Every Boy's Book: A Complete Encyclopaedia of Sports and Amusements Part 24

Play, too, as low as possible. It is much better to hit a ball well along the ground for two, than to send one high into the air, although you get four or five for it. Sooner or later you will lose your wicket, for the ball is sure at some time to be caught by long-on or long-off.

a.s.suming that the player has taken up his position at the wicket, we must now fully impress upon him _the importance of not being in a hurry to score_. In fact, nothing is so injurious as making runs in the first over. The best maxim to be observed is, play steadily until you can understand the bowling. It is astonis.h.i.+ng how much confidence you gain after you have played a dozen b.a.l.l.s or so. Then, when you have, as it were, taken the measure of your opponent, lunge out, as soon as you get a chance, and show the field your favourite drive, and prepare to make a score.

In writing the last sentence, we are reminded of the many mishaps and even serious accidents that have occurred on the cricket-field in consequence of the careless manner in which some players run. They rush between the wickets, watching the course of the ball rather than the wicket towards which they are going; occasionally they run too far and lose time, or else do not run far enough and lose runs; or, what is even worse, a collision takes place between the two batsmen, and one is run out, if not seriously injured by the bat or body of his comrade. The simplest plan, therefore, is always to run on the right side, _to keep the bat in the right hand, and to watch the wicket towards which you are running_.

It has often been remarked that the most difficult b.a.l.l.s to play are shooters, and those that are well pitched up and just take the bail off.

Indeed, some shooters are almost sure to take a wicket; the moment, therefore, that a ball shoots, drop the bat back close to the stumps, and chop down upon the ball. Stopping a shooter is always a sign of good play, and often at Lord's produces more applause than a hit which scores two or three runs. Some players, like Parr and Carpenter, can stop shooters so well, that although they only chop down upon them, yet the force of the stroke often drives the ball far enough to obtain a run.

How happens it that so many players miss the cut, although they attempt this stroke at almost every ball that rises to the off? As a rule, young players. .h.i.t too soon, and if they touch the ball, in most cases they give either point or cover-point an easy catch; others. .h.i.t in time, but play with a horizontal bat, the face of which is presented to the bowler. The ball then rises in many instances either to slip or long-slip, with the usual result. In cutting, the batsman should wait until the ball has almost pa.s.sed the wicket, and then drop down upon it, with the face of the bat almost towards the ground. This keeps the ball down and drives it in the direction required. In cutting, the left foot acts as a pivot, and the right foot is drawn back. The advantage of taking a long block is here shown, as occasionally this leg knocks down the wicket; and if the block is near the stumps, they are easily struck by the bat itself.

In leg-hitting, on the contrary, the right acts as a pivot, and the left is thrown forwards. The sooner the hit is made the squarer the ball goes, and, as a rule, the greater distance also. Since then, in swift bowling, long-on is generally done away with, a leg ball that is. .h.i.t in front of long leg is safe to obtain more runs than if hit much behind the wicket.

A very common habit among young players is to strike at wide b.a.l.l.s. Many and many a time have we seen a batsman rush out to a wide off-ball, and send it into point's or cover's hands, thus depriving himself of his innings and his side of a run. Before we conclude this somewhat desultory chapter, we must urge upon everybody the importance of wearing both gloves and leg-guards when playing against swift bowling. The many dangerous accidents that have happened in consequence of the legs and hands having no protection, should induce every person to guard himself as much as possible. One can stand up to the wicket much better, and have far more confidence, when one knows that a blow from the ball upon the legs is likely to produce no ill effect. The absence of pads causes many players to run away from the ball, and if the ball turns, the off-stump in most cases will soon be prostrate.

Be careful, too, in running, that you ground your bat on the popping-crease. Nothing is so tantalizing to a player as to lose a run through the carelessness of his companion, who in his excitement runs an inch or so short of the proper distance.

The moment the ball has left the bowler at your wicket, walk a yard or two; you may by this means steal many a run that it would be impossible to obtain if you were at your own wicket when the ball was. .h.i.t.

Never, if you can possibly avoid it, hit a ball on the wrong side. How disgusting it is to see a big awkward player swipe a ball right round to the off-side which he should have drawn or played to mid-wicket on!

[Ill.u.s.tration: THE LEG HIT.]

Do not run away from the ball. If you do, you can never get a good leg hit; besides, you naturally expose your wicket, and if the ball turns in (as it often will do), you will find it almost impossible to be back in time to save your off-stump.

As a rule, play forward whenever you can; but be sure you don't run out of your ground to hit unless you feel perfectly confident of your success.

Waiting for the ball is always a dangerous experiment, and will often result in your playing back so far that you upset your own wickets when in the act of achieving a most scientific cut.

Be careful to keep one foot steadily planted within the popping-crease; it is sometimes impossible to help being bowled or caught, but the worst player in the world can always prevent the wicket-keeper stumping him.

Mind, too, that the bat ought to strike the ball, and not the ball the bat.

Be always cautious of straight b.a.l.l.s, however tempting they may appear.

Remember that if you miss them, you are safe to lose your wicket; therefore always treat them with the respect that they deserve.

b.a.l.l.s, too, that come about five inches above the bails should generally be allowed to pa.s.s, for unless you are well skilled in the art of hitting down, you are sure to give a catch.

And now a word or two with regard to the three leg hits--the draw, the forward, and the backward leg hit.

When a ball seems pitched at the leg stump, hold your bat straight, as it were, for a block; but the moment the bat meets the ball, turn the face of it a trifle round towards you, and the ball will then slip off between your legs and the stumps. This is called the draw.

This play, however, requires a great deal of practice, and should very rarely be attempted by inexperienced players.

The forward leg hit is made in the following manner:--When a ball is pitched rather wide on the near side, advance the left foot in front of the wicket, turn half round, and hit down upon the ball as hard as you can.

When the ball is pitched inside the near stump, step back with the right foot, and with an upright bat play it off the wicket. The ball will fly rapidly along the ground, and usually between leg and long-stop.

Recollect, the sooner you hit at a leg ball the squarer it goes.

The cut is the most difficult of all, and can only be accomplished when the ball rises a little wide of the off-bail. Even then you are very likely to play either too soon or too late at it, and it is very rare indeed that a player makes a really good legitimate cut.

When you see the ball about to rise a foot away from off-bail, draw the right leg backwards, and, with a horizontal bat, give the ball something between a pat and a push, between point and short-slip.

This is very far from being a scientific definition of this delightful stroke; but I think, from the plain manner in which I have stated it, that it will be more likely to be understood.

[Ill.u.s.tration: THE CUT.]

The technical names for the various b.a.l.l.s the batsman is likely to receive are--the full pitch, the tice, the hop, the half volley, the ground ball, and the shooter.

Leg b.a.l.l.s and b.a.l.l.s to cut we have already explained.

At first sight, a full pitch would seem one of the easiest b.a.l.l.s to play; but in reality it is not; and many a good batsman, who could play any number of well-pitched b.a.l.l.s, has lost his wicket by playing rashly or across a toss. Again, if hit carelessly, it is almost sure to be caught by one of the long-fields; and often, when the batsman tries to play it down, it hits the top of his bat, and goes into long-stop's hands. The best plan (if you are not very tall), when you think it is too high to take your wicket, is to leave it alone altogether; but when you feel persuaded that if you miss the ball it will take the stumps, either play it down, or else hit it where there is no field.

The tice is almost a full pitch. If you have a long reach, go in and play it forward; if not, however, keep your bat down and block it.

Running in is generally a bad habit, as it is sure to engender a loose style of play.

The long hop, if straight, should be played very carefully, and with an upright bat. Those batsmen who have, as it is called, "got their eye in," can usually strike at one with impunity; but as the ball is liable to twist every time it reaches the ground, the young player should be very careful in striking at it.

A half volley is a ball which rises well from the pitch. Catches are, however, often the result of hitting right at a half volley.

A ground ball is perhaps better known among our young friends as a sneak. If played at with a high bat, the wicket is almost sure to fall.

The best plan is to keep the bat well down, and play forward at it. If the bat is kept in a straight line with the ball, you cannot miss it, and often by playing it forward you can send it past the bowler.

A shooter is the most difficult ball to play, and if not treated with proper respect, is sure to take the wicket. The moment the ball shoots, play back, dropping the bat down on it within an inch of the stumps. You are by this means very likely to keep it off your wicket, but do not try to hit it. Left-hand bowling generally turns in from the off; therefore play forward at it.

FIELDING.

Although not of so interesting a character as batting and bowling, yet fielding is in itself of too much importance to be overlooked, or even carelessly practised, by anybody who desires to become a cricketer. Many a match has been lost by loose fielding, and instances without number have occurred of a man who, after being missed before he has made a run, has sent his score up to fifty before receiving his dismissal. It is astonis.h.i.+ng how many runs may be saved by careful fielding. Hits which at first seem good for four, only obtain one through good fielding, and that even a sharp run.

Quick fielding should be practised by the tyro, before either of the other two departments of the game. As soon as a boy gets a ball in his hand, he tries to catch it, or to get a companion to throw it to him; and thus before he even knows how to handle a bat, many a boy has in him the elements of a good field. As, however, the fascination of batting grows upon him, he cares less for the other parts of the game; and thus it happens that although we have many gentlemen cricketers who bat just as well as professionals, yet the latter obtain the mastery through their superior bowling and fielding, which they are obliged to practise as often as batting, in order to obtain the reputation of good players.

I have, however, heard it stated that no finer fielding can be seen than that shown in the University match. This is generally admitted; but it must be borne in mind that the University match is played by young men whose ages vary from twenty to five-and-twenty, whereas most of the players are over thirty, and some rapidly approaching to forty, an age at which the bones are not so lissom as those that have just arrived at man's estate.

As a proof of this I may cite the Gentlemen and Players' match at Lord's, a contest (if such it can be called) which is only worth seeing on account of the excellent bowling and fielding of the professional players. It is satisfactory to know that it is the opinion of most judges of the game, that as long as the gentlemen persist in practising batting only, they will scarcely have a chance against the players.

No advice, however, will produce the same good upon a young player in the matter of fielding as watching a match in which some of the best players take part. In this he should bear well in mind the manner in which the ball is stopped and thrown to the wicket-keeper.

Supposing that our cricketer can stop and catch a ball pretty well, the next point for him to study is to throw it in carefully. How many men that should have been run out save their wickets through the bad throwing of a field, who, either through hurry or nervousness, pitches the ball over the wicket-keeper's head, or sends it in so much along the ground as to render the picking up of it sharply by the wicket-keeper a matter of impossibility! The best plan is to throw in a catch to the top of the bails. A long hop occasionally meets with success; but if the ground is b.u.mpy, and the ball is thrown in from a distance, it is very possible that it will go over the man's head.

One of the most prominent failings of a young eleven is the careless manner in which they back up. Overthrows in a professional eleven are almost a matter of impossibility, for if the ball pa.s.ses one field there is almost sure to be another behind him to stay its progress; whereas, in some clubs, if there is one man to back up the wicket-keeper, the ball is considered safe, and as he generally stands within a few yards of the wicket, he usually misses the ball if it pa.s.ses the amateur Lockyer. If, however, it is expedient to throw the ball to the bowler, and he does not wish to hurt his fingers, an overthrow is sure to follow, for long-on or long-off scarcely ever thinks it his duty to stand behind the bowler's wicket when the ball is thrown in. Overthrows in themselves are not only annoying, because they are obtained through no merit of the batsman, but because they always produce a merciless laugh from the spectators, and occasionally epithets of a not very complimentary character. It is therefore the captain's bounden duty to make his eleven back up well, and not to consider the ball safe unless two or three people are behind the wicket at which it is thrown.

One naturally imagines that the wicket-keeper's hands get occasionally damaged from the sharp throwing to which he is subjected. Whatever he would do without his thick gauntlets, it is unpleasant to imagine. Care should on all occasions, therefore, be taken to save his hands, and when the batsmen are not running, there is no need to throw the ball as hard as possible at him. The long-stop, who returns the ball to the wicket-keeper oftener than any other field, should send it in gently when there is no run, and the wicket-keeper ought, in throwing it to the bowler, to toss it as quietly as he can, in order not to deaden the fingers of that important functionary.

Whilst writing about bowler and wicket-keeper, we cannot allow the opportunity to pa.s.s of requesting all players to obey with the utmost fidelity any order given to them in the field. The wicket-keeper can, by raising his hand, change the positions of the field unknown to the batsman, who, hitting a ball to a place which he thinks is not covered, and finding it suddenly stopped, sees that he must play more carefully in future.

Two of the most important positions in the field are the mid-wickets and cover-point, and no player, unless he is a safe catch, and can return the ball sharply, should ever be placed there. It has been computed that mid-wicket runs more out than any other field. Anybody who has seen R.

Daft in this place will be surprised at the rapidity with which he picks up the ball and sends it in. The s.p.a.ce that a good cover-point can command is really astonis.h.i.+ng. Players seeing that the ball has pa.s.sed point feel sure that it is safe for one, whereas, if cover runs in and sends it in well to the wicket-keeper, one of the batsmen will probably have "run out" to his name.