The Twelfth Hour Part 8

To Felicity, the party was, like all entertainments, a kind of arena.

What is commonly called flirting, and what _she_ called bowling people over, she regarded as a species of field-sport. Her heart might ache a little under the Watteau-ish dress, because it appeared that nothing on earth would induce darling Chetwode to return from Newmarket. When Sylvia said gently she feared wild horses would not persuade him to come back, Felicity answered, with some show of reason, that wild horses were not likely to try. Indeed, little Felicity was rather depressed. What was the fun of bowling people over, like so many ninepins, unless dear Chetwode, her usual admiring audience, were there to see them overthrown? However, no doubt, it would be fun. Felicity's view of life was that it was great fun. As she had never had any real troubles, she had not yet discovered that a sense of humour adds acutely to one's sufferings at the time, though it may help recovery. To see the absurdity of a grief increases it. It entirely prevents that real enjoyment in magnifying one's misfortunes in order to excite sympathy--an attribute so often seen in women, from char-woman to d.u.c.h.ess. But Felicity was not destined to misfortune. Ridokanaki sometimes compared her to a ray of suns.h.i.+ne, and her sister to a moonbeam. The comparison, if not startlingly original, was fairly just.

Felicity retorted by saying that the Greek was like a wax-candle burnt at both ends and in the middle, while Woodville resembled a carefully shaded electric light. She was anxious to know the words in which Ridokanaki would propose, and had already had several rehearsals of the scene with her sister, inducing Sylvia sometimes to refuse and sometimes to accept, just to see how it went. Felicity said that if he were rejected the marriage would in the end be a certainty, as a little difficulty would gratify and surprise him, and make him "_bother about it_" more. Everything was generally made so easy for him that he would certainly enjoy a little trouble, and the idea of obtaining a girl rather against her inclination would be sure to appeal to him.

Opposition in such matters is always attractive to a spirited second-rate man.

All the preparations being complete, Woodville, part of whose absurd duties was to make quant.i.ties of unnecessary lists and go over the wine, went, the day before the party, to see a friend of his, where the atmosphere was so entirely different from his own that he regarded these visits as a change of air.

"Mr. Mervyn in?"

"Oh yes, sir. There's a rehearsal to-day. So Mr. Mervyn has lunched early."

A deep voice called from the inner room--

"Hallo, Frank! Come in, old chap!"

Arthur Mervyn had been at school and at Balliol with Woodville, and was one of his favourite companions. The only son of a great tragic actor, he possessed much of the genius of his late father, from whom he inherited, also, his finely-cut features, like some old ivory carving, his coal-black hair, and that sweet, humorous, yet sardonic smile that relieved, like a sparkle in dark waters, his somewhat sinister good looks.

Arthur Mervyn lived in a large, luxuriously furnished flat in Bloomsbury. The decorations were miracles of Morris: obviously they dated back about twenty years ago. Mervyn was not, however, a young man who was keen about his surroundings: he was indifferent to them; they had been chosen by his father, to whom background and all visible things had been of the first importance. The faintly outlined involuted plants on the wall-papers, the black oak friezes and old prints gave Arthur neither more nor less pleasure than he would have received from striped silk, white paint, and other whims of Waring. There were no swords, foils, signed photographs of royalties, pet dogs, or babies, invitation cards on the mantelpiece, nor any of the other luxuries usually seen in ill.u.s.trated papers as characteristic of "Celebrities at Home". A palm, on its last legs, draped in shabby green silk, was dying by the window.

The gloom was mitigated by an air of cosiness. There were books, first-rate and second-hand. Books (their outsides) were a hobby with Mervyn. Smoking in this den seemed as natural as breathing, and rather easier, though its owner never touched tobacco. On the Chesterfield sofa there was one jarring note. It was a new, perfectly clean satin cus.h.i.+on, of a brilliant salmon-pink, covered with embroidered muslin. Evidently it was that well-known womanly touch that has such a fatal effect in the rooms of a young man.

Woodville found Mervyn neither studying a part, reading his notices, nor looking in the gla.s.s. He had, as usual, the n.o.ble air of a student occupied with an Idea, and seemed absorbed.

"I say, Woodville, what do you think I've got?"

"A piece of rope that somebody wasn't hanged with?" asked Woodville.

Arthur's curious craze for souvenirs of crime was a standing joke with them both.

"Better than that, old chap!" Mervyn spoke slowly, and always paused between each sentence. "What do you think I did yesterday? You know Jackson--chap who murdered people in a farm? I found out where he went to school in the north of England--and I said to myself--this fellow must have been photographed in a group as a boy."

There was a pause, disproportionately long.

"Sort of thing you _would_ say to yourself," said Woodville a little irritably, as he lit a cigarette.

"Yes!--I took the 2.15--awful train. I went up there and went all over the school, called at the photographers--and actually got the group!

And--there you are!"

Mervyn seemed very animated on the subject, and clapped his friend several times on the back with short, delighted laughs.

"By Jove!" said Woodville, looking at the photograph.

"Why do you say 'By Jove!'?" asked Mervyn suspiciously.

"Why? Well! I must say _something_! You always show me things on which no other comment is possible but an exclamation, or you tell me things so unanswerable that there's nothing to say at all."

"So I do," admitted Mervyn, smiling, as he locked away the souvenir.

Then he sat down, and his animation dropped to a calmness bordering on apathy.

"And how are you getting on?"

"Not at all."

"Aren't you, though?" Mervyn pushed the matches sympathetically towards his friend, and seemed to fall into a reverie. Then he suddenly said, brightly: "I say, Woodville, you want cheering up. Come with me and see...."

"My dear chap, I'm not in the mood for theatres."

"Frank!" His friend looked at him with hurt reproach. "As though I'd _let_ you see me in this new thing they're bringing out! No.--But I've got a seat at the Old Bailey for to-morrow morning to see the trial;--I think I could take you."

Woodville smiled.

"I appreciate immensely your methods of cheering people, Arthur, and I know what that offer is from you. But I really don't care about it."

"Don't you?--What _do_ you care about?"

Woodville was silent. Then Mervyn said suddenly, "I say, how's Miss Crofton and her sister? I like little Lady Chetwode awfully. She's a pretty little thing, awfully amusing, and quite clever.--She's very keen on crime, too, you know."

"Oh no, nonsense, Arthur! She only pretends to be, to humour you. It's chaff. She hates it, really."

"Hates it! Does she, though?--Well, anyhow she promised to go with me to the Chamber of Horrors one day. Make up a party, you know. And she says she thinks all the criminals there have the most wonderful faces physiognomically; benevolent foreheads, kindly eyes, and that sort of thing; and then she said, well, perhaps any one _would_ look good with such lovely complexions as they have! She says _she_ would have been taken in! She would have engaged all the Hannahs--she says that murderesses are always called Hannah--as housekeepers, they looked so respectable--except for the gla.s.sy eye. Oh, we had a long talk. Yes, and she'll bring her sister. You might come, too, one afternoon."

"Oh, of course I'll come. It would be rather jolly," said Woodville.

"Well, when this new thing is once out we'll fix it up, eh? I shall see Lady Chetwode to-morrow--at your party."

"Oh, are you coming?"

"Oh, yes I'm going. Every one's going."

At this moment they heard outside the house a tremendous uproar, the snorting, panting, puffing, and agonised throbbing that could only proceed from a motor in distress.

"Who's that?" said Woodville, going to look out of the window.

Mervyn closed his eyes and leant back in his chair.

"It's nothing," he said. "It's Bertie--Bertie Wilton, you know."

"Oh! Good. Bertie's always exhilarating."

CHAPTER VI

AN AGREEABLE RATTLE

A moment later there entered the room a slim, good-looking young man of about twenty-five years old, whose eyes were very bright and whose clothes were very smart, and who gave the impression of being at once in the highest spirits and at least a year in advance of the very latest expression of the mode. He was very fair, clean shaven, with smooth blond hair, white teeth, and the most mischievous smile in London.

Bertie Wilton had the reputation of being the wittiest of all the dandies, but his one great weakness was a mania for being _dans le mouvement_, and a certain contempt for any ideas, however valuable, that had been suggested earlier than, say, yesterday afternoon. Extremely good-natured, lively, and voluble, he was immensely popular, being considered, as indeed he was, one of the last of the conversationalists.