Old Rose and Silver Part 4
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"Rather soiled," admitted Rose.
"And colder than Greenland," Isabel continued, warming her hands at the open fire.
"We'll soon change all that," Madame said. "I've ordered coal and engaged people to do the cleaning since you've been gone, and I have my eye upon two permanent retainers, provided their references are satisfactory."
"I've measured for all the curtains," Rose went on. "Shall we make them or buy them?"
"We'll make them. If we have help enough we can get them done in time."
The following day a small army, with Rose at the head of it, took possession of the house. Every night she came home exhausted, not from actual toil, but from the effort to instill the pride of good service into unwilling workers who seemed to rejoice in ignorance.
"I'm tired," Rose remarked, one night. "I've cerebrated all day for seven bodies besides my own and I find it wearing."
"I don't wonder," answered Madame. "I'll go over to-morrow and let you rest."
"Indeed you won't," declared Rose, with emphasis. "I've begun it and I'm going to finish it unless the Seven Weary Workers fail me absolutely."
At last the task was completed, and even Rose could find no speck of dust in the entire establishment. The house was fresh with the smell of soap-suds and floor wax and so warm that several windows had to be kept open. The cablegram had come while the curtains were being made, but everything was ready two days before the wayfarers could possibly reach home.
On the appointed day, Rose and Isabel were almost as excited as Madame Bernard herself. She had chosen to go over alone to greet the Colonel and his son. They were expected to arrive about four in the afternoon.
At three, Madame set forth in her carriage. She wore her best gown, of lavender crepe, trimmed with real lace, and a bunch of heliotrope at her belt. Rose had twined a few sprays of heliotrope into her snowy hair and a large amethyst cross hung from her neck by a slender silver chain. She wore no other jewels except her wedding ring.
Fires blazed cheerily in every fireplace on the lower floor, and there was another in the sitting-room upstairs. She had filled the house with the flowers of Spring--violets, daffodils, and lilies of the valley. A silver tea-kettle with a lamp under it waited on the library table.
When she heard the wheels creaking in the snowy road, Madame lighted the lamp under the kettle with her own hands, then opened the door wide.
Followed by their baggage, the two men came up the walk--father and son.
The Colonel was a little older, possibly, but still straight and tall-- almost as tall as the son who walked beside him, carrying a violin case under his arm. He wore the familiar slouch hat, the same loose overcoat, and the same silvery goatee, trimmed most carefully. His blue eyes lighted up warmly at the sight of the figure in the doorway.
"Welcome home!" cried Madame Francesca, stretching a hand toward each.
"Welcome home!"
Allison only smiled, taking the little hand in his strong young clasp, but his father bent, hat in hand, to kiss the one she offered him.
"Oh," cried Madame, "I'm so glad to see you both. Come in!"
They entered their own hospitable house, where fires blazed and the kettle sang. "Say," said Allison, "isn't this great! Why did we ever leave it? Isn't it fine, Father?"
But "father" still had his eyes upon the dainty little lady who had brought forth the miracle of home from a wilderness of dust and ashes.
He bent again over the small, white hand.
"A woman, a fire, and a singing kettle," he said. "All the dear, familiar spirits of the house to welcome us home."
III
THE VOICE OF THE VIOLIN
Madame Bernard and Isabel had not yet come down when Rose entered the living-room, half an hour before dinner. The candles were lighted, and in the soft glow of the reading lamp was a vase of pink roses, sent by Colonel Kent to his old friend. The delicate sweetness filled the room and mingled with the faint scent of attar of roses and dried rose petals which, as always, hung about the woman who stood by the table, idly rearranging the flowers.
The ruby ring caught the light and sent tiny crimson gleams dancing into the far shadows. Her crepe gown was almost the colour of the ruby; warm and blood-red. It was cut low at the throat, and an old Oriental necklace of wonderfully wrought gold was the only ornament she wore, aside from the ring. The low light gave the colour of the gown back to her face, beautiful as always, and in her dusky hair she had a single crimson rose.
Aunt Francesca had said that the Colonel was very much pleased with the house and glad to be at home again. She had sent over her own cook to prepare their first dinner, which, however, she had declined to share, contenting herself with ordering a feast suited to the Colonel's taste.
To-night, they were to dine with her and meet the other members of her household.
Madame came in gowned in l.u.s.treless white, with heliotrope at her belt and in her hair. She wore a quaintly wrought necklace of amethysts set in silver, and silver buckles, set with amethysts, on her white shoes.
More than once Rose had laughingly accused her of being vain of her feet.
"Why shouldn't I be vain?" she had retorted, in self-defence. "Aren't they pretty?"
"Of course they are," smiled Rose, bending down to kiss her. "They're the prettiest little feet in all the world."
Madame's fancy ran seriously to shoes and stockings, of which she had a marvellous collection. Silk stockings in grey and white, and in all shades of lavender and purple, embroidered and plain, with shoes to match in satin and suede, occupied a goodly s.p.a.ce in her wardrobe. At Christmas-time and on her birthday, Rose always gave her more, for it was the one gift which could never fail to please.
"How lovely the house is," said Madame, looking around appreciatively.
"I hope the dinner will be good."
"I've never known it to be otherwise," Rose a.s.sured her.
"Am I all right? Is my skirt even?"
"You are absolutely perfect, Aunt Francesca."
"Then play to me, my dear. If my outward semblance is in keeping, please put my mind into a holiday mood."
Rose ran her fingers lightly over the keys. "What shall I play?"
"Anything with a tune to it, and not too loud."
Smiling, Rose began one of the simple melodies that Aunt Francesca loved:
[Ill.u.s.tration: musical notation]
Suddenly, she turned away from the piano. Her elbow, falling upon the keys, made a harsh dissonance. "Isabel, my dear!" she cried. "Aren't you almost too gorgeous?"
The girl stood in the open door, framed like a portrait, against the dull red background of the hall. Her gown was white net, shot and spangled with silver, over l.u.s.trous white silk. A comb, of filagree silver, strikingly lovely in her dark hair, was her only ornament except a large turquoise, set in dull silver, at her throat.
"I'm not overdressed, am I?" she asked, with an eager look at Madame.
"Not if it suits you. Come here, dear."
Isabel obeyed, turning around slowly for inspection. Almost instantly it was evident that Madame approved. So did Rose, after she saw how the gown made Isabel's eyes sparkle and brought out the delicate fairness of her skin.
"You do suit yourself; there's no question about that, but you're gorgeous, nevertheless." Thus Rose made atonement for her first impulsive speech.
Old Rose and Silver Part 4
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Old Rose and Silver Part 4 summary
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