The Return of the Native Part 14

They said no more on the subject then. Diggory Venn's knock came soon after; and Mrs. Yeobright, on returning from her interview with him in the porch, carelessly observed, "Another lover has come to ask for you."

"No?"

"Yes, that queer young man Venn."

"Asks to pay his addresses to me?"

"Yes; and I told him he was too late."

Thomasin looked silently into the candle-flame. "Poor Diggory!" she said, and then aroused herself to other things.

The next day was pa.s.sed in mere mechanical deeds of preparation, both the women being anxious to immerse themselves in these to escape the emotional aspect of the situation. Some wearing apparel and other articles were collected anew for Thomasin, and remarks on domestic details were frequently made, so as to obscure any inner misgivings about her future as Wildeve's wife.

The appointed morning came. The arrangement with Wildeve was that he should meet her at the church to guard against any unpleasant curiosity which might have affected them had they been seen walking off together in the usual country way.

Aunt and niece stood together in the bedroom where the bride was dressing. The sun, where it could catch it, made a mirror of Thomasin's hair, which she always wore braided. It was braided according to a calendar system-the more important the day the more numerous the strands in the braid. On ordinary working-days she braided it in threes; on ordinary Sundays in fours; at Maypolings, gipsyings, and the like, she braided it in fives. Years ago she had said that when she married she would braid it in sevens. She had braided it in sevens today.

"I have been thinking that I will wear my blue silk after all," she said. "It is my wedding day, even though there may be something sad about the time. I mean," she added, anxious to correct any wrong impression, "not sad in itself, but in its having had great disappointment and trouble before it."

Mrs. Yeobright breathed in a way which might have been called a sigh. "I almost wish Clym had been at home," she said. "Of course you chose the time because of his absence."

"Partly. I have felt that I acted unfairly to him in not telling him all; but, as it was done not to grieve him, I thought I would carry out the plan to its end, and tell the whole story when the sky was clear."

"You are a practical little woman," said Mrs. Yeobright, smiling. "I wish you and he-no, I don't wish anything. There, it is nine o'clock," she interrupted, hearing a whizz and a dinging downstairs.

"I told Damon I would leave at nine," said Thomasin, hastening out of the room.

Her aunt followed. When Thomasin was going up the little walk from the door to the wicket-gate, Mrs. Yeobright looked reluctantly at her, and said, "It is a shame to let you go alone."

"It is necessary," said Thomasin.

"At any rate," added her aunt with forced cheerfulness, "I shall call upon you this afternoon, and bring the cake with me. If Clym has returned by that time he will perhaps come too. I wish to show Mr. Wildeve that I bear him no ill-will. Let the past be forgotten. Well, G.o.d bless you! There, I don't believe in old superst.i.tions, but I'll do it." She threw a slipper at the retreating figure of the girl, who turned, smiled, and went on again.

A few steps further, and she looked back. "Did you call me, Aunt?" she tremulously inquired. "Good-bye!"

Moved by an uncontrollable feeling as she looked upon Mrs. Yeobright's worn, wet face, she ran back, when her aunt came forward, and they met again. "O-Tamsie," said the elder, weeping, "I don't like to let you go."

"I-I am-" Thomasin began, giving way likewise. But, quelling her grief, she said "Good-bye!" again and went on.

Then Mrs. Yeobright saw a little figure wending its way between the scratching furze-bushes, and diminis.h.i.+ng far up the valley-a pale-blue spot in a vast field of neutral brown, solitary and undefended except by the power of her own hope.

But the worst feature in the case was one which did not appear in the landscape; it was the man.

The hour chosen for the ceremony by Thomasin and Wildeve had been so timed as to enable her to escape the awkwardness of meeting her cousin Clym, who was returning the same morning. To own to the partial truth of what he had heard would be distressing as long as the humiliating position resulting from the event was unimproved. It was only after a second and successful journey to the altar that she could lift up her head and prove the failure of the first attempt a pure accident.

She had not been gone from Blooms-End more than half an hour when Yeobright came by the meads from the other direction and entered the house.

"I had an early breakfast," he said to his mother after greeting her. "Now I could eat a little more."

They sat down to the repeated meal, and he went on in a low, anxious voice, apparently imagining that Thomasin had not yet come downstairs, "What's this I have heard about Thomasin and Mr. Wildeve?"

"It is true in many points," said Mrs. Yeobright quietly; "but it is all right now, I hope." She looked at the clock.

"True?"

"Thomasin is gone to him today."

Clym pushed away his breakfast. "Then there is a scandal of some sort, and that's what's the matter with Thomasin. Was it this that made her ill?"

"Yes. Not a scandal-a misfortune. I will tell you all about it, Clym. You must not be angry, but you must listen, and you'll find that what we have done has been done for the best."

She then told him the circ.u.mstances. All that he had known of the affair before he returned from Paris was that there had existed an attachment between Thomasin and Wildeve, which his mother had at first discountenanced, but had since, owing to the arguments of Thomasin, looked upon in a little more favourable light. When she, therefore, proceeded to explain all he was greatly surprised and troubled.

"And she determined that the wedding should be over before you came back," said Mrs. Yeobright, "that there might be no chance of her meeting you, and having a very painful time of it. That's why she has gone to him; they have arranged to be married this morning."

"But I can't understand it," said Yeobright, rising. "'Tis so unlike her. I can see why you did not write to me after her unfortunate return home. But why didn't you let me know when the wedding was going to be-the first time?"

"Well, I felt vexed with her just then. She seemed to me to be obstinate; and when I found that you were nothing in her mind I vowed that she should be nothing in yours. I felt that she was only my niece after all; I told her she might marry, but that I should take no interest in it, and should not bother you about it either."

"It wouldn't have been bothering me. Mother, you did wrong."

"I thought it might disturb you in your business, and that you might throw up your situation, or injure your prospects in some way because of it, so I said nothing. Of course, if they had married at that time in a proper manner, I should have told you at once."

"Tamsin actually being married while we are sitting here!"

"Yes. Unless some accident happens again, as it did the first time. It may, considering he's the same man."

"Yes, and I believe it will. Was it right to let her go? Suppose Wildeve is really a bad fellow?"

"Then he won't come, and she'll come home again."

"You should have looked more into it."

"It is useless to say that," his mother answered with an impatient look of sorrow. "You don't know how bad it has been here with us all these weeks, Clym. You don't know what a mortification anything of that sort is to a woman. You don't know the sleepless nights we've had in this house, and the almost bitter words that have pa.s.sed between us since that Fifth of November. I hope never to pa.s.s seven such weeks again. Tamsin has not gone outside the door, and I have been ashamed to look anybody in the face; and now you blame me for letting her do the only thing that can be done to set that trouble straight."

"No," he said slowly. "Upon the whole I don't blame you. But just consider how sudden it seems to me. Here was I, knowing nothing; and then I am told all at once that Tamsie is gone to be married. Well, I suppose there was nothing better to do. Do you know, Mother," he continued after a moment or two, looking suddenly interested in his own past history, "I once thought of Tamsin as a sweetheart? Yes, I did. How odd boys are! And when I came home and saw her this time she seemed so much more affectionate than usual, that I was quite reminded of those days, particularly on the night of the party, when she was unwell. We had the party just the same-was not that rather cruel to her?"

"It made no difference. I had arranged to give one, and it was not worth while to make more gloom than necessary. To begin by shutting ourselves up and telling you of Tamsin's misfortunes would have been a poor sort of welcome."

Clym remained thinking. "I almost wish you had not had that party," he said; "and for other reasons. But I will tell you in a day or two. We must think of Tamsin now."

They lapsed into silence. "I'll tell you what," said Yeobright again, in a tone which showed some slumbering feeling still. "I don't think it kind to Tamsin to let her be married like this, and neither of us there to keep up her spirits or care a bit about her. She hasn't disgraced herself, or done anything to deserve that. It is bad enough that the wedding should be so hurried and unceremonious, without our keeping away from it in addition. Upon my soul, 'tis almost a shame. I'll go."

"It is over by this time," said his mother with a sigh; "unless they were late, or he-"

"Then I shall be soon enough to see them come out. I don't quite like your keeping me in ignorance, Mother, after all. Really, I half hope he has failed to meet her!"

"And ruined her character?"

"Nonsense-that wouldn't ruin Thomasin."

He took up his hat and hastily left the house. Mrs. Yeobright looked rather unhappy, and sat still, deep in thought. But she was not long left alone. A few minutes later Clym came back again, and in his company came Diggory Venn.

"I find there isn't time for me to get there," said Clym.

"Is she married?" Mrs. Yeobright inquired, turning to the reddleman a face in which a strange strife of wishes, for and against, was apparent.

Venn bowed. "She is, ma'am."

"How strange it sounds," murmured Clym.

"And he didn't disappoint her this time?" said Mrs. Yeobright.

"He did not. And there is now no slight on her name. I was hastening ath'art to tell you at once, as I saw you were not there."

"How came you to be there? How did you know it?" she asked.

"I have been in that neighbourhood for some time, and I saw them go in," said the reddleman. "Wildeve came up to the door, punctual as the clock. I didn't expect it of him." He did not add, as he might have added, that how he came to be in that neighbourhood was not by accident; that, since Wildeve's resumption of his right to Thomasin, Venn, with the thoroughness which was part of his character, had determined to see the end of the episode.

"Who was there?" said Mrs. Yeobright.

"n.o.body hardly. I stood right out of the way, and she did not see me." The reddleman spoke huskily, and looked into the garden.

"Who gave her away?"

"Miss Vye."

"How very remarkable! Miss Vye! It is to be considered an honour, I suppose?"

"Who's Miss Vye?" said Clym.

"Captain Vye's granddaughter, of Mistover Knap."

"A proud girl from Budmouth," said Mrs. Yeobright. "One not much to my liking. People say she's a witch, but of course that's absurd."

The reddleman kept to himself his acquaintance with that fair personage, and also that Eustacia was there because he went to fetch her, in accordance with a promise he had given as soon as he learnt that the marriage was to take place. He merely said, in continuation of the story-- "I was sitting on the churchyard wall when they came up, one from one way, the other from the other; and Miss Vye was walking thereabouts, looking at the headstones. As soon as they had gone in I went to the door, feeling I should like to see it, as I knew her so well. I pulled off my boots because they were so noisy, and went up into the gallery. I saw then that the parson and clerk were already there."

"How came Miss Vye to have anything to do with it, if she was only on a walk that way?"

"Because there was n.o.body else. She had gone into the church just before me, not into the gallery. The parson looked round before beginning, and as she was the only one near he beckoned to her, and she went up to the rails. After that, when it came to signing the book, she pushed up her veil and signed; and Tamsin seemed to thank her for her kindness." The reddleman told the tale thoughtfully for there lingered upon his vision the changing colour of Wildeve, when Eustacia lifted the thick veil which had concealed her from recognition and looked calmly into his face. "And then," said Diggory sadly, "I came away, for her history as Tamsin Yeobright was over."

"I offered to go," said Mrs. Yeobright regretfully. "But she said it was not necessary."

"Well, it is no matter," said the reddleman. "The thing is done at last as it was meant to be at first, and G.o.d send her happiness. Now I'll wish you good morning."

He placed his cap on his head and went out.

From that instant of leaving Mrs. Yeobright's door, the reddleman was seen no more in or about Egdon Heath for a s.p.a.ce of many months. He vanished entirely. The nook among the brambles where his van had been standing was as vacant as ever the next morning, and scarcely a sign remained to show that he had been there, excepting a few straws, and a little redness on the turf, which was washed away by the next storm of rain.

The report that Diggory had brought of the wedding, correct as far as it went, was deficient in one significant particular, which had escaped him through his being at some distance back in the church. When Thomasin was tremblingly engaged in signing her name Wildeve had flung towards Eustacia a glance that said plainly, "I have punished you now." She had replied in a low tone-and he little thought how truly-"You mistake; it gives me sincerest pleasure to see her your wife today."

BOOK THREE - THE FASCINATION

1-"My Mind to Me a Kingdom Is"

In Clym Yeobright's face could be dimly seen the typical countenance of the future. Should there be a cla.s.sic period to art hereafter, its Pheidias may produce such faces. The view of life as a thing to be put up with, replacing that zest for existence which was so intense in early civilizations, must ultimately enter so thoroughly into the const.i.tution of the advanced races that its facial expression will become accepted as a new artistic departure. People already feel that a man who lives without disturbing a curve of feature, or setting a mark of mental concern anywhere upon himself, is too far removed from modern perceptiveness to be a modern type. Physically beautiful men-the glory of the race when it was young-are almost an anachronism now; and we may wonder whether, at some time or other, physically beautiful women may not be an anachronism likewise.

The truth seems to be that a long line of disillusive centuries has permanently displaced the h.e.l.lenic idea of life, or whatever it may be called. What the Greeks only suspected we know well; what their Aeschylus imagined our nursery children feel. That old-fas.h.i.+oned revelling in the general situation grows less and less possible as we uncover the defects of natural laws, and see the quandary that man is in by their operation.

The lineaments which will get embodied in ideals based upon this new recognition will probably be akin to those of Yeobright. The observer's eye was arrested, not by his face as a picture, but by his face as a page; not by what it was, but by what it recorded. His features were attractive in the light of symbols, as sounds intrinsically common become attractive in language, and as shapes intrinsically simple become interesting in writing.

He had been a lad of whom something was expected. Beyond this all had been chaos. That he would be successful in an original way, or that he would go to the dogs in an original way, seemed equally probable. The only absolute certainty about him was that he would not stand still in the circ.u.mstances amid which he was born.

Hence, when his name was casually mentioned by neighbouring yeomen, the listener said, "Ah, Clym Yeobright-what is he doing now?" When the instinctive question about a person is, What is he doing? it is felt that he will be found to be, like most of us, doing nothing in particular. There is an indefinite sense that he must be invading some region of singularity, good or bad. The devout hope is that he is doing well. The secret faith is that he is making a mess of it. Half a dozen comfortable market-men, who were habitual callers at the Quiet Woman as they pa.s.sed by in their carts, were partial to the topic. In fact, though they were not Egdon men, they could hardly avoid it while they sucked their long clay tubes and regarded the heath through the window. Clym had been so inwoven with the heath in his boyhood that hardly anybody could look upon it without thinking of him. So the subject recurred: if he were making a fortune and a name, so much the better for him; if he were making a tragical figure in the world, so much the better for a narrative.

The fact was that Yeobright's fame had spread to an awkward extent before he left home. "It is bad when your fame outruns your means," said the Spanish Jesuit Gracian. At the age of six he had asked a Scripture riddle: "Who was the first man known to wear breeches?" and applause had resounded from the very verge of the heath. At seven he painted the Battle of Waterloo with tiger-lily pollen and black-currant juice, in the absence of water-colours. By the time he reached twelve he had in this manner been heard of as artist and scholar for at least two miles round. An individual whose fame spreads three or four thousand yards in the time taken by the fame of others similarly situated to travel six or eight hundred, must of necessity have something in him. Possibly Clym's fame, like Homer's, owed something to the accidents of his situation; nevertheless famous he was.

He grew up and was helped out in life. That waggery of fate which started Clive as a writing clerk, Gay as a linen-draper, Keats as a surgeon, and a thousand others in a thousand other odd ways, banished the wild and ascetic heath lad to a trade whose sole concern was with the especial symbols of self-indulgence and vainglory.

The details of this choice of a business for him it is not necessary to give. At the death of his father a neighbouring gentleman had kindly undertaken to give the boy a start, and this a.s.sumed the form of sending him to Budmouth. Yeobright did not wish to go there, but it was the only feasible opening. Thence he went to London; and thence, shortly after, to Paris, where he had remained till now.

Something being expected of him, he had not been at home many days before a great curiosity as to why he stayed on so long began to arise in the heath. The natural term of a holiday had pa.s.sed, yet he still remained. On the Sunday morning following the week of Thomasin's marriage a discussion on this subject was in progress at a hair-cutting before Fairway's house. Here the local barbering was always done at this hour on this day, to be followed by the great Sunday wash of the inhabitants at noon, which in its turn was followed by the great Sunday dressing an hour later. On Egdon Heath Sunday proper did not begin till dinner-time, and even then it was a somewhat battered specimen of the day.

These Sunday-morning hair-cuttings were performed by Fairway; the victim sitting on a chopping-block in front of the house, without a coat, and the neighbours gossiping around, idly observing the locks of hair as they rose upon the wind after the snip, and flew away out of sight to the four quarters of the heavens. Summer and winter the scene was the same, unless the wind were more than usually bl.u.s.terous, when the stool was s.h.i.+fted a few feet round the corner. To complain of cold in sitting out of doors, hatless and coatless, while Fairway told true stories between the cuts of the scissors, would have been to p.r.o.nounce yourself no man at once. To flinch, exclaim, or move a muscle of the face at the small stabs under the ear received from those instruments, or at scarifications of the neck by the comb, would have been thought a gross breach of good manners, considering that Fairway did it all for nothing. A bleeding about the poll on Sunday afternoons was amply accounted for by the explanation. "I have had my hair cut, you know."

The conversation on Yeobright had been started by a distant view of the young man rambling leisurely across the heath before them.

"A man who is doing well elsewhere wouldn't bide here two or three weeks for nothing," said Fairway. "He's got some project in 's head-depend upon that."