A Struggle For Rome Volume I Part 41

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"Oh, do not name him! Do not mock me! You know best from whom I learnt to do that for which I must blush."

Theodora shot a fierce glance at her friend, who, without noticing it, continued: "Heaven knows that Belisarius himself was not more faithful than I, until I came to this court! It was you, Empress, who taught me that these selfish men, occupied with affairs of state, war, and ambition, neglect us when they have become our husbands, and no longer value us when they possess us. You taught me that it is no sin to accept the innocent homage, the flattering devotion which is denied to us by our husbands, from friends who court us because they still hope.

G.o.d is my witness, that it is nothing but this sweet incense which Belisarius denies me, and which my vain weak heart sorely needs, that I expect from Anicius."

"Fortunately for me, it will soon tire him out," said Theodora to herself.

"And yet," continued Antonina, "even this, I fear, is a sin against Belisarius. Oh, how great, how n.o.ble he is! If only he were not too great for this little heart." And she buried her face in her hands.



"The pitiful creature!" thought the Empress, "too weak for vice, as for virtue."

At this moment Agave, the beautiful Thessalian slave, entered the room with a large bunch of splendid roses.

"From him," she whispered to her mistress.

"From whom?" asked Theodora.

But Antonina just then looked up, and Agave made a sign of warning. The Empress, in order to occupy her, gave Antonina the roses.

"If you please, put them into that marble vase."

As Antonina turned her back upon them to obey, Agave whispered: "From him whom you kept hidden here all day yesterday; from the handsome Anicius," the pretty girl added, blus.h.i.+ng.

But she had scarcely uttered the imprudent words, than she gave a loud cry, and held her left arm to her lips.

The Empress struck her in the face with the still b.l.o.o.d.y lancet.

"I will teach you to notice whether men are handsome or ugly," she cried furiously. "You will keep to the spinning-room for four weeks. Go at once! and do not show yourself again in my ante-rooms."

The weeping girl left the room, hiding her face in her dress.

"What has she done?" asked Antonina, coming forward.

"She let the scent-bottle fall," answered Galatea quickly, and picked one up from the floor. "Mistress, I have finished."

"Then let the dressers in, and whoever else waits in the ante-room.

Will you, meanwhile, look at these verses, Antonina? They are the newest poems of Arator, 'The Deeds of the Apostles,' and very edifying.

This particularly, 'The Stoning of St. Stephen.' But read, and judge for yourself."

Galatea opened wide the doors of the princ.i.p.al entrance. A whole troop of slaves and freed-women streamed in. Some occupied themselves with clearing away the articles of toilet hitherto used; others swung censers with aromatic incense, or sprinkled balsam about the room from narrow-necked flasks. But most of them were busy about the person of the Empress, who now completed her toilet.

Galatea took off the rose-coloured tunic.

"Berenice," she cried, "bring the Milesian tunic, with the purple stripe and gold ta.s.sels. To-day is Sunday ."

While the experienced old woman was artfully fastening into the knot of the Empress's hair a costly gold needle, its head formed of a gem, engraved with a head of Venus, the Empress asked: "What news, from the city, Delphine?"

"You have won, mistress!" answered Delphine, kneeling down with the gilded sandals; "your colours, the blue, have beaten the green; both with the horses and the chariots!"

"What a triumph!" cried Theodora joyfully. "A bet of two centenaria of gold; it is mine! News? Whence? from Italy?" she cried to a slave who just entered with letters.

"Yes, mistress, from Florence; from the Gothic Princess, Gothelindis. I know the Gorgon-seal; and from Silverius, the archdeacon."

"Give me them," said Theodora, "I will take them with me to church. The mirror, Elpis."

A young slave came forward with an oval plate of brilliantly-polished silver, in a gold frame, richly set with pearls, and standing on a strong foot of ivory.

Poor Elpis had a hard service.

During the completion of the toilet she had to hold the heavy plate, and, following every movement of her restless mistress, turn it, so that the latter could always look at her own reflection, and woe to Elpis if she were too late in turning!

"What is there to buy, Zephyris?" the Empress asked a dark-skinned Lybian freed-woman, who just then brought her a tame snake to caress, which lay in a small basket upon soft moss.

"Oh, nothing particular," answered the Lybian. "Come, Glauke," she added, taking a snowy white chlamys, embroidered with gold, from a clothes-press, and carefully spreading it out upon her arms, waited until Glauke took it from her, and, at one throw, arranged it in graceful folds upon the shoulders of the Empress, clasping it with the white girdle, and fastening one end upon her pearly shoulder with a golden brooch, which, formed in the shape of the dove of Venus, now represented the sign of the Holy Ghost.

Glauke, the daughter of an Athenian sculptor, had studied the folds of the chlamys for years, and for this reason had been bought by the Empress at a cost of many thousand solidi. The whole day long this was her sole occupation.

"Sweet-scented soap-b.a.l.l.s," said Zephyris, "have just arrived from Spain. A new Milesian fairy-tale has just come out. And the old Egyptian is there again, with his Nile-water," she added in a low tone; "he says it is unfailing. The Persian Queen, who was childless for eight years----"

Theodora turned away sighing; a shadow pa.s.sed across her smooth face.

"Send him away," she said; "this hope is past forever." And, for a moment, it seemed as if she would have sunk into a melancholy reverie.

But she roused herself, and, beckoning to Galatea, she went back to her bed, took a crushed wreath of ivy which lay upon the pillow, and gave it to the old woman, whispering:

"For Anicius, send it to him. The jewels, Erigone!"

Erigone, with the help of two other slaves, brought forward, with great trouble, a heavy bronze casket, the lid of which, representing the workshop of Vulcan in embossed figures, was closed with the seal of the Empress.

Erigone showed that the seal was intact, and then opened the lid. Many a girl stood upon her tiptoes to catch a glance at the s.h.i.+ning treasures.

"Will you wear the summer rings, mistress?" asked Erigone.

"No," said Theodora, looking into the casket, "the time for those is over. Give me the heavy ones, the emeralds."

Erigone handed to her rings, earrings, and bracelet.

"How beautifully," said Antonina, looking up from her pious verses, "how beautifully the white of the pearls contrasts with the green of the stones."

"It was one of Cleopatra's treasures," said the Empress indifferently; "the Jew swore to its pedigree."

"But you linger long," said Antonina. "Justinian's litter was already waiting as I came up."

"Yes, mistress," said a young slave anxiously, "the slave at the sundial has already announced the fourth hour. Hasten, mistress!"

A p.r.i.c.k with the lancet was the only answer.

"Would you teach your Empress!" but she whispered to Antonina: "We must not spoil the men; they must always wait for us, never we for them. My ostrich fan, Thais. Go, Ione, tell the Cappadocian slaves to come to my litter." And she turned to go.

A Struggle For Rome Volume I Part 41

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A Struggle For Rome Volume I Part 41 summary

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