Work: A Story of Experience Part 25

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"So it is!" and David nodded, and smiled himself, as he handed her two or three of the finest, as if it was as natural a thing as to put a sprig of mignonette in his own b.u.t.ton-hole.

Christie thanked him, and then jumped up, remembering that she came there to work, not to dream. He seemed to understand, and went into a little room near by, saying, as he pointed to a heap of gay flowers on the table:

"These are to be made into little bouquets for a 'German' to-night.

It is pretty work, and better fitted for a woman's fingers than a man's. This is all you have to do, and you can vise your taste as to colors."

While he spoke David laid a red and white carnation on a bit of smilax, tied them together, twisted a morsel of silver foil about the stems, and laid it before Christie as a sample.

"Yes, I can do that, and shall like it very much," she said, burying her nose in the ma.s.s of sweetness before her, and feeling as if her new situation grew pleasanter every minute.

"Here is the ap.r.o.n my mother uses, that bit of silk will soon be spoilt, for the flowers are wet," and David gravely offered her a large checked pinafore.

Christie could not help laughing as she put it on: all this was so different from the imaginary picture she had made. She was disappointed, and yet she began to feel as if the simple truth was better than the sentimental fiction; and glanced up at David involuntarily to see if there were any traces of interesting woe about him.

But he was looking at her with the steady, straight-forward look which she liked so much, yet could not meet just yet; and all she saw was that he was smiling also with an indulgent expression as if she was a little girl whom he was trying to amuse.

"Make a few, and I'll be back directly when I have attended to another order," and he went away thinking Christie's face was very like the pansies they had been talking about,--one of the sombre ones with a bright touch of gold deep down in the heart, for thin and pale as the face was, it lighted up at a kind word, and all the sadness vanished out of the anxious eyes when the frank laugh came.

Christie fell to work with a woman's interest in such a pleasant task, and soon tied and twisted skilfully, exercising all her taste in contrasts, and the pretty little conceits flower-lovers can produce. She was so interested that presently she began to hum half unconsciously, as she was apt to do when happily employed:

"Welcome, maids of honor, You do bring In the spring, And wait upon her.

She has virgins many, Fresh and fair, Yet you are More sweet than any."

There she stopped, for David's step drew near, and she remembered where she was.

"The last verse is the best in that little poem. Have you forgotten it?" he said, pleased and surprised to find the new-comer singing Herrick's lines "To Violets." "Almost; rny father used to say that when we went looking for early violets, and these lovely ones reminded me of it," explained Christie, rather abashed.

DAVID AND CHRISTIE IN THE GREENHOUSE.

As if to put her at ease David added, as he laid another handful of double-violets on the table:

"'Y' are the maiden posies, And so graced, To be placed Fore damask roses.

Yet, though thus respected, By and by Ye do lie, Poor girls, neglected.'

"I always think of them as pretty, modest maids after that, and can't bear to throw them away, even when faded."

Christie hoped he did not think her sentimental, and changed the conversation by pointing to her work, and saying, in a business-like way:

"Will these do? I have varied the posies as much as possible, so that they may suit all sorts of tastes and whirns. I never went to a 'German' myself; but I have looked on, and remember hearing the young people say the little bouquets didn't mean any thing, so I tried to make these expressive."

"Well, I should think you had succeeded excellently, and it is a very pretty fancy. Tell me what some of them mean: will you?"

"You should know better than I, being a florist," said Christie, glad to see he approved of her work.

"I can grow the flowers, but not read them," and David looked rather depressed by his own ignorance of those delicate matters.

Still with the business-like air, Christie held up one after another of the little knots, saying soberly, though her eyes smiled:

"This white one might be given to a newly engaged girl, as suggestive of the coming bridal. That half-blown bud would say a great deal from a lover to his idol; and this heliotrope be most encouraging to a timid swain. Here is a rosy daisy for some merry little damsel; there is a scarlet posy for a soldier; this delicate azalea and fern for some lovely creature just out; and there is a bunch of sober pansies for a spinster, if spinsters go to 'Germans.'

Heath, scentless but pretty, would do for many; these Parma violets for one with a sorrow; and this curious purple flower with arrow-shaped stamens would just suit a handsome, sharp-tongued woman, if any partner dared give it to her."

David laughed, as his eye went from the flowers to Christie's face, and when she laid down the last breast-knot, looking as if she would like the chance of presenting it to some one she knew, he seemed much amused.

"If the beaux and belles at this party have the wit to read your posies, my fortune will be made, and you will have your hands full supplying compliments, declarations, rebukes, and criticisms for the fas.h.i.+onable b.u.t.terflies. I wish I could put consolation, hope, and submission into my work as easily, but I am afraid I can't," he added a moment afterward with a changed face, as he began to lay the loveliest white flowers into a box.

"Those are not for a wedding, then?"

"For a dead baby; and I can't seem to find any white and sweet enough."

"You know the people?" asked Christie, with the sympathetic tone in her voice.

"Never saw or heard of them till to-day. Isn't it enough to know that 'baby's dead,' as the poor man said, to make one feel for them?"

"Of course it is; only you seemed so interested in arranging the flowers, I naturally thought it was for some friend," Christie answered hastily, for David looked half indignant at her question.

"I want them to look lovely and comforting when the mother opens the box, and I don't seem to have the right flowers. Will you give it a touch? women have a tender way of doing such things that we can never learn."

"I don't think I can improve it, unless I add another sort of flower that seems appropriate: may I?"

"Any thing you can find."

Christie waited for no more, but ran out of the greenhouse to David's great surprise, and presently came hurrying back with a handful of snow-drops.

"Those are just what I wanted, but I didn't know the little dears were up yet! You shall put them in, and I know they will suggest what you hope to these poor people," he said approvingly, as he placed the box before her, and stood by watching her adjust the little sheaf of pale flowers tied up with a blade of gra.s.s. She added a frail fern or two, and did give just the graceful touch here and there which would speak to the mother's gore heart of the tender thought some one had taken for her dead darling.

The box was sent away, and Christie went on with her work, but that little task performed together seemed to have made them friends; and, while David tied up several grand bouquets at the same table, they talked as if the strangeness was fast melting away from their short acquaintance.

Christie's own manners were so simple that simplicity in others always put her at her ease: kindness soon banished her reserve, and the desire to show that she was grateful for it helped her to please. David's bluntness was of such a gentle sort that she soon got used to it, and found it a pleasant contrast to the polite insincerity so common. He was as frank and friendly as a boy, yet had a certain paternal way with him which rather annoyed her at first, and made her feel as if he thought her a mere girl, while she was very sure he could not be but a year or two older than herself.

"I'd rather he'd be masterful, and order me about," she thought, still rather regretting the "blighted being" she had not found.

In spite of this she spent a pleasant afternoon, sitting in that sunny place, handling flowers, asking questions about them, and getting the sort of answers she liked; not dry botanical names and facts, but all the delicate traits, curious habits, and poetical romances of the sweet things, as if the speaker knew and loved them as friends, not merely valued them as merchandise.

They had just finished when the great dog came bouncing in with a basket in his mouth.

"Mother wants eggs: will you come to the barn and get them? Hay is wholesome, and you can feed the doves if you like," said David, leading the way with Bran rioting about him.

"Why don't he offer to put up a swing for me, or get me a doll? It's the pinafore that deceives him. Never mind: I rather like it after all," thought Christie; but she left the ap.r.o.n behind her, and followed with the most dignified air.

It did not last long, however, for the sights and sounds that greeted her, carried her back to the days of egg-hunting in Uncle Enos's big barn; and, before she knew it, she was rustling through the hay mows, talking to the cow and receiving the attentions of Bran with a satisfaction it was impossible to conceal.

The hens gathered about her feet c.o.c.king their expectant eyes at her; the doves came circling round her head; the cow stared placidly, and the inquisitive horse responded affably when she offered him a handful of hay.

"How tame they all are! I like animals, they are so contented and intelligent," she said, as a plump dove lit on her shoulder with an impatient coo.

"That was Kitty's pet, she always fed the fowls. Would you like to do it?" and David offered a little measure of oats.

"Very much;" and Christie began to scatter the grain, wondering who "Kitty" was.

Work: A Story of Experience Part 25

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Work: A Story of Experience Part 25 summary

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