A Christmas Accident and Other Stories Part 10

For a moment the hope that it is hard to make away with revived in Lucyet's breast. Were they talking of the poem, she wondered, with a certain weary interest. She dreaded a fresh disappointment so keenly that it pained her to speculate much on the chance of it. It was not impossible that they were saying such meaningless stuff ought never to have been printed. As the pale girl drew near with the plodding, patient step which so often proclaims that walking is not a pleasure, but a necessity, of country life, the men did not lower their voices, which she heard distinctly as she pa.s.sed.

"Wal, I tell you, 't was that," said one of them. "He didn't live more'n a little time after he took it."

"Mebbe he wouldn't have lived anyhow."

"Wal, mebbe he wouldn't. 'T ain't for me to say," responded the first speaker, evincing a certain piety, which, however, was not to be construed as at variance with his first statement.

"Wal, 't wa'n't this he took, was it?" demanded the man with the "Chronicle," waving it wildly.

"Wal, no, 't wa'n't," responded the other, reasonably. The third member of the party maintained an air of not being in a position to judge, and regarded Lucyet stolidly as she approached.

"Do, Lucyet?" he observed, unnoticed of the other two.

"I tell you this'll cure him. It'll cure anybody. Just read them testimonies,"--and he pressed the paper into the other's meagre hand.

"Read that one, 'Rheumatiz of thirty years' standin',--it'll interest ye."

Lucyet went on up the hill, and turned into the weedy road. She had not a keen sense of the ridiculous. It did not strike her as funny that they should have been discussing a patent medicine instead of the verses on "Spring;" but her shrinking sense of defeat was deepened, and she felt, with an unconscious resentment, that most people cared very little about poetry. She wondered, without bitterness, and with a saddened distrust of her own power, if she could write an advertis.e.m.e.nt. Once within the precincts of the tangled road, her disquieted soul rejoiced in the freedom from observation. She felt as bruised and sore from the unsympathetic contact of her world as if it had been a larger one; and with the depression had come a startled sense of the irrevocableness of what she had done. Those printed words seemed so swift, so tangible.

They would go so far, and afford such opportunity for the grasp of indifference, of ridicule! If she could only have them again, spoken, perhaps, but unheard!

Yet here, at least, where the enterprising gra.s.s grew in the rugged cart track, and the branches drooped impertinently before the face of the wayfarer, no one but herself need know that she was very near to tears.

And as she came out of the shut-in portion of the road to a stretch of open country, where the warm light lay on the hillsides, and the air was sweetened by the breath of pines, her depression gave way to a keen sense of elation. She turned aside and, crossing a bit of elastic, dry gra.s.s, climbed to the top of the stone wall and looked about her. Her heart throbbed with confidence, doubly grateful for the previous distrust. Her own lines came back to her; it was this that somehow, imperfectly, but somehow, she had put into words. It was still spring, a late New England spring, though the unseasonable warmth of the day made it seem summer. The landscape bore the coloring of autumn rather than that of the earlier year. The trees were red and brown and yellow in their incipient leaf.a.ge. Now and then, among the sere fields, there was a streak of vivid green, or a mound of rich brown, freshly turned earth; but for the most part they were bare. Here and there was the crimson of a new maple; in the distance were the reds and brown of new, not old, life. Only the birds sang as they never sing in autumn, a burst of clear, joyous antic.i.p.ation--the trill of the meadowlark, the "sweet, sweet, piercing sweet" of the flas.h.i.+ng oriole, the call of the catbird, and the melody of the white-bosomed thrush. And here and there a fountain of white bloom showed itself amid the sombreness of the fields, a pear or cherry tree decked from head to foot in bridal white, like a bit of fleecy cloud dropped from the floating ma.s.ses above to the discouraged earth; along the wayside the white stars of the anemone, the wasteful profusion of the eyebright, and the sweet blue of the violet; and in solemn little cl.u.s.ters, the curled up fronds of the ferns, uttering a protest against longer imprisonment--let wind and sun look out! they would uncurl to-morrow! All these things set the barely blossomed branches, the barely clothed hillsides, at defiance. It was the beginning, not the end, the promise, not the regret--it was life, not death. Summer was afoot, not winter.

It was worth a longer walk, that half hour on the hillside; for it restored, in a measure, her sense of enjoyment, and subst.i.tuted for the burden of defeat the exultation of expression, however faulty and however limited. But like other moods, this one was temporary; and as she retraced her steps and turned into the village street, she felt again the la.s.situde which follows the extinction of hope and the inexorable narrowing of the horizon which she had fancied extended.

It was usual for her at this hour to stop at the tavern for the mail which might be ready there, and herself take it to the post-office. In midsummer this mail was quite an important item, but at this time of year it amounted to little; nevertheless, she followed what had become the custom. She found one of the daughters of the house in the throes of composition.

"Oh, Lucyet," she exclaimed, "you don't say that's you! I want this to go to-night the worst way. Ain't you early?"

"Yes, I guess I am," said Lucyet, rather wearily.

"If you'll set on the piazzer and wait, I'll finish up in just a minute.

You see we had to get dinner for two gentlemen as came down to go fis.h.i.+n' to-morrer, and it sorter put me back. I wish you'd wait."

"Well, I guess I can wait a few minutes," said Lucyet, the line between her personal and her official capacity being sometimes a difficult one to maintain rigidly. She seated herself on the piazza, not observing that she was just outside of the window of the room within which the two fishermen were smoking and talking in a desultory fas.h.i.+on. Later their voices fell idly on her ear, speaking a language she only half understood, blending with the few lazy sounds of the afternoon. The conversation was really extremely desultory, being chiefly maintained by the younger man of the two, who lounged on the sofa of unoriental luxury with a thorough-going perversion of the maker's plan,--his head being where his feet ought to have been and his feet hanging over the portion originally intended for the back of his head. The other man wore the frown of absorption as, a pencil in his hand, he worried through some pages of ma.n.u.script.

"Oh, I say," observed the idler, "ain't you 'most through slaughtering the innocents? I want to take that walk."

"I told you half an hour ago that if I could have a few uninterrupted minutes I'd be with you," answered the other man, without looking up.

"They haven't fallen in my way yet."

"It's pity that moves me to speech," rejoined the first speaker, rising and sauntering to the window,--not that one outside of which Lucyet was sitting,--"pity for those young souls throbbing with the consciousness of power who may have forgotten to enclose a stamp for return. I feel when I interrupt you as if I were holding back the remorseless wheel of fate."

His companion allowed this speculative remark to pa.s.s without reply. The idler sauntered back to the table.

"What'll you bet, now, before you go any further, that it'll go into the waste-basket?"

"Stamped and addressed envelope enclosed," observed the patient editor, absently.

"Well, what odds will you give me of its being not necessarily devoid of literary merit, but unfitted for the special uses of your magazine?"

The other was still silent as he laid aside another page.

"Half the time," continued the idler, "to look at you, you wouldn't believe that you speak the truth when you express your thanks for the pleasure of reading their ma.n.u.scripts. It would seem that that, too, was simulated."

The older man picked up a soft felt hat and threw it across the room at his companion, without taking his eyes from the page.

"Oh, well," went on the other, "I can read the newspaper. I can read what is printed, while you're reading what ought to be. Of course you and I know the things are never the same."

Picking up the paper, he resumed, approximately, his former att.i.tude, and applied himself to its columns for a few moments of silence. Outside Lucyet sat quietly, her head resting against the white wooden wall of the house; and the editor made a mark or two.

"Now this is what the public want to know," resumed the idler, with a gratuitous air of having been pressed for his opinion. "You editors have a ridiculous way of talking about the public--"

"It strikes me that it is not I who have been making myself ridiculous talking about anything."

"The public! You just tell the great innocent public that you are giving them the sort of thing they like, and half the time they believe you, and half the time they don't. Now this man"--and he tapped the "Chronicle"--"knows an editor's business."

"Which is more than you do," interpolated the goaded man.

"'The frame for William Brown's new house is up. William may be trusted to finish as well as he has begun,'" read the idler, imperturbably.

"'Miss Sophie Brown is visiting friends in Albany. The boys will be glad to see her back.' 'Fruit of all kinds will be scarce, though berries will be abundant.'"

The older man stood up, his pencil in his mouth. "Confound you, Richards! Either you keep still or I go to my room and lock the door."

"Oh, I'll keep still," said Richards, as if it was the first time it had been suggested. Again there was a silence.

The letter must be to Ada's young man, who was doing a good business in cash registers, it took so long to write it. It was within five minutes of the time Lucyet should be at the office. She moved to leave the piazza, when a not loud exclamation from Richards fell on her ear with unusual distinctness.

"By Jove! I say, just listen to this."

The editor looked up threateningly, and went back to his work again without a word.

"No, but really--it's quite in your line. Listen."

Lucyet had moved forward a step or two, when she stood motionless. The words that floated through the window were her own. Richards had an unusually sweet voice, and he was reading in a way entirely different from that in which he had rattled off the "personals." There seemed a new sweetness in every syllable; the warmth of the hillside, the perfume of opening apple blossoms, breathed between the lines. He read slowly, and the words fell on the still air that seemed waiting breathless to hear them. When he finished, Lucyet was leaning against the side of the house, her hand on her heart, her eyes s.h.i.+ning,--and the editor was looking at the reader.

"There," he concluded, "ain't there something of the 'blackbird's tune and the beanflower's boon' in that?"

"Copied, of course?" inquired the editor, briefly.

"No. 'Written for the Daily Chronicle,' and signed 'L.' Not bad, are they? Of course I don't know," Richards scoffed, "and the public wouldn't know if it read them, but you know--"

"Read 'em again."

A second time, with increased expression, half mischievous now in its fervor, the lines on Spring fell in musical tones from Richards's lips.

Still Lucyet stood breathless, her whole being thrilled with an impulse of exultant, inexpressible delight, listening as she had never listened before. It was as if she stood in the midst of a s.h.i.+ning mist.

"She's got it in her, hasn't she?" Richards added, after a pause.