The Works of Guy de Maupassant Volume VIII Part 33

An infinite peace, a divine melancholy, a silent serenity surrounded this dead woman, seemed to emanate from her, to evaporate from her into the atmosphere outside and to calm Nature itself.

Then the magistrate, still on his knees, his head pressed against the bed-clothes, in a far-off, heart-broken voice that pierced through the sheets and the coverlet, exclaimed:

"Mamma, mamma, mamma!" And the sister, sinking down on the floor, striking the wood with her forehead fanatically, twisting herself about and quivering like a person in an epileptic fit, groaned: "Jesus, Jesus--mamma--Jesus!"

And both of them shaken by a hurricane of grief panted with a rattling in their throats.

Then the fit gradually subsided, and they now wept in a less violent fas.h.i.+on, like the rainy calm that follows a squall on a storm-beaten sea. Then, after some time, they rose, and fixed their glances on the beloved corpse. And memories, those memories of the past, so sweet, so torturing to-day, came back to their minds with all those little forgotten details, those little details so intimate and familiar, which make the being who is no more live over again. They recalled circ.u.mstances, words, smiles, certain intonations of voice which belonged to one whom they should hear speaking to them again. They saw her once more happy and calm, and phrases she used in ordinary conversation rose to their lips. They even remembered a little movement of the hand peculiar to her, as if she were keeping time when she was saying something of importance.

And they loved her as they had never before loved her. And by the depth of their despair they realized how strongly they had been attached to her, and how desolate they would find themselves now.

She had been their mainstay, their guide, the best part of their youth, of that happy portion of their lives which had vanished; she had been the bond that united them to existence, the mother, the mamma, the creative flesh, the tie that bound them to their ancestors.

They would henceforth be solitary, isolated; they would have nothing on earth to look back upon.

The nun said to her brother:

"You know how mamma used always to read over her old letters. They are all there in her drawer. Suppose we read them in our turn, and so revive all her life this night by her side? It would be like a kind of road of the cross, like making the acquaintance of her mother, of grandparents whom we never knew, whose letters are there, and of whom she has so often talked to us, you remember?"

And they drew forth from the drawer a dozen little packets of yellow paper, carefully tied up and placed close to one another. They flung these relics on the bed, and selecting one of them on which the word "Father" was written, they opened and read what was in it.

It consisted of those very old letters which are to be found in old family writing-desks, those letters which have the flavor of another century. The first said, "My darling," another "My beautiful little girl," then others "My dear child," and then again "My dear daughter."

And suddenly the nun began reading aloud, reading for the dead her own history, all her tender souvenirs. And the magistrate listened, while he leaned on the bed, with his eyes on his mother's face. And the motionless corpse seemed happy.

Sister Eulalie, interrupting herself, said: "We ought to put them into the grave with her, to make a winding-sheet of them, and bury them with her."

And then she took up another packet, on which the descriptive word did not appear.

And in a loud tone she began: "My adored one, I love you to distraction. Since yesterday I have been suffering like a d.a.m.ned soul burned by the recollection of you. I feel your lips on mine, your eyes under my eyes, your flesh under my flesh. I love you! I love you! You have made me mad! My arms open! I pant with an immense desire to possess you again. My whole body calls out to you, wants you. I have kept in my mouth the taste of your kisses."

The magistrate rose up; the nun stopped reading. He s.n.a.t.c.hed the letter from her, and sought for the signature. There was none, save under the words, "He who adores you," the name "Henry." Their father's name was Rene. So then he was not the man.

Then, the son, with rapid fingers, fumbled in the packet of letters took another of them, and read: "I can do without your caresses no longer."

And, standing up, with the severity of a judge pa.s.sing sentence, he gazed at the impa.s.sive face of the dead woman.

The nun, straight as a statue, with teardrops standing at each corner of her eyes, looked at her brother, waiting to see what he meant to do. Then he crossed the room, slowly reached the window, and looked out thoughtfully into the night.

When he turned back, Sister Eulalie, her eyes now quite dry, still remained standing near the bed, with a downcast look.

He went over to the drawer and flung in the letters which he had picked up from the floor. Then he drew the curtains round the bed.

And when the dawn made the candles on the table look pale, the son rose from his armchair, and without even a parting glance at the mother whom he had separated from them and condemned, he said slowly:

"Now, my sister, let us leave the room."

THE CAKE

Let us say that her name was Madame Anserre so as not to reveal her real name.

She was one of those Parisian comets which leave, as it were, a trail of fire behind them. She wrote verses and novels; she had a poetic heart, and was ravis.h.i.+ngly beautiful. She opened her doors to very few--only to exceptional people, those who are commonly described as princes of something or other.

To be a visitor at her house const.i.tuted a claim, a genuine claim of intellect: at least this was the estimate set on her invitations.

Her husband played the part of an obscure satellite. To be the husband of a star is not an easy thing. This husband had, however, an original idea, that of creating a State within a State, of possessing a merit of his own, a merit of the second order; it is true; but he did, in fact, in this fas.h.i.+on, on the days when his wife held receptions, hold receptions also on his own account. He had his special set who appreciated him, listened to him, and bestowed on him more attention than they did on his brilliant partner.

He had devoted himself to agriculture--to agriculture in the Chamber.

There are in the same way generals in the Chamber--those who are born, who live, and who die, on the round leather chairs of the War Office, are all of this sort, are they not? Sailors in the Chambers--viz., in the Admiralty--Colonizers in the Chamber, etc., etc. So he had studied agriculture, indeed he had studied it deeply, in its relations with the other sciences, with political economy, with the Fine Arts--we dress up the Fine Arts with every kind of science, since we even call the horrible railway bridges "works of art." At length he reached the point when it was said of him: "He is a man of ability." He was quoted in the Technical Reviews; his wife had succeeded in getting him appointed a member of a committee at the Ministry of Agriculture.

This latest glory was quite sufficient for him.

Under the pretext of diminis.h.i.+ng the expenses, he sent out invitations to his friends for the day when his wife received hers, so that they a.s.sociated together, or rather they did not--they formed two groups.

Madame, with her escort of artists, academicians, and Ministers, occupied a kind of gallery, furnished and decorated in the style of the Empire. Monsieur generally withdrew with his agriculturists into a smaller portion of the house used as a smoking-room and ironically described by Madame Anserre as the Salon of Agriculture.

The two camps were clearly separated. Monsieur, without jealousy, moreover, sometimes penetrated into the Academy, and cordial handshakings were exchanged, but the Academy entertained infinite contempt for the Salon of Agriculture, and it was rarely that one of the princes of science, of thought, or of anything else mingled with the agriculturists.

These receptions occasioned little expense--a cup of tea, a cake, that was all. Monsieur, at an earlier period, had claimed two cakes, one for the academy, and one for the agriculturists, but Madame having rightly suggested that this way of acting seemed to indicate two camps, two receptions, two parties, Monsieur did not press the matter, so that they used only one cake, of which Madame Anserre did the honors at the Academy, and which then pa.s.sed into the Salon de Agriculture.

Now, this cake was soon, for the Academy, a subject of observation well calculated to arouse curiosity. Madame Anserre never cut it herself. That function always fell to the lot of one or other of the ill.u.s.trious guests. The particular duty, which was supposed to carry with it honorable distinction, was performed by each person for a pretty long period, in one case for three months, scarcely ever for more; and it was noticed that the privilege of "cutting the cake"

carried with it a heap of other marks of superiority--a sort of royalty, or rather very accentuated vice-royalty.

The reigning cutter spoke in a haughty tone, with an air of marked command; and all the favors of the mistress of the house were for him alone.

These happy individuals were in moments of intimacy described in hushed tones behind doors as the "favorites of the cake," and every change of favorite introduced into the Academy a sort of revolution.

The knife was a scepter, the pastry an emblem; the chosen ones were congratulated. The agriculturists never cut the cake. Monsieur himself was always excluded, although he ate his share.

The cake was cut in succession by poets, by painters, and by novelists. A great musician had the privilege of measuring the portions of the cake for some time; an amba.s.sador succeeded him.

Sometimes a man less well-known, but elegant and sought after, one of those who are called according to the different epochs, "true gentleman," or "perfect knight," or "dandy," or something else, seated himself, in his turn, before the symbolic cake. Each of them, during his ephemeral reign, exhibited greater consideration towards the husband; then, when the hour of his fall had arrived, he pa.s.sed on the knife towards the other and mingled once more with the crowd of followers and admirers of the "beautiful Madame Anserre."

This state of things lasted a long time, but comets do not always s.h.i.+ne with the same brilliance. Everything gets worn out in society.

One would have said that gradually the eagerness of the cutters grew feebler; they seemed to hesitate at times when the tray was held out to them; this office, once so much coveted, became less and less desired. It was retained for a shorter time; they appeared to be less proud of it.

Madame Anserre was prodigal of smiles and civilities. Alas! no one was found any longer to cut it voluntarily. The new comers seemed to decline the honor. The "old favorites" reappeared one by one like dethroned princes who have been replaced for a brief spell in power.

Then, the chosen ones became few, very few. For a month (O, prodigy!) M. Anserre cut open the cake; then he looked as if he were getting tired of it; and one evening Madame Anserre, the beautiful Madame Anserre, was seen cutting it herself. But this appeared to be very wearisome to her, and, next day, she urged one of her guests so strongly to do it that he did not dare to refuse.

The symbol was too well-known, however; the guests stared at one another with scared anxious faces. To cut the cake was nothing, but the privileges to which this favor had always given a claim now frightened people; therefore, the moment the dish made its appearance the academicians rushed pell-mell into the Salon of Agriculture, as if to shelter themselves behind the husband, who was perpetually smiling.

And when Madame Anserre, in a state of anxiety, presented herself at the door with a cake in one hand and the knife in the other, they all seemed to form a circle around her husband as if to appeal to him for protection.

Some years more pa.s.sed. n.o.body cut the cake now; but yielding to an old inveterate habit, the lady who had always been gallantly called "the beautiful Madame Anserre" looked out each evening for some devotee to take the knife, and each time the same movement took place around her, a general flight, skillfully arranged, and full of combined maneuvers that showed great cleverness, in order to avoid the offer that was rising to her lips.

But, one evening, a young man presented himself at her reception--an innocent, unsophisticated youth. He knew nothing about the mystery of the cake; accordingly, when it appeared, and when all the rest ran away, when Madame Anserre took from the man-servant's hands the dish and the pastry, he remained quietly by her side.

She thought that perhaps he knew about the matter; she smiled, and in a tone which showed some emotion, said: