From the Housetops Part 20
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"Take it?" muttered Braden, knowing full well what was to come.
"I have given you the finest education, the finest training that any young man ever had, Braden. You owe a great deal to me, I think you will admit.
Never mind now. Don't thank me. I would not trust my one chance to any of these disinterested butchers. They would not care a rap whether I pulled through or not. With you, it is different. I believe you would-"
"My G.o.d, grandfather, you are not going to ask me to-"
"Sit still! Yes, I am going to ask you to give me that one chance in a million. If you fail, I shall not be here to complain. If you succeed,-well, you will have performed a miracle. You-"
"But there is no possible chance,-not the slightest chance of success,"
cried Braden, the cold sweat running down his face. "I can tell you in advance that it means death to-"
"Nevertheless, it is worth trying, isn't it, my boy?" said Templeton Thorpe softly. "I demand it of you. You are my flesh and blood. You will not let me lie here and suffer like this for weeks and months. It is your duty to do what you can. It is your time to be merciful, my lad."
Braden's face was in his hands. His body was shaking as if in convulsions.
He could not look into the old man's eyes.
"Send for Bates and Bray to-morrow. Tell them that you have decided to operate,-with my consent. They will understand. It must be done at once.
You will not fail me. You will do this for your poor old granddaddy who has loved you well and who suffers to-day as no man in all this world has ever suffered before. I am in agony. Nothing stops the pain. Everything has failed. You _will_ do this for me, Braden?"
The young man raised his haggard face. Infinite pity had succeeded horror in his eyes.
CHAPTER XIII
Simmy Dodge emerged from Sherry's at nine-thirty. He was leaving Mrs.
Fenwick's dinner-dance in response to an appeal from Anne Thorpe, who had sent for him by messenger earlier in the evening. Simmy was reluctant about going down to the house off Was.h.i.+ngton Square; he was const.i.tuted as one of those who shrink from the unwholesomeness of death rather than from its terrors. He was fond of Anne, but in his soul he was abusing her for summoning him to bear witness to the final translation of old Templeton Thorpe from a warm, sensitive body, into a cold, unpleasant hulk. He had no doubt that he had been sent for to see the old man die. While he would not, for the world, have denied Anne in her hour of distress, he could not help wis.h.i.+ng that she had put the thing off till to-morrow. Death doesn't appear so ugly in the daytime. One is spared the feeling that it is stealing up through the darkness of night to lay claim to its prey.
Simmy s.h.i.+vered a little as he stood in front of Sherry's waiting for his car to come up. He made up his mind then and there that when it came time for him to die he would see to it that he did not do it in the night. For, despite the gay lights of the city, there were always sombre shadows for one to be jerked into by the relentless hand of death; there was something appalling about being dragged off into a darkness that was to be dissipated at sunrise, instead of lasting forever.
He left behind him in one of the big private diningrooms a brilliant, high-spirited company of revellers. One of Mrs. Fenwick's guests was Lutie Tresslyn. He sat opposite her at one of the big round tables, and for an hour he had watched with moody eyes her charming, vivacious face as she conversed with the men on either side of her. She was as cool, as self- contained as any woman at the table. There was nothing to indicate that she had not been born to this estate of velvet, unless the freshness of her cheek and the brightness of her eye betrayed her by contrast with the unmistakable haggardness of "the real thing."
She was unafraid. All at once Simmy was proud of her. He felt the thrill of something he could not on the moment define, but which he afterwards put down as patriotism! It was just the sort of thrill, he argued, that you have when the band plays at West Point and you see the cadets come marching toward you with their heads up and their chests out,-the thrill that leaves a smothering, unuttered cheer in your throat.
He thought of Anne Tresslyn too, and smiled to himself. This was Anne Tresslyn's set, not Lutie's, and yet here she was, a trim little warrior, inside the walls of a fortified place, hobn.o.bbing with the formidable army of occupation and staring holes through the uniforms of the General Staff!
She sat in the Tresslyn camp, and there were no other Tresslyns there. She sat with the Wintermills, and-yes, he had to admit it,-she had winked at him slyly when she caught his eye early in the evening. It was a very small wink to be sure and was not repeated.
The night was cold. His chauffeur was not to be found by the door-men who ran up and down the line from Fifth to Sixth Avenue for ten minutes before Simmy remembered that he had told the man not to come for him until three in the morning, an hour at which one might reasonably expect a dance to show signs of abating.
He was on the point of ordering a taxi-cab when his attention was drawn to a figure that lurked well back in the shadows of the Berkeley Theatre down the street-a tall figure in a long ulster. Despite the darkness, Simmy's intense stare convinced him that it was George Tresslyn who stood over there and gazed from beneath lowered brows at the bright doorway. He experienced a chill that was not due to the raw west wind. There was something sinister about that big, motionless figure, something portentous of disaster. He knew that George had been going down the hill with startling rapidity. On more than one occasion he had tried to stay this downward rush, but without avail. Young Tresslyn was drinking, but he was not carousing. He drank as unhappy men drink, not as the happy ones do. He drank alone.
For a few minutes Simmy watched this dark sentinel, and reflected. What was he doing over there? What was he up to? Was he waiting for Lutie to come forth from the fortified place? Was there murder and self-murder in the heart of this unhappy boy? Simmy was a little man but he was no coward. He did not hesitate long. He would have to act, and act promptly.
He did not dare go away while that menacing figure remained on guard. The police, no doubt, would drive him away in time, but he would come back again. So Simmy Dodge squared his shoulders and marched across the street, to face what might turn out to be a ruthless lunatic-the kind one reads about, who kill their best friends, "and all that sort of thing."
It was quite apparent that the watcher had been observing him. As Simmy came briskly across the street, Tresslyn moved out of his position near the awning and started westward, his shoulders hunched upward and his chin lowered with the evident desire to prevent recognition. Simmy called out to him. The other quickened his steps. He slouched but did not stagger, a circ.u.mstance which caused Simmy a sharp twinge of uneasiness. He was not intoxicated. Simmy's good sense told him that he would be more dangerous sober than drunk, but he did not falter. At the second shout, young Tresslyn stopped. His hands were thrust deep into his overcoat pockets.
"What do you want?" he demanded thickly, as the dapper little man came up and extended his hand. Simmy was beaming, as if he suddenly had found a long lost friend and comrade. George took no notice of the friendly hand.
He was staring hard, almost savagely at the other's face. Simmy was surprised to find that his cheeks, though sunken and haggard, were cleanly shaved, and his general appearance far from unprepossessing. In the light from a near-by window, the face was lowering but not inflamed; the eyes were heavy and tired-looking-but not bloodshot.
"I thought I recognised you," said Simmy glibly.
"Much obliged," said George, without the semblance of a smile.
Simmy hesitated. Then he laid his hand on George's arm. "See here, George, this will not do. I think I know why you are here, and-it won't do, old chap."
"If you were anybody else, Dodge, I'd beat your head off," said George slowly, as if amazed that he had not already done so. "Better go away, Simmy, and let me alone. I'm all right. I'm not doing any harm, am I, standing out here?"
"What do you gain by standing here in the cold and-"
"Never mind what I gain. That's my affair," said George, his voice shaking in spite of its forced gruffness.
Simmy was undaunted. "Have you been drinking to-night?"
"None of your d.a.m.ned business. What do you mean by-"
"I am your friend, George," broke in Simmy earnestly. "I can see now that you've had a drink or two, and you-"
"I'm as sober as you are!"
"More so, I fear. I've had champagne. You-"
"I am not drunk all of the time, you know," snarled George.
"Well, I'm glad to hear it," said Simmy cheerfully.
"I hate the stuff,-hate it worse than anything on earth except being sober. Good night, Simmy," he broke off abruptly.
"That dance in there won't be over before three o'clock," said Simmy shrewdly. "You're in for a long wait, my lad."
George groaned. "Good Lord, is it-is it a dance? The papers said it was a dinner for Lord and Lady-"
"Better come along with me, George," interrupted Simmy quietly. "I'm going down to Anne's. She has sent for me. It's the end, I fancy. That's where you ought to be to-night, Tresslyn. She needs you. Come-"
Young Tresslyn drew back, a look of horror in his eyes. "Not if I know myself," he muttered. "You'll never get me inside that house again.
Why,-why, it's more than I could stand, Simmy. That old man tried-but, never mind. I can't talk about it. There's one thing sure, though: I wouldn't go near him again for all the money in New York,-not I."
"I sha'n't insist, of course. But I do insist on your getting away from here. You are not to annoy Lutie. She's had trouble enough and you ought to be man enough to let her alone."
George stared at him as if he had not heard aright. "Annoy her? What the devil are you talking about?"
"You know what I'm talking about. Oh, don't glare at me like that. I'm not afraid of you, big as you are. I'm trying to put sense into your head, that's all, and you'll thank me for it later on, too."
"Why, I-I wouldn't annoy her for all the world, Simmy," said George, jerkily. "What do you take me for? What kind of a-"
"Then, why are you here?" demanded Simmy "It looks bad, George. If it isn't Lutie, who is it you're after?"
The other appeared to be dazed. "I'm not after any one," he mumbled.
From the Housetops Part 20
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From the Housetops Part 20 summary
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