Old Rose and Silver Part 26

"Have you ever seen a woman you would be willing for him to marry?"

"Only one."

"And she--?"

"Rose," said the Colonel, softly. "Your Rose."

"I've felt that way, too," whispered Madame. There was silence for the s.p.a.ce of a heart-beat, then she cried out sharply: "But it isn't Rose-- it's Isabel!"

"What?" he cried, startled for once out of his usual calm. "That child?"

"'That child' is past twenty, and he is only ten years older. There was fifteen years' difference between you and--" Madame forebore to speak the name of the dead and beloved wife.

Colonel Kent turned his dim blue eyes toward the hills. Behind them the sun was setting, and he could guess that the gold of the Spring afternoon was scattered like star dust over the little sunken grave. He left Madame and went to the end of the veranda, where he stood for a few moments, facing the West. Then he came back.

"Francesca," he said, slowly, "you and I are on the Western slope and have been for a long time. The Valley of the Shadow lies at the foot of the hill and the descent is almost made. But the boy is young, and most of the journey lies before him. You chose for yourself, and so did I.

Shall we not grant him the same right?"

"Yes, but Rose--"

"Rose," interrupted the Colonel, "is too good for any man--even my own son, though, as I said before, she is the only woman I would willingly see him marry. You stand almost in his mother's place to him, but neither you nor I can s.h.i.+eld him now. We must try to remember that his life is his--to make or mar."

"I know," she sighed, "I've thought it all out."

"Besides," he went on, "what could we do? Separation wouldn't last long, if he wants her, and talking would only alienate him from us. Perhaps you could bear it, but I--I couldn't."

"Nor I," she returned, quickly. "When we come to the sundown road, we need all the love we have managed to take with us from the summit of the hill. I hadn't meant to say anything to anyone," she went on, in a changed tone, "but my heart was full, and you are--"

"Your best friend, Francesca, as you are mine. It seems to take a lifetime for us to learn that wisdom consists largely in a graceful acceptance of things that do not immediately concern us."

"How like you," she responded, with a touch of her old manner. "I ask for comfort and you give me an epigram."

"Many people find satisfaction in epigrams," he reminded her. "Sometimes a snap-shot is better than an oil painting."

"Or a geometrical design, or even a map," she continued, catching his mood. The talk drifted to happier themes and Madame was quite herself again at dusk, when she rose to go.

On the way back, she pa.s.sed Allison, returning home to dinner by a well- worn path, but he was thinking of something else and did not see her at all.

The lilac-scented midnight was starred here and there with white blooms when May went out and June came in. Drifts of "bridal wreath" were banked against the side of the house and a sweet syringa breathed out a faint perfume toward the hedge of lilacs beyond. Blown petals of pink and white died on the young gra.s.s beneath Madame's wild crab-apple tree, transplanted from a distant woodland long ago to glorify her garden.

The hour was one of enchantment, yet to Rose, leaning out into the moonless night, the beauty of it brought only pain. She wondered, dully, if she should ever find surcease; if somewhere, on the th.o.r.n.y path ahead, there might not be some place where she could lay the burden of her heartache down. Her pride, that had so long sustained her, was beginning to fail her now. It no longer seemed more vital than life itself that Allison should not know.

She had the hurt woman's longing for escape, but could think of no excuse for flight. She knew Aunt Francesca would manage it, in some way, should she ask, and that she would be annoyed by no troublesome questions, yet loyalty held her fast, for she knew how lonely the little old lady would be without her.

Day by day, the tension increased almost to the breaking point. June filled the garden with rosebuds, but their pale namesake in the big white house took no heed of them. She no longer concerned herself about her gowns, but wore white almost constantly, that her pallor might not show.

The roses broke from their green sheaths, then bloomed, opening their golden hearts to every wandering bee. The house was full of roses. Aunt Francesca wore them even on her morning gowns and Isabel made wreaths of red roses to twine in her dark hair. Every breeze brought fragrance to the open windows and scattered it through the house.

Madame's heart ached for Rose, but still she said no word, though it seemed to her that the blindness of the others could not last much longer. She could not take Rose away unless she took Isabel also, and, should she do that, things would soon be just as they were now.

As Rose faded, Isabel blossomed into the full flower of her youth. Her high, bird-like laugh echoed constantly through the house and garden, whether anyone was with her or not. With sinking heart, Rose envied her even a t.i.the of her abundant joy.

As the moon approached its full, the roses had begun to drop their petals. Under every bush was a scattered bit of fragrance that meant both death and resurrection. Far down in the garden, where the sunken lily-pool mirrored the stars, the petals of golden roses drifted idly across the s.h.i.+ning surface.

Rose had worn white at dinner, as she always did, now, the night the June moon came to its full. Isabel, too, was in white, but with a difference, for as surely as the older woman's white was mourning, her silver spangles were donned for joy. At the table, Madame had done most of the talking, for Isabel's conversational gifts were limited, at best, and Rose was weary beyond all words.

After dinner she went to the piano and struck a few aimless chords.

Isabel, with a murmured excuse, went up to her own room. "Nothing that is not true," said Rose to herself, steadily; "nothing that is not true."

Presently a definite thought took shape in her mind. To-morrow she would tell Aunt Francesca, and see if it could not be arranged for her to go away somewhere, anywhere, alone. Or, if not to-morrow, at least the day after, as soon as she had seen him again. She wanted one last look to take with her into the prison-house, where she must wrestle with her soul alone.

[Ill.u.s.tration: musical notation.]

Her stiff fingers shaped the melody that Aunt Francesca loved, and into it went all her own longing, her love, and her pain. The notes thrilled with an ecstasy of renunciation, and the vibrant chords trembled far out into the night.

[Ill.u.s.tration: musical notation.]

A man entered the gate very quietly, paused, then turned into the garden, to soothe his wildly beating heart for a few moments with the balm of scent and sound. Upstairs, behind the shelter of the swaying curtain, a s.h.i.+ning figure drew back into the shadow. Smiling, and with an agreeable sense of adventure, Isabel tiptoed down the back stairs, and entered the garden, unheard, by a side door.

With a.s.sumed carelessness, yet furtively watching, she made the circuit of the lily-pool, humming to herself. A quick leap and a light foot on the gra.s.s startled her for an instant, then she laughed, for it was only Mr. Boffin, playing with his own dancing shadow.

[Ill.u.s.tration: musical notation.]

The sound of the piano had become very faint, though the windows were open and the wind was in the right direction. Isabel stopped at another bush, picked a few full-blown white roses, and sat down on a garden bench to remove the thorns.

"I wonder where he can be," she said to herself. "Surely he can't have gone home again." She listened, but there was no sound save the distant piano, and the abrupt, playful purr of Mr. Boffin, as he pounced upon a fallen white rose.

Isabel put the flowers in her hair, consciously missing the mirror in which she was wont to observe the effect. "He must have gone in while I was coming down," she thought, "but I don't see why he shouldn't have gone straight in when he first came."

She decided to wait until he came to look for her, then as swiftly changed her mind. Rose was still playing.

[Ill.u.s.tration: musical notation.]

Isabel hummed the melody to herself, not noting that she was off the key, and started slowly toward the house, by another path.

Allison was standing in the shadow of a maple, listening to the music and drawing in deep breaths of the rose-scented air. The moon flooded the garden with enchantment, and a shaft of silver light, striking the sundial, made a shadow that was hours wrong. He smiled as he saw it, amiably crediting the moon with an accidental error, rather than a purposeful lie.

[Ill.u.s.tration: musical notation.]

Deeper and more vibrant, the woman within sent the cry of her heart into the night, where the only one who could answer it stood watching the shadow of the moon on the sun-dial and the spangled cobwebs on the gra.s.s. He picked a rose, put it into his b.u.t.ton-hole, and turned toward the house.

A hushed sound, as of rustling silk, made him pause, then, at the head of the path, where another joined it, Isabel appeared, with white roses in her hair and the moon s.h.i.+ning full upon her face. The spangles on her gown caught the light and broke it into a thousand tiny rainbows, surrounding her with faint iridescence.

The old, immortal hunger surged into his veins, the world-old joy made his senses reel. He steadied himself for a moment, then went to her, with his arms outstretched in pleading.

"Oh, Silver Girl," he whispered, huskily. "My Silver Girl! Tell me you'll s.h.i.+ne for me always!"

[Ill.u.s.tration: musical notation.]