The Wolves of God, and Other Fey Stories Part 27

William then stood up out of his chair, and the skin of his face changed its hue, for whereas a moment ago it was merely pale, it had now altered to a tint that lay somewhere between white and a livid grey. The man was fighting internal terror. For a moment these two brothers of middle age looked each other straight in the eye. Then John spoke:

"What's wrong, Billy?" he asked quietly. "Something's upset you. What brought Hyman in this way--unexpectedly? I thought he was still in Germany."

The brothers, affectionate and sympathetic, understood one another perfectly. They had no secrets. Yet for several minutes the younger one made no reply. It seemed difficult to choose his words apparently.

"Hyman played, I suppose--on the fiddles?" John helped him, wondering uneasily what was coming. He did not care much for the individual in question, though his talent was of such great use to them.

The other nodded in the affirmative, then plunged into rapid speech, talking under his breath as though he feared someone might overhear.

Glancing over his shoulder down the foggy room, he drew his brother close.

"Hyman came," he began, "unexpectedly. He hadn't written, and I hadn't asked him. You hadn't either, I suppose?"

John shook his head.

"When I came in from the dining-room I found him in the pa.s.sage. The servant was taking away the dishes, and he had let himself in while the front door was ajar. Pretty cool, wasn't it?"

"He's an original," said John, shrugging his shoulders. "And you welcomed him?" he asked.

"I asked him in, of course. He explained he had something glorious for me to hear. Silenski had played it in the afternoon, and he had bought the music since. But Silenski's 'Strad' hadn't the power--it's thin on the upper strings, you remember, unequal, patchy--and he said no instrument in the world could do it justice but our 'Joseph'-the small Guarnerius, you know, which he swears is the most perfect in the world."

"And what was it? Did he play it?" asked John, growing more uneasy as he grew more interested. With relief he glanced round and saw the matchless little instrument lying there safe and sound in its gla.s.s case near the door.

"He played it--divinely: a Zigeuner Lullaby, a fine, pa.s.sionate, rus.h.i.+ng bit of inspiration, oddly misnamed 'lullaby.' And, fancy, the fellow had memorized it already! He walked about the room on tiptoe while he played it, complaining of the light----"

"Complaining of the light?"

"Said the thing was crepuscular, and needed dusk for its full effect. I turned the lights out one by one, till finally there was only the glow of the gas logs. He insisted. You know that way he has with him? And then he got over me in another matter: insisted on using some special strings he had brought with him, and put them on, too, himself--thicker than the A and E _we_ use."

For though neither Gilmer could produce a note, it was their pride that they kept their precious instruments in perfect condition for playing, choosing the exact thickness and quality of strings that suited the temperament of each violin; and the little Guarnerius in question always "sang" best, they held, with thin strings.

"Infernal insolence," exclaimed the listening brother, wondering what was coming next. "Played it well, though, didn't he, this Lullaby thing?" he added, seeing that William hesitated. As he spoke he went nearer, sitting down close beside him in a leather chair.

"Magnificent! Pure fire of genius!" was the reply with enthusiasm, the voice at the same time dropping lower. "Staccato like a silver hammer; harmonics like flutes, clear, soft, ringing; and the tone--well, the G string was a baritone, and the upper registers creamy and mellow as a boy's voice. John," he added, "that Guarnerius is the very pick of the period and"--again he hesitated--"Hyman loves it. He'd give his soul to have it."

The more John heard, the more uncomfortable it made him. He had always disliked this gifted Hebrew, for in his secret heart he knew that he had always feared and distrusted him. Sometimes he had felt half afraid of him; the man's very forcible personality was too insistent to be pleasant. His type was of the dark and sinister kind, and he possessed a violent will that rarely failed of accomplis.h.i.+ng its desire.

"Wish I'd heard the fellow play," he said at length, ignoring his brother's last remark, and going on to speak of the most matter-of-fact details he could think of. "Did he use the Dodd bow, or the Tourte? That Dodd I picked up last month, you know, is the most perfectly balanced I have ever----"

He stopped abruptly, for William had suddenly got upon his feet and was standing there, searching the room with his eyes. A chill ran down John's spine as he watched him.

"What is it, Billy?" he asked sharply. "Hear anything?"

William continued to peer about him through the thick air.

"Oh, nothing, probably," he said, an odd catch in his voice; "only---- I keep feeling as if there was somebody listening. Do you think, perhaps"--he glanced over his shoulder--"there is someone at the door?

I wish--I wish you'd have a look, John."

John obeyed, though without great eagerness. Crossing the room slowly, he opened the door, then switched on the light. The pa.s.sage leading past the bathroom towards the bedrooms beyond was empty. The coats hung motionless from their pegs.

"No one, of course," he said, as he closed the door and came back to the stove. He left the light burning in the pa.s.sage. It was curious the way both brothers had this impression that they were not alone, though only one of them spoke of it.

"Used the Dodd or the Tourte, Billy--which?" continued John in the most natural voice he could a.s.sume.

But at that very same instant the water started to his eyes. His brother, he saw, was close upon the thing he really had to tell. But he had stuck fast.

3

By a great effort John Gilmer composed himself and remained in his chair. With detailed elaboration he lit a cigarette, staring hard at his brother over the flaring match while he did so. There he sat in his dressing-gown and slippers by the fireplace, eyes downcast, fingers playing idly with the red ta.s.sel. The electric light cast heavy shadows across the face. In a flash then, since emotion may sometimes express itself in att.i.tude even better than in speech, the elder brother understood that Billy was about to tell him an unutterable thing.

By instinct he moved over to his side so that the same view of the room confronted him.

"Out with it, old man," he said, with an effort to be natural. "Tell me what you saw."

Billy shuffled slowly round and the two sat side by side, facing the fog-draped chamber.

"It was like this," he began softly, "only I was standing instead of sitting, looking over to that door as you and I do now. Hyman moved to and fro in the faint glow of the gas logs against the far wall, playing that 'crepuscular' thing in his most inspired sort of way, so that the music seemed to issue from himself rather than from the s.h.i.+ning bit of wood under his chin, when--I noticed something coming over me that was"--he hesitated, searching for words--"that wasn't _all_ due to the music," he finished abruptly.

"His personality put a bit of hypnotism on you, eh?"

William shrugged his shoulders.

"The air was thickish with fog and the light was dim, cast upwards upon him from the stove," he continued. "I admit all that. But there wasn't light enough to throw shadows, you see, and----"

"Hyman looked queer?" the other helped him quickly.

Billy nodded his head without turning.

"Changed there before my very eyes"--he whispered it--"turned animal----"

"Animal?" John felt his hair rising.

"That's the only way I can put it. His face and hands and body turned otherwise than usual. I lost the sound of his feet. When the bow-hand or the fingers on the strings pa.s.sed into the light, they were"--he uttered a soft, shuddering little laugh--"furry, oddly divided, the fingers ma.s.sed together. And he paced stealthily. I thought every instant the fiddle would drop with a crash and he would spring at me across the room."

"My dear chap----"

"He moved with those big, lithe, striding steps one sees"--John held his breath in the little pause, listening keenly--"one sees those big brutes make in the cages when their desire is aflame for food or escape, or--or fierce, pa.s.sionate desire for anything they want with their whole nature----"

"The big felines!" John whistled softly.

"And every minute getting nearer and nearer to the door, as though he meant to make a sudden rush for it and get out."

"With the violin! Of course you stopped him?"

"In the end. But for a long time, I swear to you, I found it difficult to know what to do, even to move. I couldn't get my voice for words of any kind; it was like a spell."

"It _was_ a spell," suggested John firmly.