The Wonderful Visit Part 18
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"And in your garden, the beautiful, sweet-smelling plant----"
"The sweet briar," said the Vicar. "I remember."
"And that pink flower that sprang out of the box----"
"Out of the box?" said the Vicar.
"Last night," said the Angel, "that went climbing up the curtains---- Flame!"
"Oh!--the matches and the candles! Yes," said the Vicar.
"Then the animals. A dog to-day behaved most disagreeably----. And these boys, and the way in which people speak----. Everyone seems anxious--willing at any rate--to give this Pain. Every one seems busy giving pain----"
"Or avoiding it," said the Vicar, pus.h.i.+ng his dinner away before him.
"Yes--of course. It's fighting everywhere. The whole living world is a battle-field--the whole world. We are driven by Pain. Here. How it lies on the surface! This Angel sees it in a day!"
"But why does everyone--everything--want to give pain?" asked the Angel.
"It is not so in the Angelic Land?" said the Vicar.
"No," said the Angel. "Why is it so here?"
The Vicar wiped his lips with his napkin slowly. "It _is_ so," he said.
"Pain," said he still more slowly, "is the warp and the woof of this life. Do you know," he said, after a pause, "it is almost impossible for me to imagine ... a world without pain.... And yet, as you played this morning----
"But this world is different. It is the very reverse of an Angelic world. Indeed, a number of people--excellent religious people--have been so impressed by the universality of pain that they think, after death, things will be even worse for a great many of us. It seems to me an excessive view. But it's a deep question. Almost beyond one's power of discussion----"
And incontinently the Vicar plumped into an impromptu dissertation upon "Necessity," how things were so because they were so, how one _had_ to do this and that. "Even our food," said the Vicar. "What?" said the Angel. "Is not obtained without inflicting Pain," said the Vicar.
The Angel's face went so white that the Vicar checked himself suddenly.
Or he was just on the very verge of a concise explanation of the antecedents of a leg of lamb. There was a pause.
"By-the-bye," said the Angel, suddenly. "Have you been pithed? Like the common people."
THE ANGEL'S DEBUT.
x.x.xIV.
When Lady Hammergallow made up her mind, things happened as she resolved. And though the Vicar made a spasmodic protest, she carried out her purpose and got audience, Angel, and violin together, at Siddermorton House before the week was out. "A genius the Vicar has discovered," she said; so with eminent foresight putting any possibility of blame for a failure on the Vicar's shoulders. "The dear Vicar tells me," she would say, and proceed to marvellous anecdotes of the Angel's cleverness with his instrument. But she was quite in love with her idea--she had always had a secret desire to play the patroness to obscure talent. Hitherto it had not turned out to be talent when it came to the test.
"It would be such a good thing for him," she said. "His hair is long already, and with that high colour he would be beautiful, simply beautiful on a platform. The Vicar's clothes fitting him so badly makes him look quite like a fas.h.i.+onable pianist already. And the scandal of his birth--not told, of course, but whispered--would be--quite an Inducement----when he gets to London, that is."
The Vicar had the most horrible sensations as the day approached. He spent hours trying to explain the situation to the Angel, other hours trying to imagine what people would think, still worse hours trying to antic.i.p.ate the Angel's behaviour. Hitherto the Angel had always played for his own satisfaction. The Vicar would startle him every now and then by rus.h.i.+ng upon him with some new point of etiquette that had just occurred to him. As for instance: "It's very important where you put your hat, you know. Don't put it on a chair, whatever you do. Hold it until you get your tea, you know, and then--let me see--then put it down somewhere, you know." The journey to Siddermorton House was accomplished without misadventure, but at the moment of introduction the Vicar had a spasm of horrible misgivings. He had forgotten to explain introductions. The Angel's nave amus.e.m.e.nt was evident, but nothing very terrible happened.
"Rummy looking greaser," said Mr Rathbone Slater, who devoted considerable attention to costume. "Wants grooming. No manners. Grinned when he saw me shaking hands. Did it _chic_ enough, I thought."
One trivial misadventure occurred. When Lady Hammergallow welcomed the Angel she looked at him through her gla.s.ses. The apparent size of her eyes startled him. His surprise and his quick attempt to peer over the brims was only too evident. But the Vicar had warned him of the ear trumpet.
The Angel's incapacity to sit on anything but a music stool appeared to excite some interest among the ladies, but led to no remarks. They regarded it perhaps as the affectation of a budding professional. He was remiss with the teacups and scattered the crumbs of his cake abroad.
(You must remember he was quite an amateur at eating.) He crossed his legs. He fumbled over the hat business after vainly trying to catch the Vicar's eye. The eldest Miss Papaver tried to talk to him about continental watering places and cigarettes, and formed a low opinion of his intelligence.
The Angel was surprised by the production of an easel and several books of music, and a little unnerved at first by the sight of Lady Hammergallow sitting with her head on one side, watching him with those magnified eyes through her gilt gla.s.ses.
Mrs Jehoram came up to him before he began to play and asked him the Name of the Charming Piece he was playing the other afternoon. The Angel said it had no name, and Mrs Jehoram thought music ought never to have any names and wanted to know who it was by, and when the Angel told her he played it out of his head, she said he must be Quite a Genius and looked open (and indisputably fascinating) admiration at him. The Curate from Iping Hanger (who was professionally a Kelt and who played the piano and talked colour and music with an air of racial superiority) watched him jealously.
The Vicar, who was presently captured and set down next to Lady Hammergallow, kept an anxious eye ever Angelward while she told him particulars of the incomes made by violinists--particulars which, for the most part, she invented as she went along. She had been a little ruffled by the incident of the gla.s.ses, but had decided that it came within the limits of permissible originality.
So figure to yourself the Green Saloon at Siddermorton Park; an Angel thinly disguised in clerical vestments and with a violin in his hands, standing by the grand piano, and a respectable gathering of quiet nice people, nicely dressed, grouped about the room. Antic.i.p.atory gabble--one hears scattered fragments of conversation.
"He is _incog._"; said the very eldest Miss Papaver to Mrs Pirbright.
"Isn't it quaint and delicious. Jessica Jehoram says she saw him at Vienna, but she can't remember the name. The Vicar knows all about him, but he is so close----"
"How hot and uncomfortable the dear Vicar is looking," said Mrs Pirbright. "I've noticed it before when he sits next to Lady Hammergallow. She simply will _not_ respect his cloth. She goes on----"
"His tie is all askew," said the very eldest Miss Papaver, "and his hair! It really hardly looks as though he had brushed it all day."
"Seems a foreign sort of chap. Affected. All very well in a drawing-room," said George Harringay, sitting apart with the younger Miss Pirbright. "But for my part give me a masculine man and a feminine woman. What do you think?"
"Oh!--I think so too," said the younger Miss Pirbright.
"Guineas and guineas," said Lady Hammergallow. "I've heard that some of them keep quite stylish establishments. You would scarcely credit it----"
"I love music, Mr Angel, I adore it. It stirs something in me. I can scarcely describe it," said Mrs Jehoram. "Who is it says that delicious ant.i.thesis: Life without music is brutality; music without life is---- Dear me! perhaps you remember? Music without life----it's Ruskin I think?"
"I'm sorry that I do not," said the Angel. "I have read very few books."
"How charming of you!" said Mrs Jehoram. "I wish I didn't. I sympathise with you profoundly. I would do the same, only we poor women----I suppose it's originality we lack---- And down here one is driven to the most desperate proceedings----"
"He's certainly very _pretty_. But the ultimate test of a man is his strength," said George Harringay. "What do you think?"
"Oh!--I think so too," said the younger Miss Pirbright.
"It's the effeminate man who makes the masculine woman. When the glory of a man is his hair, what's a woman to do? And when men go running about with beautiful hectic dabs----"
"Oh George! You are so dreadfully satirical to-day," said the younger Miss Pirbright. "I'm _sure_ it isn't paint."
"I'm really not his guardian, my dear Lady Hammergallow. Of course it's very kind indeed of you to take such an interest----"
"Are you really going to improvise?" said Mrs Jehoram in a state of cooing delight.
"_SSs.h.!.+_" said the curate from Iping Hanger.
Then the Angel began to play, looking straight before him as he did so, thinking of the wonderful things of the Angelic Land, and yet insensibly letting the sadness he was beginning to feel, steal over the fantasia he was playing. When he forgot his company the music was strange and sweet; when the sense of his surroundings floated into his mind the music grew capricious and grotesque. But so great was the hold of the Angelic music upon the Vicar that his anxieties fell from him at once, so soon as the Angel began to play. Mrs Jehoram sat and looked rapt and sympathetic as hard as she could (though the music was puzzling at times) and tried to catch the Angel's eye. He really had a wonderfully mobile face, and the tenderest shades of expression! And Mrs Jehoram was a judge. George Harringay looked bored, until the younger Miss Pirbright, who adored him, put out her mousy little shoe to touch his manly boot, and then he turned his face to catch the feminine delicacy of her coquettish eye, and was comforted. The very eldest Miss Papaver and Mrs Pirbright sat quite still and looked churchy for nearly four minutes.
Then said the eldest Miss Papaver in a whisper, "I always Enjoy violin music so much." And Mrs Pirbright answered, "We get so little Nice music down here." And Miss Papaver said, "He plays Very nicely." And Mrs Pirbright, "Such a Delicate Touch!" And Miss Papaver, "Does Willie keep up his lessons?" and so to a whispered conversation.
The Wonderful Visit Part 18
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The Wonderful Visit Part 18 summary
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