In and out of Three Normandy Inns Part 20

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"True; but suicide is such a coa.r.s.e weapon," the lady answered, quite seriously; "so vulgar now, since the common people have begun to use it. Besides, it puts your adversary, the world, in possession of your secret of discontent. No, no. Suicide, the invention of the nineteenth century, goes out with it. The only refined form of suicide is to bore one's self to death," and she smiled sweetly into the young man's eyes nearest her.

"Ah, comtesse, you should not have parted so early in life with all your illusions," was Monsieur d'Agreste's protest across the table.

"And, Monsieur d'Agreste, it isn't given to us all to go to the ends of the earth, as you do, in search of new ones! This friction of living doesn't wear on you as it does on the rest of us."

"Ah, the ends of the earth, they are very much like the middle and the beginning of things. Man is not so very different, wherever you find him. The only real difference lies in the manner of approaching him.

The scientist, for example, finds him eternally fresh, novel, inspiring; he is a mine only as yet half-worked." Monsieur d'Agreste was beginning to wake up; his eyes, hitherto, alone had been alive; his hands had been busy, crunching his bread; but his tongue had been silent.

"Ah--h science! Science is only another anaesthetic--it merely helps to kill time. It is a hobby, like any other," was the countess's rejoinder.

"Perhaps," courteously returned Monsieur d'Agreste, with perfect sweetness of temper. "But at least, it is a hobby that kills no one else. And if of a hobby you can make a principle--"

"A principle?" The countess contracted her brows, as if she had heard a word that did not please her.

"Yes, dear lady; the wise man lays out his life as a gardener does a garden, on the principle of selection, of order, and with a view to the succession of the seasons. You all bemoan the dulness of life; you, in Paris, the torpor of ennui stifles you, you cry. On the contrary, I would wish the days were weeks, and the weeks months. And why? Simply because I have discovered the philosopher's stone. I have grasped the secret of my era. The comedy of rank is played out; the life of the trifler is at an end; all that went out with the Bourbons.

Individualism is the new order. To-day a man exists simply by virtue of his own effort--he stands on his own feet. It is the era of the republican, of the individual--science is the true republic. For us who are displaced from the elevation our rank gave us, work is the watchword, and it is the only battle-cry left us now. He only is strong, and therefore happy, who perceives this truth, and who marches in step with the modern movement."

The serious turn given to the conversation had silenced all save the baroness. She had listened even more intently than the others to her friend's eloquence, nodding her head a.s.sentingly to all that he said.

His philosophic reflections produced as much effect on her vivacious excitability as they might on a restless Skye-terrier.

"Yes, yes--he's entirely right, is Monsieur d'Agreste; he has got to the bottom of things. One must keep in step with modernity--one must be _fin de siecle_. Comtesse, you should hunt; there is nothing like a fox or a boar to make life worth living. It's better, infinitely better, than a pursuit of hearts; a boar's more troublesome than a man."

"Unless you marry him," the countess interrupted, ending with a thrush-like laugh. When she laughed she seemed to have a bird in her throat.

"Oh, a man's heart, it's like the flag of a defenceless country--anyone may capture it."

The countess smiled with ineffable grace into the vacant, amorous-eyed faces on either side of her, rising as she smiled. We had reached dessert now; the coffee was being handed round. Everyone rose; but the countess made no move to pa.s.s out from the room. Both she and the baroness took from their pockets dainty cigarette-cases.

"_Vous permettez?_" asked the baroness, leaning over coquettishly to Monsieur d'Agreste's cigar. She accompanied her action with a charming glance, one in which all the woman in her was uppermost, and one which made Monsieur d'Agreste's pale cheeks flush like a boy's. He was a philosopher and a scientist; but all his science and philosophy had not saved him from the barbed shafts of a certain mischievous little G.o.d.

He, also, was visibly hugging his chains.

The party had settled themselves in the low divans and in the Henri IV arm-chairs; a few here and there remained, still grouped about the table, with the freedom of pose and in the comfort of att.i.tude smoking and coffee bring with them.

It was destined, however, that the hour was to be a short one. One of the grooms obsequiously knocked at the door; he whispered in the count's ear, who advanced quickly toward him, the news that the coach was waiting; one of the leaders.

"Desolated, my dear ladies--but my man tells me the coach is in readiness, and I have an impertinent leader who refuses to stand, when he is waiting, on anything more solid than his hind legs. Fernande, my dear, we must be on the move. Desolated, dear ladies--desolated--but it's only _au revoir_. We must arrange a meeting later, in Paris--"

The scene in the court-yard was once again gay with life and bristling with color. The coach and the dog-cart shone resplendent in the slanting sun's rays. In the brighter sunlight, the added glow in the eyes and the cheeks of the brilliantly costumed group, made both men and women seem younger and fresher than when they had appeared, two hours since. All were in high good humor--the wines and the talk had warmed the quick French blood. There was a merry scramble for the top coach-seats; the two young counts exchanged their seat in their saddles for the privilege of holding, one the countess's vinaigrette, and the other, her long-handled parasol. Renard was beside his friend De Troisac; the horn rang out, the horses started as if stung, das.h.i.+ng at their bits, and in another moment the great coach was being whirled beneath the archway.

"_Au revoir--au revoir!_" was cried down to us from the throne-like elevation. There was a pretty waving of hands--for even the countess's dislike melted into sweetness as she bade us farewell. There were answering cries from the shrieking c.o.c.katoos, from the peac.o.c.ks who trailed their tails sadly in the dust, from the cooks and the peasant serving-women who had a.s.sembled to bid the distinguished guests adieu.

There was also a sweeping bow from Monsieur Paul, and a grunt of contented dismissal from Madame Le Mois.

A moment after the departure of the coach the court yard was as still as a convent cloister.

It was still enough to hear the click of madame's fingers, as she tapped her snuff-box.

"The count doesn't see any better than he did--_toujours myope, lui_"

the old woman murmured to her son, with a pregnant wink, as she took her snuff.

"_C'est sa facon de tout voir, au contraire, ma mere_," significantly returned Monsieur Paul, with his knowing smile.

The mother's shrug answered the smile, as both mother and son walked in different directions--across the sunlit court.

A LITTLE JOURNEY ALONG THE COAST.

CAEN, BAYEUX, ST. LO, COUTANCES.

CHAPTER XXIII.

A NIGHT IN A CAEN ATTIC.

I have always found the act of going away contagious. Who really enjoys being left behind, to mope in a corner of the world others have abandoned? The gay company atop of the coach, as they were whirled beneath the old archway, had left discontent behind; the music of the horn, like that played by the Pied Piper, had the magic of making the feet ache to follow after.

Monsieur Paul was so used to see his world go and come--to greeting it with civility, and to a.s.sist at its departure with smiling indifference that the announcement of our own intention to desert the inn within a day or so, was received with unflattering impa.s.sivity. We had decided to take a flight along the coast--the month and the weather were at their best as aids to such adventure. We hoped to see the Fete Dieu at Caen. Why not push on to Coutances, where the Fete was still celebrated with a mediaeval splendor? From thence to the great Mont, the Mont St.

Michel, it was but the distance of a good steed's galloping--we could cover the stretch of country between in a day's driving, and catch, who knows?--perhaps the June pilgrims climbing the Mont.

"Ah, mesdames! there are duller things in the world to endure than a glimpse of the Normandy coast and the scent of June roses!

_Idylliquement belle, la cote a ce moment-ci!_"

This was all the regret that seasoned Monsieur Paul's otherwise gracious and most graceful of farewells. Why cannot we all attain to an innkeeper's alt.i.tude, as a point of view from which to look out upon the world? Why not emulate his calm, when people who have done with us turn their backs and stalk away? Why not, like him, count the pennies as not all the payment received when a pleasure has come which cannot be footed up in the bill? The entire company of the inn household was a.s.sembled to see us start. Not a white mouse but was on duty. The c.o.c.katoos performed the most perilous of their trapeze accomplishments as a last tribute; the doves cooed mournfully; the monkeys ran like frenzied spirits along their gratings to see the very last of us.

Madame Le Mois considerately carried the bantam to the archway, that the lost joy of strutting might be replaced by the pride of preferment above its fellows.

"_Adieu_, mesdames."

"_Au revoir_--you will return--_tout le monde revient_--Guillaume le Conquerant, like Caesar, conquers once to hold forever--remember--"

[Ill.u.s.tration: CHATEAU FONTAINE LE HENRI, NEAR CAEN]

From Monsieur Paul, in quieter, richer tones, came his true farewell, the one we had looked for:

"The evenings in the Marmousets will seem lonely when it rains--you must give us the hope of a quick return. Hope is the food of those who remain behind, as we Normans say!"

The archway darkened the sod for an instant; the next we had pa.s.sed out into the broad highway. Jean, in his blouse, with Suzette beside him, both jolting along in the lumbering _char-a-banc_, stared out at us with a vacant-eyed curiosity. We were only two travellers like themselves, along a dusty roadway, on our way to Caen; we were of no particular importance in the landscape, we and our rickety little phaeton. Yet only a moment before, in the inn court-yard, we had felt ourselves to be the pivotal centre of a world wholly peopled with friends! This is what comes to all men who live under the modern curse--the double curse of restlessness and that itching for novelty, which made the old Greek longing for the unknown deity--which is also the only honest prayer of so many _fin de siecle_ souls!

Besides the dust, there were other things abroad on the high-road. What a lot of June had got into the air! The meadows and the orchards were exuding perfumes; the hedge-rows were so many yards of roses and wild grape-vines in blossom. The sea-smells, aromatic, pungent, floated inland to be married, in hot haste, to a perfect harem of clover and locust scents. The charm of the coast was enriched by the homely, familiar scenes of farm-house life. All the country between Dives and Caen seemed one vast farm, beautifully tilled, with its meadow-lands dipping seaward. For several miles, perhaps, the agricultural note alone would be the dominant one, with the fields full of the old, the eternal surprise--the dawn of young summer rising over them. Down the sides of the low hills, the polychrome grain waved beneath the touch of the breeze like a moving sea. Many and vast were the flat-lands; they were wide vistas of color: there were fields that were scarlet with the pomp of poppies, others tinged to the yellow of a Celestial by the feathery mustard; and still others blue as a sapphire's heart from the dye of millions of bluets. A dozen small rivers--or perhaps it was only one--coiled and twisted like a cobra in sinuous action, in and out among the pasture and sea meadows.

As we pa.s.sed the low, bushy banks, we heard the babel of the washerwomen's voices as they gossiped and beat their clothes on the stones. A fisherman or two gave one a hint that idling was understood here, as elsewhere, as being a fine art for those who possess the talent of never being pressed for time. A peasant had brought his horse to the bank; the river, to both peasant and Percheron, was evidently considered as a personal possession--as are all rivers to those who live near them. There was a naturalness in all the life abroad in the fields that gave this Normandy highroad an incomparable charm. An Arcadian calm, a certain patriarchal simplicity reigned beneath the trees. Children trudged to the river bank with pails and pitchers to be filled; women, with rakes and scythes in hand, crept down from the upper fields to season their mid-day meal with the cooling whiff of the river and sea air. Children tugged at their skirts. In two feet of human life, with kerchief tied under chin, the small hands carrying a huge bunch of cornflowers, how much of great gravity there may be! One such rustic sketch of the future peasant was seriously carrying its bouquet to another small edition seated in a grove of poppies; it might have been a votive offering. Both the children seated themselves, a very earnest conversation ensuing. On the hill-top, near by, the father and mother were also conversing, as they bent over their scythes.

Another picture was wheeling itself along the river bank; it was a farmer behind a huge load of green gra.s.s; atop of the gra.s.ses two moon-faced children had laps and hands crowded with field flowers.

Behind them the mother walked, with a rake slung over her shoulder, her short skirts and scant draperies giving to her step a n.o.ble freedom.

The brush of Vollon or of Breton would have seized upon her to embody the type of one of their rustic beauties, that type whose mingled fierceness and grace make their peasants the rude G.o.ddesses of the plough.

Even a rustic river wearies at last of wandering, as an occupation.

In and out of Three Normandy Inns Part 20

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In and out of Three Normandy Inns Part 20 summary

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