Five Years of Theosophy Part 5
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Some years ago, a Brahman astrologer named Vencata Narasimla Josi, a native of the village of Periasamudram in the Mysore Provinces, came to the little town in the Bellary District where I was then employed. He was a good Sanskrit, Telugu and Canarese poet, and an excellent master of Vedic rituals; knew the Hindu system of astronomy, and professed to be an astrologer. Besides all this, he possessed the power of reading what was contained in any sealed envelope. The process adopted for this purpose was simply this:--We wrote whatever we chose on a piece of paper; enclosed it in one, two or three envelopes, each properly gummed and sealed, and handed the cover to the astrologer. He asked us to name a figure between 1 and 9, and on its being named, he retired with the envelope to some secluded place for some time; and then he returned with a paper full of figures, and another paper containing a copy of what was on the sealed paper--exactly, letter for letter and word for word. I tried him often and many others did the same; and we were all satisfied that he was invariably accurate, and that there was no deception whatsoever in the matter.
About this time, one Mr. Theyagaraja Mudalyar, a supervisor in the Public Works Department, an English scholar and a good Sanskrit and Telugu poet, arrived at our place on his periodical tour of inspection.
Having heard about the aforesaid astrologer, he wanted to test him in a manner, most satisfactory to himself. One morning handing to the astrologer a very indifferently gummed envelope, he said, "Here, Sir, take this letter home with you and come back to me with your copy in the afternoon." This loose way of closing the envelope, and the permission given to the astrologer to take it home for several hours, surprised the Brahman, who said, "I don't want to go home. Seal the cover better, and give me the use of some room here. I shall be ready with my copy very soon." "No," said the Mudalyar, "take it as it is, and come back whenever you like. I have the means of finding out the deception, if any be practiced."
So then the astrologer went with the envelope; and returned to the Mudalyar's place in the afternoon. Myself and about twenty others were present there by appointment. The astrologer then carefully handed the cover to the Mudalyar, desiring him to see if it was all right. "Don't mind that," the Mudalyar answered; "I can find out the trick, if there be any. Produce your copy." The astrologer thereupon presented to the Mudalyar a paper on which four lines were written and stated that this was a copy of the paper enclosed in the Mudalyar's envelope. Those four lines formed a portion of an antiquated poem.
The Mudalyar read the paper once, then read it over again. Extreme satisfaction beamed over his countenance, and he sat mute for some seconds seemingly in utter astonishment. But soon after, the expression of his face changing, he opened the envelope and threw the enclosure down, jocularly saying to the astrologer, "Here, Sir, is the original of which you have produced the copy."
The paper lay upon the carpet, and was quite blank! not a word, nor a letter on its clean surface.
This was a sad disappointment to all his admirers; but to the astrologer himself, it was a real thunderbolt. He picked up the paper pensively, examined it on both sides, then dashed it on the ground in a fury; and suddenly arising, exclaimed, "My Vidya* is a delusion, and I am a liar!"
--------- * Secret knowledge, magic.
The subsequent behaviour of the poor man made us fear lest this great disappointment should drive him to commit some desperate act. In fact he seemed determined to drown himself in the well, saying that he was dishonoured. While we were trying to console him, the Mudalyar came forward, caught hold of his hands, and besought him to sit down and calmly listen to his explanation, a.s.suring him that he was not a liar, and that his copy was perfectly accurate. But the astrologer would not be satisfied; he supposed that all this was said simply to console him; and cursed himself and his fate most horribly. However, in a few minutes he became calmer and listened to the Mudalyar's explanation, which was in substance as follows The only way for the sceptic to account for this phenomenon, is to suppose that the astrologer opened the covers dexterously and read their contents. "So," he said, "I wrote four lines of old poetry on the paper with nitrate of silver, which would be invisible until exposed to the light; and this would have disclosed the astrologer's fraud, if he had tried to find out the contents of the enclosed paper, by opening the cover, however ingeniously. For, if he opened it and looked at the paper, he would have seen that it was blank, resealed the cover, and declared that the paper enveloped therein bore no writing whatever; or if he had, by design or accident, exposed the paper to light, the writing would have become black; and he would have produced a copy of it as if it were the result of his own Vidya; but in either case and the writing remaining, his deception would have been clear, and it would have been patent to all that he did open the envelope. But in the present case, the result proved conclusively that the cover was not opened at all."
--P. Sreeneevas Row
The Twelve Signs of the Zodiac
The division of the Zodiac into different signs dates from immemorial antiquity. It has acquired a world-wide celebrity and is to be found in the astrological systems of several nations. The invention of the Zodiac and its signs has been a.s.signed to different nations by different antiquarians. It is stated by some that, at first, there were only ten signs, that one of these signs was subsequently split up into two separate signs, and that a new sign was added to the number to render the esoteric significance of the division more profound, and at the same time to conceal it more perfectly from the uninitiated public. It is very probable that the real philosophical conception of the division owes its origin to some particular nation, and the names given to the various signs might have been translated into the languages of other nations. The princ.i.p.al object of this article, however, is not to decide which nation had the honour of inventing the signs in question, but to indicate to some extent the real philosophical meaning involved therein, and the way to discover the rest of the meaning which yet remains undisclosed. But from what is herein stated, an inference may fairly be drawn that, like so many other philosophical myths and allegories, the invention of the Zodiac and its signs owes its origin to ancient India.
What then is its real origin, what is the philosophical conception which the Zodiac and its signs are intended to represent? Do the various signs merely indicate the shape or configuration of the different constellations included in the divisions, or, are they simply masks designed to veil some hidden meaning? The former supposition is altogether untenable for two reasons, viz.:--
I. The Hindus were acquainted with the precession of the equinoxes, as may he easily seen from their work on Astronomy, and from the almanacs published by Hindu astronomers. Consequently they were fully aware of the fact that the constellations in the various Zodiacal divisions were not fixed. They could not, therefore, have a.s.signed particular shapes to these s.h.i.+fting groups of fixed stars with reference to the divisions of the Zodiac. But the names indicating the Zodiacal signs have all along remained unaltered. It is to be inferred, therefore, that the names given to the various signs have no connection whatever with the configurations of the constellations included in them.
II. The names a.s.signed to these signs by the ancient Sanskrit writers and their exoteric or literal meanings are as follows:--
The Names of the Signs ....... Their Exoteric or Literal Meanings
1. Mesha ........................... Ram, or Aries.
2. Rishabha .......................Bull, or Taurus.
3. Mithunam ................... Twins, or Gemini (male and female).
4. Karkataka ...................... Crab, or Cancer.
5. Simha .............................. Lion, or Leo.
6. Kanya ............................. Virgin or Virgo.*
7. Tula .......................... Balance, or Libra.
8. Vrischika ..................... Scorpion, or Scorpio.
9. Dha.n.u.s ....................... Archer, or Sagittarius.
10. Makara ........... The Goat, or Capricornus (Crocodile, in Sanskrit).
11. k.u.mbha .................. Water-bearer, or Aquarius.
12. Meenam ................. Fishes, or Pisces.
The figures of the constellations included in the signs at the time the division was first made do not at all resemble the shapes of the animals, reptiles and other objects denoted by the names given them.
The truth of this a.s.sertion can be ascertained by examining the configurations of the various constellations. Unless the shape of the crocodile** or the crab is called up by the observer's imagination, there is very little chance of the stars themselves suggesting to his idea that figure, upon the blue canopy of the starry firmament.
-------- * Virgo-Scorpio, when none but the initiates knew there were twelve signs. Virgo-Scorpio was then followed for the profane by Sagittarius.
At the middle or junction-point where now stands Libra and at the sign now called Virgo, two mystical signs were inserted which remained unintelligible to the profane.--Ed. Theos.
** This constellation was never called Crocodile by the ancient Western astronomers, who described it as a horned goat and called it so-- Capricornus.--Ed. Theos.
If, then, the constellations have nothing to do with the origin of the names by which the Zodiacal divisions are indicated, we have to seek for some other source which might have given rise to these appellations. It becomes my object to unravel a portion of the mystery connected with these Zodiacal signs, as also to disclose a portion of the sublime conception of the ancient Hindu philosophy which gave rise to them. The signs of the Zodiac have more than one meaning. From one point of view they represent the different stages of evolution up to the time the present material universe with the five elements came into phenomenal existence. As the author of "Isis Unveiled" has stated in the second volume of her admirable work, "The key should be turned seven times" to understand the whole philosophy underlying these signs. But I shall wind it only once and give the contents of the first chapter of the History of Evolution. It is very fortunate that the Sanskrit names a.s.signed to the various divisions by Aryan philosophers contain within themselves the key to the solution of the problem. Those of my readers who have studied to some extent the ancient "Mantra" and the "Tantra Sastras" * of India, would have seen that very often Sanskrit words are made to convey a certain hidden meaning by means of well-known pre-arranged methods and a tacit convention, while their literal significance is something quite different from the implied meaning.
--------- * Works on Incantation and Magic.
The following are some of the rules which may help an inquirer in ferreting out the deep significance of ancient Sanskrit nomenclature to be found in the old Aryan myths and allegories:
1. Find out the synonyms of the word used which have other meanings.
2. Find out the numerical value of the letters composing the word according to the methods given in ancient Tantrika works.
3. Examine the ancient myths or allegories, if there are any, which have any special connection with the word in question.
4. Permute the different syllables composing the word and examine the new combinations that will thus be formed and their meanings, &c. &c.
I shall now apply some of the above given rules to the names of the twelve signs of the Zodiac.
I. Mesha.--One of the synonyms of this word is Aja. Now, Aja literally means that which has no birth, and is applied to the Eternal Brahma in certain portions of the Upanishads. So, the first sign is intended to represent Parabrahma, the self-existent, eternal, self-sufficient cause of all.
II. Rishabham.--This word is used in several places in the Upanishads and the Veda to mean Pranava (Aum). Sankaracharya has so interpreted it in several portions of his commentary.*
-------- * Example, "Rishabhasya--Chandasam Rishabhasya Pradhanasya Pranavasya."
III. Mithuna.--As the word plainly indicates, this sign is intended to represent the first androgyne, the Ardhanareeswara, the bis.e.xual Sephira--Adam Kadmon.
IV. Karkataka.--When the syllables are converted into the corresponding numbers, according to the general mode of trans.m.u.tation so often alluded to in Mantra Shastra, the word in question will be represented by ////.
This sign then is evidently intended to represent the sacred Tetragram; the Parabrahmadharaka; the Pranava resolved into four separate ent.i.ties corresponding to its four Matras; the four Avasthas indicated by Jagrata (waking) Avastha, Swapna (dreaming) Avastha, Sushupti (deep sleep) Avastha, and Turiya (the last stage, i.e., Nirvana) Avastha (as yet in potentiality); the four states of Brahma called Vaiswanara, Taijasa (or Hiranyagarbha), Pragna, and Iswara, and represented by Brahma, Vishna, Maheswara, and Sadasiva; the four aspects of Parabrahma, as Sthula (gross), Sukshma (subtle), Vija (seed), and Saks.h.i.+ (witness); the four stages or conditions of the Sacred Word, named Para, Pasyanti, Madhyama and Vaikhari; Nadam, Bindu, Sakti and Kala.
This sign completes the first quaternary.
V. Simha.--This word contains a world of occult meaning within itself; and it may not be prudent on my part to disclose the whole of its meaning now. It will be sufficient for the present purpose to give a general indication of its significance.
Two of its synonymous terms are Panchasyam and Hari, and its number in the order of the Zodiacal divisions (being the fifth sign) points clearly to the former synonym. This synonym--Panchasyam--shows that the sign is intended to represent the five Brahmas--viz., Isanam, Aghoram, Tatpurusham, Vamadevam, and Sadyojatam:--the five Buddhas. The second synonym shows it to be Narayana, the Jivatma or Pratyagatma. The Sukarahasy Upanishad will show that the ancient Aryan philosophers looked upon Narayana as the Jivatma.* The Vaishnavites may not admit it.
But as an Advaiti, I look upon Jivatma as identical with Paramatma in its real essence when stripped of its illusory attributes created by Agnanam or Avidya--ignorance.
--------- * In its lowest or most material state, as the life-principle which animates the material bodies of the animal and vegetable worlds, &c.
--Ed. Theos.
The Jivatma is correctly placed in the fifth sign counting from Mesham, as the fifth sign is the putrasthanam or the son's house according to the rules of Hindu Astrology. The sign in question represents Jivatma-- the son of Paramatma as it were. (I may also add that it represents the real Christ, the anointed pure spirit, though many Christians may frown at this interpretation.)* I will only add here that unless the nature of this sign is fully comprehended it will be impossible to understand the real order of the next three signs and their full significance. The elements or ent.i.ties that have merely a potential existence in this sign become distinct separate ent.i.ties in the next three signs. Their union into a single ent.i.ty leads to the destruction of the phenomenal universe, and the recognition of the pure Spirit and their separation has the contrary effect. It leads to material earth-bound existence and brings into view the picture gallery of Avidya (Ignorance) or Maya (Illusion). If the real orthography of the name by which the sign in question is indicated is properly understood, it will readily be seen that the next three signs are not what they ought to be.
Five Years of Theosophy Part 5
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