Three Plays Part 35
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DINA. There, Nunky, what have you to say to that? And you've been trying to defend him all along!
SIRELLI (_staring in astonishment at Laudisi_). Trying to defend that man? Really....
LAUDISI. Defending him? No! I am not defending anybody. All I'm saying, if you ladies will excuse me, is that all this gossip is not worthy of you. More than that, you are just wasting your breath; because, so far as I can see, you're not getting anywhere at all.
SIRELLI. I don't follow you, sir!
LAUDISI. You're getting nowhere, my charming ladies!
SIGNORA CINI. But we're trying to get somewhere--we are trying to find out!
LAUDISI. Excuse me, what can you find out? What can we really know about other people--who they are--what they are--what they are doing, and why they are doing it?
SIGNORA SIRELLI. How can we know? Why not? By asking, of course! You tell me what you know, and I tell you what I know.
LAUDISI. In that case, madam, you ought to be the best informed person in the world. Why, your husband knows more about what others are doing than any other man--or woman, for that matter--in this neighborhood.
SIRELLI (_deprecatingly but pleased_). Oh I say, I say....
SIGNORA SIRELLI (_to her husband_). No dear, he's right, he's right. (_Then turning to Amalia_): The real truth, Amalia, is this: for all my husband says he knows, I never manage to keep posted on anything!
SIRELLI. And no wonder! The trouble is--that woman never trusts me! The moment I tell her something she is convinced it is not _quite_ as I say. Then, sooner or later, she claims that it _can't_ be as I say. And at last she is certain it is the exact opposite of what I say!
SIGNORA SIRELLI. Well, you ought to hear all he tells me!
LAUDISI (_laughing aloud_). Hah! Hah! Hah! Hah! Hah! Hah!
Hah! May I speak, madam? Let me answer your husband. My dear Sirelli, how do you expect your wife to be satisfied with things as you explain them to her, if you, as is natural, represent them as they seem to you?
SIGNORA SIRELLI. And that means--as they cannot possibly be!
LAUDISI. Why no, Signora, now you are wrong. From your husband's point of view things are, I a.s.sure you, exactly as he represents them.
SIRELLI. As they are in reality!
SIGNORA SIRELLI. Not at all! You are always wrong.
SIRELLI. No, not a bit of it! It is you who are always wrong. I am always right.
LAUDISI. The fact is that neither of you is wrong. May I explain? I will prove it to you. Now here you are, you, Sirelli, and Signora Sirelli, your wife, there; and here I am. You see me, don't you?
SIRELLI. Well ... er ... yes.
LAUDISI. Do you see me, or do you not?
SIRELLI. Oh, I'll bite! Of course I see you.
LAUDISI. So you see me! But that's not enough. Come here!
SIRELLI (_smiling, he obeys, but with a puzzled expression on his face as though he fails to understand what Laudisi is driving at_). Well, here I am!
LAUDISI. Yes! Now take a better look at me.... Touch me!
That's it--that's it! Now you are touching me, are you not?
And you see me! You're sure you see me?
SIRELLI. Why, I should say....
LAUDISI. Yes, but the point is, you're sure! Of course you're sure! Now if you please, Signora Sirelli, you come here--or rather ... no ... (_gallantly_) it is my place to come to you! (_He goes over to Signora Sirelli and kneels chivalrously on one knee_). You see me, do you not, madam?
Now that hand of yours ... touch me! A pretty hand, on my word! (_He pats her hand_).
SIRELLI. Easy! Easy!
LAUDISI. Never mind your husband, madam! Now, you have touched me, have you not? And you see me? And you are absolutely sure about me, are you not? Well now, madam, I beg of you; do not tell your husband, nor my sister, nor my niece, nor Signora Cini here, what you think of me; because, if you were to do that, they would all tell you that you are completely wrong. But, you see, you are really right; because I am really what you take me to be; though, my dear madam, that does not prevent me from also being really what your husband, my sister, my niece, and Signora Cini take me to be--because they also are absolutely right!
SIGNORA SIRELLI. In other words you are a different person for each of us.
LAUDISI. Of course I'm a different person! And you, madam, pretty as you are, aren't you a different person, too?
SIGNORA SIRELLI (_hastily_). No siree! I a.s.sure you, as far as I'm concerned, I'm always the same always, yesterday, today, and forever!
LAUDISI. Ah, but so am I, from my point of view, believe me!
And, I would say that you are all mistaken unless you see me as I see myself; but that would be an inexcusable presumption on my part--as it would be on yours, my dear madam!
SIRELLI. And what has all this rigmarole got to do with it, may I ask?
LAUDISI. What has it got to do with it? Why ... I find all you people here at your wits' ends trying to find out who and what other people are; just as though other people had to be this, or that, and nothing else.
SIGNORA SIRELLI. All you are saying is that we can never find out the truth! A dreadful idea!
SIGNORA CINI. I give up! I give up! If we can't believe even what we see with our eyes and feel with our fingers....
LAUDISI. But you must understand, madam! Of course you can believe what you see with _your_ eyes and feel with _your_ fingers. All I'm saying is that you should show some respect for what other people see with their eyes and feel with their fingers, even though it be the exact opposite of what you see and feel.
SIGNORA SIRELLI. The way to answer you is to refuse to talk with you. See, I turn my back on you! I am going to move my chair around and pretend you aren't in the room. Why, you're driving me crazy, crazy!
LAUDISI. Oh, I beg your pardon. Don't let me interfere with your party. Please go on! Pray continue your argument about Signora Frola and Signor Ponza--I promise not to interrupt again!
AMALIA. You're right for once, Lamberto; and I think it would be even better if you should go into the other room.
DINA. Serves you right, Nunky! Into the other room with you, into the other room!
LAUDISI. No, I refuse to budge! Fact is, I enjoy hearing you gossip; but I promise not to say anything more, don't fear!
At the very most, with your permission, I shall indulge in a laugh or two.
SIGNORA SIRELLI. How funny ... and our idea in coming here was to find out.... But really, Amalia, I thought this Ponza man was your husband's secretary at the Provincial building.
AMALIA. He is his secretary--in the office. But here at home what authority has Agazzi over the fellow?
SIGNORA SIRELLI. Of course! I understand! But may I ask ...
haven't you even tried to see Signora Frola, next door?
Three Plays Part 35
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Three Plays Part 35 summary
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