Maggie, a Girl of the Streets Part 5

"Sure," said Pete, with proper complacence.

A ventriloquist followed the dancer. He held two fantastic dolls on his knees. He made them sing mournful ditties and say funny things about geography and Ireland.

"Do dose little men talk?" asked Maggie.

"Naw," said Pete, "it's some d.a.m.n fake. See?"

Two girls, on the bills as sisters, came forth and sang a duet that is heard occasionally at concerts given under church auspices. They supplemented it with a dance which of course can never be seen at concerts given under church auspices.

After the duettists had retired, a woman of debatable age sang a negro melody. The chorus necessitated some grotesque waddlings supposed to be an imitation of a plantation darkey, under the influence, probably, of music and the moon. The audience was just enthusiastic enough over it to have her return and sing a sorrowful lay, whose lines told of a mother's love and a sweetheart who waited and a young man who was lost at sea under the most harrowing circ.u.mstances. From the faces of a score or so in the crowd, the self-contained look faded. Many heads were bent forward with eagerness and sympathy. As the last distressing sentiment of the piece was brought forth, it was greeted by that kind of applause which rings as sincere.

As a final effort, the singer rendered some verses which described a vision of Britain being annihilated by America, and Ireland bursting her bonds. A carefully prepared crisis was reached in the last line of the last verse, where the singer threw out her arms and cried, "The star-spangled banner." Instantly a great cheer swelled from the throats of the a.s.semblage of the ma.s.ses. There was a heavy rumble of booted feet thumping the floor. Eyes gleamed with sudden fire, and calloused hands waved frantically in the air.

After a few moments' rest, the orchestra played cras.h.i.+ngly, and a small fat man burst out upon the stage. He began to roar a song and stamp back and forth before the foot-lights, wildly waving a glossy silk hat and throwing leers, or smiles, broadcast. He made his face into fantastic grimaces until he looked like a pictured devil on a j.a.panese kite. The crowd laughed gleefully. His short, fat legs were never still a moment. He shouted and roared and bobbed his shock of red wig until the audience broke out in excited applause.

Pete did not pay much attention to the progress of events upon the stage. He was drinking beer and watching Maggie.

Her cheeks were blus.h.i.+ng with excitement and her eyes were glistening.

She drew deep breaths of pleasure. No thoughts of the atmosphere of the collar and cuff factory came to her.

When the orchestra crashed finally, they jostled their way to the sidewalk with the crowd. Pete took Maggie's arm and pushed a way for her, offering to fight with a man or two.

They reached Maggie's home at a late hour and stood for a moment in front of the gruesome doorway.

"Say, Mag," said Pete, "give us a kiss for takin' yeh teh deh show, will yer?"

Maggie laughed, as if startled, and drew away from him.

"Naw, Pete," she said, "dat wasn't in it."

"Ah, what deh h.e.l.l?" urged Pete.

The girl retreated nervously.

"Ah, what deh h.e.l.l?" repeated he.

Maggie darted into the hall, and up the stairs. She turned and smiled at him, then disappeared.

Pete walked slowly down the street. He had something of an astonished expression upon his features. He paused under a lamp-post and breathed a low breath of surprise.

"Gawd," he said, "I wonner if I've been played fer a duffer."

Chapter VIII

As thoughts of Pete came to Maggie's mind, she began to have an intense dislike for all of her dresses.

"What deh h.e.l.l ails yeh? What makes yeh be allus fixin' and fussin'?

Good Gawd," her mother would frequently roar at her.

She began to note, with more interest, the well-dressed women she met on the avenues. She envied elegance and soft palms. She craved those adornments of person which she saw every day on the street, conceiving them to be allies of vast importance to women.

Studying faces, she thought many of the women and girls she chanced to meet, smiled with serenity as though forever cherished and watched over by those they loved.

The air in the collar and cuff establishment strangled her. She knew she was gradually and surely shrivelling in the hot, stuffy room. The begrimed windows rattled incessantly from the pa.s.sing of elevated trains. The place was filled with a whirl of noises and odors.

She wondered as she regarded some of the grizzled women in the room, mere mechanical contrivances sewing seams and grinding out, with heads bended over their work, tales of imagined or real girlhood happiness, past drunks, the baby at home, and unpaid wages. She speculated how long her youth would endure. She began to see the bloom upon her cheeks as valuable.

She imagined herself, in an exasperating future, as a scrawny woman with an eternal grievance. Too, she thought Pete to be a very fastidious person concerning the appearance of women.

She felt she would love to see somebody entangle their fingers in the oily beard of the fat foreigner who owned the establishment. He was a detestable creature. He wore white socks with low shoes. When he tired of this amus.e.m.e.nt he would go to the mummies and moralize over them.

Usually he submitted with silent dignity to all which he had to go through, but, at times, he was goaded into comment.

"What deh h.e.l.l," he demanded once. "Look at all dese little jugs!

Hundred jugs in a row! Ten rows in a case an' 'bout a t'ousand cases!

What deh blazes use is dem?"

Evenings during the week he took her to see plays in which the brain-clutching heroine was rescued from the palatial home of her guardian, who is cruelly after her bonds, by the hero with the beautiful sentiments. The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, rescuing aged strangers from villains.

Maggie lost herself in sympathy with the wanderers swooning in snow storms beneath happy-hued church windows. And a choir within singing "Joy to the World." To Maggie and the rest of the audience this was transcendental realism. Joy always within, and they, like the actor, inevitably without. Viewing it, they hugged themselves in ecstatic pity of their imagined or real condition.

The girl thought the arrogance and granite-heartedness of the magnate of the play was very accurately drawn. She echoed the maledictions that the occupants of the gallery showered on this individual when his lines compelled him to expose his extreme selfishness.

Shady persons in the audience revolted from the pictured villainy of the drama. With untiring zeal they hissed vice and applauded virtue.

Unmistakably bad men evinced an apparently sincere admiration for virtue.

The loud gallery was overwhelmingly with the unfortunate and the oppressed. They encouraged the struggling hero with cries, and jeered the villain, hooting and calling attention to his whiskers. When anybody died in the pale-green snow storms, the gallery mourned. They sought out the painted misery and hugged it as akin.

In the hero's erratic march from poverty in the first act, to wealth and triumph in the final one, in which he forgives all the enemies that he has left, he was a.s.sisted by the gallery, which applauded his generous and n.o.ble sentiments and confounded the speeches of his opponents by making irrelevant but very sharp remarks. Those actors who were cursed with villainy parts were confronted at every turn by the gallery. If one of them rendered lines containing the most subtile distinctions between right and wrong, the gallery was immediately aware if the actor meant wickedness, and denounced him accordingly.

The last act was a triumph for the hero, poor and of the ma.s.ses, the representative of the audience, over the villain and the rich man, his pockets stuffed with bonds, his heart packed with tyrannical purposes, imperturbable amid suffering.

Maggie always departed with raised spirits from the showing places of the melodrama. She rejoiced at the way in which the poor and virtuous eventually surmounted the wealthy and wicked. The theatre made her think. She wondered if the culture and refinement she had seen imitated, perhaps grotesquely, by the heroine on the stage, could be acquired by a girl who lived in a tenement house and worked in a s.h.i.+rt factory.

Chapter IX

A group of urchins were intent upon the side door of a saloon.

Expectancy gleamed from their eyes. They were twisting their fingers in excitement.

"Here she comes," yelled one of them suddenly.

The group of urchins burst instantly asunder and its individual fragments were spread in a wide, respectable half circle about the point of interest. The saloon door opened with a crash, and the figure of a woman appeared upon the threshold. Her grey hair fell in knotted ma.s.ses about her shoulders. Her face was crimsoned and wet with perspiration. Her eyes had a rolling glare.

"Not a d.a.m.n cent more of me money will yehs ever get, not a d.a.m.n cent.