Out Like a Light Part 15

"But didn't they say anything about--"

"They say?" the woman cried. "They say only they have orders from this Lieutenant Lynch. He is lieutenant at police station."

"I know," Malone said gently.

"Lieutenant Lynch wants to ask Mike questions, so police come, take him away." Her English was beginning to lose ground as tears came.

"Lynch asked for him?" Malone said. He frowned. Whatever that meant, he wanted to be there himself. And perhaps he could help the old woman in some way. Anyhow, he would try. She stared up at him Stonily. "Look, Mrs. Fueyo," he said. "I'm going down there to talk to Mike right now.

And if he hasn't done anything, I'll see that he goes home to you. Right away."

Her expression changed a trifle. She did not actually soften, but Malone could feel the grat.i.tude lurking behind her eyes as if it were afraid to come out. She nodded gravely and said nothing at all. He stepped away, and she closed the door without a sound.

He stood staring at the door for a few seconds. Then he turned and punched the elevator b.u.t.ton savagely.

There wasn't any time to lose.

He walked back to the precinct station. Knowing the way, it took him about five minutes instead of the fifteen it had taken him to find the Fueyo residence. But he still felt as if time were pa.s.sing much too fast. He ran up the steps and pa.s.sed right by the desk sergeant, who apparently recognized him, and said nothing as Malone charged up the stairs to Lynch's office.

It was empty.

Malone stared at it and started down the hall again without knowing where he was heading. Halfway to the stairs he met a patrolman. "Where's Lynch?" he asked.

"The lieutenant?"

Malone fumed. "Who else?" he said. "Where is he?"

"Got some kid back in the tank, or somewhere," the patrolman said.

"Asking him a couple of questions, that's all." He added: "Hey, listen, buddy, why do you want to see the lieutenant? You can't just go charging in to--"

Malone was down the stairs before he'd finished. He went up to the desk.

The desk sergeant looked down. "What's it this time?" he said.

"I'm in a hurry," Malone said. "Where are the cells? I want to see Lieutenant Lynch."

The desk sergeant nodded. "O.K.," he said. "But the lieutenant ain't in any of the cells. He's back in Interrogation with some kid."

"Take me there," Malone said.

"I'll show you," the sergeant said. "On duty. Can't leave the desk." He cleared his throat and gave Malone a set of directions.

There was a door at the end of a corridor at the back of the station. It was a plain wooden door with the numeral _1_ stenciled on it. Malone opened it and looked inside.

He was staring into a rather small, rather plain little room. There were absolutely no bright beam lights burning, and there didn't seem to be any rubber hoses around anywhere. There were only four chairs.

Seated in three of the chairs were Lieutenant Lynch and two other police officers. In the fourth chair, facing them, was a young boy.

He didn't look like a tough kid. He had wavy black hair, brown eyes and what Malone thought looked like a generally friendly appearance. He was slight and wiry, not over five feet five or six. And he wore an expression that was neither too eager nor hostile. It wasn't just blank, either; Malone finally pinned it down as Receptive.

He had the strangest impression that he had seen the boy somewhere before. But he couldn't remember when or where.

Lieutenant Lynch was talking.

"... All we want, Mike, is a little information. We thought you'd be able to help us, if you wanted to. Now, how about it?"

"Sure," Mike Fueyo said. His voice was a little high, but it was well controlled and responsive. "Sure, lieutenant. I'll help if I can--but I just don't dig what you're giving me. It doesn't make sense."

Lynch stirred a little impatiently, and his voice began to carry a new bite. "I'm talking about Cadillacs," he said. "1972 Red Cadillacs."

"It's a nice car," Mike said.

"What do you know about them?" Lynch said.

"Know about them?" Mike said. "I know they're nice cars. That's about it. What else am I going to know, lieutenant? Maybe you think I own one of these big red 1972 Caddies. Maybe you think I got that kind of money.

Well, listen, lieutenant, I'd like to help you out, but I'm just not--"

"The Cadillacs," Lynch said, "were--"

"Just a minute, lieutenant," Malone said. Dead silence fell with great suddenness. Lynch and all the others looked around at Malone, who smiled apologetically. "I don't want to disturb anything," he said. "But I would like to talk to Mike here for a little while."

"Oh," Lynch said sourly. "Sure. Sure."

"I'd like to ask him a couple of questions," Malone said. "Alone."

"Alone." Lynch said. "Oh." But there was nothing for him to do, Malone knew, except bow to the inevitable. "Of course," he said. "Go right ahead."

"You can stand outside the door," Malone said. "He won't get away. And you'd better hold this." Malone, knowing perfectly well that staying armed and alone in a room with a suspect was something you just did not do--for very good reasons--unstrapped his .44 Magnum and handed it to the lieutenant.

He left reluctantly, with his men.

Malone could understand Lynch's att.i.tude. If Malone solved the case, Lynch would not get any credit. Otherwise, it might go down in his personal record. And, of course, the NYPD would rather wrap the case up themselves; the FBI was treated as a necessary interference.

Unfortunately, Malone thought, Lynch had had absolutely no choice. He sighed gently, and turned his attention to Mike Fueyo, who was still sitting in his chair.

"Now, Mike--" he began, and was interrupted.

The door opened. Lieutenant Lynch said: "If you need us, Malone, just yell."

"You'll hear me," Malone promised. The door shut.

He turned back to the boy. "Now, Mike," he began again, "my name is Malone, and I'm with the FBI. I'd like to ask you a few--"

"Gee, Mr. Malone," Mike broke in eagerly. "I'm glad you're here."

Malone said: "Well, I--"

"These cops here have been giving me a pretty rough deal, you know?"

Mike said.