Idoru. Part 20

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"I thought we'd done with all of that when we got rid of those Siberian neuropaths," Blackwell said. He was dressed entirely in black, which had the effect of somewhat reducing his bulk. I-Ic wore a soft, smocklike garment sewn from very black denim, multiple pockets around its wide hem. Laney thought it looked vaguely j.a.panese, in some medieval way. Something a carpenter might wear. "Bent as a dog's hind legs. Picked them up touring the Kombinat states."

"Neuropaths?"

"Filling Rez's head with their garbage. He's vulnerable to influences, touring. Combination of stress and boredom. Cities start to look the same. One hotel room after another. It's a syndrome, is what itis."

"Where are we going?"

105.

P.

"Akihbara"

Where?'

Where we're going." Blackwell consulted an enormous, elaborately dialed, steel-braceleted chronometer that looked as though it had been designed to do double duty as bra.s.s knuckles. "Took a month before they'd let me have a go, do what was needed. Then we got him over to a clinic in Paris and they told us what those b.a.s.t.a.r.ds had been feeding him had made a pig's breakf~st of his endocrine system. Put him right, in the end, but it needn't have happened, none of it."

But you got rid of them?" Laney had no idea what Blackwell was talking about, but it seemed best to keep up the illusion of conversation.

"Told them I was thinking about putting them face-first through a little Honda tree-shredder I'd purchased, just on the off chance," Blackwell said. "Not necessary. Showed them it, though. In the end, they were sent along with no more than a moderate touch-up.'

Laney looked at the back of the driver's head. The right-hand drive worried him. He felt like there was n.o.body in the driver's seat. "How long did you say you'd worked for the band?'

"Five years."

Laney thought of the video, Blackwell's voice in the darkened club. Two years ago. "Where are we going?"

"Be there, soon enough."

They entered an area of narrower streets, of featureless, vaguely shabby buildings covered with unlit, inactivated advertising. Huge representations of media platforms Laney didn't recognize. Some of the buildings revealed what he a.s.sumed was quake damage. Head-sized gobs of a btownish, gla.s.slike substance protruded from cracks that ran diagonally across one facade, like a cheap toy repaired badly by a clumsy giant. The limo pulled to the curb.

"'Electric Town,'" Blackwell said. "I'll page you," he said to the driver, who nodded in a way that struck Laney as being not particularly j.a.panese. Blackwell opened the door and got out with that same 106 unlikely grace Laney had noted before, the car bucking noticeably with the departure of his weight. Laney, sliding across the gray velour seat, felt tired and wooden.

'Somehow I was expecting a more upscale destination," he said to Blackwell. It was true.

'Stop expecting," Blackwell said.

The building with the cracks and the brown, saplike k.n.o.bs opened into a white-and-pastel sea of kitchen appliances. The ceiling was low, laced with temporary-looking pipes and conduits. Laney followed Blackwell down a central aisle. A few figures stood along other aisles to either side, but he had no way of knowing whether these were salespeople or potential customers.

An old-fas.h.i.+oned escalator was grinding away, at the end of the central aisle, the rectilinear steel teeth at the edges of each ascending step worn sharp and bright. Blackwell kept walking. Levitated ahead of Laney, climbing, his feet barely seeming to move. Laney mounted hard behind him.

They rose up to a second level, this one displaying a less consistent range of goods: wallscreens, immersion consoles, automated rediners with ma.s.sage-modules bulging from their cus.h.i.+ons like the heads of giant mechanical grubs.

Along an aisle walled with corrugated plastic cartons, Blackwell with his scarred hands tucked deep in the pockets of his ninja smock. Into a maze of bright blue plastic tarps, slung from pipes overhead. Unfamiliar tools. A worker's dented thermos standing on a red toolkit that spanned a pair of aluminum sawhorses. Blackwell holding a final tarp aside. Laney ducked, entering.

"We've been holding it open for the past hour, Blackwell," someone said. "Not an easy thing."

Blackwell let the tarp fall into place behind him. "Had to collect him from the hotel."

The s.p.a.ce, walled off with the blue rarps on three sides, was twice the size of Laney's hotel room but considerably more crowded.

A lot of hardware was a.s.sembled there: a collection of black consoleso

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107.

were cabled together in a white swamp of Styrofoam packing-forms, 1 torn corrugated plastic, and crumpled sheets of bubble-pack. Two men and a woman, waiting. It was the woman who had spoken. As Laney shuffled forward, ankle-deep through the packing materials, the stuff creaked and popped, slippery under the soles of his shoes.

Blackwell kicked at it. "You might have tidied up.'

"We aren't set-dressers," the woman said. She sounded to Laney as though she was from Northern California. She had short brown hair cut in bangs, and something about her reminded him of the quants who worked at Slitscan. Like the other two, men, one j.a.panese and one red-haired, she wore jeans and a generic nylon bomber jacket.

"h.e.l.l of a job on short notice," the redhead said.

"No notice," the other corrected, and he was definitely from California. His hair was pulled straight back, fastened high in a little samurai ponytail.

"What you're paid for," Blackwell said.

"We're paid to tour," the redhead said.

"If you want to tour again, you'd better hope that these work.' Blackwell looked at the cabled consoles.

Laney saw a folding plastic table set up against the rear wall. It was bright pink. There was a gray computer there, a pair of eye-phones. Unfamiliar cables ran to the nearest console: flat ribbons candy-striped in different colors. The wall behind was plastered with an overlay of old advertising; a woman's eye was directly behind the pink table, a yard wide, her laser-printed pupil the size of Laneys head.

Laney moved toward the table, through the Styrofoam, sliding his feet, a motion not unlike cross-country skiing.

"Let's do it," he said. "Let's see what you've got."

108 Zona Rosa kept a secret place, a country carved from what once had been a corporate website.

It was a valley lined with ruined swimming pools, overgrown with cactus and red Christmas flowers. Lizards posed like hieroglyphs on mosaics of shattered tile.

No houses stood in that valley, though sections of broken wall gave shade, or rusting rectangles of corrugated metal set aslanr on weathered wooden uprights. Sometimes there were ashes of a cooking fire.

She kept it early evening there.

"Zona?"

"Someone is trying to find you." Zona in her ragged leather jacket over a white t-s.h.i.+rt. In that place she presented as a quick collage, fragments torn from films, magazines, Mexican newspapers:

dark eyes, Aztec cheekbones, a dusting of acne scars, her black hair tangled like smoke. She kept the resolution down, never let herself come entirely into focus.

"My mother?"

"No. Someone with resources. Someone who knows that you are in Tokyo." The narrow toes of her black boots were pale with the dust of the valley. There were copper zips down the outer seams of her faded black jeans, waist to ankle. "Why are you dressed that way?"

Chia remembered that she was still presenting in the Silke-Marie

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Idoru. Part 20

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Idoru. Part 20 summary

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