Queen Hildegarde Part 4

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"My sister," replied Bubble. "Thet ain't _her_ real name, nuther. Mam hed her christened Pinkrosia, along o' her bein' so fond o' roses, Mam was; but we don't call her nothin' only Pink."

"Pink Chirk!" repeated Hilda to herself. "What a name! What can a girl be like who is called Pink Chirk?"

But now Bubble seemed to think that it was his turn to ask questions. "I reckon you're the gal that's come to stay at Mr. Hartley's?" he said in an interrogative tone.

Hilda's brow darkened for a moment at the word "gal," which came with innocent frankness from the lips of the ragged urchin before her. But the next moment she remembered that it was only the old Hilda who cared about such trifles; so she answered pleasantly enough:

"Yes, I am staying at Mr. Hartley's. I only came yesterday, but I am to stay some time."

"And what mought _your_ name be?" inquired Master Chirk.

"Hildegardis Graham." It was gently said, in a very different voice from that which had answered Farmer Hartley in the same words the night before; but it made a startling impression on Bubble Chirk.

"Hildy--" he began; and then, giving it up, he said simply: "Well, I swan! Do ye kerry all that round with ye all the time?"

Hilda laughed outright at this.

"Oh, no!" she said; "I am called Hilda generally."

"But you kin spell the hull of it?" asked the boy anxiously.

"Yes, certainly!" Bubble's eager look subsided into one of mingled awe and admiration.

"Reckon ye must know a heap," he said, rather wistfully. "Wish't I did!"

Hilda looked at him for a moment without speaking. Her old self was whispering to her. "Take care what you do!" it said. "This is a coa.r.s.e, common, dirty boy. He smells of the stable; his hair is full of hay; his hands are beyond description. What have you in common with such a creature? He has not even the sense to know that he is your inferior."

"I don't care!" said the new Hilda. "I know what mamma would do if she were here, and I shall do it,--or try to do it, at least. Hold your tongue, you supercilious minx!"

"Bubble," she said aloud, "would you like me to teach you a little, while I am here? I think perhaps I could help you with your lessons."

The boy looked up with a sudden flash in his blue eyes, while his face grew crimson with pleasure.

"Would I like it?" he cried eagerly. But the next moment the glow faded, and he looked awkwardly down at his ragged book and still more ragged clothes. "Guess I ain't no time to l'arn that way," he muttered in confusion.

"Nonsense!" said Hilda, decidedly. "There must be _some_ hour in the day when you can be spared. I shall speak to Farmer Hartley about it. Don't look at your clothes, you foolish boy," she continued, with a touch of Queen Hildegardis' quality, yet with a kindly intonation which was new to that potentate. "I am not going to teach your clothes. _You_ are not your clothes!" cried Her Majesty, wondering at herself, and a little flushed with her recent victory over the "minx." The boy's face brightened again.

"That's so!" he said, joyously; "that's what Pink says. But I didn't s'pose _you'd_ think so," he added, glancing bashfully at the delicate, high-bred face, with its flas.h.i.+ng eyes and imperial air.

"I _do_ think so!" said Hilda. "So that is settled, and we will have our first lesson to-morrow. What would you--"

"Hilda! Hilda! where are you, dear?" called Dame Hartley's voice from the other side of the currant-bush-hedge. And catching up her basket, and bidding a hasty good-by to her new acquaintance and future scholar, Hildegarde darted back through the bushes.

Zerubbabel Chirk looked after her a few moments, with kindling eyes and open mouth of wonder and admiration.

"Wall!" he said finally, after a pause of silent meditation, "I swan! I reelly do! I swan to man!" and fell to weeding again as if his life depended on it.

CHAPTER V.

THE BLUE PLATTER.

"Merry it is in the green forest, Among the leaves green!"

Thus sang Hildegarde as she sat in the west window, busily stringing her currants. She had been thinking a great deal about Bubble Chirk, making plans for his education, and wondering what his sister Pink was like. He reminded her, she could not tell why, of the "lytel boy" who kept fair Alyce's swine, in her favorite ballad of "Adam Bell, Clym o' the Clough, and William of Cloudeslee;" and the words of the ballad rose half unconsciously to her lips as she bent over the great yellow bowl, heaped with scarlet and pale-gold cl.u.s.ters.

"Merry it is in the green forest, Among the leaves green, Whenas men hunt east and west With bows and arrowes keen,

"For to raise the deer out of their denne,-- Such sights have oft been seen; As by three yemen of the north countree: By them it is, I mean.

"The one of them hight Adam Bell, The other Clym o' the Clough; The third was w.i.l.l.yam of Cloudeslee,-- An archer good enough.

"They were outlawed for venison, These yemen every one.

They swore them brethren on a day To English wood for to gone.

"Now lythe and listen, gentylmen, That of myrthes loveth to hear!"

At this moment the door opened, and Farmer Hartley entered, taking off his battered straw hat as he did so, and wiping his forehead with a red bandanna handkerchief. Hilda looked up with a pleasant smile, meaning to thank him for the raspberries which he had gathered for her breakfast; but to her utter astonishment the moment his eyes fell upon her he gave a violent start and turned very pale; then, muttering something under his breath, he turned hastily and left the room.

"Oh! what is the matter?" cried Hilda, jumping up from her chair. "What have I done, Nurse Lucy? I have made the farmer angry, somehow. Is this his chair? I thought--"

"No, no, honey dear!" said Nurse Lucy soothingly. "Sit ye down; sit ye down! You have done nothing. I'm right glad of it," she added, with a tone of sadness in her pleasant voice. "Seeing as 'tis all in G.o.d's wisdom, Jacob must come to see it so; and 'tis no help, but a deal of hindrance, when folks set aside chairs and the like, and see only them that's gone sitting in them." Then, seeing Hilda's look of bewilderment, she added, laying her hand gently on the girl's soft hair: "You see, dear, we had a daughter of our own this time last year. Our only one she was, and just about your age,--the light of our eyes, our Faith. She was a good girl, strong and loving and heartsome, and almost as pretty as yourself, Hilda dear; but the Father had need of her, so she was taken from us for a while. It was cruel hard for Jacob; cruel, cruel hard. He can't seem to see, even now, that it was right, or it wouldn't have been so. And so I can tell just what he felt, coming in just now, sudden like, and seeing you sitting in Faith's chair. Like as not he forgot it all for a minute, and thought it was herself. She had a blue dress that he always liked, and she'd sit here and sing, and the sun coming in on her through her own window there, as she always called it: like a pretty picture she was, our Faith."

"Oh!" cried Hilda, taking the brown, motherly hand in both of hers, "I am so very, very sorry, dear Nurse Lucy! I did not know! I will never sit here again. I thought--"

But she was ashamed to say what she had thought,--that this chair and table had been set for her to tempt her to sit down "in a kitchen!" She could hear herself say it as she had said it last night, with a world of scornful emphasis. How long it seemed since last night; how much older she had grown! And yet--and yet somehow she felt a great deal younger.

All this pa.s.sed through her mind in a moment; but Nurse Lucy was petting her, and saying: "Nay, dearie; nay, child! This is just where I want you to sit. 'Twill be a real help to Farmer, once he is used to it. Hark! I hear him coming now. Sit still! To please me, my dear, sit still where ye are."

[Ill.u.s.tration: "SHE BENT IN REAL DISTRESS OVER THE CURRANTS."]

Hilda obeyed, though her heart beat painfully; and she bent in real distress over the currants as Farmer Hartley once more entered the room.

She hardly knew what she feared or expected; but her relief was great when he bade her a quiet but cheerful "Good-day!" and crossing the room, sat down in his great leather arm-chair.

"Dinner'll be ready in five minutes, Jacob!" said the good dame, cheerily; "I've only to lay the table and dish the mutton."

"Oh! let me help," cried Hilda, springing up and setting her bowl of currants on the window-sill.

So between the two the snowy cloth was laid, and the blue plates and the s.h.i.+ning knives and forks laid out. Then they all sat down, and the little maid-servant came too, and took her place at the end of the table; and presently in came a great loutish-looking fellow, about one or two and twenty, with a great shock of sandy hair and little ferret-eyes set too near together, whom Dame Hartley introduced as her nephew. He sat down too, and ate more than all the rest of them put together. At sight of this man, who gobbled his food noisily, and uttered loud snorts between the mouthfuls, the old Hilda awoke in full force. She could _not_ endure this; mamma never could have intended it!

The Hartleys were different, of course. She was willing to acknowledge that she had been in the wrong about them; but this lout, this oaf, this villainous-looking churl,--to expect a lady to sit at the same table with him: it was too much! She would ask if she might not dine in her own room after this, as apparently it was only at dinner that this "creature" made his appearance.

Farmer Hartley had been very silent since he came in, but now he seemed to feel that he must make an effort to be sociable, so he said kindly, though gravely,--

"I see ye're lookin' at that old dish, Huldy. 'Tis a curus old piece, 'n' that's a fact. Kin ye read the motter on it?"

Hilda had not been _looking_ at the dish, though her eyes had been unconsciously fixed upon it, and she now bent forward to examine it. It was an oblong platter, of old blue and white crockery. In the middle (which was now visible, as the "creature" had just transferred the last potato to his own plate, stabbing it with his knife for that purpose) was a quaint representation of a mournful-looking couple, clad in singularly ill-fitting ap.r.o.ns of fig-leaves. The man was digging with a spade, while the woman sat at a spinning-wheel placed dangerously near the edge of the deep ditch which her husband had already dug. Round the edge ran an inscription, which, after some study, Hilda made out to be the old distich:

Queen Hildegarde Part 4

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Queen Hildegarde Part 4 summary

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