Choice Specimens of American Literature, and Literary Reader Part 33

I saw, the other day, a vessel which had been wrecked, and many lives lost, and her cargo of rags, juniper-berries, and bitter almonds, was strewn along the sh.o.r.e. It seemed hardly worth the while to tempt the dangers of the sea between Leghorn and New York, for the sake of a cargo of juniper-berries and bitter almonds. America sending to the Old World for her bitters! Is not the sea-brine,--is not s.h.i.+pwreck, bitter enough, to make the cup of life go down here? Yet such, to a great extent, is our boasted commerce; and there are those who style themselves statesmen and philosophers who are so blind as to think that progress and civilization depend on precisely this kind of interchange and activity,--the activity of flies about a mola.s.ses-hogshead. Very well, observes one, if men were oysters. And very well, answer I, if men were mosquitoes.

Lieutenant Herndon, whom our Government sent to explore the Amazon, and, it is said, to extend the area of Slavery, observed that there was wanting there "an industrious and active population, who know what the comforts of life are, and who have artificial wants to draw out the great resources of the country." But what are the "artificial wants" to be encouraged? Not the love of luxuries, like the tobacco and slaves of, I believe, his native Virginia, nor the ice and granite and other material wealth of our native New England; nor are "the great resources of a country" that fertility or barrenness of soil which produces these.

The chief want, in every State that I have been into, was a high and earnest purpose in its inhabitants. This alone draws out "the great resources" of Nature and at last taxes her beyond her resources; for man naturally dies out of her. When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed and drawn out, and the result, or staple production, is, not slaves, nor operatives, but men,--those rare fruits called heroes, saints, poets, philosophers, and redeemers.

=_Elisabeth F. Ellett, 1818-._= (Manual, pp. 484, 490.)

From "Pioneer Women of the West"

=_234._= ESCAPE OF MARY BLEDSOE FROM THE INDIANS.

It was not consistent with Spencer's chivalrous character to attempt to save himself by leaving his companion to the mercy of the foe. Bidding her retreat as fast as possible, and encouraging her to keep her seat firmly, he protected her by following more slowly in her rear, with his trusty rifle in his hand. When the Indians in pursuit came too near, he would raise his weapon as if to fire; and as he was known to be an excellent marksman, the savages were not willing to encounter him, but hastened to the shelter of trees, while he continued his retreat. In this manner he kept them at bay for some miles, not firing a single shot--for he knew that his threatening had more effect--until Mrs.

Bledsoe reached a station. Her life and his own, were, on this occasion, saved by his prudence and presence of mind; for both would have been lost had he yielded to the temptation to fire....

Bereaved of her husband, sons, and brother-in-law, by the murderous savages, Mrs. Bledsoe was obliged to undertake not only the charge of her husband's estate, but the care of the children, and their education and settlement in life. These duties were discharged with unwavering energy and Christian patience.... The record of her worth, and of what she did and suffered, may win little attention from the careless many, who regard not the memory of our "pilgrim mothers;" but the recollection of her gentle virtues has not yet faded from the hearts of her descendants, and those to whom they tell the story of her life will acknowledge her the worthy companion of those n.o.ble men to whom belongs the praise of having originated a new colony, and built up a goodly state in the bosom of the forest. Their patriotic labors, their struggles with the surrounding savages, their efforts in the maintenance of the community they had founded,--sealed, as they finally were, with their own blood, and the blood of their sons and relatives,--will never be forgotten while the apprehension of what is n.o.ble, generous, and good, survives in the hearts of their countrymen.

=_James Jackson Jarves, 1818-._= (Manual, p. 531.)

From "Art Hints."

=_235._= THE ART IDEA.

The first duty of art, as we have already intimated, is to make our public buildings and places, as instructive and enjoyable as possible.

They should be pleasurable, full of attractive beauty and eloquent teachings. Picturesque groupings of natural objects, architectural surprises, sermons from the sculptor's chisel and the painter's palette, the ravishment of the soul by its superior senses, the refinement of mind and body by the sympathetic power of beauty,--these are a portion of the means which a due estimation of art, as an element of civilization, inspires the ruling will to provide freely for all. If art be kept a rare and tabooed thing, a specialty for the rich and powerful, it excites in the vulgar mind, envy and hate; but proffer it freely to the public, and the public soon learns to delight in and protect it as its rightful inheritance. It also tends to develop a brotherhood of thought and feeling. During the civil strifes of Italy, art flourished and was respected. Indeed, to some extent, it operated as a sort of peace society, and was held sacred when nothing else was. Even rude soldiers, amid the perils and necessities of sieges, turned aside destruction from the walls that sheltered it. The history of art is full of records of its power to soften and elevate the human heart. As soon would man, were it possible, mar one of G.o.d's sunsets, as cease to respect what genius has confided to his care, when once his mind has been awakened to its meaning.

The desire for art being awakened, museums to ill.u.s.trate its technical and historical progress, and galleries to exhibit its master-works, become indispensable. In the light of education, appropriations for such purposes are as much a duty of the government as for any other purpose connected with the true welfare of the people; for its responsibilities extend over the entire social system.

=_Edwin P. Whipple, 1819-._= (Manual, p. 501.)

From "Literature and Life."

=_236._= WIT AND HUMOR IN LITERATURE.

Every student of English theological literature knows that much of its best portions gleams with wit. Five of the greatest humorists that ever made the world ring with laughter were priests,--Rabelais, Scarron, Swift, Sterne, and Sydney Smith. The prose works of Milton are radiant with satire of the sharpest kind. Sydney Smith, one of the most benevolent, intelligent and influential Englishmen of the nineteenth century, a man of the most accurate insight and extensive information, embodied the large stores of his practical wisdom in almost every form of the ludicrous. Many of the most important reforms in England are directly traceable to him. He really laughed his countrymen out of some of their most cherished stupidities of legislation.

And now let us be just to Mirth. Let us be thankful that we have in Wit a power before which the pride of wealth and the insolence of office are abased; which can transfix bigotry and tyranny with arrows of lightning; which can strike its object over thousands of miles of s.p.a.ce, across thousands of years of time; and which, through its sway over an universal weakness of man, is an everlasting instrument to make the bad tremble and the foolish wince. Let us be grateful for the social and humanizing influences of Mirth. Amid the sorrow, disappointment, agony, and anguish of the world,--over dark thoughts and tempestuous pa.s.sions, the gloomy exaggerations of self-will, the enfeebling illusions of melancholy,--Wit and Humor, light and lightning, shed their soft radiance, or dart their electric flash. See how life is warmed and illumined by Mirth! See how the beings of the mind, with which it has peopled our imaginations, wrestle with the ills of existence,--feeling their way into the harshest or saddest meditations, with looks that defy calamity; relaxing muscles made rigid with pain; hovering o'er the couch of sickness, with suns.h.i.+ne and laughter in their beneficent faces; softening the austerity of thoughts whose awful shadows dim and darken the brain,--loosening the gripe of Misery as it tugs at the heart-strings! Let us court the society of these gamesome, and genial, and sportive, and sparkling beings,--whom Genius has left to us as a priceless bequest; push them not from the daily walks of the world's life: let them scatter some humanities in the sullen marts of business; let them glide in through the open doors of the heart; let their glee lighten up the feast, and gladden the fireside of home:

"That the night may be filled with music, And the cares that infest the day May fold their tents, like the Arabs, And as silently steal away."

=_Jane T.L. Worthington,-1847._= (Manual, p. 524.)

From "Love Sketches."

=_237._= THE SISTERS.

The sisters were together, together for the last time in the happy home of their childhood. The window before them was thrown open, and the shadows of evening were slowly pa.s.sing from each familiar outline on which the gazers looked. They were both young and fair; and one, the elder, wore that pale wreath the maiden wears but once. The accustomed smile had forsaken her lip now, and the orange-flowers were scarcely whiter than the cheek they shaded. The sister's hands were clasped in each other, and they sat silently watching the gradual brightening of the crescent moon, and the coming forth, one by one, of the stars. Not a cloud was floating in the quiet sky; the light wind hardly stirred the young leaves, and the air was fraught with the fragrance of early spring flowers. It was the hour when reverie is deepest, and fantasies have the earnestness of truth, when memory is melancholy in its vividness, and we feel, "almost like a reality," the presence of those who may bless our pathway no more. The loved, the lost--

"So many, yet how few!"--

gather around us, not as they are, chastened and troubled by battling with trials and disappointments, but as they used to be, in the glow of unwearied expectation. Old fears flit before us altered into pleasures, and old hopes return bathed in tears.

=_Alice Cary, 1820-1871._= (Manual, p. 484.)

From "Clovernook."

=_238._= THE END OF THE HISTORY.

And so with the various seasons of the year. May, with her green lap full of sprouting leaves and bright blossoms, her song-birds making the orchards and meadows vocal, and rippling streams and cultivated gardens; June, with full-blown roses and humming-bees, plenteous meadows and wide cornfields, with embattled lines rising thick and green; August, with reddened orchards and heavy-headed harvests of grain, October, with yellow leaves and swart shadows; December, palaced in snow, and idly whistling through his numb fingers;-all have their various charm; and in the rose-bowers of summer, and as we spread our hands before the torches of winter, we say joyfully, "Thou hast made all things beautiful in their time." We sit around the fireside, and the angel feared and dreaded by us all comes in, and one is taken from our midst. Hands that have caressed us, locks that have fallen over us like a bath of beauty, are hidden beneath shroud-folds. We see the steep edges of the grave, and hear the heavy rumble of the clods; and, in the burst of pa.s.sionate grief, it seems that we can never still the crying of our hearts. But the days rise and set, dimly at first, and seasons come and go, and, by little and little, the weight rises from the heart, and the shadows drift from before the eyes, till we feel again the spirit of gladness, and see again the old beauty of the world.

=_Donald G. Mitch.e.l.l, 1822-._= (Manual, pp. 504, 531.)

From "Wayside Hints."

=_239._= A TALK ABOUT PORCHES.

A country house without a porch is like a man without an eyebrow; it gives expression, and gives expression where you most want it. The least office of a porch is that of affording protection against the rain-beat and the sun-beat. It is an interpreter of character; it humanizes bald walls and windows; it emphasizes architectural tone; it gives hint of hospitality; it is a hand stretched out (figuratively and lumberingly, often) from the world within to the world without.

At a church door even, a porch seems to me to be a blessed thing, and a most worthy and patent demonstration of the overflowing Christian charity, and of the wish to give shelter. Of all the images of wayside country churches which keep in my mind, those hang most persistently and agreeably, which show their jutting, defensive rooflets to keep the brunt of the storm from the church-goer while he yet fingers at the latch of entrance.

I doubt if there be not something beguiling in a porch over the door of a country shop--something that relieves the odium of bargaining, and imbues even the small grocer with a flavor of cheap hospitalities. The verandas (which is but a long translation of porch) that stretch along the great river front of the Bellevue Hospital diffuse somehow a gladsome cheer over that prodigious caravansery of the sick; and I never see the poor creatures in their bandaged heads and their flannel gowns, enjoying their convalescence in the suns.h.i.+ne of those exterior corridors, but I reckon the old corridors for as much as the young doctors, in bringing them from convalescence into strength, and a new fight with the bedevilments of the world.

What shall we say, too, of inn porches? Does anybody doubt their fitness? Is there any question of the fact--with any person of reasonably imaginative mood--that Falstaff and Nym and Bardolph, and the rest, once lolled upon the benches of the porch that overhung the door of the Boar's Head Tavern, Eastcheap? Any question about a porch, and a generous one, at the Tabard, Southwark--presided over by that wonderful host who so quickened the story-telling humors of the Canterbury pilgrims of Master Chaucer?

Then again, in our time, if one were to peel away the verandas and the exterior corridors from our vast watering-place hostelries, what an arid baldness of wall and of character would be left! All sentiment, all glowing memories, all the music of girlish footfalls, all echoes of laughter and banter and rollicking mirth, and tenderly uttered vows would be gone.

King David when he gave out to his son Solomon the designs for the building of the Temple, included among the very first of them, (1 Chron.

XXVIII. 11) the "pattern of a porch." It is not, however, of porches of s.h.i.+ttim-wood and of gold, that I mean to talk just now--nor even of those elaborate architectural features which will belong of necessity to the entrance-way of every complete study of a country house. I plead only for some little mantling hood about every exterior door-way, however humble.

There are hundreds of naked, vulgar-looking dwellings, scattered up and down our country highroads, which only need a little deft and adroit adaptation of the hospitable feature which I have made the subject of this paper, to a.s.sume an air of modest grace, in place of the present indecorous exposure of a wanton.