The Child of Pleasure Part 34

'Maria!'

'But you must give up all claim upon my love, you must keep away from me. Be n.o.ble, be generous, and spare me the struggle which frightens me.

I have suffered much, Andrea, I have borne much; but the thought of having to struggle with you, to defend myself against you, fills me with a nameless terror. You do not know at the cost of what sacrifices I have at last gained peace of heart; you do not know what lofty and cherished ideals I have been obliged to bid farewell to--poor ideals! I am a changed woman because I could not help it; I have had to place myself on a lower level.'

There was a note of grave, sweet sadness in her voice.

'In those first days after I met you, I abandoned myself to the alluring sweetness, let myself drift with eyes closed to the distant peril. I thought--he shall never know anything from me, I shall never know anything from him. I had nothing to regret and therefore I felt no fear.

But you spoke--you said things to me that no one had ever said before, and then you forced my avowal from me. The danger suddenly appeared before me, unmistakable, imminent. And then I abandoned myself to a fresh dream. Your mental distress touched me to the heart, caused me profound pain. "Impurity has sullied his soul," I thought to myself.

"Oh, that I had the power to purify it again! What happiness to offer myself up as a sacrifice for his regeneration!" Your unhappiness attracted mine. I thought I might scarcely be able to console you, but I hoped at least you might find relief in having another soul to answer eternally _Amen_ to all your plaints.'

She uttered the last words with a face so suffused with spiritual exaltation that Andrea felt a wave of half-religious joy sweep over him, and his one desire, at that moment, was to take those dear and spotless hands in his and breathe upon them the ineffable rapture of his soul.

'But it cannot--it may not be.' she went on, shaking her head in sad regret. 'We must renounce that hope for ever. Life is inexorable.

Without intending it, you would destroy a whole existence--and more than one perhaps----'

'Maria, Maria! do not say such things!' the young man broke in, leaning over her once more and taking one of her hands with a sort of timid entreaty, as if looking for some sign of permission before venturing on the liberty. 'I will do anything you tell me; I will be humble and obedient, my one thought shall be to carry out your wishes, my one desire, to die with your name upon my lips. In renouncing you, I renounce my salvation, I fall back into irremediable ruin and disaster.

I have no words to express my love for you. I have need of you. You alone are _true_--you are Truth itself, for which my soul is ever seeking. All else is vanity--all else is nought. To give you up is like signing my death-warrant. But if this immolation is necessary to your peace of mind, it shall be done--I owe it to you. Do not fear, Maria, I will never do anything to hurt you.'

He held her hand, but he did not press it. His voice had none of the old pa.s.sionate ardour, it was submissive, disconsolate, heart-broken, full of infinite weariness. And Maria was so blinded by her compa.s.sion that she did not draw away her hand, but let it lie in his, abandoning herself for a moment to the unutterable rapture of that light contact--a rapture so subtle as hardly to have any physical origin--as if some magnetic fluid, issuing from her heart, diffused itself through her arm to her fingers and there flowed forth in a wave of ineffable sweetness.

When Andrea ceased speaking, certain words of his, uttered on that memorable morning in the park and revived by the recent sound of his voice, returned to her memory--'Your mere presence suffices to intoxicate me--I feel it flowing through my veins like blood, flooding my soul with nameless emotion----'

There was an interval of silence. From time to time, a gust of wind shook the window-panes and bore fitfully with it the distant roar of the city and the rumbling of carriage wheels. The light was cold and limpid as spring water; shadows were gathering thickly in the corners of the room and in the folds of the Oriental curtains; from pieces of furniture, here and there, came gleams of ivory and mother-of-pearl; a great gilded Buddha shone out of the background under a tall palm.

Something of the exotic mystery of these things was diffused over the drawing-room.

'And what do you suppose is going to become of me now?' asked Andrea.

She seemed lost in perplexing thought. There was a look of irresolution on her face as if she were listening to two contending voices.

'I cannot describe to you,' she answered, pa.s.sing her hand over her eyes with a rapid gesture, 'I cannot describe to you the strange foreboding that has weighed upon me for a long time past. I do not know what it is, but I am _afraid_.'

Then, after a pause--'Oh, to think that you may be suffering, sick at heart,--my poor darling--and that I can do nothing to ease your pain, may not be with you in your hour of anguish--may not even know that you have called me--_Mio Dio!_'

There was a quiver of tears in her breaking voice. Andrea hung his head but did not speak.

'To think that my spirit will follow you always, always, and yet that it may never, never mingle with yours, will never, never be understood by you!--Alas, poor love!'

Her voice was full of tears and her mouth was drawn with pain.

Ah, do not desert me--do not desert me!' cried the young man, seizing her two hands and half-kneeling at her feet, a prey to overwhelming excitement--'I will never ask anything of you--I want nothing but your pity. A little pity from you is more--far more--to me than pa.s.sionate love from any other woman--you know it. Your hand alone can heal me, can bring me back to life, can raise me out of the slough into which I have sunk, give me back my faith and free me from the bondage of those shameful things that corrupt me and fill me with horror.

Dear--dear--hands!'

He bent over them and pressed his lips to them in a long kiss, abandoning himself with half-closed eyes to the utter sweetness of it.

'I can feel you tremble,' he murmured in an indefinable tone.

She rose abruptly, trembling from head to foot, giddy, paler still than on the morning when they walked together beneath the flower-laden trees.

The wind still shook the panes; there was a dull clamour in the distance as of a riotous crowd. The shrill cries borne on the wind from the Quirinal increased her agitation.

'Go, Andrea--please go--you must not stay here any longer. You shall see me some other time--whenever you like, but go now, I entreat you----'

'Where shall I see you again?'

'At the concert to-morrow--good-bye.'

She was as perturbed and agitated as if she had been guilty of some grave fault. She accompanied him to the door of the room. When she found herself alone, she hesitated, not knowing what to do next, still under the sway of her terror. Her temples throbbed, her cheeks and her eyes burned with fierce intensity, while cold s.h.i.+vers ran through her limbs.

But on her hands she still felt the pressure of that beloved mouth, a sensation so surpa.s.singly sweet that she wished it might remain there for ever indelible like some divine impress.

She looked about her. The light was fading, things looked shapeless in the shadows, the great Buddha gleamed with a weird pale light. The cries came up from the street fitfully. She went over to a window, opened it and leaned out. An icy wind blew through the street; in the direction of the Piazza dei Termini, they were already lighting the lamps. Across the way, at the Villa Aldobrandini, the trees swayed to and fro, their tops touched with a faint red glow. A huge crimson cloud hung solitary in the sky over the Torre delle Milizie.

The evening struck her as strangely lugubrious. She withdrew from the window and seated herself again where she had just had her conversation with Andrea. Why had Delfina not returned yet? She earnestly desired to escape from her thoughts, and yet she weakly allowed herself to linger in the place where, only a few minutes ago, Andrea had breathed and spoken, had sighed out his love and his unhappiness. The struggles, the resolutions, the contrition, the prayers, the penances of four months had been wiped out, made utterly unavailing in one second of time, and she sank down more weary and vanquished than ever, without the will or the power to fight against the foes that beset her in her own heart, against the feelings that were upheaving her whole moral foundations.

And while she gave way to the anguish and despair of a conscience which feels all its courage oozing from it, she still had the feeling that something of _him_ lingered in the shadows of the room and enveloped her with all the sweetness of a pa.s.sionate caress.

CHAPTER II

The next day, she arrived at the Palazzo dei Sabini, her heart beating fast under a bunch of violets.

Andrea was looking out for her at the door of the concert-hall.

'Thanks,' he said, and pressed her hand.

He conducted her to a seat and sat down beside her.

'I thought the anxiety of waiting for you would have killed me,' he murmured. 'I was so afraid you would not come. How grateful I am to you!

Late last night,' he went on, 'I pa.s.sed your house. There was a light in one window--the third looking towards the Quirinal--I would have given much to know if you were up there. Who gave you those violets?' he asked abruptly.

'Delfina,' she answered.

'Did Delfina tell you of our meeting this morning in the Piazza di Spagna?'

'Yes--all.'

The concert began with a Quartett by Mendelssohn. The hall was already nearly full, the audience consisting, for the most part, of foreign ladies--fair-haired women very quietly and simply dressed, grave of att.i.tude, religiously silent, as in some sacred spot. The wave of music pa.s.sing over these motionless heads spread out into the golden light, a light that filtered from above through faded yellow curtains and was reflected from the bare white walls. It was the old hall of the Philharmonic concerts. The whiteness of the walls was unbroken by any ornament, with only here and there a trace of former frescoes and its meagre blue portieres threatening to come down at any moment. It had all the air of a place that had been closed for a century and opened again that day for the first time. But just this faded look of age, the air of poverty, the nakedness of the walls lent a curious additional flavour to the exquisite enjoyment of the audience, making their delight seem more absorbing, loftier, purer by contrast. It was the 2nd of February; at Montecitorio the Parliament was disputing over the ma.s.sacre of Dogali; the neighbouring streets and squares swarmed with the populace and with soldiers.

Musical memories of Schifanoja came back to the lovers, a reflected gleam from those fair autumn days illumined their thoughts.

Mendelssohn's Minuet called up before them a vision of the villa by the sea, of rooms filled with the perfume of the terraced garden, of cypresses lifting their dark heads into the soft sky, of flaming sails upon a gla.s.sy sea.

Bending towards his companion, Andrea whispered softly: 'What are you thinking about?'

With a smile so faint that he hardly caught it, she answered:

'Do you remember the 22nd of September?'

Andrea had no very clear recollection of this date, but he nodded his head.