Cousin Betty Part 50
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"In heaven, mother," said Hortense solemnly.
"Come, my angel, help me to dress.--No, no; I will not have you help me in this! Send me Louise."
Adeline, in her room, went to study herself in the gla.s.s. She looked at herself closely and sadly, wondering to herself:
"Am I still handsome? Can I still be desirable? Am I not wrinkled?"
She lifted up her fine golden hair, uncovering her temples; they were as fresh as a girl's. She went further; she uncovered her shoulders, and was satisfied; nay, she had a little feeling of pride. The beauty of really handsome shoulders is one of the last charms a woman loses, especially if she has lived chastely.
Adeline chose her dress carefully, but the pious and blameless woman is decent to the end, in spite of her little coquettish graces. Of what use were brand-new gray silk stockings and high heeled satin shoes when she was absolutely ignorant of the art of displaying a pretty foot at a critical moment, by obtruding it an inch or two beyond a half-lifted skirt, opening horizons to desire? She put on, indeed, her prettiest flowered muslin dress, with a low body and short sleeves; but horrified at so much bareness, she covered her fine arms with clear gauze sleeves and hid her shoulders under an embroidered cape. Her curls, _a l'Anglaise_, struck her as too fly-away; she subdued their airy lightness by putting on a very pretty cap; but, with or without the cap, would she have known how to twist the golden ringlets so as to show off her taper fingers to admiration?
As to rouge--the consciousness of guilt, the preparations for a deliberate fall, threw this saintly woman into a state of high fever, which, for the time, revived the brilliant coloring of youth. Her eyes were bright, her cheeks glowed. Instead of a.s.suming a seductive air, she saw in herself a look of barefaced audacity which shocked her.
Lisbeth, at Adeline's request, had told her all the circ.u.mstances of Wenceslas' infidelity; and the Baroness had learned to her utter amazement, that in one evening in one moment, Madame Marneffe had made herself the mistress of the bewitched artist.
"How do these women do it?" the Baroness had asked Lisbeth.
There is no curiosity so great as that of virtuous women on such subjects; they would like to know the arts of vice and remain immaculate.
"Why, they are seductive; it is their business," said Cousin Betty.
"Valerie that evening, my dear, was, I declare, enough to bring an angel to perdition."
"But tell me how she set to work."
"There is no principle, only practice in that walk of life," said Lisbeth ironically.
The Baroness, recalling this conversation, would have liked to consult Cousin Betty; but there was no time for that. Poor Adeline, incapable of imagining a patch, of pinning a rosebud in the very middle of her bosom, of devising the tricks of the toilet intended to resuscitate the ardors of exhausted nature, was merely well dressed. A woman is not a courtesan for the wis.h.i.+ng!
"Woman is soup for man," as Moliere says by the mouth of the judicious Gros-Rene. This comparison suggests a sort of culinary art in love. Then the virtuous wife would be a Homeric meal, flesh laid on hot cinders.
The courtesan, on the contrary, is a dish by Careme, with its condiments, spices, and elegant arrangement. The Baroness could not--did not know how to serve up her fair bosom in a lordly dish of lace, after the manner of Madame Marneffe. She knew nothing of the secrets of certain att.i.tudes. This high-souled woman might have turned round and round a hundred times, and she would have betrayed nothing to the keen glance of a profligate.
To be a good woman and a prude to all the world, and a courtesan to her husband, is the gift of a woman of genius, and they are few. This is the secret of long fidelity, inexplicable to the women who are not blessed with the double and splendid faculty. Imagine Madame Marneffe virtuous, and you have the Marchesa di Pescara. But such lofty and ill.u.s.trious women, beautiful as Diane de Poitiers, but virtuous, may be easily counted.
So the scene with which this serious and terrible drama of Paris manners opened was about to be repeated, with this singular difference--that the calamities prophesied then by the captain of the munic.i.p.al Militia had reversed the parts. Madame Hulot was awaiting Crevel with the same intentions as had brought him to her, smiling down at the Paris crowd from his _milord_, three years ago. And, strangest thing of all, the Baroness was true to herself and to her love, while preparing to yield to the grossest infidelity, such as the storm of pa.s.sion even does not justify in the eyes of some judges.
"What can I do to become a Madame Marneffe?" she asked herself as she heard the door-bell.
She restrained her tears, fever gave brilliancy to her face, and she meant to be quite the courtesan, poor, n.o.ble soul.
"What the devil can that worthy Baronne Hulot want of me?" Crevel wondered as he mounted the stairs. "She is going to discuss my quarrel with Celestine and Victorin, no doubt; but I will not give way!"
As he went into the drawing-room, shown in by Louise, he said to himself as he noted the bareness of the place (Crevel's word):
"Poor woman! She lives here like some fine picture stowed in a loft by a man who knows nothing of painting."
Crevel, seeing Comte Popinot, the Minister of Commerce, buy pictures and statues, wanted also to figure as a Maecenas of Paris, whose love of Art consists in making good investments.
Adeline smiled graciously at Crevel, pointing to a chair facing her.
"Here I am, fair lady, at your command," said Crevel.
Monsieur the Mayor, a political personage, now wore black broadcloth.
His face, at the top of this solemn suit, shone like a full moon rising above a ma.s.s of dark clouds. His s.h.i.+rt, b.u.t.toned with three large pearls worth five hundred francs apiece, gave a great idea of his thoracic capacity, and he was apt to say, "In me you see the coming athlete of the tribune!" His enormous vulgar hands were encased in yellow gloves even in the morning; his patent leather boots spoke of the chocolate-colored coupe with one horse in which he drove.
In the course of three years ambition had altered Crevel's pretensions.
Like all great artists, he had come to his second manner. In the great world, when he went to the Prince de Wissembourg's, to the Prefecture, to Comte Popinot's, and the like, he held his hat in his hand in an airy manner taught him by Valerie, and he inserted the thumb of the other hand in the armhole of his waistcoat with a knowing air, and a simpering face and expression. This new grace of att.i.tude was due to the satirical inventiveness of Valerie, who, under pretence of rejuvenating her mayor, had given him an added touch of the ridiculous.
"I begged you to come, my dear kind Monsieur Crevel," said the Baroness in a husky voice, "on a matter of the greatest importance--"
"I can guess what it is, madame," said Crevel, with a knowing air, "but what you would ask is impossible.--Oh, I am not a brutal father, a man--to use Napoleon's words--set hard and fast on sheer avarice. Listen to me, fair lady. If my children were ruining themselves for their own benefit, I would help them out of the sc.r.a.pe; but as for backing your husband, madame? It is like trying to fill the vat of the Danaides!
Their house is mortgaged for three hundred thousand francs for an incorrigible father! Why, they have nothing left, poor wretches! And they have no fun for their money. All they have to live upon is what Victorin may make in Court. He must wag his tongue more, must monsieur your son! And he was to have been a Minister, that learned youth! Our hope and pride. A pretty pilot, who runs aground like a land-lubber; for if he had borrowed to enable him to get on, if he had run into debt for feasting Deputies, winning votes, and increasing his influence, I should be the first to say, 'Here is my purse--dip your hand in, my friend!'
But when it comes of paying for papa's folly--folly I warned you of!--Ah! his father has deprived him of every chance of power.--It is I who shall be Minister!"
"Alas, my dear Crevel, it has nothing to do with the children, poor devoted souls!--If your heart is closed to Victorin and Celestine, I shall love them so much that perhaps I may soften the bitterness of their souls caused by your anger. You are punis.h.i.+ng your children for a good action!"
"Yes, for a good action badly done! That is half a crime," said Crevel, much pleased with his epigram.
"Doing good, my dear Crevel, does not mean sparing money out of a purse that is bursting with it; it means enduring privations to be generous, suffering for liberality! It is being prepared for ingrat.i.tude! Heaven does not see the charity that costs us nothing--"
"Saints, madame, may if they please go to the workhouse; they know that it is for them the door of heaven. For my part, I am worldly-minded; I fear G.o.d, but yet more I fear the h.e.l.l of poverty. To be dest.i.tute is the last depth of misfortune in society as now const.i.tuted. I am a man of my time; I respect money."
"And you are right," said Adeline, "from the worldly point of view."
She was a thousand miles from her point, and she felt herself on a gridiron, like Saint Laurence, as she thought of her uncle, for she could see him blowing his brains out.
She looked down; then she raised her eyes to gaze at Crevel with angelic sweetness--not with the inviting suggestiveness which was part of Valerie's wit. Three years ago she could have bewitched Crevel by that beautiful look.
"I have known the time," said she, "when you were more generous--you used to talk of three hundred thousand francs like a grand gentleman--"
Crevel looked at Madame Hulot; he beheld her like a lily in the last of its bloom, vague sensations rose within him, but he felt such respect for this saintly creature that he spurned all suspicions and buried them in the most profligate corner of his heart.
"I, madame, am still the same; but a retired merchant, if he is a grand gentleman, plays, and must play, the part with method and economy; he carries his ideas of order into everything. He opens an account for his little amus.e.m.e.nts, and devotes certain profits to that head of expenditure; but as to touching his capital! it would be folly. My children will have their fortune intact, mine and my wife's; but I do not suppose that they wish their father to be dull, a monk and a mummy!
My life is a very jolly one; I float gaily down the stream. I fulfil all the duties imposed on me by law, by my affections, and by family ties, just as I always used to be punctual in paying my bills when they fell due. If only my children conduct themselves in their domestic life as I do, I shall be satisfied; and for the present, so long as my follies--for I have committed follies--are no loss to any one but the gulls--excuse me, you do not perhaps understand the slang word--they will have nothing to blame me for, and will find a tidy little sum still left when I die. Your children cannot say as much of their father, who is ruining his son and my daughter by his pranks--"
The Baroness was getting further from her object as he went on.
"You are very unkind about my husband, my dear Crevel--and yet, if you had found his wife obliging, you would have been his best friend----"
She shot a burning glance at Crevel; but, like Dubois, who gave the Regent three kicks, she affected too much, and the rakish perfumer's thoughts jumped at such profligate suggestions, that he said to himself, "Does she want to turn the tables on Hulot?--Does she think me more attractive as a Mayor than as a National Guardsman? Women are strange creatures!"
And he a.s.sumed the position of his second manner, looking at the Baroness with his _Regency_ leer.
"I could almost fancy," she went on, "that you want to visit on him your resentment against the virtue that resisted you--in a woman whom you loved well enough--to--to buy her," she added in a low voice.
"In a divine woman," Crevel replied, with a meaning smile at the Baroness, who looked down while tears rose to her eyes. "For you have swallowed not a few bitter pills!--in these three years--hey, my beauty?"
"Do not talk of my troubles, dear Crevel; they are too much for the endurance of a mere human being. Ah! if you still love me, you may drag me out of the pit in which I lie. Yes, I am in h.e.l.l torment! The regicides who were racked and nipped and torn into quarters by four horses were on roses compared with me, for their bodies only were dismembered, and my heart is torn in quarters----"
Cousin Betty Part 50
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Cousin Betty Part 50 summary
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