Headlong Hall Part 8

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_Mr Jenkison._ There is certainly a great deal to be said against dancing: there is also a great deal to be said in its favour. The first side of the question I leave for the present to you: on the latter, I may venture to allege that no amus.e.m.e.nt seems more natural and more congenial to youth than this. It has the advantage of bringing young persons of both s.e.xes together, in a manner which its publicity renders perfectly unexceptionable, enabling them to see and know each other better than, perhaps, any other mode of general a.s.sociation. _Tete-a-tetes_ are dangerous things. Small family parties are too much under mutual observation. A ball-room appears to me almost the only scene uniting that degree of rational and innocent liberty of intercourse, which it is desirable to promote as much as possible between young persons, with that scrupulous attention to the delicacy and propriety of female conduct, which I consider the fundamental basis of all our most valuable social relations.

_Mr Escot._ There would be some plausibility in your argument, if it were not the very essence of this species of intercourse to exhibit them to each other under false colours. Here all is show, and varnish, and hypocrisy, and coquetry; they dress up their moral character for the evening at the same toilet where they manufacture their shapes and faces. Ill-temper lies buried under a studied acc.u.mulation of smiles.

Envy, hatred, and malice, retreat from the countenance, to entrench themselves more deeply in the heart. Treachery lurks under the flowers of courtesy. Ignorance and folly take refuge in that unmeaning gabble which it would be profanation to call language, and which even those whom long experience in "the dreary intercourse of daily life" has screwed up to such a pitch of stoical endurance that they can listen to it by the hour, have branded with the ignominious appellation of "_small talk_." Small indeed!--the absolute minimum of the infinitely little.

_Mr Jenkison._ Go on. I have said all I intended to say on the favourable side. I shall have great pleasure in hearing you balance the argument.

_Mr Escot._ I expect you to confess that I shall have more than balanced it. A ball-room is an epitome of all that is most worthless and unamiable in the great sphere of human life. Every petty and malignant pa.s.sion is called into play. Coquetry is perpetually on the alert to captivate, caprice to mortify, and vanity to take offence. One amiable female is rendered miserable for the evening by seeing another, whom she intended to outs.h.i.+ne, in a more attractive dress than her own; while the other omits no method of giving stings to her triumph, which she enjoys with all the secret arrogance of an oriental sultana. Another is compelled to dance with a _monster_ she abhors. A third has set her heart on dancing with a particular partner, perhaps for the amiable motive of annoying one of her _dear friends_: not only he does not ask her, but she sees him dancing with that identical _dear friend_, whom from that moment she hates more cordially than ever. Perhaps, what is worse than all, she has set her heart on refusing some impertinent fop, who does not give her the opportunity.--As to the men, the case is very nearly the same with them. To be sure, they have the privilege of making the first advances, and are, therefore, less liable to have an odious partner forced upon them; though this sometimes happens, as I know by woeful experience: but it is seldom they can procure the very partner they prefer; and when they do, the absurd necessity of changing every two dances forces them away, and leaves them only the miserable alternative of taking up with something disagreeable perhaps in itself, and at all events rendered so by contrast, or of retreating into some solitary corner, to vent their spleen on the first idle c.o.xcomb they can find.



_Mr Jenkison._ I hope that is not the motive which brings you to me.

_Mr Escot._ Clearly not. But the most afflicting consideration of all is, that these malignant and miserable feelings are masked under that uniform disguise of pretended benevolence, _that fine and delicate irony, called politeness, which gives so much ease and pliability to the mutual intercourse of civilised man, and enables him to a.s.sume the appearance of every virtue without the reality of one_.[13.1]

The second set of dances was now terminated, and Mr Escot flew off to reclaim the hand of the beautiful Cephalis, with whom he figured away with surprising alacrity, and probably felt at least as happy among the chandeliers and silk stockings, at which he had just been railing, as he would have been in an American forest, making one in an Indian ring, by the light of a blazing fire, even though his hand had been locked in that of the most beautiful _squaw_ that ever listened to the roar of Niagara.

Squire Headlong was now beset by his maiden aunt, Miss Brindle-mew Grimalkin Phoebe Tabitha Ap-Headlong, on one side, and Sir Patrick O'Prism on the other; the former insisting that he should immediately procure her a partner; the latter earnestly requesting the same interference in behalf of Miss Philomela Poppyseed. The squire thought to emanc.i.p.ate himself from his two pet.i.tioners by making them dance with each other; but Sir Patrick vehemently pleading a prior engagement, the squire threw his eyes around till they alighted on Mr Jenkison and the Reverend Doctor Gaster; both of whom, after waking the latter, he pressed into the service. The doctor, arising with a strange kind of guttural sound, which was half a yawn and half a groan, was handed by the officious squire to Miss Philomela, who received him with sullen dignity: she had not yet forgotten his falling asleep during the first chapter of her novel, while she was condescending to detail to him the outlines of four superlative volumes. The doctor, on his part, had most completely forgotten it; and though he thought there was something in her physiognomy rather more forbidding than usual, he gave himself no concern about the cause, and had not the least suspicion that it was at all connected with himself. Miss Brindle-mew was very well contented with Mr Jenkison, and gave him two or three ogles, accompanied by a most risible distortion of the countenance which she intended for a captivating smile. As to Mr Jenkison, it was all one to him with whom he danced, or whether he danced or not: he was therefore just as well pleased as if he had been left alone in his corner; which is probably more than could have been said of any other human being under similar circ.u.mstances.

At the end of the third set, supper was announced; and the party, pairing off like turtles, adjourned to the supper-room. The squire was now the happiest of mortal men, and the little butler the most laborious. The centre of the largest table was decorated with a model of Snowdon, surmounted with an enormous artificial leek, the leaves of angelica, and the bulb of blancmange. A little way from the summit was a tarn, or mountain-pool, supplied through concealed tubes with an inexhaustible flow of milk-punch, which, das.h.i.+ng in cascades down the miniature rocks, fell into the more capacious lake below, was.h.i.+ng the mimic foundations of Headlong Hall. The reverend doctor handed Miss Philomela to the chair most conveniently situated for enjoying this interesting scene, protesting he had never before been sufficiently impressed with the magnificence of that mountain, which he now perceived to be well worthy of all the fame it had obtained.

"Now, when they had eaten and were satisfied," Squire Headlong called on Mr Chromatic for a song; who, with the a.s.sistance of his two accomplished daughters, regaled the ears of the company with the following

TERZETTO[13.2]

Grey Twilight, from her shadowy hill, Discolours Nature's vernal bloom, And sheds on grove, and field, and rill, One placid tint of deepening gloom.

The sailor sighs 'mid sh.o.r.eless seas, Touched by the thought of friends afar, As, fanned by ocean's flowing breeze, He gazes on the western star.

The wanderer hears, in pensive dream, The accents of the last farewell, As, pausing by the mountain stream, He listens to the evening bell.

This terzetto was of course much applauded; Mr Milestone observing, that he thought the figure in the last verse would have been more picturesque, if it had been represented with its arms folded and its back against a tree; or leaning on its staff, with a c.o.c.kle-sh.e.l.l in its hat, like a pilgrim of ancient times.

Mr Chromatic professed himself astonished that a gentleman of genuine modern taste, like Mr Milestone, should consider the words of a song of any consequence whatever, seeing that they were at the best only a species of pegs, for the more convenient suspension of crotchets and quavers. This remark drew on him a very severe reprimand from Mr Mac Laurel, who said to him, "Dinna ye ken, sir, that soond is a thing utterly worthless in itsel, and only effectual in agreeable excitements, as far as it is an aicho to sense? Is there ony soond mair meeserable an' peetifu' than the sc.r.a.pe o' a feddle, when it does na touch ony chord i' the human sensorium? Is there ony mair divine than the deep note o' a bagpipe, when it breathes the auncient meelodies o' leeberty an' love? It is true, there are peculiar trains o' feeling an' sentiment, which parteecular combinations o' meelody are calculated to excite; an' sae far music can produce its effect without words: but it does na follow, that, when ye put words to it, it becomes a matter of indefference what they are; for a gude strain of impa.s.sioned poetry will greatly increase the effect, and a tessue o' nonsensical doggrel will destroy it a' thegither. Noo, as gude poetry can produce its effect without music, sae will gude music without poetry; and as gude music will be mair pooerfu' by itsel' than wi' bad poetry, sae will gude poetry than wi' bad music: but, when ye put gude music an' gude poetry thegither, ye produce the divinest compound o' sentimental harmony that can possibly find its way through the lug to the saul."

Mr Chromatic admitted that there was much justice in these observations, but still maintained the subserviency of poetry to music. Mr Mac Laurel as strenuously maintained the contrary; and a furious war of words was proceeding to perilous lengths, when the squire interposed his authority towards the reproduction of peace, which was forthwith concluded, and all animosities drowned in a libation of milk-punch, the Reverend Doctor Gaster officiating as high priest on the occasion.

Mr Chromatic now requested Miss Caprioletta to favour the company with an air. The young lady immediately complied, and sung the following simple

BALLAD

"O Mary, my sister, thy sorrow give o'er, I soon shall return, girl, and leave thee no more: But with children so fair, and a husband so kind, I shall feel less regret when I leave thee behind.

"I have made thee a bench for the door of thy cot, And more would I give thee, but more I have not: Sit and think of me there, in the warm summer day, And give me three kisses, my labour to pay."

She gave him three kisses, and forth did he fare.

And long did he wander, and no one knew where; And long from her cottage, through suns.h.i.+ne and rain, She watched his return, but he came not again.

Her children grew up, and her husband grew grey; She sate on the bench through the long summer day: One evening, when twilight was deep on the sh.o.r.e, There came an old soldier, and stood by the door.

In English he spoke, and none knew what he said, But her oatcake and milk on the table she spread; Then he sate to his supper, and blithely he sung, And she knew the dear sounds of her own native tongue:

"O rich are the feasts in the Englishman's hall, And the wine sparkles bright in the goblets of Gaul: But their mingled attractions I well could withstand, For the milk and the oatcake of Meirion's dear land."

"And art thou a Welchman, old soldier?" she cried.

"Many years have I wandered," the stranger replied: "'Twixt Danube and Thames many rivers there be, But the bright waves of Cynfael are fairest to me.

"I felled the grey oak, ere I hastened to roam, And I fas.h.i.+oned a bench for the door of my home; And well my dear sister my labour repaid, Who gave me three kisses when first it was made.

"In the old English soldier thy brother appears: Here is gold in abundance, the saving of years: Give me oatcake and milk in return for my store, And a seat by thy side on the bench at the door."

Various other songs succeeded, which, as we are not composing a song book, we shall lay aside for the present.

An old squire, who had not missed one of these anniversaries, during more than half a century, now stood up, and filling a half-pint b.u.mper, p.r.o.nounced, with a stentorian voice--"To the immortal memory of Headlong Ap-Rhaiader, and to the health of his n.o.ble descendant and worthy representative!" This example was followed by all the gentlemen present. The harp struck up a triumphal strain; and, the old squire already mentioned, vociferating the first stave, they sang, or rather roared, the following

CHORUS

Hail to the Headlong! the Headlong Ap-Headlong!

All hail to the Headlong, the Headlong Ap-Headlong!

The Headlong Ap-Headlong Ap-Breakneck Ap-Headlong Ap-Cataract Ap-Pistyll Ap-Rhaiader Ap-Headlong!

The bright bowl we steep in the name of the Headlong: Let the youths pledge it deep to the Headlong Ap-Headlong, And the rosy-lipped la.s.ses Touch the brim as it pa.s.ses, And kiss the red tide for the Headlong Ap-Headlong!

The loud harp resounds in the hall of the Headlong: The light step rebounds in the hall of the Headlong: Where shall music invite us, Or beauty delight us, If not in the hall of the Headlong Ap-Headlong?

Huzza! to the health of the Headlong Ap-Headlong!

Fill the bowl, fill in floods, to the health of the Headlong!

Till the stream ruby-glowing, On all sides o'erflowing, Shall fall in cascades to the health of the Headlong!

The Headlong Ap-Headlong Ap-Breakneck Ap-Headlong Ap-Cataract Ap-Pistyll Ap-Rhaiader Ap-Headlong!

Squire Headlong returned thanks with an appropriate libation, and the company re-adjourned to the ballroom, where they kept it up till sunrise, when the little butler summoned them to breakfast.

CHAPTER XIV The Proposals

The chorus which celebrated the antiquity of her lineage, had been ringing all night in the ears of Miss Brindle-mew Grimalkin Phoebe Tabitha Ap-Headlong, when, taking the squire aside, while the visitors were sipping their tea and coffee, "Nephew Harry," said she, "I have been noting your behaviour, during the several stages of the ball and supper; and, though I cannot tax you with any want of gallantry, for you are a very gallant young man, Nephew Harry, very gallant--I wish I could say as much for every one" (added she, throwing a spiteful look towards a distant corner, where Mr Jenkison was sitting with great _nonchalance_, and at the moment dipping a rusk in a cup of chocolate); "but I lament to perceive that you were at least as pleased with your lakes of milk-punch, and your bottles of Champagne and Burgundy, as with any of your delightful partners. Now, though I can readily excuse this degree of incombustibility in the descendant of a family so remarkable in all ages for personal beauty as ours, yet I lament it exceedingly, when I consider that, in conjunction with your present predilection for the easy life of a bachelor, it may possibly prove the means of causing our ancient genealogical tree, which has its roots, if I may so speak, in the foundations of the world, to terminate suddenly in a point: unless you feel yourself moved by my exhortations to follow the example of all your ancestors, by choosing yourself a fitting and suitable helpmate to immortalize the pedigree of Headlong Ap-Rhaiader."

"Egad!" said Squire Headlong, "that is very true, I'll marry directly.

A good opportunity to fix on some one, now they are all here; and I'll pop the question without further ceremony."

"What think you," said the old lady, "of Miss Nanny Glen-Du, the lineal descendant of Llewelyn Ap-Yorwerth?"

"She won't do," said Squire Headlong.

"What say you, then," said the lady, "to Miss Williams, of Pontyglasrhydyrallt, the descendant of the ancient family of----?"

"I don't like her," said Squire Headlong; "and as to her ancient family, that is a matter of no consequence. I have antiquity enough for two. They are all moderns, people of yesterday, in comparison with us. What signify six or seven centuries, which are the most they can make up?"

"Why, to be sure," said the aunt, "on that view of the question, it is no consequence. What think you, then, of Miss Owen, of Nidd-y-Gygfraen? She will have six thousand a year."

Headlong Hall Part 8

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Headlong Hall Part 8 summary

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