Every Boy's Book: A Complete Encyclopaedia of Sports and Amusements Part 12

BATTLEDORE AND SHUTTLEc.o.c.k.

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This game is so well known as to require but little remark. The Battledores may be purchased at the toy-shops, as may also be the c.o.c.ks; but many of our young friends who know anything about carpentry may easily make both for themselves. The Battledores can be cut out with a key-hole saw into the subjoined shape. They should be about a quarter of an inch thick, the handles about six inches long, and the "spades" of about five inches long, and five broad. The Shuttlec.o.c.k may be made by cutting a piece of cork into the following form, and placing a small bra.s.s nail at its lower end. The top should be plumed with five feathers standing outwards from the rim, being fastened by a little gum into small holes cut therein. The practice of the game is for two players to beat the c.o.c.k backwards and forwards from one to the other, and the one that lets it fall, by failing to strike it with his bat, is to give to the other a pea, bead, pin, or some other small article. Some foreigners, particularly the Chinese, play at this game with the toes, hands, elbows, and other parts of the body, and will keep the c.o.c.ks up in a most amusing manner, in the midst of many grotesque gestures.

BANDILOR.

This toy is simply a wheel or pulley of hard wood, having a very deep groove, round which a strong but fine cord is wound. The player holds the free end of the cord between his finger and thumb, gives a rapid rotatory motion to the bandilor, by allowing it to fall towards the ground; by a sudden jerk he now tightens the cord in the groove, and the toy rises towards his hand. A little practice will enable any one to keep the bandilor in motion for a considerable time by causing it to rise and fall alternately.

CUP AND BALL.

A ball of ivory or hard wood is attached to a stem of the same substance, having a shallow cup at one end and a point at the other. The player holds the stem in his right hand, as shown in the figure; and, having caused the ball to revolve by twirling it between the finger and thumb of his left, he jerks it up and catches it either in the cup, or upon the spike, to receive which a hole is made in the ball. We need scarcely say that the latter feat can only be performed by a skilful player. Cup and Ball was the favourite pastime at the court of Henry III. of France.

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THE CUt.w.a.tER.

The Cut.w.a.ter is a circular piece of sheet lead, notched like a saw round the edge, and having two holes pierced in it at some distance from each other, through which is pa.s.sed a piece of string, the two ends being afterwards tied together. The annexed figure shows this toy, and the way it is to be held by the player. To set the Cut.w.a.ter in action, the double string must be alternately pulled and slackened. Every time the string is relaxed the disc revolves, in consequence of the impetus it has acquired from the previous pull; and every time the string is tightened, it whirls round in an opposite direction, as the double string is then untwisted. If the edge of this toy be dipped in water, it may be made to sprinkle the bystanders and the player; hence its t.i.tle of "Cut.w.a.ter."

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FOX AND GEESE.

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Fifteen ordinary draughtsmen compose the flock of geese. The fox may either be two draughtsmen placed one upon another, or any small object which may be at hand. The game is played on a board marked as shown in the annexed engraving. The fox is placed in the middle of the board, and the geese on the points on one side of it, as shown in the ill.u.s.tration.

The game is to confine the fox to some spot on the board, so that there shall be either the edge of the board or else two rows of men round him.

When the fox cannot escape, the game is done, and the player of the geese wins; but when one of the geese is left on a point next to that occupied by the fox, and is not supported by another goose behind, or by the edge of the board, the fox can take it, and by jumping over its head to the next s.p.a.ce, he may, perhaps, escape the persecutions of some of the others, as all the geese are compelled to move forwards towards the end of the board that was unoccupied at the commencement of the game.

The fox is allowed to move either backwards or forwards. Neither fox nor goose must be moved more than one s.p.a.ce at a time. If the fox neglects to take when he has a chance, he is huffed, and one of the captured geese is restored to the back of the board. The fox should avoid getting into the lower square of the board if possible, as he will find it difficult to extricate himself from a position which can be so easily blockaded.

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There is another method of playing fox and geese on a chessboard; namely, with four white men, representing the geese, and one black one, representing the fox.

The geese are ranged on the four white squares nearest one player, and the fox may be placed where his owner pleases. The best place for him is that marked in the diagram, as he can manuvre in a very puzzling way.

The geese can only move forward, and the fox moves either way. The object of the geese is to pen up the fox so that he cannot move, and the fox has to break through.

If the game is properly played, the geese must win, the secret being to keep them all in line as much as possible. The fox tries to prevent this plan from being followed up; and if he can succeed in doubling the geese, or getting one to stand before another, he is nearly sure to pa.s.s through them.

GOOSE.

To play at Goose a board must be made containing sixty-three circles, placed so as to form some resemblance to the shape of a goose, and numbered consecutively. Two dice and a box, and as many counters as there are players, are required. Each player in turn throws the dice, and according to the number he throws, so he reckons, counting from No.

1, and placing his counter on the number he obtains. The player who first reaches sixty-three wins the game. But mark; he must throw sixty-three exactly, or else he has to count the surplus number back from sixty-three. For instance, suppose when at sixty he throws eight, this makes sixty-eight, five over sixty-three. The player must, therefore, take five back from sixty-three, and leave his counter at fifty-eight. The game is called Goose from the fact that a goose is usually drawn on every fourth and fifth ring; and the player who lands on one of these, scores double the number he has just thrown. Several obstacles occur, however, on the journey. On one ring is drawn a bridge, to pa.s.s which a toll of one counter must be paid. A little farther on is an inn, where the player halts for two turns and pays two to the pool; but if he fall into the pond, the unfortunate wight has to stay there until another player tumbles in too, when he is allowed to proceed on his journey. The last hindrance is a gloomy prison, in which the same rule holds good, except that the relieving party, instead of going on as in the case of the pond, remains in durance vile until somebody else enters the prison-house. Other obstacles may be inserted at the players'

option.

HEAD, BODY, AND LEGS.

One player takes an oblong piece of paper, and having divided it into three equal parts by folding, he sketches a comic _head_, either with pen or pencil, in the upper s.p.a.ce; he then doubles the paper over, and hands it to another, who draws a _body_ in the middle compartment, folds the paper over once more, and pa.s.ses it to a third, who completes the figure by drawing a pair of _legs_ in the lower s.p.a.ce. The player who draws the head, must continue the neck a little way into the middle s.p.a.ce, and he who sketches the body must just commence the legs in the lower compartment; this arrangement insures the connexion of head, body, and legs. Our first ill.u.s.tration shows how the paper is to be folded over for drawing the different parts of a figure. Each player should be provided with a pen or pencil, and a few pieces of paper; having drawn a head, he should fold his sketch in a proper manner and pa.s.s it to his right-hand neighbour; in this way a number of figures may be finished simultaneously. A knowledge of drawing is not expected of any player, as the crudest notion of a head, a body, or a pair of legs, will fully meet the requirements of the game. Those who have never played at Head, Body, and Legs, can have no idea of the absurd combinations that spring from the independent labours of the different players; thus, a man's body will sometimes get joined to a donkey's head, and be supported by the legs of an ostrich.

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KNUCKLE-BONES.

This game is played with five little bones from a sheep's trotter. One player tosses up the knuckle-bones, sometimes one at a time, sometimes all together, and catches them either in the palm or on the back of his hand, according to certain rules. Should he fail to perform one of the tricks properly, he must hand the bones to his opponent, who attempts to go through the same series of manuvres with them. When the first player regains the bones through the unskilful play of his adversary, he once more attempts the feat he failed to accomplish before, and if he succeeds he tries to pa.s.s through the subsequent stages of the game. The player who first arrives at the end of the regulated series of tricks wins the game. It would be impossible to give the reader a clear idea of the manner of performing each trick without the aid of diagrams. In almost every school may be found an experienced player at knuckle-bones, whose directions will be of more value than any remarks we can make, though we were to devote a couple of pages to this pastime. In some parts of England a similar game, called "Jackstones," is played with small round pebbles.

MERELLES, OR NINE MEN'S MORRIS.

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This is an ancient English game, and ought not to be laid aside; so we resuscitate it for the benefit of young England. It used to be played in England on the ground with stones, but may be played best on a table indoors. The form of the merelle-table, and the lines upon it, as it appeared in the fourteenth century, are here represented. These lines are still the same. The black spots at every angle and intersection of the lines are the places for the men to be laid upon. The men are different in form and colour, for distinction sake. The manner of playing is briefly thus: Two persons, having each of them nine pieces, or men, lay them down alternately, one by one, upon the spots; and the business of either party is to prevent his antagonist from placing three of his pieces so as to form a row of three without the intervention of an opposing piece. If a row be formed, he that made it is at liberty to take up one of his compet.i.tor's pieces from any part he thinks most to his advantage; excepting he has made a row, which must not be touched if he have another piece upon the board that is not a component part of that row. When all the pieces are laid down, they are played backwards and forwards in any direction that the lines run, but can only move from one spot to another at one time. He that takes all his antagonist's pieces, is the conqueror.

PAPER DART.

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To form this dart you must take an oblong piece of paper, and fold it down the middle lengthwise; then double each of the lower corners up to the middle crease, and fold the doubled paper over to the same mark; you must now turn each folded side outwards, and your dart will resemble the annexed figure. The paper dart, when thrown from the hand, rarely hits the object aimed at, as it generally makes a graceful curve in pa.s.sing through the air. Boys sometimes amuse themselves by fighting sham battles with these harmless weapons.

THE POPGUN.

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The best Popguns are made of a strong straight piece of elder-tree, which ought to be cut from an inner branch, and should be about six inches long. The pith of this should be pierced out by an iron ramrod fitting the hole; and when the inside is made thoroughly smooth by rubbing the rod up and down, it is ready for use. The pellets are made with moistened tow--brown paper is a nasty thing to put into the mouth, and we shall never advise the use of it. When the pellet is prepared, it should be laid over the mouth of the gun in such a quant.i.ty as to require squeezing and plugging in. The first pellet should be driven through the gun to its other end; the second pellet is to be driven in, in a similar manner to the first, and then it is forced through the gun: the air between the pellets being incompressible beyond a certain point, forces out the lower pellet with a loud "pop;" hence the the term "Popgun," which has been applied to them. Popgun-playing is not a very healthy exercise, the pressing of the rammer against the pit of the stomach frequently leading to derangement of that organ. To prevent this, the lad who plays at popgun should have a small round board slung over his neck by a string, hanging as low as the pit of his stomach, like a "conductor's ticket," against which he should press the handle of his ramrod when he fires off his popgun.

PUSH-PIN.

This trifling game is usually played by two boys. Each player places a pin on the table, and then endeavours to push one pin across the other with his finger-nail; should he succeed, both pins become his property.

At starting, the pins must be placed head to head, and the players push alternately. Sometimes each player puts down two, three, or even more pins.

SCHIMMEL.

To play this amusing game, which is of German origin, it is necessary to be furnished with five cards, on which are painted the figures of a white horse, an inn, a bell, a hammer, and a bell and hammer; with eight little ivory cubes marked on one side only, six numbered 1, 2, 3, 4, 5, 6, and the other two marked, one with a bell and the other with a hammer; with a box for throwing the dice, a hammer for disposing of the cards by auction, and a proportionate quant.i.ty of counters for the players. The cards, dice-box, and auctioneer's hammer, are shown in the annexed ill.u.s.tration. Any youth who can draw may easily prepare the cards; the cubes may be procured from an ivory-worker's and may be marked with ink. The game can be played by as many persons as are present. The counters are to be distributed by one of the players who holds the office of cas.h.i.+er, their value having been previously determined upon by the players. This being done, twelve are to be deposited by each player in the pool. The cas.h.i.+er then disposes of the five cards separately to the highest bidders, the produce of which is also to be placed in the pool. The white horse is by far the most valuable card, and therefore fetches the highest price in counters. The inn ranks next, and is usually purchased by the most speculative player, as its value depends upon circ.u.mstances. The bell and the hammer generally fetch the same number of counters, these cards being equally valuable, and the card upon which both bell and hammer are painted fetches about half the number that is given for one of the single figures. The bidders are not bound to confine themselves to the number of counters dealt out to them at the beginning of the game; should they exceed it, they may pay the remainder of the debt by instalments out of their receipts in the course of the game.

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