Gideon's Band Part 46
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He spoke with his face to his a.s.sociates but with his voice addressed to those other three in the aisle: "We were invited on this boat in pure cowardly malice." (Applause.) "To have our weapons stolen from us by servants and locked up by underlings and to have the boat's ordinary refreshments forbidden us." (Laughter and applause.) "To be thrust into contact with a deadly pestilence and to be insulted or a.s.saulted by hired blackguards on one or another of every deck from forecastle gangway to pilot-house." (Long and loud applause.) "And all this, sirs, we have overlooked; but to be made a public laughing-stock we will not endure if I have to pull every Courteney's nose to stop it!" (Loud laughter and prolonged applause.) Amid the din Ramsey recognized the voice of old Joy moaning with grief and consternation in the gloom behind her, and caught the words of the cub pilot, said for his soul's relief, not dreaming she would hear: "If you two ornery cusses wa'n't Gid Hayle's boys we'd clap you in irons quicker'n you could lick out your tongue."
But amid the same din what, she laughingly, painfully wondered, were the three standers in the aisle so privately, calmly saying together--with the actor as chief speaker, Hugh grim, and the Californian mostly a nodding listener? Was Hugh--whose big eyes and stone visage so drolly fitted each other yet seemed so sadly unfitted to this big emergency--was he insisting that it would be idle for him to go to Basile without the twins, as was only too true? Or that John the Baptist and his two disciples must first be disposed of? Or was it his word that the most pressing need was for the actor, long trained to perceive just what would capture an audience in such a stress, to step between footlights and curtain, tell the people that honest facts had never been more crazily twisted into falsehood and slander, and explain the true situation in a brief, apt speech, dignified and amusing? Certainly something had to be done and done this instant. But not that, ah, no!
Or if that, not done by him, the actor. She could never imagine such a manoeuvre attempted on a boat of her father's, whose sole way of mastery was by pure lords.h.i.+p and main force. Yet here, with these Courteneys, who, he had always said, outmastered him by their clever graciousness, and dealing here not with subordinates but with pa.s.sengers--a living nerve of the river's whole public--talk treatment might be the cleverest, wisest kind to give, if only Hugh--oh, if only Hugh!--could give it. But of course he could not, with that face, that visage, so much _too_ lordly and forceful--and hard--and glum--for a clever task.
Julian ceased. His high head went a shade higher; the Californian was advancing straight upon him. With a pang Ramsey remembered that she had failed to charge the gold hunter not to let the twins know that their brother's summons included Hugh, lest that should keep them away. But surely he would see that necessity; and in fact he did. Hugh stood still, looking in the opposite, her, Ramsey's, direction, where the actor was coming toward her. The old nurse had stolen to her side. The player went by without a glance at her. It was so much like asking why she stood there doing nothing that she granted the old woman's whispered prayer and sat down. Behind her he spoke busily for a second to the cub pilot and pa.s.sed out by a side exit. The pilot's cub came by, had a word or two with the exhorter, and stayed there as if on guard.
Now, for all these small things to happen in the one moment and to happen in the midst of a waiting audience made its show of suspense more vivid than ever; excitement was in all eyes; every chin was lifted. The Californian seemed to tell Julian a startling thing or two. The general rose, the senator helped Lucian to his feet. The four came close about the news bearer and he told more. Ramsey could almost feel his mention of the bishop and then of Basile. Lucian asked a question or two and the five came down the aisle, one pair leading, the other following, and Julian between, alone, overpeering all sitters, with a splendid air of being commander and in the saddle.
XLV
APPLAUSE
Diffidence! Hugh had spoken of diffidence--in himself--in the twins.
Could Julian really be hiding such a thing behind such a mask? Ramsey wondered.
Every eye was on him and again the floor thundered, shaming her, flattering him. As he came on, the exhorter began to put out an arm, to speak and to rise, but the cub pilot blandly intervened and Julian ignored him. For there both brothers came face to face with the first mate. He had entered where Gilmore went out, and now pa.s.sed them with a stare like their own, fire for fire, and at close quarters began to accost the exhorter and his two adherents.
They rose, and with evident change of meaning thunder came again, though not for them. The departing twins and their triple escort; the exhorter and the four about him; Ramsey, Joy, and the returned Gilmore, who just then touched her shoulder and whispered something to which she replied with quick nods of consent--all these groups lifted their gaze, with the whole company's, to the curtained stage.
Diffidence! oh, where _was_ diffidence? Hugh had stepped in behind the footlights and was standing and looking out across them as foursquare and unsmiling as a gravestone.
Their light was on his brow, whose frown smote her with foreboding. Half folded he held a slip of paper as if about to give official notice of some grave matter, and his aggressive eyes, that seemed to her to look a greater distance away from a greater distance within than ever before, were fixed on one man. Absolute silence fell. And thereupon, to the open-mouthed amazement of the audience, with his stare yet on that one face, and in a voice that seemed octaves below hers, he began to sing straight at the exhorter:
"Do you belong to Gideon's ban'?"
A shout of laughter, a rain of clappings, a thunder of canes and feet.
Sitters b.u.mped up and down. They were safe home again in nonsense and were glad. Ramsey's laugh was like a dancer's bells though under cover of the dusk she let the tears roll down. Old Joy moaned and shook her head. John the Baptist had begun to retort but withered before a ferocious m.u.f.fled threat from the mate while following him into the aisle. "Bucked and gagged," was the mate's odd phrase, at which a dozen or so nearest him laughed again, a bit nervously. They looked back to see if the twins had heard it, and were just in time to catch from Julian and the general a last glare of scorn as the group of five left the cabin. Then again came silence, except behind the footlights, where the sphinx-like singer bore straight on through the refrain and came to the new lines. Sing them out, sphinx; the more senseless the better.
"Nex' come de 'c.o.o.n and de c.o.c.katroo, Nex' come de 'c.o.o.n and de c.o.c.katroo, Nex' come de 'c.o.o.n and de c.o.c.katroo, De hawg and de whoopdedoodendoo.
Do you belong----?"
The inquiry was drowned in applause, which swelled as the mate and the exhorter went out with the latter's two backers--more eagle-eyed and stallion-eyed than ever--and with Watson's cub at the rear. A number stretched up for a glimpse of Ramsey but she too--and the actor--and Joy--were gone. There was another waiting hush, and the droll singer, so droll because so granite solemn, resumed:
"Den turkle-dove an' blue-bird blue, Den turkle-dove an' blue-bird blue, Den turkle-dove an' blue-bird blue, De merry-go-roun' and de hullabaloo.
Do you belong----?"
Applause! Was that the end? Not if the applauders could help it! The day was coming when a boiler-deck and pilot-house tradition, heard by many with hearty enjoyment, by many with silent disdain, would be this: that aboard the old _Votaress_ on her first up trip--late spring of '52--cholera on every deck--mutiny hotly smouldering--the unreason of fear and of wrath were beaten in fair fight by the unreason of mirth, and men's, women's, children's lives--no telling how many--were saved, through the cleverness of some play-actors and first the youngest of all the Hayles and then the youngest of all the Courteneys singing a nonsense song! Sing it! sing on!
He sang on:
"Den de grizzly-b'ah and den de mole, De grizzly-b'ah and den de mole, De grizzly-b'ah and den de mole, De terrapintime and de wrigglemarole.
Do you belong----?"
The plaudits were at their height and Hugh still on the interrogative line when there came from behind the curtain a voice skilfully thrown to reach only him:
"Give them one verse more and we'll be ready!"
He gave it:
"Las' de cattlemaran and de curlicue, De cattlemaran and de curlicue, De cattlemaran and de curlicue, De daddy-long-legs and de buggaboo.
Do you belong----?"
He stepped quickly from the "stage." The curtains drew apart. The scene revealed was a drawing-room. In it stood alone, as if playfully listening for something, the housemaid; not "Harriet" but Ramsey.
(Laughter and applause.)
XLVI
AFTER THE PLAY
Neither Hugh nor Ramsey slept a moment that night. And no more did the Gilmores or "Harriet" or John the Baptist or even the senator or the Californian. The play, second act, was cut without mercy and rushed to a close to let its hero and heroine off at Napoleon, which Ned called a "future city" but which, some years later, became a former city, by melting into thin air, or thick water, and leaving not so much behind as a candle-end or a broken bottle.
It was not far above there that these unsleeping pa.s.sengers began to remark a fresh rise in the river's flood, which her "family" and crew had noticed much earlier by a difference in the nature and quant.i.ty of its driftwood. Near the mouth of White River, about an hour's run above Napoleon, a great floating tree stump, with all its roots, was caught on the buckets of the "labboard" wheel--"like a cur on a cow's horn," said Gilmore--and carried clear over it with a sudden hubbub in the paddle-box, tenfold what ten curs could have made, bringing to his feet every pa.s.senger not abed, and scaring awake every sleeping one. Neither Ramsey nor Hugh ever forgot it, for it evoked the last stir in the supine form of Basile, and a faint spasm in his cold grasp on Hugh's fingers. Under his freer hand, on his all but motionless breast, lay his mother's crucifix. Shortly before, while waiting for Hugh's tardy coming, he had held a hand of his sister, whose other held her mother's.
On the edge of the berth, at his feet, sat Lucian, very pale, with Julian standing by him. Both betrayed deep feeling yet kept a brave look that was good to see even with eyes as prejudiced as Hugh's. Only Basile himself was without tears.
How fas.h.i.+ons change! There are styles even in death-bed scenes. This one was of the old fas.h.i.+on, bearing a strong tinge of fatalism; no hopeful make-believe to the dying that death was other than death; no covert, diligent, desperate economies of the vital spark; but a frank, helpless reception of the dread angel as a royal guest, and a pious, inert consent to let the dying die. Before either Hugh or Ramsey could come from the cabin the twins had reached the bedside and had been received with a final lighting up of the boy's spent powers, which his mother made no effort to restrain. In a feeble, altered voice, without heat, scorn, or petulance, with a mind stripped of all its puerilities and full of fraternal care and faithfulness, and with a magisterial dignity far beyond his years, he slowly poured out a measured stream of arraignment and appeal which their hardened hearts were still too young to withstand unmoved.
His conversion, he told them, had come to him with a great light, "on the road to Damascus," and by that light he saw, as he implored them to see, the hideous deformity of the life he and they and the young fellows of their usual companions.h.i.+p had been living. Even Ramsey knew, he continued as she and their old nurse silently reappeared, that by the plainest laws of the land, they were not too good for the penitentiary.
An overweening pride in their lawlessness did not justify or excuse it; the devils had that, in h.e.l.l. They, the twins, were not Christian gentlemen. They were _not gentlemen at all_. They'd shoot a man down in his tracks for saying so, or for calling them liars, yet they'd turn the truth wrong side out every day in the year. These last two days they'd done it right along. At this moment they had a fixed design to kill Hugh Courteney on the first good chance and didn't care a continental whether they did it in face-to-face murder or from behind a bush. Lying at death's door, he said, and in jealousy for the same Hayle name they professed to be so jealous for, he demanded their oath to abandon that design; to stop it, drop it, "right here and now," and never to seek the life of any Courteney but in clear defence of some other life. His own seemed almost to fade out at that point, yet presently:
"Hold up your right hands," he gasped, trying to raise his. The mother lifted it for him while giving the twins a tearful flash of command.
Unconsciously Ramsey put up hers as Lucian's left suddenly caught Julian's right and he held up both it and his own.
But neither the boy nor Ramsey nor the old nurse felt a.s.sured, and all three were glad when the mother asked:
"You swear?"
Julian stood mute but, "With that provision," said Lucian, "we swear."
"So help you G.o.d?" insisted the mother, and while she spoke and the twins bowed, the narrow door let some one in.
"Is that Hugh Courteney?" asked the boy. "You're just in time, Hugh. The feud's off."
"Oh, there's no feud, Basile," tenderly murmured Hugh.
"No, it's off, thank G.o.d. I got it off. The twins have just sworn it off. Shake hands, boys. Come, you first, Jule."
But Lucian led, with a certain alacrity, Julian following with less.
"Now take my hand, Hugh." The voice was failing but once more it rallied. "Give it to him, sis'.... Thank you.... Keep it, Hugh Courteney. I love a brave man's hand. We heard you singing, Hugh. My!
but you've got grit. I wish you belonged to Gideon's band yourself.
You're braver than most men, though most men'll always think they're braver than you."
Gideon's Band Part 46
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Gideon's Band Part 46 summary
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