Taquisara Part 28

"Shall not?" repeated Veronica, proudly, and instead of retreating she advanced calmly to meet her aunt.

"Would you not rather that I accused you here, and proved you guilty and let you go free, than that I should do as much in a court of justice?

You know what the end of that would be--penal servitude for you both--and unless--" she paused, for she was growing hot and she wished to speak with coolness.

"Unless?" Matilde uttered the one word scornfully, still facing her.

"Unless you will confess the truth, here, before I leave the house, I will do what I can to have you both convicted," said Veronica. "That is your only chance. That or the galleys. Choose. You are thieves and murderers. Choose."

She spoke like a man to those who would have murdered her and had failed, but who had robbed her with impunity for years. Gregorio Macomer's face was all distorted. All at once his maniac laugh broke out. But it stopped suddenly and unexpectedly, and it changed to another sort of laughter--low and not unpleasant to hear, but a little vacant.

Matilde turned her head slowly and gazed at him. He was bending now and resting his elbows on the head of the couch, instead of his hands, and he held his hands themselves opposite to each other, crooking first one finger and then another, and making one finger bow to the other, as children sometimes do, and laughing vacantly to himself, with a queer little chuckle of enjoyment. Veronica stared. Matilde held her breath.

Still he laughed softly.

"Marionettes," he said, looking up at his wife, his little eyes wide open. "Do you see the marionettes? This is Pulcinella. This is his wife.

Do you see how they quarrel? Is it not pretty? I always like to see the marionettes in the streets. Ha! ha! ha! see them!"

And he played with his fingers and made them bob and bow, like little dolls.

"He is ill," said Matilde, in a low, uneasy voice. "Pay no attention to him."

He had always intended to save himself by pretending to go mad, but even Matilde was amazed at his power of acting.

"He will recover," answered Veronica, coldly. "You can still understand me, at all events, even if he cannot. You have your choice. If you tell me the truth, I will not allow any inquiry. I will take over my fortune, if you have left me any, and for the sake of my father's name, I will not bring you to justice, even if you have ruined me. But I warn you--and it is the last time, for I am going--if you still try to deny what I know to be the truth, the prosecution shall begin to-morrow. You will not be able to murder me, for I shall be protected, and with all your abominable courage you are not brave enough to try and kill me here, before I leave this room. No--you are not. I am not afraid of you.

But you have reason to be afraid. You will be convicted. Nothing can save you. Though people do not know me as they knew my father,--though I am only a girl and came to you, straight from the convent,--I know that I have power, and I shall use it. I am not poor Elettra, whom you intended to accuse. I am the Princess of Acireale; I have been your ward; you and your husband have robbed me, and you have tried to murder me. Though I am only a girl, justice will move more quickly for me than it would for you, even if you could call it to help you. Now choose, and waste no time."

While she had been speaking, Macomer had stared at her with an expression of genuine childish amus.e.m.e.nt.

"Poor Pulcinella!" he exclaimed softly. "How your wife can talk, when she is angry! Poor fellow!"

The tone was so natural that Matilde again looked at him uneasily, and moved nearer to him, not answering Veronica.

"Come, Gregorio," she said, "you are ill. Come to your room--you must not stay here."

"I am sorry you do not like the marionettes," he said gravely. "They always amuse me. Stay a little longer."

Veronica supposed that he was ill from the effects of the poisoning and that he was in some sort of delirium. But she did not pity him, and was relentless. She moved nearer to her aunt.

"Answer me!" she said sternly. "This is the last time. If you deny the truth now, I will go to the chief of police at once."

"Oh! poor old Pulcinella!" cried Macomer, laughing gently. "How she gives it to him!"

Matilde was almost distracted.

"You will be arrested at once," said Veronica, pitilessly.

"Never mind, Pulcinella!" exclaimed Macomer. "Courage, my friend! You know you always get away from the policeman! Ha! ha! ha!"

Matilde saw Veronica moving to go to the door. She straightened herself and pointed to her husband.

"Yes," she said. "He did it--and he is mad."

Her voice was firm and clear, for the die was cast. When she had spoken, she turned from them both towards the fireplace, and hid her face in her hands. If he could act his madness out, she, at least, would still be free and alive. Veronica stood still a moment longer, looking back.

"That is the other piece," said Macomer, thoughtfully. "Pulcinella does not go mad in this one. The man has forgotten the parts. It is a pity--it was so amusing."

There was silence for a moment. Matilde did not look round.

"I think he will recover," said Veronica. "But I am glad you have told the truth. I promise that you shall be safe."

In a moment she was gone.

"Just so," said Macomer, speaking to himself. "He forgot the words of the piece, and so he made it end rather abruptly. Let us go home, Matilde, since it is over."

"It is of no use to go on acting insanity before me," answered Matilde, with a bitter sigh, as she raised her face from her hands and moved away from the fireplace, not looking at him.

"That is the reason why Pulcinella's wife disappeared so suddenly," he replied. "You see, there are two pieces which the marionettes act. In the one which begins with the quarrel--"

"I tell you it is of no use to do that!" cried Matilde, angrily, and beginning to walk up and down the room, still keeping her eyes from the face she hated.

"How nervous you are!" he exclaimed, with irritation. "I was only trying to explain--"

"Oh, I know! I know! Keep this acting for the doctors! You will drive me really mad!"

"The doctors?" He stared at her and smiled childishly. "Oh no!" he exclaimed. "The doctor is in the other piece--I was going to explain--"

She turned with a fierce exclamation upon him and grasped his arm, shaking him savagely, as though to rouse him. To her horror, he burst into tears.

"You hurt!" he whined. "You hurt me! Oh, poor little Gregorio!"

He was really mad, and there was no more acting for him, as the tears streamed down his vacant face, which no longer twitched at all.

His mind had broken down under Veronica's relentless accusation and threat of vengeance.

The miserable woman's strength was all but gone, when she sat down, alone in the room with her mad husband, and once more buried her face in her hands.

He whined and cried a little while to himself, and rubbed his arm where she had taken hold so roughly; but presently his tears dried again, and he leaned over the end of the couch on his elbow, and above her bowed, veiled head he crooked his fingers at each other, and made his hands nod and bob to each other, like little dolls, laughing gently, with a chuckle now and then, at the funny things he heard Pulcinella saying to his wife.

That was the end of the attempt to murder Veronica Serra, and that was the end of the old life at the Palazzo Macomer.

CHAPTER XVI.

Veronica was not only merciful but generous to Matilde, when she finally set her own fortune in order. Through Pietro Ghisleri she found an honest and discreet man of business, whose fortune and good name placed him above suspicion, and who arranged matters to her satisfaction, and as far to her advantage as was possible under the circ.u.mstances.

Bosio had possessed a competency, which, as he died intestate, became the inheritance of his brother. But the latter, owing to the time required for the legal formalities, had not been able to get possession of the money before he became insane, and was placed in an asylum at Aversa, where he was probably to remain until he died. Bosio's little fortune remained intact, and the use of it reverted to Matilde Macomer.

Veronica paid Gregorio's expenses at the asylum.