the moonlight. I saw my writing desk appear, a rare curiosity of the last century, which contained all the letters I had ever received, all the history of my heart, an old history from which I have suffered so much! Besides, there was inside of it a great many cherished photographs.

Suddenly--I no longer had any fear--I threw myself on it, seized it as one would seize a thief, as one would seize a wife about to run away; but it pursued its irresistible course, and despite my efforts and despite my anger, I could not even r.e.t.a.r.d its pace. As I was resisting in desperation that insuperable force, I was thrown to the ground in my struggle with it. It then rolled me over, trailed me along the gravel, and the rest of my furniture which followed it, began to march over me, tramping on my legs and injuring them. When I loosed my hold, other articles pa.s.sed over my body, just as a charge of cavalry does over the body of a dismounted soldier.

Seized at last with terror, I succeeded in dragging myself out of the main avenue, and in concealing myself again among the shrubbery, so as to watch the disappearance of the most cherished objects, the smallest, the least striking, the least unknown which had once belonged to me.

I then heard, in the distance, noises which came from my apartments, which sounded now as if the house were empty, a loud noise of shutting of doors. They were being slammed from top to bottom of my dwelling, even the door which I had just opened myself unconsciously, and which had closed of itself, when the last thing had taken its departure. I took flight also, running towards the city, and I only regained my self-composure on reaching the boulevards, where I met belated people.

I rang the bell of a hotel where I was known. I had knocked the dust off my clothes with my hands, and I told the porter how that I had lost my bunch of keys, which included also that of the kitchen garden, where my servants slept in a house standing by itself, on the other side of the wall of the enclosure, which protected my fruits and vegetables from the raids of marauders.

I covered myself up to the eyes in the bed which was a.s.signed to me; but I could not sleep, and I waited for the dawn in listening to the throbbing of my heart. I had given orders that my servants were to be summoned to the hotel at daybreak, and my _valet de chambre_ knocked at my door at seven o'clock in the morning.

His countenance bore a woeful look.

"A great misfortune has happened during the night, monsieur," said he.

"What is it?"

"Somebody has stolen the whole of monsieur's furniture, all, everything, even to the smallest articles."